Ohio kidnap case hero, Big Mac eater Charles Ramsey gets free burgers for life from eateries

From Fox News:

The man who famously put down his Big Mac to help rescue three women held captive for a decade in an Ohio house will never have to pay for another burger in his hometown.
Charles Ramsey has been promised free burgers for life at more than a dozen Cleveland-area restaurants.

The (Cleveland) Plain Dealer reports that the restaurant where Ramsey worked as a dishwasher initially created a special burger in his honor, but eateries in the city decided a larger tribute was due.

Ramsey was called a hero after helping Amanda Berry, Gina DeJesus and Michelle Knight break out of the house May 6. Ariel Castro is now facing charges.

The newspaper says Ramsey was traveling and would get his “Chuck Card” when he returns.

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Darius Rucker just became the Greatest Person on Earth for handling racist troll this way

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From Yahoo:

Given his remarkable success in the genre, it’s safe to say that most country fans enjoy Darius Rucker’s music. However, the Grand Ole Opry member was the target of a racist tweet over the weekend that, understandably, set off his ire.

“@dariusrucker Leave country to the white folk,” read the tweet, from a user identified as @pqkullman (the account has since been deactivated).

Rucker responded with “WOW. Is this 2013 or 1913,” adding “I’ll take my Grand Ole Opry membership and leave your racism.”

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Three Metal Tenors: Rob Halford, Bruce Dickinson and Geoff Tate team up to perform ‘The One You Love to Hate’ live

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10 Things Duff McKagan Learned on the Summer Festival Circuit

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From Duff McKagan, Rolling Stone:

Summer music festivals can be things of beauty and discovery for open-minded concert-goers. All you need is internal fortitude and a high tolerance for crowds and vicious elements. Over the years, I’ve spent more than my share of time on both sides of the barricade, and I’ve learned a few things about life, rock and human waste in the process.

1. The Europeans are better at summer festivals. Sure, the U.S. has gained a bit of cred over the last few years, but it’s because they’ve taken notes from the veteran, well-run mega-festivals across the water. The camping is better, the lineups are incredible and, most critically, the casual rock, metal and alternative music fan on the other side of the pond has broader interests than his or her counterparts in the States. This is why festivals like Rock am Ring in Germany, Spain’s Azkena and even England’s Glastonbury can showcase more varied acts, and fetch massive crowds in the process. The European festivals are trusted draws themselves – not that our Coachella and Sasquatch! don’t have strong brands – and are less dependent on whether they get the perfect major acts to draw crowds.

2. Unfortunately, Europeans have turned throwing bottles of piss into a sport.
Look, we have all been there. You squeeze and squirm and finally get yourself as close as you can to the front. But then . . . you gotta pee. Here in America, we have yet to learn the cute colloquialism of, say, the Midlands in England. Pissing in a bottle and tossing it at the band has become a sport, kind of like curling or snookers. Veteran artists know to keep their eyes keenly peeled toward the horizon for flying objects. Shoe-gazer bands become less shoe-gazey at these gigs – a lot less shoe-gazey.

3. No matter the continent, there’s a big-armed guy fueling every show. When you’re onstage you can’t miss that guy in the very front of the crowd against the barrier. Every festival seems to have at least one. He’s usually bald. He usually has a bad sunburn. And he always has one arm bent as if to say: “Yes, I am rocking out, and I am a bad motherfucker!” I always love to play for this guy. He is every band’s ally in these hard-fought rock battles.

Continue reading the rest of the story on Rolling Stone

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New video: Boards of Canada – Reach for the Dead (from Tomorrow’s Harvest)

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Microsoft co-founder Paul Allen releasing major label debut album

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From The Los Angeles Times:

“Everywhere at Once” is the introductory effort from Paul Allen and the Underthinkers. Allen, in case you’re wondering, is the same Paul Allen who back in 1975 created a little venture called Microsoft with his pal Bill Gates.

Now he’s assembled a debut album with his band, with a lot of help from other friends, including Heart’s Ann and Nancy Wilson, the Pretenders’ Chrissie Hynde, Joe Walsh, Los Lobos’ David Hidalgo, Derek Trucks, Doyle Bramhall II and Neville Brothers scion Ivan Neville.

It’s no mere vanity project for the 60-year-old billionaire — all proceeds will go to support educational programs at the nonprofit EMP.

Continue reading the rest of the story on The Los Angeles Times

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‘Springsteen & I’ documentary to be broadcast worldwide

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From NME:

Springsteen & I, a new fan-made documentary celebrating 40 years of Bruce Springsteen’s music, is set to be broadcast around the world this summer. Scroll down to watch the trailer now.

Taking place on July 22, the film will be screened at cinemas across the globe by Arts Alliance Media. The footage will include unseen performances from throughout the star’s career as well as his most loved songs and comes with the full backing of The Boss, and his management and label. According to a statement, the documentary aims to show how Springsteen “became the soundtrack to so many lives.”

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17.7 million of you have $210.5 million in unredeemed Borders gift cards. And now, they’re worthless.

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From NPR:

If you were hoping to cash in that Borders gift card for the latest Dan Brown novel — or at least hoping to get some cash for it — you’re too late.

A Manhattan federal judge on Wednesday ruled that the bankrupt and defunct book chain owes nothing to the roughly 17.7 million people who hold $210.5 million in unredeemed gift cards.

U.S. District Judge Andrew Carter says it would be unfair to Borders Group’s other creditors to let gift-card holders pursue recoveries, Reuters reports:

“To do so, Carter explained, could upset liquidation by Borders’ bankruptcy trustee that is already ‘substantially’ completed.

“He also said card holders failed to prove they met all the requirements for an exception, including that unsecured creditors whose interests might be harmed had been notified about the litigation and given a chance to object.”

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What the Kindle’s most-highlighted passages tell us about the soul of the American reader

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From The New Republic:

Amazon keeps track of which passages Kindle readers highlight most, which means the company can offer a new version of the old serendipitous experience. Only this one is data-driven: The company also keeps a running list of the most highlighted Kindle passages of all time. Instead of a cozy tete-a-tete with the idiosyncratic mind of a stranger, you get the reading equivalent of a giant rave, a warehouse pulsing with usually private emotions turned into shared public expressions. It’s a glimpse into our collective, most interior, and most embarrassing preoccupations.

The most immediately noticeable thing about the list is how Hunger Games-heavy it is. Nineteen of the top 25 most-highlighted passages are written by Suzanne Collins, who is not exactly known for a glittering prose style. That breakdown would suggest that Americans are mostly obsessed with teenagers and dystopias, which, while not entirely untrue, is also useful reminder that this is a numbers game. Bestsellers will naturally have the greatest number of underlines, and there are certain kinds of bestsellers that are more likely to be read digitally. These include books aimed at teenagers that a massive number of adults have embraced (potentially embarrassing), books in the public domain (free), and self-help books (potentially embarrassing). Taken together, they suggest that your average Kindle reader is a creature caught in permanent adolescence, but yearning to improve. Oh, and he’s cheap.

On the young-adult front, some of the most-liked Hunger Games lines don’t have much resonance beyond the tales themselves—descriptions of places and events in the novels. I can’t explain why a critical mass of Americans were intensely interested in the sentence “‘I just want to spend every possible minute of the rest of my life with you,’” Peeta replies.” (Actually, I can explain, but Team Peeta is a whole different essay.) Other passages, though, are more obvious candidates for underlining. After all, the thing that makes you pick up the pen is something that you recognize from your own life, or that makes you recognize something about your own life. The most-noted line on all of Amazon is from the Hunger Games: Catching Fire, and it reads like something from the prologue to a self-help book: “Because sometimes things happen to people and they’re not equipped to deal with them.” The Eeyore-ish affirmation is echoed by No. 4 on the list, another Collins special. “It takes ten times as long to put yourself back together as it does to fall apart.” In terms of existential despair, however, those are topped by No. 12 on the list, also from the trilogy. “We’re fickle, stupid beings with poor memories and a great gift for self-destruction.”

Continue reading the rest of the story on The New Republic

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The future of TV (marketing) might be on Twitter

From The Verge:

Twitter CEO Dick Costolo took the stage in Manhattan this morning to talk with a crowd of the biggest advertisers and brands from Madison Avenue. He brought up a slide of a recent tweet, featuring a picture of race cars spinning out of control. “Usually when there is a crash at the Daytona 500 the ratings go down,” Costolo said. “The race stops, the caution flags come out, and people change the channel. But this time Brad Keselowski, one of the drivers, snapped an image of the fire from his car following close behind, and tweeted it out. Not sure why he had his phone in the car, but the point is, the ratings shot up. This is inside-out, unfiltered communication. We’re the only public, real-time, conversational media on the planet. There are some other platforms that manage one or two of these, but none that are all three.”

For Twitter, it’s a sign that its still-young advertising business has been a success, especially around live events. Twitter is looking to own the second screen, the conversation happening on mobile devices while people are tuned in to big events on TV. It’s a broadcast model big brand advertisers are comfortable with and a huge $80 billion market that Twitter can tap into.

Continue reading the rest of the story on The Verge

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