From Rolling Stone:
Talk a little about your daily TM practice.
Typically, I’ll wake up, sit up in bed, and do 20 minutes. When I wake up in the morning, usually the remnants of dreams are still very present in me, and it takes me a minute to get to be me again. I’m a little lost when I wake up. TM helps me center and ground myself. When possible, I do it again before dinner. Then the evening starts as more of its own time, and not just a continuation of the busy work day. Although sometimes it’s a busy night.
What, go in a studio in night?
I try not to do that anymore. Now, we typically start working at noon, and are usually out of the studio at six — if things are really going good, seven. If things are not going so good, five. We don’t beat a dead horse. I meditated in the car on the way here, and I missed the exit.
Do you think your own creativity has changed over the years?
It’s always intuitive, but over time, the craft becomes better. In the beginning, I was a complete novice, and now I’m a complete novice with 30 years of experience. There’s wisdom that comes with experience. I would do certain things in the early days that wisdom would have prevented me from doing, and those were probably good things too! When I started in music, it was only about a drumbeat and words. That was about my level of understanding, and then over time, I started understanding more of the elements that could be used. It’s just more tools in the toolbox: this song would sound good if it had a bigger production, and this song would sound good if it was stripped down, and knowing the difference.