25 Of The Greatest Songs Ever Written For Movies

Some songs are written to serve a scene. These were written to define the movie—and then broke free and became cultural touchstones on their own. They changed the way we feel, the way we listen, and the way we remember the films they came from.

“(Everything I Do) I Do It for You” – Bryan Adams (Robin Hood: Prince of Thieves)
This song was everywhere in 1991—and for good reason. Adams delivered an earnest, sweeping ballad that took medieval romance and made it a pop radio juggernaut. It was all heart, all drama, and absolutely everywhere.

“9 to 5” – Dolly Parton (9 to 5)
Office life never sounded so catchy. Dolly tapped her acrylic nails, wrote a working woman’s anthem, and turned frustration into feel-good fire. She gave voice to millions—and topped the charts doing it.

“Against All Odds” – Phil Collins (Against All Odds)
Phil Collins poured heartbreak into this ballad like it was the last song he’d ever sing. The aching piano, the soaring chorus and that signature drum swell we all secretly live for, this track still hits with the same desperate beauty decades later.

“Arthur’s Theme (Best That You Can Do)” – Christopher Cross (Arthur)
Christopher Cross captured the magic of falling in love in a city that never sleeps. Breezy and bittersweet, this soft-rock gem floated over romantic comedy royalty and made “the moon and New York City” iconic.

“Burn” – The Cure (The Crow)
This isn’t just a soundtrack cut—it’s a full-blown seance. Moody, swirling, and filled with longing, “Burn” captured the gothic soul of The Crow and became one of The Cure’s most cinematic moments.

“Call Me” – Blondie (American Gigolo)
Debbie Harry met Giorgio Moroder and made magic. “Call Me” strutted, synth-first, into the ‘80s with style and sass. It gave a sleazy film a shot of cool that still lasts.

“Danger Zone” – Kenny Loggins (Top Gun)
If jet engines made music, it would sound like this. “Danger Zone” is pure adrenaline, pure ‘80s, and pure power chords. It blasted straight through it.

“Don’t You (Forget About Me)” – Simple Minds (The Breakfast Club)
The final fist-pump. The echoing vocals. The ultimate anthem for teenage alienation. This was the soul of the ‘80s in under five minutes.

“Endless Love” – Diana Ross & Lionel Richie (Endless Love)
A duet so timeless, it practically melts the tape it’s printed on. Ross and Richie brought every ounce of emotion to this slow-burning love song—and made hearts swoon in theaters and beyond.

“Eye of the Tiger” – Survivor (Rocky III)
This song attacks. From the first guitar strike, you know you’re in for a training montage. Survivor gave Rocky his anthem, and the world its go-to pump-up track.

“Fight the Power” – Public Enemy (Do the Right Thing)
Urgent, electrifying, and furious. Public Enemy dropped a bomb. It’s protest, pride, and power rolled into one of the most important hip-hop tracks of all time.

“Gangsta’s Paradise” – Coolio feat. L.V. (Dangerous Minds)
Coolio took Stevie Wonder’s “Pastime Paradise” and turned it into a prayer from the edge. It was gritty, poetic, and raw—introducing millions to the real-life lessons school never taught.

“I Have Nothing” – Whitney Houston (The Bodyguard)
Whitney could sing the weather report and win a Grammy. But here, she gives everything. A vocal masterclass wrapped in pain, power, and pure emotion.

“Knockin’ on Heaven’s Door” – Bob Dylan (Pat Garrett and Billy the Kid)
A whisper in the wind. Dylan’s folk hymn captured mortality better than any monologue ever could. It’s a song for sunsets, endings, and everything in between.

“Lose Yourself” – Eminem (8 Mile)
This was just Eminem’s story and ended up becoming everybody’s. He gave us one shot, one opportunity, and it paid off in full. A full-throttle anthem of hunger and heart.

“Miss Misery” – Elliott Smith (Good Will Hunting)
Elliott’s delicate ache gave the film its bruised emotional core. “Miss Misery” floats and stings, feeling like a secret you weren’t meant to hear but can’t stop listening to.

“One Of The Living” – Tina Turner (Mad Max Beyond Thunderdome)
Power meets apocalypse. Tina Turner gave Mad Max the musical muscle it needed, turning chaos into a pounding, electrified anthem. She was the Thunderdome.

“Over the Rainbow” – Judy Garland (The Wizard of Oz)
The moment cinema learned to dream in color. Garland’s voice carried every child’s wish into the sky—and it’s been echoing in our hearts ever since.

“Purple Rain” – Prince (Purple Rain)
Every guitar solo a lightning strike. Prince didn’t just star in the movie—he made it soar. “Purple Rain” is emotional thunder, epic and unforgettable. Pick the whole album to choose from.

“Rainbow Connection” – Kermit the Frog (The Muppet Movie)
With a banjo and a dream, Kermit taught us that hope doesn’t need volume—it needs heart. It’s simple, sweet, and quietly profound.

“Stayin’ Alive” – The Bee Gees (Saturday Night Fever)
Disco was never the same, and this song is a cultural earthquake. That falsetto still struts like it owns the sidewalk.

“Streets of Philadelphia” – Bruce Springsteen (Philadelphia)
Quiet devastation. Springsteen stripped away everything but a drum machine and a whisper of grief. It’s not just a song—it’s a moment of silence turned into melody.

“Sunflower” – Post Malone & Swae Lee (Spider-Man: Into the Spider-Verse)
This one stuck. Its smooth, laid-back vibe carried superhero swagger and radio replayability in equal measure. The anthem Miles Morales deserved.

“Superfly” – Curtis Mayfield (Superfly)
Social consciousness, set to a groove so tight it could cut glass. Mayfield elevated the film with funk, soul, and a whole lot of truth.

“When Doves Cry” – Prince (Purple Rain)
No bass, all brilliance. Prince ripped open his soul, poured it into the speakers, and rewrote the rules of pop, funk, and heartbreak in one go.

These songs just made the movies better. They’ve lived on in radio rotations, wedding playlists, karaoke nights, and headphones everywhere. They told stories bigger than scripts, and melodies deeper than plot.