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Paris Post-Metal Force The Prestige Go Deeper and Darker on New Album ‘Isthmos’ and Lead Single “Noire Nuit”

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The Prestige’s new album ‘Isthmos’ is out now via Banshies, and lead single “Noire Nuit” makes clear exactly what kind of record the Paris-based post-metal band have built. Heavier, lower-tuned, and more emotionally raw than anything in their catalog, it’s a deeply introspective album that pushes their hardcore and post-metal identity into new and demanding territory.

“Noire Nuit,” translating as “black night,” addresses depression through a central metaphor of a viscous swamp where every attempt to move only worsens the sinking. Vocalist and guitarist Alex Diaz draws from personal experience. “The more I tried to struggle and look for futile solutions, to the point of draining all my energy, the deeper I was sinking into a state of distress,” he says. “It was by understanding that I had to accept my situation and make sense of it that I was able to climb back up.” That shift from resistance to acceptance is embedded in the song’s structure, an unstable, deliberately disorienting meter that makes each bar feel heavier than the last.

Drummer Thibaut Cavelier describes the beat as reinforcing “the impression of mud that’s hard to move through,” while guitarist Fabien Gagnière points to the song’s sung central refrain as something genuinely new for the band. “The sung chorus reminds us that despite the feeling that nothing can get better, there is always a light in the darkness.” It’s a melodic anchor within the chaos, rare in The Prestige’s discography and more effective for it.

The track’s lyrics blend French and English, languages intertwining and clashing to mirror spiraling, contradictory thoughts. Recorded live, then mixed by Amaury Sauvé and mastered by Thibaut Chaumont, the production captures the band’s visceral energy while letting its vulnerability breathe. Their 2025 album ‘Amer’ earned the band praise from Metal Hammer as “one of the year’s most interesting post-hardcore releases,” and ‘Isthmos’ pushes that trajectory further into the dark.

Nashville Alternative Rockers Cinema Stereo Release “So Sorry, My Dear” and Announce a 27-Date Debut European Tour

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Cinema Stereo’s new single “So Sorry, My Dear” is out now on all streaming platforms, and it arrives alongside two pieces of news that make this a significant moment for the Nashville-based alternative rock band. A limited edition 7-inch vinyl featuring an exclusive B-side, “Keep Me Down,” is available now while supplies last, and the band has announced their debut European tour, a 27-date run kicking off October 15 across Belgium, France, Spain, Germany, and the Netherlands.

The single pairs driving rhythms and soaring melodies with a rock sensibility that draws from a wide range of influences including Queen, The Police, Tame Impala, Aerosmith, and The Killers. Originally from Orlando and now based in Nashville, Cinema Stereo balance nostalgia and forward momentum in a way that gives their sound genuine personality, and “So Sorry, My Dear” is a strong demonstration of where they are right now.

“Keep Me Down,” the B-side available exclusively on the physical pressing, expands the single’s sonic universe and showcases another dimension of the band’s evolving sound. For fans who want something tangible and rare, the vinyl is the way to go.

The European tour marks the first time Cinema Stereo have taken their live show overseas, and the routing is extensive, moving through Spain in particular with a run of 12 dates before heading into France and Germany for the closing stretch.

2026 European Tour Dates:

October 15 – Spirit of 66, Verviers, Belgium

October 16 – Kulturrampe, Krefeld, Germany

October 17 – Bully On Rocks Festival, Bully-les-Mines, France

October 20 – Niagara, Santander, Spain

October 21 – Babylon, León, Spain

October 22 – Mardi Gras, A Coruña, Spain

October 23 – Café Cultural, Ourense, Spain

October 24 – Sala Even, Sevilla, Spain

October 25 – La Guarida del Angel, Jerez, Spain

October 27 – La Gramola, Orihuela, Spain

October 28 – Loco Club, Valencia, Spain

October 29 – Sala Because, Castellón, Spain

October 30 – Rock ‘n Blues Café, Zaragoza, Spain

October 31 – AMC Bocanegra, Valles, Spain

November 1 – Urban Rock Concept, Vitoria, Spain

November 3 – Razz 3, Barcelona, Spain

November 4 – Brin de Zinc, Chambéry, France

November 5 – Wunderbar Weite Welt, Eppstein, Germany

November 6 – VAZ, Regensburg, Germany

November 7 – Real Music Club, Lauchhammer, Germany

November 10 – Nachtleben, Frankfurt, Germany

November 11 – Meisenfrei, Bremen, Germany

November 12 – Musiktheater Piano, Dortmund, Germany

November 14 – Umma23, Heilbronn, Germany

November 15 – Music Star, Norderstedt, Germany

November 18 – Cowboy un Indianer, Hamburg, Germany

November 21 – MFC, Coevorden, Netherlands

Birkenhead Newcomer Ty Freeman Channels Merseybeat and Blues Roots on Debut EP ‘One Way Love’

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Ty Freeman has been building toward this for a long time, and ‘One Way Love’, his debut EP, is out now. Recorded at the legendary Kempston Street Studios in Liverpool with producer Chris Taylor and featuring The Coral’s Ian Skelly and Paul Duffy, it’s a 5-track collection rooted in Merseybeat spirit, 60s blues, and raw rock and roll energy, with no click tracks, no polish, and no compromise.

Lead single “Dig For Gold” sits at the crossroads of British roots and American rock and roll groove, riding a swampy rhythm section that blends gritty UK rock with deep, roots-driven soul. “Raw, soulful and unfiltered, this track leans into a tape-era feel, live, loose and emotionally charged from start to finish,” Freeman says. The description fits the whole EP.

The sessions at Kempston Street captured something genuinely alive. “Ian, Paul, and Chris grounded me,” Freeman says of the process. “They helped us surf the chaos without losing the spark. I’d show them a song and within a few takes, no rehearsal, they’d nail it live in the room.” That instinct-and-precision combination is exactly what gives the EP its character.

Freeman’s story adds weight to everything he records. Raised in foster care in Merseyside, he found his way through music, guerrilla gigging on the streets of Liverpool before taking his craft to Hamburg and Zurich, where he’s now based. Classic Rock Magazine, Louder Than War, and BBC Introducing have all taken notice.

‘One Way Love’ EP Tracklist:

  1. Dig For Gold
  2. Up In Lust
  3. One Way Love
  4. Monareen
  5. Better Man

Brazilian Hard Rock Band Insanidade Go Heavier Than Ever on Fourth Album ‘Enough to Be a Loser’

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Insanidade have released their fourth studio album ‘Enough to Be a Loser’, and by their own account it’s the heaviest record of their career. The Brazilian hard rock and heavy metal four-piece draw directly from Motörhead, AC/DC, Guns N’ Roses, and The Hellacopters across 9 tracks, 8 originals and a cover of Mötley Crüe’s “Looks That Kill,” and the result consolidates their place as one of the most consistent names in Brazil’s underground rock scene.

The album marks a shift in how the band works together. “It was the first album in which all members actively participated, both in melodies, arrangements, and artistically,” the band says. “So it was a very cooperative record, and we wanted to sound even more aligned with Hard n’ Heavy.” That collaborative approach is audible throughout, with powerful riffs, striking beats, and attitude-driven lyrics reinforcing the rebellious rock and roll spirit the band has carried across their entire catalog.

The choice of “Looks That Kill” as the album’s cover track is equally deliberate. “Mötley Crüe is a huge influence and inspiration for all of us. ‘Looks That Kill’ is a Hard Rock classic, with a killer riff and a catchy chorus. Pure influence for us.” It’s a natural fit for a band working squarely in that tradition while pushing it forward on their own terms.

‘Enough to Be a Loser’ is out now on digital platforms, with physical CD and vinyl versions on the way. A follow-up, ‘Enough to Be a Loser II’, is already in progress for the first half of 2026.

Atlanta Punk Force Upchuck Drop Scorching New Single “Last Breath” and Head to Europe and the UK This Summer

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Upchuck are back with “Last Breath,” a scorching new single written and recorded during the ‘I’m Nice Now’ sessions at Sonic Ranch Studios in Tornillo, Texas with producer Ty Segall. The track arrives as the Atlanta five-piece head into a packed summer of festival and club dates across the US, Europe, and UK. Listen here.

‘I’m Nice Now’, released last autumn via Domino, drew praise from across the board. The Guardian called the band “politically charged, gloriously abrasive and coiled like a spring.” Kerrang gave it 4 stars, writing that “Upchuck don’t just play songs: they spit venom, grind teeth and slam their fists against the rotting walls of America.” Mojo noted their “Mudhoney-esque fuzz with the muscular heft of early Black Flag.” Hi-Fi Choice went to 5 stars. The critical consensus is as close to unanimous as punk rock gets.

The summer run includes Dog Days Festival in Savannah, Outbreak Festival in Manchester, a date with Lambrini Girls in Heidelberg, and King Gizzard and the Lizard Wizard’s Field of Vision II at Meadow Creek in Buena Vista, Colorado. Club dates in London, Bristol, and Leeds round out the UK stretch.

‘I’m Nice Now’ is available on limited-edition silver vinyl, standard black vinyl, CD, and digitally, each physical format including a foldout poster.

Upcoming Tour Dates:

June 5 – Dog Days Festival, Savannah, GA

June 25 – Patrick-Henry Village with Lambrini Girls, Heidelberg, Germany

June 27 – Outbreak Festival, Manchester, UK

June 28 – Oslo, London, UK

June 29 – Thekla, Bristol, UK

June 30 – Brudenell, Leeds, UK

July 2 – Les Eurockéennes, Belfort, France

July 3 – Bogen F, Zurich, Switzerland

August 14 – Field of Vision II at Meadow Creek, Buena Vista, CO

August 29 – Canela Party, Torremolinos, Spain

Runaways Legend Cherie Currie and Chicago Newcomer Essex Collide on New Wave Revival Single “When You’re Young”

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Cherie Currie and a Chicago newcomer named Essex have teamed up on “When You’re Young,” a cover of the early 1980s UK new wave track originally recorded by Victims of Pleasure, and the combination works beautifully. Produced by Die Krupps mainman Jurgen Engler, the track lands at the intersection of classic new wave and contemporary rock with real authority, and it serves as both a welcome return for Currie and a genuine introduction to an artist worth paying attention to.

Essex draws from Billy Idol, Marc Bolan, David Bowie, and James Brown, and his presence on the track reflects all of that, swagger and edge balanced with genuine melodic instinct. Currie is equally direct about what she found in him. “Billy Idol would be proud with this man’s presence,” she says. “After 50 years in this crazy biz it’s a breath of fresh air to find such a grateful and gracious man. He gives me hope for this nutty music business.” Essex keeps it simple in return: “It was an unbelievable honour to work with somebody that has inspired me since I was a kid. Working with her was insanely easy.”

The single arrives fresh from Currie’s contribution to last year’s Yacht Metal collection, a cover of Walter Egan’s “Magnet and Steel” that drew considerable attention. Essex, meanwhile, is working on an upcoming single and a full-length debut album later in the year, described as dark-edged guitars and synths, commanding melodies, and sharp, aggressive bite channeling the raw electricity of the MTV-era 1980s with modern grit.

American Football Release Eight-Minute Lead Single “Bad Moons” and Launch a World Tour Behind Their New Album ‘LP4’

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American Football’s fourth studio album ‘LP4’ is out now via Polyvinyl Record Co., and lead single “Bad Moons” is the kind of opening move that makes clear exactly where this record lives. Eight minutes long, produced by Sonny DiPerri, and built from 2 separate demos fused into a single piece, it earns every second of its runtime.

The track opens with interwoven guitar melodies, a repeating harp sample, atmospheric effects, and soft confessional vocals from Mike Kinsella before its second half builds into a frenetic, driving jam and closes on a sobering coda. Kinsella describes the song as beginning from the perspective of a child, or two children stacked in a trench coat secretly living the life of a grown man, accumulating missteps and guilt along the way. “By the end, these missteps are almost spilling out of the boys,” he says. “A cathartic confession, hopefully at least somewhat relatable to anyone listening who’s ever lived a life.”

The video, directed by Alex Acy and Remi Belleville and anchored in rural Canada, traces the turbulent transition from boyhood to manhood in slow-motion montage. “Part of growing up is realizing you can only become more empathetic with others once you become empathetic with yourself,” Acy says. “Boys often have a harder time grasping this, which leads to a lot of dumb and regrettable actions.”

‘LP4’ sees the band overhauling their writing and recording processes to create their most sonically ambitious album to date, layered, dissonant, occasionally confrontational, and always deeply felt. The album reflects on disorientation, compromise, grief, and the hard-won perspective of middle age, and “Bad Moons” maps that emotional territory with real precision.

The world tour runs through August, with dates across the US, Europe, UK, Japan, and Canada. Several dates are already sold out, a second London show has been added, and upgraded venues in Philadelphia and Toronto reflect the demand this band continues to generate.

2026 Tour Dates:

May 24 – The Observatory North Park, San Diego, CA (Sold Out) with Mei Semones

June 19 – Alcatraz, Milan, Italy with Marconi Union

June 20 – Im Wizeman, Stuttgart, Germany with Marconi Union

June 21 – Die Kantine, Cologne, Germany with Marconi Union

June 23 – La Madeleine, Brussels, Belgium with Marconi Union

June 24 – Paradiso, Amsterdam, Netherlands with Marconi Union

June 26 – O2 Academy, Leeds, UK with Marconi Union

June 27 – O2 Kentish Forum, London, UK with Marconi Union

June 28 – O2 Kentish Forum, London, UK with Marconi Union (Second Date)

July 8 – Royale, Boston, MA with IAN SWEET

July 9 – Brooklyn Paramount, New York, NY with IAN SWEET

July 10 – Franklin Music Hall, Philadelphia, PA with IAN SWEET (New Venue)

July 11 – 9:30 Club, Washington, DC with IAN SWEET

July 14 – The National, Richmond, VA with IAN SWEET

July 15 – Orange Peel, Asheville, NC with IAN SWEET (Sold Out)

July 16 – Variety Playhouse, Atlanta, GA with IAN SWEET

July 26 – Fuji Rock Festival, Niigata, Japan

August 7 – House of Blues, Cleveland, OH with Afternoon Bike Ride

August 8 – History, Toronto, ON with Afternoon Bike Ride (New Venue)

August 9 – Roxian Theatre, Pittsburgh, PA with Afternoon Bike Ride

August 10 – Newport Music Hall, Columbus, OH with Afternoon Bike Ride

August 12 – Marathon Music Works, Nashville, TN with Afternoon Bike Ride

August 13 – Deluxe at Old National Centre, Indianapolis, IN with Afternoon Bike Ride

August 14 – The Salt Shed, Chicago, IL with Afternoon Bike Ride

August 15 – Turner Hall Ballroom, Milwaukee, WI with Afternoon Bike Ride

August 16 – First Avenue, Minneapolis, MN with Afternoon Bike Ride

Anberlin Bring the Never Take Friendship Personal 20th Anniversary Tour Through the Midwest and East Coast This Month

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Anberlin are deep into their 20th anniversary celebration of ‘Never Take Friendship Personal’, and the remaining dates of their expanded US run are all still ahead. The alternative band have a string of midwest and east coast shows running through June 10, each night with support from Emery and Watashi Wa.

The tour arrives alongside ‘Nevertake’, a reimagined version of the landmark 2005 album featuring Matty Mullins on vocals. “‘Never Take Friendship Personal’ was the soundtrack to my life when I was 17,” Mullins says. “To now have the opportunity to step into the role of vocalist for the band that inspired me is beyond surreal. Re-recording this album with my own voice has been a full-circle moment and an absolute dream come true.” That context gives these remaining shows added meaning for longtime fans and new listeners alike.

Upcoming Tour Dates (with Emery and Watashi Wa):

May 24 – Barnato, Omaha, NE

May 26 – Hal and Mal’s, Jackson, MS

May 28 – The Senate, Columbia, SC

May 29 – The Pyrle, Greensboro, NC

May 30 – The NorVa, Norfolk, VA

May 31 – Capital City Music Hall, Harrisburg, PA

June 2 – Amityville Music Hall, Amityville, NY

June 3 – Empire Live, Albany, NY

June 4 – Aura, Portland, ME

June 6 – Palladium, Worcester, MA

June 8 – Asbury Lanes, Asbury Park, NJ

June 9 – Electric City, Buffalo, NY

June 10 – Preserving, New Kensington, PA

Florida Metalcore Favorites Wage War Announce New EP ‘It Calls Me By Name’ With the Crushing Lead Single “Song Of The Swamp”

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Wage War are heading somewhere heavier and more rooted than anything they’ve done before. The Florida metalcore band have announced ‘It Calls Me By Name’, a 5-track EP due April 17 via Fearless Records, and lead single “Song Of The Swamp” arrives with a music video that sets the tone immediately.

“‘Song Of The Swamp’ is rooted in where we’re from,” the band says. “Driven by Florida and the raw aggression of nature, it’s a heavy track built on tension and hostility.” That description is accurate. The track is dense and aggressive, and it pulls from a very specific sense of place in a way that gives it real personality.

The EP as a whole doubles down on that identity. “It Calls Me By Name is about being drawn to your roots,” the band explains. “Five tracks shaped by Florida, the swamp, and the relentless aggression of nature. Built heavy, but still driven by the hooks that have defined us. It’s our signature sound amplified and pushed further into metal than we’ve ever taken it.” That combination of melodic instinct and genuine heaviness has always been Wage War’s strength, and this EP sounds like the most focused version of it yet.

‘It Calls Me By Name’ Track Listing:

  1. Song Of The Swamp
  2. 4×4
  3. Blindfold
  4. Karma
  5. Purify

Ava Max Takes Full Creative Control and Announces a Bold New Era With the Single “Kill It Queen”

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Ava Max is making a statement. “Kill It Queen,” her new single out now everywhere, is the first track from a new chapter built around full creative control, a new team, and a sound that pushes her further than anything she’s released before. The big pop hooks are still there, unmistakably hers, but vocally and sonically this is Ava Max operating with a confidence and ambition that goes beyond anything on ‘Don’t Click Play.’

“I’m telling my story my way,” she says. “I’m doing things differently and it feels good. I feel empowered, reinvigorated, and I think you can hear it in this single. ‘Kill It Queen’ is for anyone who wants to feel unstoppable.” That energy comes through in the track, and the sharper avant-garde aesthetic surrounding the release signals that this reinvention runs deeper than a single song.

The foundation she’s building on is already formidable. Over 22 billion streams, multi-platinum plaques, and a string of smash hits including “Kings & Queens,” “My Head & My Heart,” “The Motto” with Tiësto, and “Whatever” with Kygo have established her as one of pop’s most consistent forces. “Kill It Queen” arrives as the version of herself she’s clearly been working toward.