Ricky Gervais Q & A with a journalist about journalists in a magazine about journalism.

From Columbia Journalism Review:

As his Golden Globes hosting gigs have shown, Ricky Gervais is not afraid to say what he thinks. So who better to consult about the odd tribal rite that is the Hollywood publicity junket? These highly efficient PR marathons, in which dozens of journalists rotate through the same nondescript set for a few precious minutes with the star, are the reason you see, hear, and read more or less the same soundbites over and over the week a new film or TV show debuts. Gervais is currently promoting his new app (Just Sayin), several TV series, and his latest comedy shows, as well as Learn English with Ricky Gervais, “the YouTube translation project,” which invites viewers to provide subtitles in other languages and then repost them to YouTube (et voilà, “A New Landmark in Human Comprehension”!). So Gervais knows what it’s like to be on the receiving end of press queries. CJR’s Cyndi Stivers sent along questions by email.

What is the largest number of interviews you’ve done in a single day?

Probably about 40 five-minute interviews for a film. It doesn’t sound like hard work, sitting in a chair and talking about yourself all day, but it is quite mentally exhausting. And nowadays, it’s harder than ever before, because even though you get asked the same questions over and over again, you want to give slightly different answers, because now people have access to everything you do. You don’t want the same anecdote popping up on every website, chat show, and entertainment news channel. Still, mustn’t grumble.

On a scale of 1 to 10, with 1 being utter disgust and 10 being profound respect, where would you peg your attitude toward the entertainment media?

It’s an industry. And like any other industry, there are good and bad people, ethical and unethical practices, truth and lies. It’s what you make it, and you choose what crowd you roll with. I’ve been lucky, in the sense that I own my own labor. I’m not really beholden to anyone, so my decisions have been based on what was fun to do. I’ve never done a job for a million pounds that I wouldn’t have done for free. I didn’t give the money back, though, obviously. That would be crazy. Haha. It’s as good as any other business, I guess, and probably more fun.

Is it easier to promote things that are all yours, like Just Sayin, or projects on which you’re an actor for hire?

That’s a no-brainer. Things that I have created and written and directed are 10 times easier to promote. This is, luckily, most things I’ve done.

I always feel slightly sorry for an actor who has to toe the party line for a film that is already getting panned, and he still has another 200 interviews to do. Then I remember it’s still better than having to do real work.

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