The Globe and Mail and renowned record label Arts & Crafts have collaborated on a collection of six original songs that reflect on the most important news events of the past year. Broadsheet Music: A Year in Review debuts on globeandmail.com today and features original songs created by diverse artists including celebrated indie collective Broken Social Scene, Polaris Music Prize winning hardcore punk band Fucked Up, Calgary’s Reuben And The Dark, and songstress Tamara Williamson among others. Topics explored in this unique project include missing aboriginal women in Western Canada, the divisive battle for Jerusalem, sexual violence and a culture of silence, and the loss of comic Robin Williams. The project comes to life in audio, video, photography and editorial, with elements featured both online at globeandmail.com as well as in print. The album is made available as a free download for a limited time from Arts & Crafts: arts-crafts.ca/broadsheetmusic
“Broadsheet Music bucks the trend of traditional year-end best-of lists in a massive and meaningful way,” said Jared Bland, Arts Editor of The Globe and Mail. “Together with our project partner Arts & Crafts and presenting partner Canadian Opera Company (COC), our goal was to commission a peerless collection of timeless songs, built by musical peers in a crystallized time. It is our gift to our readers, and the fans of these diverse and extraordinarily talented Canadian artists.”
Working in collaboration with Arts & Crafts and music director Charles Spearin (Do Make Say Think, Broken Social Scene), a collection of unique Canadian artists assembled in late fall to create distinctive and impactful songs. The project includes the first piece of new music to emerge from Broken Social Scene since 2010’s Forgiveness Rock Record – the archival “Golden Facelift” – as well as Fucked Up’s seventeen-minute Italian opera in six acts, featuring soprano Karine Boucher and tenor Owen McCausland of the COC.
“We are honoured to partner with The Globe on this ambitious and creative idea,” said Jonathan Shedletzky of Arts & Crafts. “The project provided the opportunity for a diverse collection of our artists to collaborate on the creation of meaningful and challenging pieces.”
This collaborative effort resulted in a 38-minute album of six songs covering a breadth of topics vital to our country and our time:
· Reclamation and human accountability – “Golden Facelift” – Broken Social Scene
· Missing aboriginal women in Western Canada – “Red River” – Reuben And The Dark
· Sexual violence and a culture of silence – “The Next One” – Tamara Williamson and Absolutely Free
· The misleading illusions of liberty and the voice – “Voce Rubata” – Fucked Up
· Exploring the divisive battle in the Mid-East – “Jerusalem” – Jason Collett and Zeus
· Ode to one of our era’s most affective comedians – “No Doubt Or Fire” – Brendan Canning
In a statement from Broken Social Scene, the Toronto collective encapsulated the themes of Broadsheet Music, giving context to the project on which “Golden Facelift” has found its home:
“Golden Facelift is a song recorded during the Forgiveness Rock Record sessions, but ultimately did not make the final cut for one reason or another. It is a song we as a band all felt strongly about lyrically and musically and we wanted to give it a proper unveiling when the time was right. We feel that chance is now as this year draws to a close. 2014 has not been without its beauty, but it has also been a year of incredible brutality and all of humanity has a great deal to answer for. Broken Social Scene aims to echo the voice and concerns of the underdog while creating music that will hopefully inspire those who are doing good and useful things for this planet and humankind.”
Visit tgam.ca/broadsheet to listen to Broadsheet Music: A Year in Review and read related content.
Concord Music Group and Stax Records are proud to announce the digital release and physical reissue of two comprehensive box set titles: The Complete Stax/Volt Soul Singles, Vol. 2: 1968-1971 and The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975. Originally released in 1993 and 1994, respectively, these two compilations will be re-released back into the physical market in compact and sleek new packaging. Each set includes full-color booklets with in-depth essays by Stax historian and compilations co-producer Rob Bowman. The volumes feature stalwart Stax R&B artists including Isaac Hayes, the Staple Singers, Rufus Thomas, Johnnie Taylor, Carla Thomas, the Bar-Kays and William Bell, as well as bluesmen Little Milton, Albert King and Little Sonny,and “second generation” Stax hitmakers like Jean Knight, the Soul Children, Kim Weston, the Temprees, and Mel & Tim. Many of the tracks included in these collections will be made available digitally for the very first time.
The story of the great Memphis soul label Stax/Volt can be divided into two distinct eras: the period from 1959 through the beginning of 1968, when the company was distributed by Atlantic and was developing its influential sound and image (chronicled in acclaimed 9-CD box set The Complete Stax/Volt Singles 1959-1968, released by Atlantic in 1991); and the post-Atlantic years, from May 1968 through the end of 1975, when Stax/Volt began its transition from a small, down-home enterprise to a corporate soul powerhouse.
In Stax’s early years as an independent label, founders Jim Stewart and Estelle Axton struggled with the loss of its back catalog to Atlantic/Warner Brothers Records and the loss of the label’s most lucrative artist, Otis Redding, who tragically died in a plane crash months before. In need of funding and new stars, Axton and Stewart sold the label to Gulf + Western, bringing on promotion head Al Bell (who would soon become an equal partner and major figurehead of the label). In his Vol. 2 essay, Rob Bowman recalls, “As the sun arose in Memphis on May 6, 1968 [the day Stax officially became independent of Atlantic], Stax had been essentially gutted. For all intents and purposes it was a new record company poised to issue its first few records.”
Comprised of nine CDs, Vol. 2 focuses on this period, 1968 through 1971, when Stax/Volt was forging ahead as its own entity. The 216-song collection includes all of the singles issued by the label during this time period, and features some of the biggest and best-loved hits of the day, including Isaac Hayes’ “Theme From Shaft,” The Staple Singers’ “Respect Yourself” and Johnnie Taylor’s “Who’s Making Love,” as well as a number of little-known gems by both major and less-familiar artists.
By the end of 1971, Bowman notes, “Al Bell’s dream of [Stax/Volt] becoming a diversified full-line record company was several steps further along the line to being reality. The label now recorded a wealth of different styles and flavors of black popular music, ranging from the jazz and easy-listening proclivities of Isaac Hayes to the blues of Little Milton to the’70s disco-infused vocal style of the Dramatics to the gutsy soul of the Staple Singers.” Indeed, the early 1970s found Stax/Volt a much bigger entity than ever thought possible during its initial split from Atlantic, with Isaac Hayes as its breakout star. Spurred by the success of Hayes’ GRAMMY Award-winning Shaft soundtrack in early 1972, the label was casting its net across a wide cross section of the entertainment industry, entering into new territory with soundtracks, comedy records, and even investing in a Broadway play. The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975, out coming Spring 2015, covers this era of success and excess, when Stax’s stars were shining bright, but the label was on the verge of its dramatic denouement. The 10-disc box set contains all 213 soul singles issued by Stax/Volt during this time, including such hits as Shirley Brown’s “Woman to Woman” and the Staple Singers’ “I’ll Take You There.
In 1976, faced with involuntary bankruptcy and an unsuccessful distribution deal with CBS Records, Stax was forced to close its doors. In his liner notes for Vol. 3, compilation co-producerBill Belmont writes, “Stax’s difficult and inglorious end in no way diminishes its vital contributions to rhythm and blues and soul. Today, the music of Stax maintains a strong and steady presence, heard continually in cover versions by major artists, in movies and on television. Simply put, the Memphis Soundlives.” And indeed it does.
With a revival of the label in recent years, through Fantasy Records, the 2003 opening of the Stax Museum of American Soul Music in Memphis, Tenn., as well as several developing theatrical performances around the label, the music of Stax will continue to influence generations of musicians and fans alike.
Sammy Hagar has released a stripped-down, acoustic version of the Depeche Mode classic, “Personal Jesus.” While the Red Rocker previously issued a full electric take on the track as part of his 2013 album, “Sammy Hagar & Friends”, the acoustic offering is now available via iTunes as part of an exclusive 12-song Bonus edition of his new album, “Lite Roast.”
“For those who have already purchased the album,” says Hagar, “you can grab just the new track on it’s own.” Download “Personal Jesus” from iTunes here.
Released in October, “Lite Roast” sees the singer teamed with Waboritas guitarist Vic Johnson to deliver stripped-down versions of tunes from his career.
“Lite Roast” was inspired by the rehearsals for Sammy’s appearance at the Acoustic-4-A-Cure benefit show in May, which raised funds for the Pediatric Cancer Program at the University Of California, San Francisco UCSF Benioff Children’s Hospital.
Check out the electric version of “Personal Jesus” from the “Sammy Hagar & Friends” album here.
Tuxedo, the project of Mayer Hawthorne and Jake One, are gearing up for the holidays. Today, the pair share a cover version of Paul McCartney’s, “Wonderful Christmastime.”
The two Grammy-nominated artists have teamed up to release their debut album Tuxedo out March 3, 2015 on Stones Throw Records. You can now pre-order Tuxedo on iTunes and receive an instant download of their first single “Do It,” HERE. Tuxedo recently unveiled their debut video for “Do It,” watch it below.
Mayer Hawthorne (Aquarius) and Jake One (Taurus) are descendants of the one- word moniker family of funk, where you will find groups such as Chic, Shalamar, Plush & Zapp.
The Tuxedo collaboration began with an exchange of mixtapes back in 2006. The fruits of a long-standing kinship were three tracks that mysteriously showed up on Internet doorsteps nearly two years ago. In between personal projects, these three tracks became a full album’s worth of Tuxedo. The album was mixed by original disco don dada John Morales at his home studio in South Plainfield, New Jersey. “I flew out there,” Mayer says. “His wife made me spaghetti and everything.”
The duo are excited to release their upcoming debut album Tuxedo on Stones Throw Records, which also marks Mayer’s return to the label since his debut release of A Strange Arrangement in 2009. Until then, stay classy.
Will Butler will release his debut solo album Policy on March 10, 2015 in North America and March 16, 2015 in Europe. Today, we are excited to announce the first tour dates for Will Butler including the SXSW festival in Austin, TX. Tickets will go on sale Friday, December 12 at 10 a.m. ET via mergerecords.com.
Listen and share Policy opener “Take My Side” described by Stereogum as “a jumpy, wiry rock ‘n’ roll track.” Also, watch the album trailer featuring music from the album.
A full list of tour dates is below with more to come! Pre-order Policy on CD or LP (with an exclusive t-shirt bundle option) now in the Merge store.
Will Butler on tour:
Mar 6 Boston MA – TT the Bears
Mar 7 Brooklyn NY – Baby’s All Right
Mar 12 Pittsburgh PA – Brillobox
Mar 13 Philadelphia PA – Boot & Saddle
Mar 14 Washington DC – Rock & Roll Hotel
Mar 15 Durham NC – The Pinhook
Mar 16 Atlanta GA – The Earl
Mar 18 Austin TX – SXSW
Mar 19 Austin TX – SXSW
Mar 20 Austin TX – SXSW
Mar 21 Austin TX – SXSW
Mar 24 Bloomington IN – The Bishop
Mar 25 Grand Rapids MI – Covenant Fine Arts Center
Mar 27 Toronto ON – Horseshoe Tavern
Mar 28 Montreal QC – Bar le Ritz PDB
Recorded in Jimi Hendrix’s old living room at Electric Lady Studios in New York, Policy was finished in two weeks. Arcade Fire’s Jeremy Gara played drums, and musician friends contributed woodwinds and backing vocals. Most everything else was played by Will. Keep up with Will on his website butlerwills.com.
From The Fader:
The jolly fools over at Mad Decent couldn’t wait to get this new mixtape off their hands, for good reason: it’s a hilarious pack of remixes of your favorite Christmas jingles featuring Jesse Slayter, DJ Fire, and more. Davoodi’s flip of Tchaikovsky’s Nutcracker score sounds like the Yeezus Tour meets the Radio City Christmas Show, and Kstylis’s verse on “6th Gear” is drunk with holiday cheer. “Christmas was always lonely for me,” Diplo tells FADER. “I only got switches in my stockings. I wish I had an album like this to keep me warm… now you can!” Cop it here.
7IN – 83-88 is a new boxed collection of R.E.M.’s eleven vinyl seven-inch singles to be released worldwide December 9 by Capitol/I.R.S. The singles feature replicated original picture sleeve art and labels, including two U.K. releases making their U.S. vinyl seven-inch debuts: “Finest Worksong” / “Time After Time” (live) and the double-pack single for “Wendell Gee” with “Crazy,” “Ages of You,” and “Burning Down.” Pre-order the set on Amazon HERE.
Multiple Grammy Award-winning singer and legendary performer Bette Midler announced today that she will return to the stage for her first major tour in a decade. The Divine Miss M’s national tour kicks off on May 8 in Hollywood, FL at The Hard Rock Live and will visit 22 cities nationwide. Tickets will go on sale beginning November 17th (complete itinerary follows). With every ticket purchased online, Bette Midler fans are entitled to a copy of her new CD, “It’s the Girls!” The tour is produced by Live Nation and Larry Magid Entertainment Group.
The tour will feature material from Midler’s iconic career and material from her new album, “It’s The Girls!” – a glorious tribute to girl groups through the ages. “It’s The Girls!” features the swinging sounds of WWII-era Andrews Sisters, to 60’s super-groups like the Supremes and the Shirelles, to 90’s hit makers TLC. The album will be released on November 4th on Warner Bros. Records and East West Records / Warner Music UK on November 17th, 2014.
Midler will make several major TV appearances this week including performances on The Tonight Show with Jimmy Fallon (Nov. 5), NBC’s ‘TODAY’ show (Nov. 6) and LIVE! With Kelly and Michael (Nov 7). Midler released several track previews from the album including a breathtaking version of TLC’s Waterfalls. Just a few hours after the song’s release, the track sprinted to No. 5 on the Billboard + Twitter Trending 140. Vanity Fair raved that “you haven’t lived until you’ve heard Midler sing ‘Waterfalls.’”
“It’s The Girls!” reunites Bette Midler with long-time collaborator and Award-winning composer Marc Shaiman who produced the album, along with Scott M. Riesett. The album effortlessly showcases Midler’s distinctive and versatile vocal range while honoring timeless classic melodic harmonies.
One of the world’s best-loved and most versatile entertainers, Bette Midler has garnered accolades in all quarters of show business. She’s earned four Grammy Awards including Song of the Year (1989: Wind Beneath My Wings; 1990: From A Distance) and Record of the Year (1989: Wind Beneath My Wings); two Academy Award nominations, three Emmy Awards, one Tony Award, three Golden Globe Awards, and nine American Comedy Awards. Bette Midler has sold over 30 million albums worldwide.
Tickets for Bette Midler go on sale beginning Monday, November 17th at 10AM (all times local).
Additional North American dates and cities will be added. Midler is also set to tour in the UK in 2015. UK dates will be announced at a later date.
For approved press images please visit: http://press.wbr.com/bettemidler
BETTE MIDLER: NORTH AMERICA 2015 TOUR ITINERARY
May 08 Hollywood, FL Hard Rock Live On Sale Mon. Dec. 08
May 09 Hollywood, FL Hard Rock Live On Sale Mon. Dec. 08
May 11 Tampa, FL Amalie Arena On sale Mon. Dec. 08
May 13 Atlanta, GA Philips Arena On Sale Mon. Nov. 24
May 16 New Orleans, LA Smoothie King Arena On Sale Mon. Nov. 24
May 18 Houston, TX Toyota Center On Sale Mon. Nov. 24
May 20 Denver, CO Pepsi Center On Sale Mon. Nov. 24
May 22 Las Vegas, NV MGM Grand Garden Arena On Sale Mon. Nov. 24
May 24 Phoenix, AZ US Airways Center On Sale Mon. Nov. 24
May 26 San Jose, CA SAP Center at San Jose On Sale Mon. Nov. 17
May 28 Los Angeles, CA Staples Center On Sale Mon. Nov. 17
May 29 Anaheim, CA Honda Center On Sale Mon. Nov. 17
June 1 Seattle, WA KeyArena On Sale Mon. Nov. 24
June 2 Vancouver, BC Rogers Arena On Sale Mon. Nov. 24
June 7 St. Paul, MN Xcel Energy Center On Sale Mon. Nov. 24
June10 Detroit, MI The Palace of Auburn Hills On Sale Mon. Nov. 24
June 12 Boston, MA TD Garden On Sale Mon. Dec. 15
June13 Uncasville, CT Mohegan Sun On Sale Mon. Nov. 24
June16 Philadelphia, PA Wells Fargo Center On Sale Mon. Nov. 17
June18 Chicago, IL United Center On Sale Mon. Nov. 17
June 20 Toronto, ON Air Canada Centre On Sale Mon. Nov. 17
June 22 Washington, DC Verizon Center On Sale Mon. Nov. 17
June 25 New York, NY Madison Square Garden On Sale Mon. Nov. 24
Seven-time GRAMMY winner TAYLOR SWIFT announced THE 1989 WORLD TOUR on Good Morning America this morning just days after performing an epic concert in Times Square to over 20,000 fans, wrapping up promotion of her history making fifth studio album, 1989 (Big Machine Records). THE 1989 WORLD TOUR will be produced and promoted by AEG Live & The Messina Group (TMG) and kicks off on May 20, 2015 in Louisiana.
Australian singer-songwriter Vance Joy will be main support along the North American tour while singer, songwriter and viral sensation Shawn Mendes will support the global superstar along her North American stadium dates. THE 1989 WORLD TOUR will encompass eight countries and span four continents including North America, Europe, Australia and Asia**. The first tickets for the North American leg will go on-sale to the general public on November 14. American Express® Card Members and members of TaylorSwift.com will have access to purchase tickets in advance beginning November 7*. General ticketing and on-sale information will be available at TaylorSwift.com.
Last year, the North American portion of Taylor’s sold out The RED Tour played to more than 1.36 million fans over 66 shows (including 13 stadium stops) in 47 cities in 29 states. Also in 2013, Taylor took The RED Tour Down Under – performing sold out stadium shows in Australia (as well as arena dates in New Zealand), becoming the first solo female artist in twenty years to undertake a national stadium concert tour of Australia. In addition, The RED Tour visited Europe for six sold-out shows in 2014.
Taylor Swift, who writes all of her own songs, is a global superstar, seven-time GRAMMY winner and the youngest winner in history of the music industry’s highest honor, the GRAMMY Award for Album of the Year. Taylor is the only artist in music history to have an album (2010’s Speak Now, 2012’s RED and 2014’s 1989) hit the 1 million plus first-week sales figure three times. She is the first artist since the Beatles (and the only female artist in history) to log six or more weeks at #1 in the U.S. with three consecutive studio albums. Taylor has an album on Rolling Stone’s prestigious THE 50 GREATEST ALBUMS OF ALL TIME (by women) list, Time magazine has named her one the of the 100 MOST INFLUENTIAL PEOPLE in the world, and she is Billboard’s youngest-ever WOMAN OF THE YEAR and the only artist to have been awarded this honor twice. Taylor has career record sales in excess of 30 million albums and almost 80 million song downloads worldwide, and has had singles top both the pop and country radio charts around the globe. Taylor’s album RED (Big Machine Records), released two years ago, sold more than 1.2 million copies in the U.S. in its first week, scoring the highest first-week sales debut of any album in over a decade. “Shake It Off.” the first single off her critically acclaimed fifth studio album 1989, topped Billboard’s Pop, HotAC and Hot 100 charts and has earned double PLATINUM-status by the RIAA for exceeding sales of two million downloads in the U.S., and has peaked at #1 1 in 64 countries on iTunes. 1989 topped iTunes’ sales charts in 95 countries on its release and was the highest selling first week release of 2014.
May 20 Bossier City, LA CenturyLink Center
May 22 Baton Rouge, LA LSU Tiger Stadium
May 30 Detroit, MI Ford Field
June 2 Louisville, KY KFC Yum! Center
June 3 Cleveland, OH Quicken Loans Arena
June 6 Pittsburgh, PA Heinz Field
June 8 Charlotte, NC Time Warner Cable Arena
June 9 Raleigh, NC PNC Arena
June 13 Philadelphia, PA Lincoln Financial Field
June 20 Cologne, Germany Lanxess Arena
June 21 Amsterdam, Holland Ziggo Dome
June 23 Glasgow, UK The SSE Hydro
June 24 Manchester, UK Arena
June 27 London, UK British Summertime Hyde Park
July 6 Ottawa, ON Canadian Tire Centre
July 7 Montreal, QC Bell Centre
July 11 East Rutherford, NJ MetLife Stadium
July 13 Washington, DC Nationals Park
July 18 Chicago, IL Soldier Field
July 24 Foxborough, MA Gillette Stadium
July 25 Foxborough, MA Gillette Stadium
August 1 Vancouver, BC BC Place Stadium
August 4 Edmonton, AB Rexall Place
August 5 Edmonton, AB Rexall Place
August 8 Seattle, WA CenturyLink Field
August 15 Santa Clara, CA Levi’s Stadium
August 17 Glendale, AZ Gila River Arena
August 18 Glendale, AZ Gila River Arena
August 25 Los Angeles, CA Staples Center
August 26 Los Angeles, CA Staples Center
August 29 San Diego, CA PETCO Park
September 4 Salt Lake City, UT EnergySolutions Arena
September 5 Denver, CO Pepsi Center
September 6 Denver, CO Pepsi Center
September 9 Fargo, ND Fargodome
September 11 St. Paul, MN Xcel Energy Center
September 12 St. Paul, MN Xcel Energy Center
September 16 Indianapolis, IN Bankers Life Fieldhouse
September 17 Columbus, OH Nationwide Arena
September 18 Columbus, OH Nationwide Arena
September 21 Kansas City, MO Sprint Center
September 22 Kansas City, MO Sprint Center
September 25 Nashville, TN Bridgestone Arena
September 26 Nashville, TN Bridgestone Arena
October 2 Toronto, ON Rogers Centre
October 3 Toronto, ON Rogers Centre
October 8 Des Moines, IA Wells Fargo Arena
October 9 Omaha, NE CenturyLink Center
October 10 Omaha, NE CenturyLink Center
October 13 St. Louis, MO Scottrade Center
October 14 St. Louis, MO Scottrade Center
October 17 Dallas, TX AT&T Stadium
October 20 Lexington, KY Rupp Arena
October 21 Greensboro, NC Greensboro Coliseum Complex
October 24 Atlanta, GA Georgia Dome
October 27 Miami, FL AmericanAirlines Arena
October 31 Tampa, FL Raymond James Stadium
* American Express Presales vary by market so please check your local listings.
** Additional shows will be announced in Asia and Australia
Globally celebrated, multi-platinum rock band NICKELBACK will release No Fixed Address via Republic Records/Universal Music Canada, the country’s leading music company on Monday November 17, 2014. One of the biggest rock ‘n’ roll happenings of the fall, the highly anticipated album is the band’s eighth full-length and first under their new deal with Republic Records.
Celebrating the release in style, Nickelback will perform on Jimmy Kimmel LIVE! on release day (11/17), and will make their first appearance on Good Morning America on Thursday November 20. The band has also confirmed a visit to Toronto on November 21st for select appearances (details to be announced).
Tomorrow (11/5), Chad, Ryan, Mike and Daniel will host a special live performance and major announcement event at House of Blues Sunset Strip – marking the first time Nickelback will bring their hit-laden arena rock show to the celebrated venue. Fans can watch the show via the Live Nation Channel on Yahoo Screen at 6:00pm PT or can join Nickelback in the festivities by purchasing a limited number of tickets to the event at www.livenation.com. All proceeds from the sale of tickets will be donated to the International House of Blues Foundation Action for the Arts grants programs. The programs target high-need and under-resourced communities and connect youth who would otherwise be unable to access resources with opportunities to participate in live music experiences and the arts. Join the conversation at #NickelbackLiveOnSunset.
The digital pre-order for No Fixed Address is available now at participating online retailers. The iTunes and Amazon digital music pre-orders unlock immediate downloads of the chart-dominating singles “Edge of a Revolution” and “What Are You Waiting For?” in addition to the brand new track “Get ‘Em Up.”
“What Are You Waiting For?” impacted Top 40 radio earlier this month, and became the #1 Most Added. It also topped the iTunes Top Rock Songs Chart and landed in the Top 20 of the overall Top Songs Chart. The inspiring and invigorating single continues the globally celebrated multi-platinum quartet’s red hot streak at radio.
At Active Rock, “Edge Of A Revolution” captured the #1 spot, giving the group their eighth #1 at the format. Meanwhile, this rousing rocker has notched upcoming synchs on ESPN’s Monday Night Football, the WWE’s Survivor Series and NASCAR. Its music video has also garnered over 1.6 million views and counting.
Since first landing on the scene in 1996, NICKELBACK have cemented themselves as one of the most commercially viable and important acts of the past two decades. The group’s worldwide sales exceed 50 million units, solidifying their status as the “eleventh best-selling music act” and second best-selling foreign act in the U.S. of the 21st century—behind only The Beatles. Their inescapable and irresistible smash “How You Remind Me” remains Billboard’s “Top Rock Song of the Decade” and “Fourth Song of the Decade”. Amongst all of these accolades, they’ve been crowned Billboard’s “Top Rock Group of the Decade” as well. Along the way, they’ve received a staggering nine Grammy Award nominations, three American Music Awards, a World Music Award, a People’s Choice Award, 12 JUNO Awards and have been inducted into Canada’s Walk of Fame.
Track Listing – NO FIXED ADDRESS:
1. Million Miles An Hour
2. Edge Of A Revolution
3. What Are You Waiting For?
4. She Keeps Me Up
5. Make Me Believe Again
7. Get ‘Em Up
8. The Hammer’s Coming Down
9. Miss You
10. Got Me Runnin’ Round (feat Flo Rida)
11. Sister Sin
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