Amy Ray, with her impressive body of solo material, has clearly established herself as the “rock” half of Grammy-winning folk duo Indigo Girls. While the heart is clearly the favorite in the pantheon of body parts romanticized in song (See: All Pop Songs), the lung is as overlooked and misunderstood as a gangly feminist at a beauty pageant. But in Lung of Love, Ray’s sixth solo album in a decade, the punk-folk icon gives the humble apparatus its due and delivers her most rocking, immediate album yet.
One of the most recognizable voices in pop music, Ray has never been an artist to rest on her laurels and Lung of Love is no different, featuring tracks ranging from distorted guitar rave-ups to an Appalachian come-to-Jesus throwdown. Street date is February 28, 2012 on Ray’s own Daemon Records imprint.
The former suburban Georgia tomboy has always been on the side of the underdog and the songs on Lung of Love continue in that vein. In the mid 1970s, Ray was a Georgia ‘tween, plucking out Partridge Family songs on her guitar and dreaming of becoming David Cassidy, the teen idol who got all the girls. She loved psychedelic hippies like Janis Joplin and Jimi Hendrix, too. Ray began writing songs about injustice and the tragedy of unrequited love and playing her music in the schoolyard. “Even then, I had a sense that what I was writing was not for authority,” says Ray. “I wrote for me and my peers.”
Lung of Love is no different; it’s got a heart, a conscience and it’s current. The album finds Ray reunited with producer Greg Griffith, who worked with her on 2008’s Didn’t It Feel Kinder, but this time Griffith also acts as co-writer, the first time Ray has ever collaborated as a songwriter. (She and Indigo Girl Emily Saliers write separately, then come together to arrange and record.)
Another first: After all of the basic tracks were recorded, keyboardist Julie Wolf laid Moog, Farfisa, Rhodes, and Wurlitzer sounds on top-the vintage keyboards and synths both adding to the uniqueness of the record and creating a subtly unifying motif for the diverse songs.
Backed by her touring band of Griffith (Bass and Guitars), Wolf (Keys), and former Butchies Melissa York (Drums) and Kaia Wilson (Guitars and Vocals), the songs have an urgent, bright economy and a pop sensibility not heard on Ray’s previous solo outings. Guest vocalists pop up throughout the record, including Brandi Carlile, Jim James, and Lindsay Fuller.