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This is the 9 page story treatment that Steven Spielberg and E.T. writer Melissa Mathison put together to pitch a sequel to the blockbuster original. In it, the cast has to deal with an invasion of aliens that are as dangerous as everyone thought E.T. was. As groundbreaking and emotional as E.T. was, I’m good with just that film, thanks.

Spielberg on why it never came to fruition:

Sequels can be very dangerous because they compromise your truth as an artist. I think a sequel to E.T. would do nothing but rob the original of its virginity. People only remember the latest episode, while the pilot tarnishes.

In the night sky there is an emotion churning about. The stars twinkle blankly, expressionless as if to say that something is wrong. There is a slight breeze disturbing the treetops — or is it?

Through gnarled branches we gaze upon a familiar sight. In what seemed like only the blink of an eye, something has penetrated the night sky and nearly avoided our attention. A small noise, followed by streaks of stray light, further acknowledge its presence. A door is being opened on the giant ornamental Mothership now resting in the forest clearing.

A door opens and extends outward to make a ramp. Light pours from within and a figure emerges as a silhouette. The creature moves in a familiar fashion — a waddle.

School has now come to an end for Elliott, Michael, Gertie and their many friends. For most youngsters, summer is something to look forward to. This is not the case for a handful of children this summer! Summer is, unfortunately, a continuation and concentration of feelings and thoughts the previous months only hinted to. For these few kids, summer promises only one thing… LONELINESS. This is the first of many summers without their little alien friend, nicknamed E.T. Hard as it is, the children cope…

Elliott, Michael and Gertie are closer to one another since E.T. came into their lives. They have a special sort of relationship now. But as always, time tends to blur memories and Elliott’s mother, Mary, is still waiting for that process to begin. So far, however, E.T. is as popular today as he ever was!

The spaceship, nestled in the forest clearing surrounded by massive Redwoods, seems to be showing signs of life. Movement can be detected within the ship.

The aliens onboard are EVIL. They have landed on Earth in response to distress signals designating its present coordinates. These aliens are searching for a stranded extraterrestrial named Zrek, who is sending a call for “Help.”

The evil creatures are carnivorous. Their leader, Korel, commands his crew to disperse into the forest to acquire food. As the squat aliens leave the gangplank, each one emits a hypnotic hum which has a paralyzing effect on the surrounding wildlife. These creatures are an albino fraction (mutatation) of the same civilization E.T. belongs to. The two separate groups have been at war for decades!

Korel approaches the top of the gangplank and raises his frail arms outward as his yellow heart-light summons his crew back to the Mothership. For a moment the aliens are paralyzed themselves. The tiny creatures eventually look up with their large, expressive red eyes and begin their orderly processional back up into the spaceship.

Inside the craft is a vast assortment of large plants and animal-like beasts in cages of light — obviously specimens from past voyages.

At Elliott’s home we see him climbing onto his roof to check E.T.’s COMMUNICATION, which has been anchored down and sending messages into space ever since E.T. left Earth.

Elliott’s father returned from New Mexico months before and filed for divorce and moved back to New Mexico. But Elliott’s family has seen harder times. And the fact that Mary has been dating Dr. Keys, since they met just before E.T. left, has eased the strain considerably.

One thing is certain… everybody under this household’s roof has something in common – E.T.! Keys has told his story time and time again about his first meeting with the tiny, confused E.T. It is a story full of emotion, surprise and mystery. Keys never plays down how important that experience was to the direction his life took from then on. Keys admits his life ambitions were channeled toward more positive and rewarding goals. He didn’t continue to live in a dream-world of hope that he would one day meet his spacefriend again, like he fears Elliot and his friends are now. Keys insists he chose to pursue medicine and science because of E.T.

Recently, Elliott has been sensing something he cannot explain. His umbrella COMMUNICATOR is reacting strangely now. He thinks it could be receiving a message from space!

In his room, Elliott is searching for something. On his wall is the Polaroid snapshot of himself with Michael and E.T. on Halloween night. Above his bed we see E.T.’s clay planets suspended by wire from the ceiling. Elliott emerges from the closet with a pot. His face becomes sad. The Geranium is still dead. He puts the pot on his dresser and sits on his bed, thinking.

Later, Elliott jumps up happy and races through his house. He finds Michael and Gertie and makes them promise their “most excellent promise” that they will tell nobody what they are about to do. Having finished that, Elliott calls his D&D buddies Steve, Tyler and Greg and tells them to ride their bicycles to the forest clearing because E.T. could be coming back!

There have been numerous reports of unexplained cattle mutilations in the surrounding countryside.

At the clearing we sense danger. We see shadows and undefined forms lurking in the nearby forest. Night is falling and in the distance we hear a commotion. Elliott and his friends are converging on the clearing unaware of any trouble. They arrive and dismount their bicycles.

In awe, everyone gazes upon the dark contours of the massive space machine. Suddenly the figure of Korel appears in an illuminated porthole. Telepathically Korel speaks to the children asking the whereabouts of the fugitive alien, Zrek. The children reply honestly that… “He’s gone home!” Korel becomes angry, believing that they are lying.

When the children regain their senses, they are surrounded by the evil alien creatures who were hiding in the firest. The creatures are carrying some kind of dagger. Elliott advances in a friendly gesture but barely escapes being bitten, or even killed, by the alien’s razor-sharp teeth! Several of the aliens bare their fangs from time to time to show they mean business. Korel orders that the children be brought aboard. Reluctantly Elliott and his friends follow.

In the hours that follow, Elliott and his companions are questioned extensively. But the aliens will not accept the truth in their responses. While one child is interrogated, another is being examined. Gertie is crying and calling for Mary and E.T. for help. The others endure (as their war-gaming experiences have taught them).

At Elliott’s home, Mary is arriving from an extended date with Dr. Keys. They enter the empty house and proceed to investigate further why nobody is home. It is past 11:00 P.M.

It is now time for Elliott to be questioned. The aliens show no mercy when he replies with the truth. The questioning process intensifies when they learn from his memory that he has dealt directly with Zrek. The pain is tremendous for Elliott and he breaks down and begins screaming for E.T.’s help. Elliott black out but the echos of his last cry can be heard from a distance. At this point we follow, upward, the echoing cry for E.T. into the cosmos where the painful cry seems to die.

In the meantime, Keys and Mary decide not to call the police yet. They hear a strange noise coming from somewhere. They finally realize that the sound is coming from the roof.

Mary leads the way to Elliott’s room where there is a trap door leading to the attic. From there, Keys climbs out a window and up to the rooftop. He witnesses a bizarre sight… the COMMUNICATOR is vibrating crazily and rotating to a new position. The keyword read-out is repeat the same entry: “E.T. HELP ELLIOTT SOON.”

Keys calls Mary to the roof. When she arrives to read the message, they embrace and go back through the attic, into Elliott’s room. Mary turns and sees the Geranium blooming to life. She lets out a feeble yelp and begins to cry. Keys and Mary are now aware of what has been happening. They go to their car and head for the forest clearing.

Elliott is mentally and physically drained now.

Because he is no longer of any use to the aliens, they carry his limp body to a light cage where Michael and Gertie are already resting.

Suddenly we hear a strange resonating hum throughout the ship, yet it is not coming from within the ship. All the evil aliens freeze. A hatch opens to reveal E.T. with his glowing finger raised and his heart-light pulsating.

Elliott awakes immediately. E.T. advances toward the captives and deactivates the light cages. He and Elliott embrace with tears in their eyes.

Elliott, Michael, Gertie, Steve, Tyler and Greg leave the EVIL Mothership and wait for E.T. to come out after re-programming the alien’s navigation controls. E.T. exits the ship and rejoins his faithful friends.

Soon after, Mary and Keys arriive and are reunited again with the magical little alien named E.T. After saying their tearful goodbyes, E.T.’s own Mothership descends from the Heavens to take the place of the evil ship that is now enroute to a remote corner of the galaxy.

There is HOPE in everyone’s eyes as they all, again, behold the picturesque departure of their favorite alien. Dreams can come true

THE END
S.S./M.M

José Roberto “Zero” Alves Freitas is a Brazilian businessman whose record collection of about five million discs is said to be the largest in existence. The first record he bought was Canta para a Juventude by Roberto Carlos, which he acquired around December 1964 or January 1965. By the time Freitas left high school he had 3,000 records. By the time he was 30, Freitas had acquired about 25–30,000 records.

Until recently, most of Freitas’s buying was anonymous. He placed adverts in Billboard magazine reading “RECORD COLLECTIONS. We BUY any record collection. Any style of music. We pay HIGHER prices than anyone else.” and used agents to act on his behalf. He bought the remaining stock of 200,000 records from Colony Records in New York’s Times Square after the store’s 2012 closure and bought the stock of the Rio de Janeiro’s Modern Sound store around the same time. Around 2013 he bought the collection of Murray Gershenz, the former proprietor of the Music Man Murray record shop in Los Angeles. Also in 2013, Freitas bought the collection of Paul Mawhinney of Record-Rama, once itself thought to be the largest in the world.

But enough of my yakkin’, here’s the man himself to explain it all.

The B and B where weatherman Phil Connors keeps waking up in and having the same day again and again in Groundhog Day is up for sale. Yes, you can sleep in the same bed as Bill Murray for the price of $785,000.

Currently the Royal Victorian Manor, it easily turned into the grand single family it once was. The house is located in the northwest Chicago suburb of Woodstock, and is a 5,815-square-foot Victorian with seven bedrooms and eight bathrooms.

hhh

08525689-20

The B and B where weatherman Phil Connors keeps waking up in and having the same day again and again in Groundhog Day is up for sale. Yes, you can sleep in the same bed as Bill Murray for the price of $785,000.

Currently the Royal Victorian Manor, it easily turned into the grand single family it once was. The house is located in the northwest Chicago suburb of Woodstock, and is a 5,815-square-foot Victorian with seven bedrooms and eight bathrooms.

hhh

08525689-20

The B and B where weatherman Phil Connors keeps waking up in and having the same day again and again in Groundhog Day is up for sale. Yes, you can sleep in the same bed as Bill Murray for the price of $785,000.

Currently the Royal Victorian Manor, it easily turned into the grand single family it once was. The house is located in the northwest Chicago suburb of Woodstock, and is a 5,815-square-foot Victorian with seven bedrooms and eight bathrooms.

hhh

08525689-20

The B and B where weatherman Phil Connors keeps waking up in and having the same day again and again in Groundhog Day is up for sale. Yes, you can sleep in the same bed as Bill Murray for the price of $785,000.

Currently the Royal Victorian Manor, it easily turned into the grand single family it once was. The house is located in the northwest Chicago suburb of Woodstock, and is a 5,815-square-foot Victorian with seven bedrooms and eight bathrooms.

hhh

08525689-20

The B and B where weatherman Phil Connors keeps waking up in and having the same day again and again in Groundhog Day is up for sale. Yes, you can sleep in the same bed as Bill Murray for the price of $785,000.

Currently the Royal Victorian Manor, it easily turned into the grand single family it once was. The house is located in the northwest Chicago suburb of Woodstock, and is a 5,815-square-foot Victorian with seven bedrooms and eight bathrooms.

hhh

08525689-20

The B and B where weatherman Phil Connors keeps waking up in and having the same day again and again in Groundhog Day is up for sale. Yes, you can sleep in the same bed as Bill Murray for the price of $785,000.

Currently the Royal Victorian Manor, it easily turned into the grand single family it once was. The house is located in the northwest Chicago suburb of Woodstock, and is a 5,815-square-foot Victorian with seven bedrooms and eight bathrooms.

hhh

08525689-20

Squarepusher‘s latest track “Stor Eiglass” from his Damogen Furies album (Warp) has a virtual reality music video, which you can experience with a Samsung Gear VR headset, Google Cardboard, on phones and tablets, and in YouTube’s 360º platform (embedded above). The fuller the immersion the better.

A collaboration between artists Marshmallow Laser Feast, animators Blue Zoo, and illustrator Rob Pybus, the video itself is a candy-colored jaunt where you get to glance around a 3D world as your travel through it. In a meta-narrativeabout VR, it starts off in a multi-colored utopia where people do star jumps in public, before we journey into a gloomy future where everyone’s hooked on headsets, bodies spasming to the stimulus of a virtual world.

Along the way, if you look directly downwards at your own figure, you’ll notice the protagonist turning from a hardbody into a breasted blob as he trades exercise for the blue pill. The psychedelic journey takes you through all kinds of bizarre landscapes, from shamanic dancing in the desert with laser-eyed stone sculptures to a squalid bedsit.

“The inspiration for the project came from an in-depth chat between ourselves, Rob Pybus and Tom Jenkinson (Squarepusher),” explains Marshmallow Laser Feast’s Robin McNicholas. “His new album both celebrates and exposes the ludicrousness of the modern electronic music scene and we saw parallels with the emerging VR scene. So we wanted to create a journey that had a story embedded in it which reflected that.”

Via The Creators Project

This will make your 8-hours on the computer move a bit quicker. typedrummer is an fun web-based drum kit by designer and developer Kyle Stetz that turns letters into beats. Spaces and parentheses also produce different effects, and beats, and soon, you can leave the office and become a world-famous DJ.