From The Guardian:
Here in the 21st century, Kraftwerk‘s forthcoming gigs at Tate Modernare the hottest tickets around. Back in December, demand for themcrashed the gallery’s website; angry fans who missed out stormed the venue, while thousands raged online. For eight nights in February, Ralf Hütter, Fritz Hilpert, Henning Schmitz and Falk Grieffenhagen will play each Kraftwerk album since 1974 in turn – from their fourth, Autobahn, to 2003’s Tour De France Soundtracks – with 3D film versions of their iconic visuals. They will wear neoprene neon suits and stand behind expensive technology. They did the same to rapturous reception in 2012 at New York’s Moma and at the Kunstammlung in their hometown, Düsseldorf, last month.
These are art-event spectaculars to which everyone wants entry because no other band since the Beatles has given so much to pop culture. Kraftwerk’s beats laid the foundations for club music: for hip-hop, synth-pop, techno and house. The sounds they invented have beensampled by hundreds of artists, from Madonna to R.E.M, from Missy Elliott to Fergie. Coldplay and Jay-Z have had hits with their elegant melodies and their image has influenced David Bowie, Daft Punk and Kanye West. We also now live in the kind of world their future-obsessed lyrics predicted: we find Computer Love online, models smile from time to time and Europe Endless exists.
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