Home Blog Page 15

Tiësto Drops “Beautiful Places” and Announces His Biggest Ibiza Residency Yet This Summer

0

Tiësto has a new single out and a landmark summer ahead. “Beautiful Places” is available now via Atlantic Records, arriving alongside the announcement of his return to Ibiza for the first time in 3 years. Beginning August 31st, he headlines a weekly residency at UNVRS, the world’s first hyperclub, for 5 performances. It’s his third residency on the island since 2013 and his biggest Ibiza run to date.

The single follows “Bring Me To Life,” which launched a new creative era for Tiësto after a deliberately mysterious social media blackout sparked a viral countdown and global speculation across the dance music community. That new direction was on full display at his headlining concert at the Great Pyramids of Giza in December 2025, a 3-hour Prismatic DJ set in front of one of the world’s most iconic backdrops that drew 1.7 million live viewers in just 3 hours.

“Beautiful Places” continues building that momentum, adding another piece to what is shaping up as one of the most active and creatively focused periods of Tiësto’s career. With the Ibiza residency on the horizon and new music arriving ahead of it, the summer picture is coming into focus quickly.

“Beautiful Places” is out now via Atlantic Records. The UNVRS residency begins August 31st.

Coleman Jennings Channels Buck Owens Twang on Dave Cobb-Produced Single “Flyin'”

0

Coleman Jennings has a new song out and it moves fast. “Flyin'” is available now via Big Loud Texas/Mercury Records, produced by Grammy-winning veteran Dave Cobb, whose studio in Savannah, GA has become one of the most trusted rooms in American roots music. The track follows Jennings’ debut label EP ‘Ride On,’ released earlier this year.

Solo-penned like most of his catalog, “Flyin'” taps the hard twang of a Buck Owens classic for a song born from endless open-plain drives, built around a simple, propulsive longing to get somewhere and get back to living. It sits comfortably in the outlaw and honky tonk lane while keeping the looseness of a track captured in the moment, which is exactly how much of ‘Ride On’ came together, recorded in a stream of creative consciousness on the spot at Cobb’s studio.

Jennings operates across Western, folk, honky tonk, outlaw, Americana, old-time, and bluegrass without planting a flag in any single one. His debut EP introduced that range through “Head Spinning” and the 70s-style harmony-rich “Jamie,” and “Flyin'” continues building the picture of a modern-day troubadour with genuine instincts and a clear sense of where he comes from musically.

“Flyin'” is out now via Big Loud Texas/Mercury Records.

Blackpink Becomes the First Artist in History to Hit 100 Million YouTube Subscribers

0

Blackpink has made history. The K-pop supergroup became the first artist in the world to surpass 100 million YouTube subscribers, crossing the milestone at approximately 7:31 pm KST, roughly 9 years and 8 months after their channel launched on June 28, 2016. No artist has ever reached this number before.

The timing is significant. Subscriber growth accelerated sharply after promotions began for ‘Deadline,’ their third mini album, which is out now. Since the album announcement video dropped, the channel gained an average of 10,000 new subscribers per day, reflecting the scale of global anticipation the group continues to generate even years into their dominance.

The numbers behind Blackpink’s YouTube presence are staggering across every metric. Their official channel has accumulated 41.1 billion cumulative views. They’ve produced 50 videos with over 100 million views each. Guinness World Records has officially recognized them as the “Most Viewed Band on YouTube,” a title that now sits alongside this new subscriber record.

The trajectory to 100 million is worth noting. In July 2020, Blackpink became the first non-English-speaking artist to enter the Top 5 in YouTube subscriber rankings. They subsequently surpassed Ariana Grande, Eminem, Ed Sheeran, Marshmello, and Justin Bieber before reaching No. 1 among all artists worldwide in September 2021, a position they’ve held ever since.

‘Deadline,’ their third mini album, is out now and contains 5 tracks: title track “Go,” pre-release single “Jump,” “Me and My,” “Champion,” and “Fxxxboy.” The album’s arrival alongside this historic milestone marks one of the most significant moments in Blackpink’s already record-breaking career.

100 million subscribers. First ever. The record belongs to Blackpink.

KEELEY’s Third Album ‘Girl On The Edge of the World’ Is a Cinematic Portrait of an Unsolved Murder

0

KEELEY’s third studio album ‘Girl On The Edge of the World’ is out now via Definitive Gaze, and it arrives as one of the more singular releases in contemporary indie rock. The Anglo-Irish trio, fronted by Dublin songwriter Keeley Moss with Lukey Foxtrot on bass and Andrew Paresi on drums, have built a 12-track record around one of the most haunting unsolved cases in Irish and British history, the 1988 murder of German teenager Inga Maria Hauser in Northern Ireland.

Inga was 18 years old and on her first solo trip abroad when she was killed. The case remains unsolved to this day. Moss has followed Inga’s story for over a decade through her blog The Keeley Chronicles, BBC’s Spotlight coverage, and the BBC/Netflix documentary Murder in the Badlands. ‘Girl On The Edge of the World’ is the culmination of that research and emotional investment, shaped into a musical portrait of Inga’s desire to see the world, drawing in places directly from her diary entries and postcards.

The album was produced in Dublin by long-time collaborator Alan Maguire and marks the first time KEELEY have featured guest vocalists. Miki Berenyi of Lush, Piroshka, and MB3 contributes to one track, and Sice of The Boo Radleys appears on another, two additions that deepen the record’s sonic range without pulling it away from its emotional center. Andrew Paresi brings additional weight to the rhythm section, having previously appeared on Morrissey’s first 3 solo albums.

Musically, the record draws on indie rock, shoegaze, dream pop, post-punk, and ambient electronics, built to function as a continuous listening experience rather than a collection of separate songs. Recurring themes of travel, youth, and loss move through vivid scenes set in cities and landscapes tracing Inga’s journey, evoking mood and movement rather than retelling events directly. Moss has described the approach as capturing the “sonic swirl” of the band’s sound, and across 12 tracks it builds something genuinely cinematic.

The physical release includes a limited sky-blue vinyl edition accompanied by a bonus 6-track 12-inch EP titled ‘Lost Magic,’ which explores further aspects of Inga Maria Hauser’s short life. It’s an extraordinary level of care and detail for a subject that Moss has treated with consistent respect and dedication.

A new documentary focusing on Moss and her involvement with the case is currently in production by the makers of the 2014 film From Scotland With Love, examining both her research into Inga’s story and its influence on KEELEY’s music. The album and the documentary together represent a genuinely significant body of work centered on keeping Inga’s story alive.

KEELEY have been building their live profile through recent support shows with Babyshambles and The Primitives, and the UK tour continues through May with upcoming dates remaining across England.

Upcoming KEELEY Live Dates:

Apr 30 – Todmorden @ The Golden Lion

May 1 – Wolverhampton @ The Giffard Arms (co-headline with TV Pins)

May 2 – Lyme Regis @ Marine Theatre (supporting The Smyths)

May 8 – Nuneaton @ Queens Hall (supporting The Smyths)

Dublin Singer-Songwriter Lisa Keane Navigates the Fear of Loving Again on “Another Goodbye”

0

Lisa Keane opens 2026 with “Another Goodbye,” a warm, soulful pop ballad produced and mixed by Sam Stevenson and mastered by Richard Dowling. The Dublin-based singer-songwriter’s first single of the year tackles one of the more quietly universal emotional experiences: the fear of opening up again after a long-term relationship has left its marks.

Keane is specific about where the song comes from. “I wrote ‘Another Goodbye’ after being in a long-term relationship and fearing that I would carry the hurt and fears of being let down into all of my future relationships,” she says. “It’s about trusting yourself and someone else to love again. The healing process for these sorts of things isn’t always linear, and even if you want to believe that you’ve moved on and closed that chapter of your life, it isn’t always that simple.”

The track blends classic pop ballad structure with richly textured production, with Keane’s expressive vocals carrying both vulnerability and warmth across the melody. It’s emotionally direct without being heavy-handed, and the production gives it room to breathe.

Keane began writing songs at 13 after enrolling in a teen music course focused on songwriting, recording, and performance. Influenced by Taylor Swift and Griff, she’s built a sound that has drawn radio support in Ireland from FM104, RTÉ Entertainment, and BBC, alongside attention from blogs and stations in the UK, US, and Australia. A debut EP is on the way later this year.

“Another Goodbye” is out now.

Cork’s The Kates Announce Debut Album and Release the Urgent, Harmony-Driven “You Don’t See It”

0

The Kates are one of Ireland’s most quietly compelling rock acts, and 2026 is shaping up to be their breakout year. The Cork-based five-piece have announced their debut album, due later this year, and released new single “You Don’t See It” to open the campaign. It’s the first proper look at where the band has been heading since their 2024 EP ‘Pictures Here of Dreams’ established them as a serious force in Irish independent music.

“You Don’t See It” features lead vocals from Mary Beth O’Mahony and reflects the full collaborative songwriting input of all 5 members. The track builds on The Kates’ rock foundation while pushing their dynamic harmonies further into focus. Percussionist Míde Houlihan’s rhythmic contributions anchor a lyrical theme about the pressures and unwanted attention women face, with time and its passage running through the song’s core. Comparisons to Pillow Queens and Little Green Cars are well-earned, though The Kates have a sound that increasingly belongs to them alone.

The band has covered serious ground since the EP. Festival appearances at Other Voices, Electric Picnic, and the Clonakilty International Guitar Festival followed, alongside a sold-out touring run across Ireland and Wales that included packed nights at DeBarras and Connolly’s of Leap. Their track “Unbalancing” was showcased on RTÉ’s television programme Seisiún, and earlier this year they appeared at the Your Roots Are Showing conference.

The debut EP itself set a strong foundation, with singles “All That Talk” and “Unbalancing” both landing on RTÉ Radio 1’s Recommends playlist and earning support from Today FM, Radio Nova, Live95, RedFM, Cork’s 96FM, and KCLR96FM. Each track on the EP was written by a different member of the band, signaling from the start that The Kates operate as a genuine collective.

Paula K, who founded the group in 2017, reflects on what the debut album represents: “We have spent the last year gigging and writing. The upcoming album is a collection of songs that happened between takes of our work and family lives. Naming that space as a creative outlet, where ideas were born and we found out more about ourselves as a band. Our Kates space.”

The origin of The Kates carries its own weight. Paula K created the band in memory of her late mother Catherine, a feminist who loved to lift other women up, as a fundraiser for ovarian cancer charity OvaCare. “The fundraiser was in memory of my mother, who passed away from ovarian cancer,” Paula explains. “The Kates have been going ever since.” Early performances celebrated songs by women, covering Sharon Van Etten, Orla Gartland, Angel Olsen, Lucy Dacus, Patti Smith, The Staves, and Haim, a lineage that still informs the band’s creative values.

That foundation, built on community, memory, and a genuine commitment to lifting women’s voices in music, runs through everything The Kates do. “You Don’t See It” is the next chapter, and the debut album will be the fullest picture yet of what this band has become.

“You Don’t See It” is out now. The debut album follows later in 2026.

Limerick Trio Lyterian Fuse Alternative Rock and 80s Nostalgia on New Single “Terminal 2”

0

Lyterian have a new single out, and “Terminal 2” is the kind of track that rewards repeat listens. The Limerick-based alternative pop trio, consisting of Samuel O’Shaughnessy on vocals and guitar, Katie O’Shaughnessy on drums, and Brandon Ryan on bass, co-wrote the track with producer Mark Saunders, whose synth-driven production gives the song its distinctly cinematic, 80s-tinged character.

The song was sparked by Samuel watching Lost in Translation, drawing on the film’s melancholy and liminal atmosphere to shape a love story set against the backdrop of an airport. “The general feel and liminal space aesthetic of the movie and soundtrack sparked the fuse for what would become the love story inside ‘Terminal 2’,” he says. “Drawing on personal experiences and intertwining it with the melancholy from the film, we brought it to Mark Saunders, who brought in the cool, robust feel of the 80s, adding his own synthesisers and a whimsical John Hughes nostalgia to the track.”

The result is pulsing basslines, atmospheric synthesisers, and emotionally charged vocals layered with enough textural depth that multiple listens reveal something new each time. Samuel is direct about the importance of that detail: “Textures are such an important element to the sounds within a song. This track is packed with layers of texture that takes multiple replays to pick up on. I’m really proud of that.”

Lyterian emerged in 2022 and have built their sound with collaborators including Neal Avron and Howie Weinberg alongside Saunders. “Terminal 2” positions them as one of Ireland’s most compelling emerging acts heading into the rest of 2026.

“Terminal 2” is out now.

Brighton’s Opal Mag Shares “World End” Ahead of Debut EP ‘Goodbye Lavender,’ Out May 29th

0

Opal Mag is one of Brighton’s most talked-about emerging artists, and “World End” makes it easy to understand why. The new single is out now via Venn Records, arriving ahead of her debut EP ‘Goodbye Lavender,’ due May 29th. Listen here.

Drawing on influences including Mazzy Star, The Sundays, The Breeders, and The Smashing Pumpkins, “World End” sits comfortably in Opal Mag’s hazy, atmospheric lane while pushing her confessional songwriting further forward. The track explores emotional imbalance in relationships, specifically how one person’s pain gets minimised while another’s dominates. “It reveals how that imbalance can be quietly reinforced to serve someone else’s sense of control,” she explains, “kicking them when they’re down.”

The 6-track ‘Goodbye Lavender’ follows a run of early releases that earned coverage from NME, Stereogum, Dork, Clash, Rolling Stone UK, So Young, and Under The Radar, alongside radio play on BBC 6 Music, KEXP, and Triple J. Previous support slots with Black Honey, Overpass, and Phoebe Green have built her live reputation steadily.

Opal Mag has a run of dates live now, including Footsteps Festival in London today, Dot To Dot in Bristol and Nottingham later this week, and a string of in-store appearances around the EP release at the end of the month.

‘Goodbye Lavender’ EP Track Listing:

“World End”

Try Not To Hate Everything

Kiss Me

Wasting

Young Forever

Goodbye Lavender

Upcoming Dates:

May 21 – London @ Footsteps Festival

May 23 – Bristol @ Dot To Dot

May 24 – Nottingham @ Dot To Dot

May 29 – London @ Banquet Records

May 30 – Oxford @ Truck Store

May 31 – Portsmouth @ Pie and Vinyl

Wings of Desire Are Releasing a New Single on Every New Moon of 2026, and It’s Working

0

Wings of Desire have a plan for 2026, and it’s one of the more creatively ambitious release strategies in indie music right now. The London duo of Chloe Little and James Taylor are releasing a new single on every new moon of the lunar calendar, with each track forming a piece of their forthcoming album ‘Stand Still Like The Hummingbird,’ due December 9th on the year’s final new moon.

“Nothing Left To Give,” released February 17th, is the latest entry in the series and it’s out now. Built around a propulsive, insistent beat with lockstep harmonies from Chloe and James, the track introduces more electronic elements into their established gritty dream-pop meets krautrock sound. Thematically it tackles burnout under modern pressure. “Some days we feel like we have nothing left to give but somehow we keep on pushing,” the duo share.

Each single arrives with an accompanying visual piece, and the full project draws on themes of chaos, sanity, natural ritual, folklore, and the push and pull of creation and destruction. It’s a continuation of their 2023 debut ‘Life Is Infinite,’ which earned praise from Stereogum, The Independent, CLASH, DIY, and DORK, with BBC 6 Music support from Steve Lamacq and Lauren Laverne, and led to tour slots alongside Editors, Nation of Language, Bleach Lab, and a Roundhouse date with The Cribs.

‘Stand Still Like The Hummingbird’ arrives December 9th. Every new moon between now and then brings another piece of it.

Nerve Star Unearth Forgotten Hard Rock Gems on Debut Album ‘White Hot’

0

Nerve Star’s debut album ‘White Hot’ is out now on vinyl, CD, and digital, and it arrives with a genuinely unusual story behind it. The UK-based hard rock quintet built the 13-track record almost entirely from obscure covers, sourcing songs that never made it past local band demos or cassette tapes in the late 1970s and 1980s, tracks so buried that tracking down the original writers took real effort.

The payoff is an album that functions as a full-throttle rescue mission for lost hard rock material, delivered by a band with serious combined credentials. Guitarist Janne Stark has recorded and produced in metal, prog, and NWOBHM circles since the 1980s. Producer Mike Dixon toured with Thin Lizzy in 1975 and the Sensational Alex Harvey Band in 1976. The album was recorded and mixed by Rasmus Bom Andersen of Diamond Head at Raw Studios in England and mastered by Andy “Hippy” Baldwin, whose credits include Oasis and Blur, at Metropolis in London.

The album closes with “Richard III,” originally written by Tony Bourge of Welsh heavy metal legends Budgie, the riff architect behind tracks later covered by Metallica and Van Halen. Bourge recorded his guitar parts in Wales and sent them across, making the closing track a 3-guitar showcase featuring Stark, Chris Billinghurst, and Bourge himself.

The Astral DJ edit of “Space Ritual,” a shorter standalone version of the full album track originally recorded by Spanish band Warlock in 1987, is also out now. The band describes it as a fan favorite: “Starts off in a swirling riffing opening, that breaks into a deep Highway Star-type driving riff with some great wah solos and a spacey feedback finish.”

‘White Hot’ is out now on all formats, distributed in the UK by RSK Entertainment via Proper Distribution.