Eric Hopkins, a percussionist with the Utah Symphony, recently wrote a post on the symphony’s website to explain why playing something that seems as simple as ringing a dinner bell could be so difficult. I mean, it’s no cowbell. I kid, of course, and like any instrument – when you play it, you have to make the music better, or else you’ll make it worse. You can listen to Eric’s interview with NPR here.
He writes: “Wow, you’ve got the best job in the world! I mean, how hard it can be to play the triangle?” Oh no you didn’t.
I would try to convince you that the triangle is an extremely challenging and complex percussion instrument, the intricacies of which can only be mastered after years of diligent practice. But I’m not. Because that is not exactly the truth.
The truth is that anyone can play the triangle. It is one of the most basic musical instruments. I mean, its name is the shape. You hit a triangle-shaped piece of metal with another piece of metal, and “Ding!” No worries about hitting a wrong note or playing out of tune. You don’t even have to bother with note length; just hit it and you’re done.
But that’s not exactly true either.
The truth is that the triangle is part of a collection of percussion instruments, that together, warrant a profession in which one strives to master the art of performance. Through manipulation of timbre (sound color) and articulation (length), one can start to convey the common musical elements of phrasing, clarity, texture, balance, and finesse, to name a few. This holds true from snare drum and xylophone to tambourine and triangle.
So what makes tasteful triangle playing, if there is such a thing?
Imagine yourself as the professional triangle player you’ve dreamt of being. To get you started, I’ll lend you my triangle collection. This gives you six triangles to choose from, clips to suspend them from, five pairs of graduated steel beaters, and three pairs of graduated brass beaters.
Now we’ll put you in the orchestra. Since I play with the Utah Symphony, and I happen to be playing triangle on Mahler’s Fifth Symphony this week, that’s what you get to play.
Your To-Do list…
- Youtube, Spotify, or tape-deck some recordings of the music and start to get an idea of the tempos, rhythmic challenges, style, and volume of the piece.
- Translate the German musical indications that you do not understand.
- Listen again, specifically for when to let the triangle ring and when to muffle. Quick muffle, taper muffle, or let vibrate? Make up a short-hand notation for this and mark it in your part.
- Decide what triangle(s) to use. Do you want a clear-toned, pristine sounding triangle, or a more shimmery triangle with a bigger overtone spectrum? Or somewhere in between? Articulation or smoothness?
- Decide what beaters to use. Stainless steel or the more malleable brass? Heavy or light, and to what degree?
- Decide where on the triangle you want to hit, depending on the desired timbre. Dark sound or light sound?
- Decide if you want to play that tricky passage in the fifth movement with one hand as normal, or to mount the triangle on a special stand, freeing both hands.
- Vibrato or no vibrato?
- Now practice along with your favorite recording, then with five others. Do your sounds blend with the orchestra in context, or do you need to make adjustments?
- Get to know the part well enough so that nothing can throw you off (nerves, curve balls from the conductor, etc.).
- Practice counting the rests. You don’t play all the time, but you need to know when to play if the music says “Tacet until you play,” which it does in this piece.
- Practice your triangle roll. It’s unlike any other percussion instrument technique, and it will be really obvious to the audience if there are hiccups and gaps in that clangy metal noise.
- Practice your soft playing. Thierry Fischer, our music director, really likes to exploit soft playing, so make sure you can make that metal-on-metal steel alloy triangle sound really soft and delicate, even under pressure.
- Remember, don’t whiff it, or the conductor may stop the orchestra and make you feel really dumb for messing up something as easy as the triangle.
- Practice hitting the triangle three times in a row and getting the same sound. Good luck!
- Don’t forget to start practicing for next week’s triangle repertoire.
- Don’t mess up!