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Hypnopazūzu is the duo of none other than Martin Glover aka Youth (Killing Joke) and David Tibet (Current 93). A long time in the making, Create Christ, Sailor Boy is their new album, an elaborately-packaged 3-sided LP (with a laser etching on side 4). It contains ten songs bringing together spheres and planets for the ultimate Hallucinatory PickNick.

Next up for Bruce Springsteen is a solo album, which Landau calls “a very different kind of record” from Springsteen, says manager Jon Landau. As for a release date or supporting tour, “it’s premature to say much about it,” Landau says. “It’s a wonderful record, and we’ll see how the next year unfolds. We’re terrible planners. You have people who know where they’re playing 18 months from now and have all of next summer’s festivals booked, and we just have a knack for not planning that far ahead. That’s our way.”

Landau did provide a little insight into Springsteen’s creative direction. “All I can say is that there is a solo record — and when I say solo record, I’m not talking about an acoustic record,” he says. “It is, in fact, a very expansive record, a very rich record. It’s one of Bruce’s very creative efforts. Stay tuned, and we’ll see exactly how that shapes up next year.”


Apple Corps Ltd. and Universal Music Group are pleased to announce global release plans for The Beatles: Live At The Hollywood Bowl, a new album that captures the joyous exuberance of the band’s three sold-out concerts at Los Angeles’ Hollywood Bowl in 1964 and 1965. A companion to The Beatles: Eight Days A Week – The Touring Years, Academy Award-winner Ron Howard’s authorized and highly anticipated documentary feature film about the band’s early career, The Beatles: Live At The Hollywood Bowl will be released worldwide on CD and for digital download and streaming on September 9, followed by a 180-gram gatefold vinyl LP on November 18. The album includes a 24-page booklet with an essay by noted music journalist David Fricke, and its cover art features a sunny photo taken on August 22, 1964 by The Beatles’ then-U.S. tour manager, Bob Bonis, as John, Paul, George and Ringo boarded a chartered flight from Seattle Tacoma Airport to Vancouver, BC for their first concert in Canada.

Documenting The Beatles’ Hollywood Bowl concerts on tape was no easy feat, as producer Sir George Martin explained in his album notes for 1977’s The Beatles At The Hollywood Bowl: “The chaos, I might almost say panic, that reigned at these concerts was unbelievable unless you were there. Only three track recording was possible; The Beatles had no ‘fold back’ speakers, so they could not hear what they were singing, and the eternal shriek from 17,000 healthy, young lungs made even a jet plane inaudible.”

While The Beatles: Live At The Hollywood Bowl references the long out of print 1977 album, it is an entirely new release, directly sourced from the original three track tapes of the concerts. To preserve the excitement of the shows while unveiling the performances in today’s best available clarity and quality, GRAMMY Award winning producer Giles Martin and GRAMMY Award winning engineer Sam Okell have expertly remixed and mastered the recordings at Abbey Road Studios, including the thirteen tracks from the original album produced by Giles’ father, plus four additional, previously unreleased recordings from the momentous concerts.

“A few years ago Capitol Studios called saying they’d discovered some Hollywood Bowl three track tapes in their archive,” says Giles Martin. “We transferred them and noticed an improvement over the tapes we’ve kept in the London archive. Alongside this I’d been working for some time with a team headed by technical engineer James Clarke on demix technology, the ability to remove and separate sounds from a single track. With Sam Okell, I started work on remixing the Hollywood Bowl tapes. Technology has moved on since my father worked on the material all those years ago. Now there’s improved clarity, and so the immediacy and visceral excitement can be heard like never before. My father’s words still ring true, but what we hear now is the raw energy of four lads playing together to a crowd that loved them. This is the closest you can get to being at the Hollywood Bowl at the height of Beatlemania. We hope you enjoy the show…”

Featuring rare and exclusive footage, Ron Howard’s The Beatles: Eight Days A Week – The Touring Years is based on the first part of The Beatles’ career (1962-1966) – the period in which they toured and captured the world’s acclaim. The film is produced with the full cooperation of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison. The Beatles: Eight Days A Week – The Touring Years touches on the band’s Hollywood Bowl concerts and includes footage of the “Boys” performance featured on The Beatles: Live At The Hollywood Bowl.

White Horse Pictures’ GRAMMY Award-winning Nigel Sinclair, Scott Pascucci, and Academy Award and Emmy Award-winner Brian Grazer of Imagine Entertainment are producing with Howard. Apple Corps Ltd.’s Jeff Jones and Jonathan Clyde are serving as executive producers, along with Imagine’s Michael Rosenberg and White Horse’s Guy East and Nicholas Ferrall.

Following a world premiere event in London on September 15, the film will roll out theatrically worldwide with release dates set in the U.K., France and Germany (September 15); the U.S., Australia and New Zealand (September 16); and Japan (September 22). In the U.S., Hulu is the presenting partner for Abramorama’s theatrical release of the film, which will be available to stream exclusively to Hulu subscribers beginning September 17. Studiocanal and PolyGram Entertainment are also anchor partners on the film, having acquired U.K., France, Germany and Australia and New Zealand rights. .

The Beatles: Live At The Hollywood Bowl
1. Twist and Shout [30 August, 1965]
2. She’s A Woman [30 August, 1965]
3. Dizzy Miss Lizzy [30 August, 1965 / 29 August, 1965 – one edit]
4. Ticket To Ride [29 August, 1965]
5. Can’t Buy Me Love [30 August, 1965]
6. Things We Said Today [23 August, 1964]
7. Roll Over Beethoven [23 August, 1964]
8. Boys [23 August, 1964]
9. A Hard Day’s Night [30 August, 1965]
10. Help! [29 August, 1965]
11. All My Loving [23 August, 1964]
12. She Loves You [23 August, 1964]
13. Long Tall Sally [23 August, 1964]
14. You Can’t Do That [23 August, 1964 – previously unreleased]
15. I Want To Hold Your Hand [23 August, 1964 – previously unreleased]
16. Everybody’s Trying To Be My Baby [30 August, 1965 – previously unreleased]
17. Baby’s In Black [30 August, 1965 – previously unreleased]

On September 30, Oh Boy Records will release John Prine’s latest, For Better, Or Worse, a duet album and follow up to the Grammy nominated In Spite of Ourselves. In this timeless album, produced by Jim Rooney, John sings with country sweethearts Iris DeMent, Alison Krauss, Miranda Lambert, Kathy Mattea, Kacey Musgraves, Fiona Prine, Amanda Shires, Morgane Stapleton, Susan Tedeschi, Holly Williams, and Lee Ann Womack.


The classic songs on For Better, Or Worse, originally recorded by artists such as Hank Williams, George Jones, Ernest Tubb, Buck Owens and others, are in John’s blood. “I cut my teeth on Hank Williams songs,” he says. “When I sing these songs there is a small pipeline straight from my heart to my lips.” The tracks take listeners through the universal cycle of love’s pull, love’s bend, love’s life, and love’s end.


This fall, John will celebrate both the new album and his approaching 70th birthday with two shows at Nashville’s Ryman Auditorium, Sept. 30th & Oct. 1st, where he will be joined by some of the duet partners from For Better, Or Worse

Patrick Stewart has released a mock ad for an album of “cowboy classics,” with a five-song “sampler” being sold to raise money for humanitarian aid.

While tragically all copies of Patrick Stewart’s Cowboy Classics, are “sold out” on his website, there is a five-song sampler available for download for $10. The collection features full performances of “Buttons and Bows,” “Don’t Fence Me In,” “Ringo,” “I’m an Old Cowhand” (featuring Ozell) and “Here Comes Santa Claus.” All proceeds will benefit the International Rescue Committee, a global humanitarian aid, relief and development organization helping crisis-affected families in Europe, the Middle East and elsewhere.

This Canada Day, viewers might need to stay “home for a rest” for the documentary Spirit Unforgettable. Commissioned by Bell Media and a favourite at this year’s Hot Docs Canadian International Documentary Festival, the 90-minute film shares the deeply personal story of John Mann, frontman for famed Canadian band Spirit of the West, and his struggle with early-onset Alzheimers.

At 52, Mann is confronted with the reality that he’s losing grasp of the poetic and political lyrics he has shared with millions, since the band formed in 1983. With the support of his wife, Mann and his lifelong bandmates decide to give their fans a goodbye, hoping Mann will be able to make what could be his final performance at Massey Hall. Including archival material and interviews with bandmates, musicians, and doctors, Spirit Unforgettable is an emotional tribute to an incredible artist making the most of every moment as he fights with dignity against a crippling disease.

Spirit Unforgettable premiered at the Hot Doc’s film festival this past spring to rave reviews, and placed in the top 5 films for Hot Docs’ Audience Award. The Globe and Mail called the film, “…smart and sensitive – without being sappy,” and Now magazine declared that “the joy just flows”, giving it 4/5 stars.

Nearing the three-and-a-half decade mark, Spirit of the West continues to rock audiences with their original and potent blend of Folk, Celtic, Rock, Pop, and Punk. With 13 albums to their credit, five of them gold and three platinum, a history of extensive touring throughout the western world, and the authorship of a drinking song (“Home For a Rest”) so well known and loved that it is often called ‘Canada’s unofficial national anthem’, Spirit of the West’s legacy has grown to legendary status. In recognition of the band’s extensive career, they have been inducted into the Hall of Fame of the Western Canadian Music Association, have received the National Achievement Award from the Society of Composers, Authors and Music Publishers of Canada, and were, in 2014, presented with a star in Vancouver’s Starwalk. They have been nominated for four JUNO Awards, including Group of the Year.

Spirit Unforgettable is written, directed, and produced by Canadian writer, musician, and director Pete McCormack (I am Bruce Lee, Facing Ali). It premieres on Friday, July 1st at 8:30pm on HBO Canada.

Nearly four hours of live performances from Eric Clapton’s acclaimed Crossroads Guitar Festival are coming to CD for the first time. This new 3 disc collection coming on July 1 will feature 41 tracks of landmark performances from all four Crossroads Guitar Festivals, which were held in 2004, 2007, 2010 and 2013.

Founded in 2004 by the legendary guitarist, the Crossroads Guitar Festival has given fans an opportunity to witness truly historic performances by some of the world’s greatest guitarists. While fans have been able to relive those magical moments thanks to a series of successful DVD and Blu-ray compilations, only a few of those performances have made their way to CD.

A veritable “Who’s Who” of guitar music can be heard on this set, including Clapton, Jeff Beck, Gary Clark Jr., Robert Cray, Billy F Gibbons, Vince Gill, Buddy Guy, B.B. King, John Mayer, Carlos Santana, Joe Walsh, Ronnie Wood, and Jimmie Vaughn, just to name a few. Naturally, the all-star jams deliver some of the collection s most unforgettable moments.

Held every three years since 2004, the Crossroads Guitar Festival raises funds for the Crossroads Centre in Antigua, a treatment and education facility that Clapton founded in 1998 to help people suffering from chemical dependency.

Get your copy at Amazon today.

One of my all-time favourite labels, Smithsonian Folkways’ latest release is one that can be enjoyed by the entire family: ‘Classic Folk Songs for Kids,’ a 25-track compilation CD of some of the most popular folk songs of all time set to be released July 15. ‘Classic Folk Songs for Kids’ features performances from some of the American folk greats including Pete Seeger, Woody Guthrie, Lead Belly, Ella Jenkins and Elizabeth Mitchell, to name a few. The album includes a 40-page booklet with a brief history of these American children’s tunes and the complete lyrics to each track. It’s the 26th album in the award-winning Classic Series from Smithsonian Folkways.

As archivist for Smithsonian Folkways Recordings, Jeff Place has been involved in the compilation of over fifty CDs of American Music since 1988. Now Place has curated another: ‘Classic Folk Songs for Kids.’ Place previously contributed to Smithsonian Folkways’ compilation of ‘Lead Belly Sings for Children’ the Pete Seeger ‘American Favorite Ballad’ series, and was one of the producers of the acclaimed 1997 edition of the ‘Anthology of American Folk Music.’

Place says of ‘Classic Folk Songs for Kids,’ “the songs included here can be found widely today. Thought of as ‘old and anonymous,’ they have been taught in schools and summer camps. They are songs adults remember from their childhood and can share with their children.” In fact, many of the songs in the album are songs that over time have been shared and changed to evolve to what they are today. Dubbed the “folk process,” a melody was reinvented time and time again with new themes and words to address situations as they arose. During the 20th century, song collectors like John Lomax Sr., Carl Sandburg, and Robert Winslow Gordon collected and preserved many of the songs the great American folk songs that are still sung today.

‘Classic Folk Songs for Kids’ includes timeless American classics that we all remember hearing as children. “Skip to My Lou,” “Yankee Doodle,” and “On Top of Old Smoky” are just a few of the many American signature sing-alongs that appear on the album.

Smithsonian Folkways continues to value children’s music and how it can bring families together through this release. “These songs are for singing together, maybe in a car, maybe at a party, maybe just at home for fun,” notes Place in the forward. “In the spirit of legendary singer Pete Seeger, who dedicated his life to keeping people interacting together and to bonding together through song, we invite you to do the same.”

‘Classic Folk Songs for Kids’ Tracklisting:
1.) Froggie Went a-Courtin’ – Elizabeth Mitchell
2.) Polly Wolly Doodle – Pete Seeger, Bess Hawes, and Tom Glazer
3.) Skip to My Lou – Lead Belly
4.) I’ve Been Working on the Railroad – Ella Jenkins
5.) She’ll Be Coming ‘Round the Mountain – Sarah Lee Guthrie and Family
6.) John Henry – Brownie McGhee and Sonny Terry
7.) Brown Girl in the Ring – Lord Invader
8.) Old King Cole – Jean Ritchie
9.) Green Grass Grows All Around – Sam Hinton
10.) La rana – Suni Paz
11.) I Had a Rooster – Pete Seeger
12.) Go Tell Aunt Rhody – The Ritchie Family
13.) Miss Mary Mack – Ella Jenkins
14.) Yankee Doodle – Pete Seeger
15.) Rock Island Line – Snooks Eaglin
16.) Big Rock Candy Mountain – Tom Glazer
17.) On Top of Old Smoky – Pete Seeger
18.) Crawdad Song – Cisco Houston
19.) Oh Susannah – Pete Seeger
20.) Goober Peas – Tom Glazer
21.) Arroz con leche – Suni Paz
22.) Riding in the Car – Elizabeth Mitchell
23.) Whoopie Ti-Yi-Yo, Get Along Little Dogies – Cisco Houston
24.) Home on the Range – Pete Seeger
25.) Shenandoah – Alan Mills

Rick Astley, the iconic singer with one of music’s most distinctive voices, will release ‘50,’ his first new album in a decade and his first official US release since 1993’s ‘Body & Soul,’ October 7 on BMG. ‘50’ already has Rick atop the charts again, debuting at #1 on the Official Album Chart in the UK last week in a remarkable return for the artist. Rick wrote, produced and performed all of the instruments on this new 12-track collection, the title a nod to Rick’s milestone age. ‘50’ finds Rick returning to his musical roots, with a deeply resonant voice that soars over driving soul, reflective pop and gospel influences.

Rick and his band will come to the US for select intimate rare performances in August, more details to be announced soon.

The first pieces of ‘50’ appeared in early 2015, as Rick started penning new songs and structuring them in his home studio. With encouragement from old friends in the music industry he set forth on crafting this 12-song collection. Lead single “Keep Singing,” which has over 2 million views on YouTube, is a bold opening salvo: a powerful anthem that the BBC says “gives younger artists like John Newman and Sam Smith a run for their money.” The propulsive “This Old House” features a taut dance groove, a fuzzed bass line and quick, punctuated funk riffs. “Angels On My Side” is another powerful ode complete with joyful call and response choruses.

Says Rick: “‘50’ marks both a new chapter in my journey as an artist, and a return to the music I first fell in love with. I could not be more excited to share it with my fans, and take these songs, that have been years in the making, out of the studio and onto the stage.”

Rick Astley has left an indelible mark on pop-culture. With over 40 million records sold, and a catalog of hits, Astley remains one of the most successful solo artists to have emerged from the United Kingdom, holding the distinction of being the first male solo artist to see his first eight singles reach the UK Top Ten. Born in Lancashire, Rick was just 21 years old when “Never Gonna Give You Up” became the major hit of 1987. The single hit number one in 16 countries and propelled his debut album ‘Whenever You Need Somebody’ to worldwide sales of 15 million. Rick returned with new work in the early 2000’s and began touring again to acclaim and sold-out shows across the globe.

Rick has unveiled two music videos for songs from the album, “Keep Singing” and “Angels On My Side”:

Pre-Order 50 on iTunes and Get “Keep Singing” and “Angels On My Side” Now
1.) Keep singing
2.) Angels On My Side
3.) Wish Away
4.) This Old House
5.) Pieces
6.) God Says
7.) I Like The Sun
8.) Somebody Love Me
9.) Let It Rain
10.) Pray With Me
11.) Coming Home Tonight
12.) Let it Be Tonight