Bill McClintock’s latest mashup plays like a haunted jukebox tribute to Ozzy Osbourne’s sprawling legacy. Splicing Black Sabbath’s doom-laden crunch with solo-era melodies and the searing fretwork of Rhoads, Lee, and Wylde, the mix sidesteps nostalgia and lands somewhere far more alive. It’s less a greatest-hits reel and more a genre-hopping séance—one where metal riffs meet unexpected rhythms in perfect dissonant harmony.


