Every year, the GRAMMYs’ Best New Artist category sparks fierce debate—sometimes because they miss the mark entirely, and sometimes because they get it absolutely right. The award is meant to recognize a breakthrough act with staying power, but as music history has shown, not every winner stands the test of time. Still, when the Recording Academy nails it, they point to the road of success and spotlight artists who redefine genres, break barriers, and leave a permanent mark on culture. Here are 10 times the GRAMMYs got it right with Best New Artist—each one a victory for talent, timing, and, occasionally, sheer brilliance.
Adele (2009)
With a voice that sounds like heartbreak set to vinyl, Adele’s win for Best New Artist in 2009 wasn’t just right—it was prophetic. She’s gone on to become a generational talent, sweeping Album, Song, and Record of the Year multiple times. That soulful powerhouse was just getting started.
The Beatles (1965)
Okay, this one feels like cheating—but when The Beatles won Best New Artist in 1965, the world was already in full Beatlemania mode. Still, it marked a rare moment when the GRAMMYs caught lightning in a bottle. Fifty-plus years later, they remain the most iconic band in history.
Bon Iver (2012)
Some questioned whether Bon Iver was “new” enough by 2012, but his haunting, cabin-born sound changed indie music forever. That Grammy nod wasn’t just for For Emma, Forever Ago, but for ushering in a wave of emotional, experimental folk-pop that still resonates today.
Cyndi Lauper (1985)
Girls did just wanna have fun—and Cyndi Lauper proved that colorful, boundary-pushing pop could have staying power. Her win was a triumph for authenticity and eccentricity. Four decades later, she’s still beloved, influential, and nearly an EGOT.
José Feliciano (1969)
The GRAMMYs got it right when they handed Best New Artist to José Feliciano, the first Hispanic and blind musician to win the award. His virtuoso guitar work and soulful vocals broke barriers in the music industry and paved the way for countless artists after him.
Lauryn Hill (1999)
Lauryn Hill’s The Miseducation of Lauryn Hill was not just a debut—it was a cultural reset. Winning Best New Artist cemented her status as one of the most important voices in hip hop, R&B, and neo-soul. It remains one of the most deserved wins in Grammy history.
Mariah Carey (1991)
Mariah Carey came out of the gate with vocals that melted glass and a songwriting pen that never missed. Her Best New Artist win in 1991 marked the beginning of an era that would redefine pop and R&B—and give us one of the most enduring holiday hits of all time.
Norah Jones (2003)
Norah Jones’ smoky voice and jazz-infused ballads dominated the early 2000s. Her Best New Artist win felt like a quiet revolution—proof that subtlety and simplicity could still sweep the Grammys. Her debut album went on to win Album of the Year, too.
Samara Joy (2023)
In an era of digital chaos and viral fame, Samara Joy’s warm, classic jazz vocals felt like a balm. Her Best New Artist win in 2023 showed that timeless talent still has a place in contemporary music—and reminded the world of jazz’s ongoing vitality.
Tracy Chapman (1989)
In a year of synth-pop and glam, Tracy Chapman’s stripped-down acoustic storytelling was a revelation. “Fast Car” is now considered one of the greatest songs ever written, and her win validated the enduring power of socially conscious folk music.