From The Next Web:
Having been a serial gig-goer for many years, I have been known to whip out my mobile phone or digital camera and capture some footage or a few photos for posterity. Without even a hint of exaggeration, I can say that 99% of the time I’ve never looked at my ‘handiwork’ more than once, simply because they were never of a good enough quality to accurately reflect the gig as I remembered it. So why did I do it? I think primarily because it became habitual and, well, because I was able to do it.
While some bigger bands do release official videos of their gigs, usually the only way to relive a night is through buying or downloading something recorded by a fellow fan. There’s clearly a market for live music recordings, and there’s an evident paradigm between live-music bootlegging (audio or video) and studio-recorded music piracy.
In days gone by, anyone wishing to bootleg a gig would have to smuggle in some fairly chunky equipment. The advent of the smartphone era empowered anyone to be a have-a-go bootlegger, but it’s only in recent times where devices have been of sufficient quality to bring real value to those watching online via YouTube and other platforms.
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