From Spin Magazine:
In the January 2001 issue of SPIN, Elliott Smith paid tribute to the legacy of John Lennon, recalling how his revolutionary music shaped Smith’s own approach to songwriting in his formative years. Spin Magazine revisit Smith’s piece on his favorite Lennon songs. Scarily prescient: Smith, who took his own life in 2003, relating to the suicidal subtext of “Yer Blues.”
My friends and I were just starting to teach ourselves guitar in 1980. I was 11 and really into Beatles songs like “Julia” and “Sexy Sadie”— cool, kaleidoscopic chord changes. I was totally immersed in trying to figure it all out, and it was slowly happening when some madman gunned down the guide. At first, kids at school acted like it was a hoax. It didn’t seem real at the time, and to be honest, I rarely think of John Lennon as dead. There’s too much life in his music to think of him as gone. For some reason when I think of him now, I usually picture him the way he looked and sounded during the “hairy and scary” phase, around the time of Abbey Road. Definitely on his own trip. It’s neat when you’re a kid to see people who aren’t scared to change. I was mainly into the musical side of things, however, and Lennon’s murder further separated his music from his fame in my mind. I went back to figuring out how to play his songs and pretty much acted as if nothing had happened. My folks were Beatles fans and supposedly played Sgt. Pepper’s for me before I was born. In junior high I thought that “A Day in the Life” was probably my favorite song ever. Of course, now I have many, many favorite songs, but a lot of them are still Lennon songs. For example:
“I’m Only Sleeping”
Most songs that bring up wanting to be left alone in some way or another don’t do it as gracefully as this one. It’s cool to express and defend your own interior space without getting all hostile about it; this song makes it seem easy. I also like the way it feels as if it’s pulling itself along with its own momentum instead of being pushed forward heavily with the kick drum.
“Tomorrow Never Knows”
The first line (“Turn off your mind, relax, and float downstream”) kinda says it all, really.Again, it’s like he’s describing a solid internal state you can maintain without doing battle with the outside world. Sometimes the most amazing thing to me about Lennon is that he kept a positive identity despite such a cracked upbringing and crazy fame. On the other hand:
Sometimes you gotta freak out. Maybe it’s cathartic; definitely unavoidable. People generally try to hide their own meltdowns, unfortunately. That’s probably why it’s a relief to hear a song like this one, at least for me. “Feel so suicidal, even hate my rock’n’roll!” That kind of thing is gonna get out somehow, so why not just detonate it all at once?
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