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Stephen Wilson Jr. Drops Vivid New Single “Preacher’s Kid”

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A church classroom where kids learned to speak in tongues sits at the heart of Stephen Wilson Jr.’s newest song. The Indiana-born, Nashville-based rising star released “Preacher’s Kid” today, the follow-up to his single “Gary,” currently sitting in the Top 40 on Billboard’s Country Airplay Chart. The new track digs into small-town memory and faith, drawn from a true story about exorcisms before lunch and a crying youth pastor who once preached an impending Armageddon.

Wilson Jr. wrapped real autobiography around the song, describing a world where the worldly was forbidden and a small town could feel like a world within a world. His writing turns the underbelly of a complicated upbringing into compelling storytelling, broken and conflicted in the way he says we all are.

The momentum keeps building. Last month he took home his first ACM Award for Visual Media of the Year for the video for “Cuckoo,” co-directed with longtime collaborator Tim Cofield. Their ninth collaboration arrived this year with the video for “Gary,” starring award-winning actor Gary Sinise. Wilson Jr. premiered that single with a performance on Jimmy Kimmel Live!, then carried it to This Past Weekend with Theo Von and The Howard Stern Show.

The road ahead is packed. Wilson Jr. plays Railbird Music Festival this weekend before returning to Nashville for a CMA Fest performance at Nissan Stadium. His headline Gary The Torch Tour runs through the US and Europe, alongside stops on the Outlaw Music Festival, a Dave Matthews Band support slot at the Gorge on September 4, and three nights backing Brandi Carlile at Red Rocks. The run closes with two Nashville shows at The Truth on December 11 and 12.

It’s a vivid, fearless single from a writer who keeps mining his own history for songs that hit deep.

2026 Tour Dates:

6/6 – Lexington, KY – Railbird Music Festival

6/7 – Nashville, TN – CMA Fest (LP Field)

6/20 – San Diego, CA – KSON Countryfest

6/26 – Chelmsford, UK – State Fayre

6/30 – Dublin, IE – Summer Series

7/3 – Irving, TX – Outlaw Music Festival

7/4 – Austin, TX – Willie Nelson’s 4th of July Picnic

7/5 – Woodlands, TX – Outlaw Music Festival

7/10 – St. Paul, MN – Minnesota Yacht Club Festival

7/11 – Winnipeg, MB – Winnipeg Folk Festival

7/17 – Spokane, WA – BECU Live at Northern Quest

7/18 – Whitefish, MT – Under the Big Sky Festival

7/23 – Floyd, VA – FloydFest

7/24 – Virginia Beach, VA – The Dome by Rutter Mills

7/25 – Baltimore, MD – Pier Six Pavilion

8/7 – St. Augustine, FL – St. Augustine Amphitheatre

8/8 – Raleigh, NC – Red Hat Amphitheater

8/18 – Maryland Heights, MO – Outlaw Music Festival

8/21 – East Troy, WI – Outlaw Music Festival

8/22 – Clarkston, MI – Outlaw Music Festival

8/23 – Noblesville, IN – Outlaw Music Festival

8/25 – Tinley Park, IL – Outlaw Music Festival

8/28 – Wantagh, NY – Outlaw Music Festival

8/29 – Bethel, NY – Outlaw Music Festival

8/30 – Saratoga Springs, NY – Outlaw Music Festival

9/4 – George, WA – Gorge Amphitheatre (supporting Dave Matthews Band)

9/6 – Los Angeles, CA – Hollywood Palladium

9/11–9/13 – Morrison, CO – Red Rocks Amphitheatre (supporting Brandi Carlile)

9/17 – Seattle, WA – Paramount Theatre

9/18 – Seattle, WA – Paramount Theatre SOLD OUT

9/19 – Portland, OR – McMenamins Grand Lodge (Concerts in the Grove)

9/22 – Nampa, ID – Ford Idaho Center Amphitheater

9/24 – San Francisco, CA – The Masonic

9/29 – Phoenix, AZ – Arizona Financial Theatre

10/15 – Belfast, UK – SSE Arena

10/17 – Sligo, IE – Sligo Live Festival

10/19 – Glasgow, UK – O2 Academy Glasgow SOLD OUT

10/20 – Glasgow, UK – O2 Academy Glasgow

10/22 – London, UK – O2 Academy Brixton

10/23 – Bristol, UK – The Prospect Building

10/25 – Manchester, UK – O2 Victoria Warehouse

10/27 – Paris, FR – Le Trianon

10/29 – Zurich, CH – Volkshaus

10/30 – Cologne, DE – Theater am Tanzbrunnen

11/1 – Utrecht, NL – TivoliVredenburg (Ronda)

11/3 – Copenhagen, DK – VEGA

11/4 – Stockholm, SE – Fållan

11/5 – Oslo, NO – Sentrum Scene

11/20–11/22 – St. Petersburg, FL – St. Pete Country Fest

11/21 – Birmingham, AL – Avondale Brewing Company SOLD OUT

12/2 – Pittsburgh, PA – Citizens Live at The Wylie

12/9 – Atlanta, GA – Coca-Cola Roxy

12/11 – Nashville, TN – The Truth SOLD OUT

12/12 – Nashville, TN – The Truth

1/20–23 – Cancun, MX – Dave & Tim Riviera Maya 2027

Video: Metal Titans Sepultura Captured At Their Peak In 1996 Pinkpop Festival Performance

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A cultural revolution caught on tape, raging across a Dutch festival field. A high-definition recording captures Brazilian metal titans Sepultura at the legendary Pinkpop Festival in Landgraaf, Netherlands in 1996, during one of the most explosive periods of their career. Their album ‘Roots’ had landed just months earlier, its fusion of thrash, groove metal, and indigenous Brazilian tribal rhythms sending shockwaves through the metal world. The most revered lineup, brothers Max and Igor Cavalera alongside Andreas Kisser and Paulo Jr., stood at the absolute peak of its creative and commercial power. The setlist tears through their most iconic material, from the earth-shaking groove of “Roots Bloody Roots” to the anthemic fury of “Refuse/Resist,” commanding the massive crowd with unrelenting force. The footage carries real historical weight, documenting the final tour of the original lineup before Max Cavalera’s departure later that year, the end of an era preserved for anyone who wants to see one of the 90s’ most important metal acts at full power.


Philly Composer Jason Calhoun Maps Doubt And Grace On New Album ‘Revelations Of Divine Love’

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A field recording of a sleeping dog helped finish one of the most quietly moving tracks on Jason Calhoun’s new record. The Philadelphia-based artist and composer announced ‘Revelations of Divine Love’ today, out August 7 on Dear Life Records. It’s his fifth release for the label, and the 14 tracks whirr, hum, and glow in shorter form than his recent work, trading extended hypnotic compositions for concise pieces that catch a fleeting moment and hold it close. Listen here.

Two singles introduce the project. “Tolstoy Tatsoi” works with abstracted, gestural melody unmoored from traditional rhythm, a tapping pulse Calhoun describes as disjointed yet in place, like tapping your foot to a song in your head while the radio plays something else. He calls it a leaky faucet syncopation that mirrors real-time thought.

The second single, “At Home,” came together when Calhoun’s dog and partner wandered into his studio and fell asleep on the floor. He recorded them snoring. Having recently moved, he was sitting with the joy of a new space, and their presence in the room helped complete the piece.

The album title nods to the British anchoress Julian of Norwich, whose collected writing of the same name is the earliest known work in English written by a woman. Calhoun returns to her famous line that all shall be well, then sits honestly with his own doubt about it, looking for small revelations in a partner asleep on the floor, surviving a conversation with a stranger, being bad at chess.

Away from the studio, Calhoun works at an oncology center, doing routine but necessary work to help provide treatment for those who need it. That sense of care runs through his music too, and ‘Revelations of Divine Love’ offers company as much as sound. It’s a deeply human record built from texture, tentative melody, and an open heart.

Track Listing:

01 “Too Shy”

02 “Last One”

03 “Tolstoy Tatsoi”

04 “Rare Goodness”

05 “Sextet”

06 “Enjoy Losing”

07 “Intermission”

08 “What We Deserve”

09 “Eye Dilation”

10 “At Home”

11 “Suicide Hotline”

12 “Hard To Tell”

13 “Quartet”

14 “Wake Up Ava”

Queen Tribute King Marc Martel Brings One Vision Of Queen To The Avalon Theatre This October

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The closest thing to hearing Freddie Mercury live heads to Niagara Falls this fall. One Vision of Queen featuring Marc Martel returns to the Avalon Theatre on Thursday, October 1, bringing one of the world’s most spectacular Queen tribute shows to the Fallsview stage. Born in Montreal, Martel has built a global reputation on a vocal resemblance to Mercury so striking it stops people cold.

His voice carried into the 2018 Academy Award-winning film ‘Bohemian Rhapsody’, lending Mercury’s iconic sound to one of the biggest music movies of its era. Even Queen drummer Roger Taylor has marveled at it, saying you close your eyes and think it’s Freddie, calling the resemblance uncanny.

The show runs through the catalog Queen fans know by heart, with powerful vocals and an electrifying stage presence carrying every song. It’s a night built for anyone who ever wanted to stand in a room and feel those anthems land again.

Setlist Highlights:

“Bohemian Rhapsody”

“We Will Rock You”

“We Are The Champions”

“Another One Bites The Dust”

“Under Pressure”

“Somebody To Love”

“Crazy Little Thing Called Love”

Show Details:

Date: Thursday, October 1, 2026

Showtime: 8:30pm

Venue: Avalon Theatre

Tickets are on sale Friday, June 12 at 10:00am through ticketmaster.ca

Canada’s Biggest Political Substack Comes To Toronto As Paul Wells Brings His Road Show To Hugh’s Room

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Toronto becomes the centre of the universe (again) this June. Paul Wells brings his Road Show to the reborn Hugh’s Room on Broadview Avenue on Saturday, June 20, three months after his sold-out Vancouver show. Canada’s biggest political Substack lands in Canada’s biggest city for an evening built around a single thread, Toronto itself.

Wells started staging these live events in 2023 as a way to thank subscribers and bring his audiences together, political junkies, music fans, and people who’d rather listen than shout. Every Ottawa Holiday Show and the first Vancouver Road Show has sold out. With Hugh’s Room holding a modest 200, tickets should move fast.

The night pulls together politics, media, and the arts. Wells sits down with Toronto Mayor Olivia Chow to talk about the challenges facing the city, followed by a panel featuring Mark Carney’s former chief of staff Marco Mendicino, former top Conservative staffer Jason Lietaer, and Toronto Star editor-in-chief Nicole MacIntyre.

The arts side runs pretty wide, too. Wells talks with playwright Michael Healey, whose plays ‘Rogers v. Rogers’ and ‘The Master Plan’ ran at nearby Crow’s Theatre. Rapper Cadence Weapon appears fresh off his new album ‘Forager’ and a new book, ‘Ways of Listening’, published under his given name Rollie Pemberton. Wells also introduces Milton singer-songwriter Gavin McLeod, a young talent worth watching.

Cameco serves as Presenting Sponsor for the evening. It’s a relaxed community hall with a glorious history, and the kind of room where a city gets to talk about itself.

Show Details:

Date: Saturday, June 20, 2026

Doors: 7:00pm

Show: 8:00pm

Venue: Hugh’s Room, 296 Broadview Ave, Toronto

Tickets are on sale now, $60 in advance and $67 at the door

Xbox Marks 25 Years With Limited Edition Series X25 Console And Controller

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25 years of gaming get a hardware tribute built for the people who lived through it. Xbox revealed its 25th Anniversary Collection on June 7, headlined by the Series X25 Limited Edition console and the Controller X25 Special Edition. The console draws on one of the most iconic designs in Xbox history, reimagined for the Series X with the full power of a modern machine, and arrives November 2026. The controller packs 25 years into every detail, with a see-through back case and battery door revealing the classic Xbox logo, original-color ABXY buttons, and a green Xbox button that nods to the first green “X.” It lands October 2026.


Arcade Legends Crazy Taxi Go Global With “World Tour” And The Offspring On The Soundtrack

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The yellow cab is back on the road and floored straight past the city limits. SEGA dropped the announcement trailer for ‘Crazy Taxi: World Tour’ on June 7, sending the arcade icon global with crazy driving, crazy adventure, and crazy money across cities built on unique terrain and high-octane missions. Players meet new characters, tackle varied challenges, and tear through nonstop driving action around the world. The Offspring’s “All I Want,” pulled from 1997’s ‘Ixnay On The Hombre’, powers the trailer with the same punk fury that defined the original. It’s wishlistable now on Xbox Series X|S, PlayStation 5, and Steam.

Eagles Rocker Don Felder Brings “Hotel California” Magic To Fallsview Casino This November

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The guitar voice behind one of rock’s most recognizable solos heads to Niagara Falls this fall. Don Felder plays the OLG Stage at Fallsview Casino on Friday, November 6, a Rock & Roll Hall of Fame legend bringing five decades of music to one of Canada’s top-ranked venues.

Felder spent years as lead guitarist of the Eagles, where he co-wrote the Grammy-winning “Hotel California” and helped build the band’s signature sound. His solo career stretched that reputation further, with collaborations alongside Slash, Joe Satriani, and Mick Fleetwood.

His latest album, ‘The Vault (Fifty Years of Music)’, revisits long-lost demos he finally completed, including standout tracks “Free at Last” and “Hollywood Victim,” plus a tribute to Glenn Frey. The record plays like a guided tour through a songwriting catalog that shaped generations of rock fans.

Fifty years in, Felder still tours the world and keeps sharpening his craft. The November show promises the hits audiences know by heart, delivered by one of the genre’s most distinctive players.

Show Details:

Date: Friday, November 6, 2026

Showtime: 9:00pm

Venue: OLG Stage at Fallsview Casino

Tickets are on sale Friday, June 12 at 10:00am through ticketmaster.ca

How Ice Spice Became a Viral Star So Quickly

Few artists in recent memory have gone from unknown to household name as fast as Ice Spice. In the space of a couple of years, the Bronx rapper born Isis Naija Gaston moved from posting short clips online to earning Grammy nominations and collaborating with some of the biggest names in pop and rap. So how did it happen so quickly? The answer is a mix of timing, talent, and a genuine understanding of how the internet works.

Ice Spice’s first taste of virality came in 2021. She went viral that January after taking part in the “Buss It” challenge, one of the most popular trends on TikTok at the time. The clip racked up millions of impressions and gave her a sudden, sizable following. Rather than let the moment fade, she used it as a launchpad. She quickly capitalized on the attention, using her growing number of followers to draw eyes toward her music.

Around the same time, she began making music with her college friend and fellow Bronx native, producer RIOTUSA. The first inklings of her viral success traced back to 2021, when she started recording with RIOTUSA, releasing early songs like “Bully Freestyle.” Their partnership gave her a consistent sound rooted in boisterous Bronx drill beats, a foundation that would define her breakout.

The track that truly ignited her takeover arrived in the summer of 2022. Her independently released single “Munch (Feelin’ U)” became virtually inescapable, fueled by a Drake co-sign, nearly 120 million Spotify streams, and a music video that turned into a meme. An unofficial remix from Cardi B added even more fuel, and follow-up songs like “Bikini Bottom” and “In Ha Mood” kept the momentum going so she never relied on a single hit.

A big part of her appeal is that she never tried to be anyone else. She charmed audiences with a nonchalant flow and playful, Bronx-born personality, proving you could make noise with subtle charm rather than the larger-than-life persona rap is often associated with. Her fans, who call themselves the “Spice Cabinet” or “Munchkins,” formed a passionate online community that championed her music and her Y2K fashion sense, giving her a self-sustaining engine of visibility.

What separates Ice Spice from most viral flashes is what she did with the attention. High-profile collaborations soon followed with Nicki Minaj, PinkPantheress and Taylor Swift, and the recognition came fast. By the 2024 Grammys she had earned four nominations, including Best New Artist, cementing her status as Gen Z rap royalty just two years into her career. She converted fleeting online buzz into label support, touring and brand partnerships, the kind of structure that outlasts a single spike.

In the end, Ice Spice’s rapid rise is a case study in the modern music era: a viral spark, an authentic personality, a sharp creative partnership, and the savvy to turn all of it into something lasting.

Nikke Ström, Bassist of Swedish Progg Legends Nationalteatern, Dies at 75

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Nikke Ström, the bassist who anchored the sound of Sweden’s beloved progg rock band Nationalteatern, has died at the age of 75. According to Gaffa, the Swedish musician passed away on his 75th birthday. His family shared on Instagram that he had undergone heart surgery in April and died from the complications that followed.

Born Nils Åke “Nikke” Ström on June 8, 1951, he was raised in Karlskoga, where he first began playing in bands. He studied philosophy at Stockholm University in the early 1970s and became politically active in the leftist movement against the Vietnam War, serving as chairman of the FNL group in his hometown. That blend of music and conviction would define the rest of his career.

In 1971 he moved to Gothenburg and immersed himself in the city’s thriving progg scene, playing in several leftist progressive rock bands, including Nynningen. In 1977 he took part in Tältprojektet, The Tent Project, an ambitious four-hour musical theater production on the history of the Swedish working class that toured the country that summer in a giant circus tent. The project gathered over 100 musicians, actors and members of Sweden’s biggest progg bands, making 82 performances for crowds totaling more than 100,000 people across nearly every city in Sweden and parts of Denmark.

That same year, Ström joined Nationalteatern as the bass player in what the group had begun calling its “rock orchestra.” Originally formed as a free theater ensemble, Nationalteatern had grown into one of Sweden’s most influential rock bands, known for its sharp leftist lyrics and the driving force of songwriter Ulf Dageby. Ström became a steady presence in the band’s sound for decades, remaining a member until 2014.

His playing reached well beyond Nationalteatern. He performed with Peps Blodsband and as part of Totta Näslunds Bluesband, and in later years he collaborated with artists including Kristofer Åström, Stefan Sundström and Louise Hoffsten, reflecting a long and broad career that left its mark on Swedish music.

Nikke Ström belonged to a generation of musicians who believed songs could carry ideas as much as melodies, and who helped shape a distinctly Swedish musical movement that still resonates today. He is remembered as one of progg’s quiet anchors, the kind of player whose steady hand held everything together.