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Indie-Pop Standout Rachel Bochner Reckons With Her Past on “Happier You’re Gone (SASE)”

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Sometimes the hardest goodbye is the one you say to yourself. Brooklyn artist Rachel Bochner makes that idea sing on her new single “Happier You’re Gone (SASE),” a sharp, emotionally charged piece of indie-pop that turns the wreckage of heartbreak into something liberating.

Bochner has built her reputation on candid lyricism and a willingness to dig into the messier edges of love, identity, and self-discovery. This single pushes that further. What first reads like a breakup song reveals itself as something more layered, a confrontation with the past self who stayed too long, ignored too much, or simply didn’t know better yet.

The meaning stretches in more than one direction. It could be aimed at a former lover, or at a more complicated internal farewell, but it ultimately lands as a letter of good riddance. “A post-breakup note, or a ‘see-you-never!’ to a formerly destructive self,” Bochner explains. After finishing the track she added “SASE,” for self addressed stamped envelope, to the title as a knowing detail for anyone paying close attention.

The song grew from a vivid dream in which she met a previous version of herself, and it captures a striking realization: she’s happy that earlier self happened, but much happier she’s gone. That duality gives the track its resonance, balancing raw vulnerability with hard-won resolve. Produced by Jackson Hoffman, it leans into an indie-pop landscape with alternative edges, pairing emotional weight with a textured, expansive backdrop that keeps Bochner’s voice front and center.

The single opens a window onto her upcoming album, a body of work rooted in the aftermath of a long-term relationship and the messy process of self-redefinition that followed. As a queer artist, Bochner’s experience sits at the heart of that shift. “I didn’t realize I was queer until my mid 20s,” she says. “Despite my best efforts, the life I’d spent years building no longer felt like home, it became a hand-built prison. Accepting that meant facing I had no choice but to leave it behind.” That turning point shapes a record moving through grief, identity, and the slow arrival of acceptance.

With “Happier You’re Gone (SASE),” Bochner does more than revisit the past. She rewrites her relationship to it, and hands listeners permission to let go, evolve, and find peace in who they’ve become.

SiriusXM Brings Every FIFA World Cup 2026 Match Live With FOX Sports Commentary

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Soccer fans, your summer just got a soundtrack. SiriusXM will carry live broadcasts of every single FIFA World Cup 2026 match, all 104 of them, powered by FOX Sports commentary, from the opening match on Thursday, June 11 through the Final on Sunday, July 19.

The English-language broadcasts come courtesy of FOX Sports, airing primarily on FOX Sports on SiriusXM (channel 83). When two matches kick off at the same time, the second will land on SiriusXM FC (channel 157). Every bit of it is available in the car and on the SiriusXM app.

American listeners get a front-row seat for the home team. The U.S. Men’s National Team open their Group D campaign against Paraguay on Friday, June 12 at 9:00 pm ET, then face Australia on Friday, June 19 at 3:00 pm ET and Türkiye on Thursday, June 25 at 10:00 pm ET, all live on channel 83.

Around the matches, the 24/7 SiriusXM FC channel delivers daily coverage from morning through night, keeping fans current on every result and storyline. The analyst bench is deep this year. Former USMNT head coach Bob Bradley, who steered the U.S. to the Round of 16 at South Africa 2010, joins the team alongside USMNT defender Walker Zimmerman and former England player Wes Brown, a veteran of the 2002 and 2010 tournaments.

They line up next to a roster loaded with pedigree, including National Soccer Hall of Famers Tony Meola and Eric Wynalda, Brazil 2014 veteran Omar Gonzalez, former U.S. internationals Brian Dunseth and Dax McCarty, and a long list of coaches, executives and journalists from both sides of the Atlantic.

The fun spills onto the music channels too. More than a dozen current and former players will take over as Global Soccer Guest DJs, spinning their favorite tracks and swapping stories from on and off the pitch. The lineup includes USMNT members Mark McKenzie, Miles Robinson, Matt Freese, Matt Turner and Max Arfsten, international stars like Leonardo Campana, Miguel Almiron, Kamal Miller and Derrick Etienne Jr., and FOX Sports lead studio analyst Alexi Lalas. Catch their sessions on channels like Hip Hop Nation, Caliente, 90’s on 9 and The Heat throughout the tournament.

This year’s World Cup is one for the history books, the first held across three host nations, with the United States, Mexico and Canada welcoming 48 teams for 104 matches across 16 venues. In the U.S., 11 cities are on the schedule: Atlanta, Boston, Dallas, Houston, Kansas City, Los Angeles, Miami, New York New Jersey, Philadelphia, the San Francisco Bay Area and Seattle.

Watch British Pathé’s 1968 Robots Predict the Future From a London Engineering Lab

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The future arrived in 1968, and it had metal legs. This British Pathé newsreel takes us inside the engineering faculty at Queen Mary’s College in Mile End, London, where Professor M W Thring and his team show off a remarkable collection of early robots. Brian Shayer operates a model centipede walking machine, while Thring demonstrates a walking machine with metal legs, part of his research into powered limbs for people with limb differences, and it strides right across a table. Charles Ford runs a “Mole Miner” built to dig for minerals in places too dangerous for humans, a device imagined for a moon expedition, and then climbs into a step-climbing carriage whose wheel-mounted hooks haul it up a small stairway, designed to help Thalidomide survivors. A full-sized centipede machine even carries a man along, pitched for crossing swampy or lunar ground. The clip is a wonderful time capsule, equal parts hopeful science and retro-futurist imagination.


Handbell Ringers Clifton Turn “Dueling Banjos” Into a Viral Sensation

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Who needs banjos when you’ve got handbells? The Clifton Hand-Bell Ringers’ senior team took the famous “Dueling Banjos” and reimagined it for their bells, performing it at the Slaithwaite Christmas Festival in December 2022. The back-and-forth call-and-response that makes the original so thrilling translates beautifully here, each phrase volleyed between ringers with precision and a grin, proving that a tune built for fingers and strings can absolutely fly in the hands of a skilled bell team.


Prog Rock Titans Kansas, Steve Hackett, and Asia Headline Cruise to the Edge 2027

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The high seas are about to get a whole lot proggier. Cruise to the Edge, the world’s premier Progressive Rock cruise experience, has announced its eleventh voyage, setting sail April 2-8, 2027, from Miami aboard Norwegian Cruise Line’s Norwegian Jewel.

The six-day, six-night full-ship charter will visit three ports across the Caribbean, with stops in Cozumel and Costa Maya, Mexico, plus the private island of Harvest Caye, Belize. Public on-sale begins today (6/8) at 9:00 am PT / 12:00 pm ET, with cabins starting at $1,499.00 per person based on double occupancy.

Leading the bill are four prog heavyweights: Kansas, Steve Hackett, Big Big Train, and Asia. The full lineup stretches past 30 artists, a deep roster that mixes legends with rising stars and gives fans far more music than any single weekend on land could hold.

Returning cruise favorites include Haken, Pendragon, Neal Morse & The Resonance, Von Hertzen Brothers, Caligula’s Horse, Temic, Crown Lands, Spock’s Beard, and Moon Safari, alongside Jane Getter Premonition, Thank You Scientist, Rendezvous Point, Lari Basilio, Gazpacho, Dave Cureton, Dave Kerzner and Friends, Marbin, and Gabriel Agudo. Making their first CTTE voyage are The Dear Hunter, Lunatic Soul, Voyage 35, Ozric Tentacles, Cheeto’s Magazine, Mike Keneally & Beer For Dolphins, Haunt the Woods, Spafford, and Dim Gray. Official hosts Jon Kirkman, Roie Avin, and Mike Dawson return to moderate Q&As and activities.

The onboard experience reaches well beyond the stage. Cruisers can take part in artist photo experiences, Q&A sessions, and special theme nights, all designed to close the gap between performer and fan. The cruise once again features CTTE Late Night Live, billed as the largest pro-am showcase of live prog music in the world, hosted by Rob Rutz. Fans can sign up to perform across four scenarios, from jamming with a headline act on the Late Night Live Pro Jam to sharing the stage with prog legends on Artist’s Choice.

The ship itself is a destination. The namesake of Norwegian’s Jewel Class fleet, the Norwegian Jewel offers pristine staterooms, the award-winning Mandara Spa, and more than 25 dining and bar venues, including Cagney’s Steakhouse, Le Bistro, and the Maltings Beer & Whiskey Bar.

The three ports add their own flavor. Cozumel brings crystal-clear waters and world-renowned coral reefs along the Mesoamerican Barrier Reef, plus ancient Mayan sites and the colorful markets of San Miguel. Harvest Caye delivers a resort-style island escape with white-sand beaches, a lagoon-style pool with swim-up bars, and ziplining for the more adventurous. Costa Maya rounds things out with white-sand beaches, archaeological sites like Chacchoben and Kohunlich, and the laid-back beach village of Mahahual minutes from port.

More than a cruise, CTTE 2027 is a progressive rock festival at sea, where legendary artists, intimate venues, and stunning Caribbean destinations meet for one immersive journey through five decades of the genre. For a taste of what’s in store, the 2026 recap is worth a watch.

Hardcore Legends Converge Unleash Second 2026 Album ‘Hum of Hurt’ on Deathwish / Epitaph

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Converge are not in the habit of slowing down. The hardcore icons have released ‘Hum of Hurt’ via Deathwish / Epitaph, their second full-length of 2026 and a companion to this year’s earlier ‘Love Is Not Enough.’ Both records grew from the same burst of creativity, and both deliver a bleak yet empathetic look at the human condition and its slow unraveling.

The two albums came from one prolific writing stretch. “When we came together to write, we ended up with a wealth of material,” frontman Jacob Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”

Bannon is clear that this is no follow-up record. “It’s not a sequel,” he explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while ‘Love Is Not Enough’ feels more metal leaning. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”

The album wastes no time. Opener “Slip the Noose” erupts with a furious cannonade from drummer Ben Koller before tearing into a short, grinding frenzy that would feel right at home on ‘Jane Doe.’ It’s a visceral reminder of why this band remains untouchable in their lane.

From there, “Doom in Bloom” pits Kurt Ballou’s spiky riffs against Nate Newton’s bass and Koller’s drums while Bannon screams himself raw. “Dream Debris” takes the opposite route, a doomy epic born from a single bass note that swells into a booming crescendo. “It has a lot of twists and turns, yet starts off incredibly simple,” Bannon says of the track. “It was just so heavy, encapsulating everything we wanted in the song.”

The lyrics turn the lens inward throughout. On the menacing “Detonator,” Bannon delivers a line built to linger, “There’s nothing to win if there’s no one to lose.” The title track stands as one of the most propulsive and emotional songs of the band’s career, with Bannon weighing the cost of a life given to art. “I’ve given 35 years of my life to creating art and music,” he reflects. “These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”

The record also includes a fresh rendition of “I Won’t Let You Go,” originally cut for the 2020 video game Cyberpunk 2077. Bannon felt the first attempt left something on the table, and this version finally gets it right. Critics have already lined up behind the album, with Kerrang! calling it a remarkable equal to its predecessor and Metal Hammer noting that Converge never miss.

The band heads to Europe this summer for a run of festival dates and headline shows.

Hum of Hurt Track List:

Slip The Noose

Doom In Bloom

It Only Gets Worse

Detonator

I Won’t Let You Go

It’s Not Up To Us

Dream Debris

It Used To Matter

Hum Of Hurt

Nothing Is Over

2026 Tour Dates:

Jun 25 — Ysselsteyn, NL — Jera on Air

Jun 26 — Rennes, FR — Superbowl of Hardcore

Jun 27 — Manchester, UK — Outbreak Festival

Jun 28 — Antwerp, BE — Kavka Zappa ^

Jun 29 — Cologne, DE — Essigfabrik ^

Jul 01 — Trutnov, CZ — Obscene Extreme Festival

Jul 02 — Vienna, AT — Arena ^

Jul 03 — Milan, IT — Circolo Magnolia ^

Jul 04 — Viveiro, ES — Resurrection Fest

^ with Heriot, Boneflower, Crouch

Afro-Fusion Star Ayra Starr Trades Glamour for Raw Vocals at NPR’s Tiny Desk

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Ayra Starr has dreamed of playing the Tiny Desk since she was 14, and when the day finally came, she stripped everything back to let her voice do the talking. The Nigerian Afro-fusion star swapped her signature “Fashion Killer” glamour for a simple black sweatsuit, arriving with a tight band and a setlist balanced almost to perfection, a discipline she credits to her Nigerian roots. The performance moved through dreamy soundscapes and high-energy grooves, with a sultry run of “Gimme Dat,” “Who’s Dat Girl” and the then-unreleased “Tornado” from her upcoming album ‘Starrgirl,’ showing off the versatility that’s made her one of global pop’s most exciting young voices. By the close she pulled back the popstar persona entirely, offering the faith-infused “Amin” and “Orun” as a glimpse of the gratitude and perseverance that carried her this far.


Metal Innovator Ola Englund Unleashes Riff-Heavy New Single “The Ember Saga”

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Ola Englund is thinking big. The Swedish guitarist, producer and metal innovator has released “The Ember Saga,” the first single and video from his forthcoming solo album ‘The Neverending Story,’ due October 15, 2026. The track wastes no time announcing its ambitions, drawing on classic fantasy adventures, retro gaming, cinematic soundtracks and heavy riff-driven metal.

The response from metal media has been immediate. Outlets including BraveWords, Burn, Lambgoat, Metal Anarchy, Metal War, Eternal Terror, The Metal Mag and The Metallist have all picked up the song, helping carry it to fans worldwide. The Metal Mag went furthest, calling the upcoming album a masterpiece that will leave a trace in music history while singling out its powerful riffs, melodic depth and world-class musicianship.

“Inspired by classic fantasy adventures, retro gaming, cinematic soundtracks and heavy riff-driven metal, ‘The Ember Saga’ sets the tone for what is by far my biggest and most ambitious solo album to date,” Englund says.

The guest list reflects that ambition. ‘The Neverending Story’ features a guest solo from legendary guitarist Jeff Loomis on “World Rift,” alongside Johan Niemann on bass and Jon Skäre of Delta Empire on drums. Jocke Skog handled mixing and mastering, with artwork by Sylvain Lucchina. The melodic firepower on display here makes a strong case that this is Englund’s most exciting solo statement yet.

Englund’s footprint on modern metal reaches well beyond his own records. He founded Solar Guitars and has played with influential acts like The Haunted, Six Feet Under and his own project Feared. His standing in the community has put him among elite company, earning a Grammy nomination and a spot on the shortlist as a potential guitarist for the Pantera reunion.

He’s also one of the most-watched guitar personalities online, with a YouTube channel of gear demos, reviews and trademark humor that has pulled in hundreds of millions of views. That digital reach fed directly into the Escape The Internet project, a collaboration with Bernth, Mike Dawes and Charles Berthoud, and he’s toured with the likes of Accept along the way.

Looking ahead, the Escape The Internet Part 2 Tour returns in 2027, again pairing Englund with Bernth, Mike Dawes and Charles Berthoud for a run across Europe built around live performance, jaw-dropping musicianship and interactive fan experiences. VIP packages will include meet and greets, exclusive merch, early venue access and artist hangout experiences.

The Neverending Story Tracklist:

The Ember Saga

Game Over

The Astral Gate

Dogma Progma

The Guillotine

Means to an End

World Rift

The First of its Kind

Artax Reborn

Sun & The Moon Part 2

Emo Revivalists LOVELOST Bare Their Anxieties on New EP ‘Picking Petals By Your Graveside’

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LOVELOST waste no time getting under your skin. The South West UK alternative rock outfit have put out their second EP, ‘Picking Petals By Your Graveside,’ via Year of the Rat Records, a follow-up to their 2024 debut ‘COLLAPSE.’

The band blend the nostalgic ache of old-school emo with a modern edge, landing on a sound that feels fresh and deeply emotive at once. That balance has earned them serious momentum in a short span, with support from BBC Radio 1, Kerrang!, Amazing Radio, RTÉ 2XM, Primordial Radio, Distorted Sound Magazine and plenty more, plus official playlist placement across Spotify, Apple Music, Deezer, Pandora and TIDAL. They’re also proud artist ambassadors for Fender, Zildjian and Shure.

The EP’s lead video, “Sitting On The Sidelines,” shows off a band willing to wrap heavy feelings in something that moves. Frontman Tobias Faulkner describes the track as the diary entry of an anxious pessimist who only wants to be something more.

“Hoping for the best, but only seeing the worst,” Faulkner explains. “A depiction of wishing your own naivety could create an ignorance that helps you get through the day, but with the reality being you can’t just ignore the thoughts in your head. Feeling like the world is against you, that the universe is doing all it can to get in the way of your happiness, or frankly, couldn’t care less about you. All of this, dressed up in an upbeat and fast paced oxymoron that is the instrumental behind, with a whole new twist on the sound LOVELOST has provided before.”

The contrast does the heavy lifting here, racing instrumentals carrying lyrics soaked in dread, and it gives the song a restless energy that pulls you right back in. It’s a confident step forward for a young band already turning heads.

Lady A Bring Back “This Winter’s Night Tour” With Ryman Double Header

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The holidays are coming early for Lady A fans. The multi-platinum, GRAMMY-winning trio has announced their This Winter’s Night Tour 2026, a December run that wraps with a double header at Nashville’s historic Ryman Auditorium. Tickets go on sale this Friday at LadyAMusic.com, with a Fan Club presale starting Wednesday.

The limited trek kicks off December 10 at Northfield Park Racino in Northfield, Ohio, and rolls through major cities including New York and Greensboro before the two Nashville shows on December 21. It marks the second year for the festive outing, after last year’s inaugural run that USA Today described as full of big, joyful moments paired with intimate sing-alongs and storytelling.

“Last year’s Christmas shows truly filled our hearts with the magic of the season,” shares Lady A’s Dave Haywood. “We had so much fun that we couldn’t imagine not doing it again. We can’t wait for everyone to come on out with their loved ones and let’s spread some holiday cheer together.”

The setlist leans on fan favorites from the group’s festive albums ‘On This Winter’s Night’ and the extended ‘Volume 2.’ Charles Kelley, Hillary Scott and Dave Haywood have built these shows around Christmas classics and holiday originals, and the warmth of those harmonies makes them perfect for the season.

The December dates cap a busy 2026. Lady A is headlining select shows through the summer and joining Tim McGraw’s Pawn Shop Guitar Tour 2026, where they’ll play iconic ballparks like Boston’s Fenway Park on July 30 and Minneapolis’ Target Field on August 23.

Built around rich vocal harmony, vivid emotional writing, and a smooth fusion of country, rock, and pop, Lady A has spent years as one of the 21st century’s premier vocal groups. As a country radio staple, the trio has racked up 11 number one hits and more than 9 billion global streams. Their 12X platinum smash “Need You Now” stands as the highest certified song by a country group, and they’ve earned ACM and CMA Vocal Group of the Year honors three years running, alongside seven GRAMMY Awards and a long list of other accolades.

This Winter’s Night Tour 2026 Dates:

12/10 – Northfield Park Racino – Northfield, OH

12/11 – Hard Rock Casino Northern Indiana – Gary, IN

12/12 – Blue Gate Performing Arts Center – Shipshewana, IN

12/17 – Beacon Theatre – New York, NY

12/18 – Parx Casino – Bensalem, PA

12/19 – Steven Tanger Center for the Performing Arts – Greensboro, NC

12/21 – Ryman Auditorium – Nashville, TN *Matinee

12/21 – Ryman Auditorium – Nashville, TN