Steve Miller’s Fly Like an Eagle went to number 2 on the Billboard Hot 100 chart during the week of March 12, 1977, kept from the top spot by “Evergreen (Love Theme from A Star Is Born)” by Barbra Streisand. The single edit can be found on Greatest Hits (1974–1978). Live and on the radio, it’s usually played in tandem with Space Intro, but the song also segues into Wild Mountain Honey.
Aerosmith’s classic hit “Walk This Way” appeared on the 1975 album Toys in the Attic. Famously remade with Run-DMC in the mid-80s (on which the original guitar riff played by Joe Perry was also heard), the orginal track rose to #10 on the Billboard Hot 100 singles chart.
Still don’t believe Ariana Grande is the real deal? Check out the isolated vocals for Focus, the lead single on her 2015 Moonlight album. The track went to #7 on the Billboard Hot 100, and features a rap part by Jamie Foxx.
Written by Pete Seeger in the late 1950s, Turn! Turn! Turn! (To Everything There Is a Season) really made its mark in late 1965 when it was covered by The Byrds. The lyrics, except for the title which is repeated throughout the song, and the final verse of the song, are adapted word-for-word from Chapter 3 of the Book of Ecclesiastes, set to music and recorded in 1962. The recording of the song reputedly took 78 takes, spread over five days of recording and likely created a few Biblical-sized arguments of their own in the studio.
Check out what they used to call “magic” in the studio from Gene Clark, David Crosby, Jim McGuinn.
American Woman by Canadian rock band The Guess Who, was first released in January 1970 on the album of the same name and later in March as a single, which reached No. 1 on the Billboard Hot 100. Backed with “No Sugar Tonight,” Billboard ranked it as the No. 3 record of 1970.
Shortly after its release, The Guess Who were invited to play at the White House. Because of its supposed anti-American lyrics, Pat Nixon asked that they not play “American Woman”.
Twenty One Pilots released single “Stressed Out” off their album Blurryface, released in 2015. The track went to #2 on the Billboard Hot 100 and the album debuted at #1 on the Billboard Top 200 Albums chart. The track was recorded at Can Am in Tarzana, California and produced by Mike Elizondo.
The Beatles “I Want You (She’s So Heavy)” appeared on the 1969 album Abbey Road. This song is an unusual Beatles composition for a variety of reasons, namely its length (nearly eight minutes), few lyrics (the title makes up most of the lyrics, aside from two more phrases; only 14 different words are sung), a three-minute descent through repeated guitar chords (a similar arpeggiated figure appears in another Lennon contribution to the album, “Because”), and abrupt ending. It is the first song recorded for the Abbey Road album but one of the last songs that the Beatles mixed as a group, on August 20, 1969. It was recorded at EMI, Trident and Olympic Studios in London and produced by George Martin. This special mix highlights the somewhat buried organ work of oft-appearing Beatles sideman Billy Preston. –
Yes’s first track and single from their eleventh studio album (and still great) 90125, Owner Of A Lonely Heart was released in 1983. Written primarily by guitarist Trevor Rabin, contributions were made to the final version by lead singer Jon Anderson, bassist Chris Squire and producer Trevor Horn. This was the album that, like Genesis and Moody Blues around this time, gave the veteran band an extended life and a fascinating listen still to this day.
The Who’s “Going Mobile” is a track from their 1971 album Who’s Next. The track helped drive the album, which also contained the classics “Baba O’Riley” “Behind Blue Eyes” and “Won’t Get Fooled Again,” to #1 in the UK and #4 on the Billboard Top 200 Albums charts. It was recorded at Olympic Studios in London and produced by The Who with Glyn Johns. Rolling Stone’s John Mendelsohn described the song as “inane”. However, in The Rolling Stone Record Guide, John Swenson described “Going Mobile” as one of “Townshend’s most beautiful songs”, so, yeah.
The classic AC/DC track “Back In Black” appeared on their same-titled album in 1980 although this seems to be a live version from the 1992 Live At Donington release given the crowd noise at the end. While the original was produced by Robert John “Mutt” Lang, this Donington version was produced by Bruce Fairbairn.
No offence to the drummers out there, but think of it this way – you can use it to practice!