From Mental Floss:
For writers, getting rejected can seem like a pastime. But don’t take my word for it, even though I’ve gotten my share of no-thank-yous. These best-selling authors were rejected, too, and some not very kindly. Editors, publishers and agents have made big errors in judgment, as evidenced by the list of unkind (and sometimes needlessly rude) rejections received by these famous writers.
1. GEORGE ORWELL
It seems Alfred Knopf didn’t always understand satire. Animal Farm, the famed dystopian allegory that later became an AP Reader standard and Retrospective Hugo Award winner, was turned down because it was “impossible to sell animal stories in the U.S.A.” A British publishing firm initially accepted and later rejected the work as well, arguing that “…the choice of pigs as the ruling caste will no doubt give offense to many people, and particularly to anyone who is a bit touchy, as undoubtedly the Russians are.”
2. GERTRUDE STEIN
Not much burns worse than mockery, and I would imagine Gertrude Stein was probably fuming when she received this letter from Arthur C. Fifield with her manuscript for Three Lives: “Being only one, having only one pair of eyes, having only one time, having only one life, I cannot read your MS three or four times. Not even one time. Only one look, only one look is enough. Hardly one copy would sell here. Hardly one. Hardly one.” Twenty years later, Stein’s The Autobiography of Alice B. Toklas became her one and only best-seller.
3. STEPHEN KING
Most fans know that King’s big break came with Carrie, the story of a friendless, abused girl with secret telekinetic powers. Though one publishing house told him they were “not interested in science fiction which deals with negative utopias. They do not sell,” Doubleday picked up the paperback rights to the novel and sold more than a million copies in its first year.
4. WILLIAM GOLDING
Though Lord of the Flies was one of my favorite books from high school, it seems some publishers disagreed. One unimpressed agent called the classic “an absurd and uninteresting fantasy which was rubbish and dull.” To date, the book has been required reading in high schools for nearly fifty years, 14.5 million copies have been sold, and Golding’s work has been adapted for film twice.
Continue reading the rest of the story on Mental Floss