5 Surprising Facts About U2’s ‘War’

When it comes to iconic albums, U2’s War sits high on the list, not only for its powerful music but for the fascinating stories behind its creation. Released on February 28, 1983, this was the album that catapulted U2 into the international spotlight, showcasing their ability to merge raw emotion with political commentary. Here are five lesser-known facts about War that might surprise even the most dedicated U2 fans.

1. The Boy on the Cover Was Bono’s Friend’s Brother

The striking cover of War features a young boy staring directly into the camera, a face that has become synonymous with the album’s powerful themes. That boy is Peter Rowen, the younger brother of Bono’s childhood friend, Guggi. Rowen also appeared on the covers of U2’s Boy and Three, making him an integral part of the band’s early visual identity. The band chose his image to symbolize the emotional and psychological effects of war, rather than depicting physical violence.

2. “Sunday Bloody Sunday” Was Inspired by an Argument and a Bus Stop Encounter

One of the most celebrated protest songs of all time, “Sunday Bloody Sunday,” began as a guitar riff by the Edge, written after an argument with his girlfriend. Struggling with self-doubt, he channeled his frustration into the song. Later, a chance encounter at a bus stop with violinist Steve Wickham led to the addition of the electric violin, recorded in just half a day. This haunting violin part became one of the song’s most memorable elements.

3. Larry Mullen Jr. Was Convinced to Use a Click Track by Sly & the Family Stone’s Drummer

Drummer Larry Mullen Jr. was initially resistant to the idea of using a click track during recording, as he felt it restricted his style. However, a conversation with Andy Newmark of Sly & the Family Stone changed his mind. This decision resulted in tighter drumming and became a defining feature of the album’s sound, especially on tracks like “Sunday Bloody Sunday” and “New Year’s Day.”

4. “New Year’s Day” Was Originally a Love Song

Bono initially wrote “New Year’s Day” as a love song for his wife, Ali Hewson. However, the track took on a political tone after Bono was inspired by the Polish Solidarity movement. Its distinctive bassline, which Adam Clayton accidentally discovered while trying to play “Fade to Grey” by Visage, gave the song its unique energy. “New Year’s Day” went on to become U2’s first UK top 10 hit and remains one of their most performed songs.

5. Kid Creole’s Coconuts Made an Unexpected Appearance

The album’s eclectic sound owes a nod to the Coconuts, the backup singers for Kid Creole. While on tour in Dublin, they were invited to contribute backing vocals for the track “Surrender.” Producer Steve Lillywhite described the collaboration as a happy accident, one that added unexpected flair to the serious tone of the album.

War as a statement that cemented U2 as a force in both music and political discourse. Its boldness, creativity, and raw emotion continue to resonate decades later, proving that great music is timeless. Whether it’s the haunting violin in “Sunday Bloody Sunday” or the politically charged lyrics of “New Year’s Day,” War remains one of U2’s most defining works.