There’s something deeply satisfying about a song that doesn’t just end a relationship, friendship, or bad chapter—it celebrates it. Whether it’s a disco groove, punk snarl, or soulful roast, these tracks slam the door and throw the key into the sea. Here’s your ultimate A–Z playlist of “I’m glad you’re gone” anthems, each one ready to soundtrack your most triumphant exits.
“ABCDEFU” – Gayle’s viral breakup anthem spells out exactly how little she cares, one letter at a time.
“Alfie” – Lily Allen roasts her brother with affectionate mockery that’s somehow still savage.
“Already Gone” – Eagles’ breezy harmonies mask the sting of a confident goodbye.
“Another One Bites the Dust” – Queen’s funky bassline becomes a victory march over your downfall.
“Baby Bitch” – Ween delivers an acoustic kiss-off soaked in sarcasm.
“Better Place” – Saint Asonia’s rock edge insists life’s better without you in it.
“Black Me Out” – Against Me! fires off a punk-fueled middle finger with heart.
“Bye Bye Bye” – *NSYNC’s pop perfection says “I’m over you” with choreographed flair.
“Change of Heart” – Tom Petty makes a gentle, jangly exit sound effortless.
“Changed the Locks” – Lucinda Williams turns self-protection into bluesy empowerment.
“Dead” – My Chemical Romance brings theatrical flair to a defiant farewell.
“Delusional” – Kesha calls out someone lost in their own fantasy with biting pop energy.
“Devotion and Desire” – Bayside’s emo-punk wall of sound says the spark is gone.
“Ding-Dong! The Witch Is Dead” – The Wizard of Oz crew delivers the OG celebratory send-off.
“Don’t Come Close” – Yeasayer turns “stay away” into a dreamy yet decisive statement.
“Don’t Shed a Tear” – Paul Carrack croons goodbye without a single tear wasted.
“Don’t Think Twice, It’s All Right” – Bob Dylan’s folk poetry says more with less.
“Don’t Think Twice, It’s All Right” (Mike Ness cover) – Punk grit gives Dylan’s goodbye a streetwise edge.
“Eat My Dust You Insensitive Fuck” – Catherine Wheel channels grunge guitars into pure venom.
“Everything About You” – Ugly Kid Joe’s bratty hard rock leaves no doubt they’re done.
“Fall Back Down” – Rancid turns betrayal into punk resilience and loyalty to self.
“Fuck You” – Lily Allen smiles sweetly while twisting the lyrical knife.
“Fuck You” – The Headstones strip it down to a raw, grungy punch.
“Fuck You” – CeeLo Green’s soul swagger turns spite into something danceable.
“Friend of Mine” – Lily Allen exposes a backstabbing acquaintance with catchy charm.
“Friday Night” – Lily Allen’s scrappy storytelling makes club drama an anthem.
“Get Gone” – Fiona Apple’s jazzy cool masks steel-trap resolve.
“Get Out of My House” – Miya Folick sets strict boundaries to an alt-pop pulse.
“Gives You Hell” – The All-American Rejects make petty sound like pure joy.
“Glad to See You Go” – The Ramones put goodbye on fast-forward with punk speed.
“Go to Hell” – CeeLo Green delivers gospel fury with a smirk.
“Go to Hell” – Dolly Parton sweetens the blow but still sends you packing.
“Go Your Own Way” – Fleetwood Mac’s breakup classic is still devastatingly direct.
“Good F**** Bye”** – Matt Skiba’s punk venom leaves nothing to interpretation.
“Good Goodbye” – Linkin Park’s rap-rock swagger is the perfect wave-off.
“Good Riddance” – Green Day’s bittersweet acoustic farewell is as sharp as it is ironic.
“Goodbye Earl” – The Chicks mix dark humor and twang in the ultimate revenge tale.
“Goodbye to You” – Scandal’s power-pop parting shot still stings.
“Great Big Beautiful Tomorrow” – Rex Allen’s optimism is perfect for a clean break.
“Great American Sharpshooter” – Less Than Jake fires off ska-punk precision.
“Hair of the Dog” – Nazareth snarls through a bluesy hard rock put-down.
“Ha Ha You’re Dead” – Green Day turns your exit into a punk party.
“Heartless” – Kanye West’s frosty autotune chills to the core.
“Hit the Road Jack” – Ray Charles delivers the definitive R&B dismissal.
“I Am the Highway” – Audioslave’s poetic imagery drives off into the sunset.
“I Don’t Care” – Apocalyptica and Adam Gontier’s cello metal makes apathy heavy.
“I Don’t Care Anymore” – Phil Collins trades tenderness for ice-cold detachment.
“I Don’t F* With You” – Big Sean’s unfiltered rap rant leaves no bridges unburned.
“I Don’t Want You Back” – Eamon’s blunt R&B goodbye still shocks.
“I Hate Everything About You” – Three Days Grace’s grunge roar says it all.
“I Hate Everything About You” – Ugly Kid Joe’s earlier hard rock version is equally scathing.
“I Hope You Die” – John Wing’s comedic venom hits with surprising bite.
“I’ll Be Glad When You’re Dead, You Rascal, You” – Louis Armstrong makes jazz feel like a roast.
“I’ll Feel a Whole Lot Better” – The Byrds’ chiming guitars say relief loud and clear.
“I’m Looking Through You” – The Beatles’ folk-rock cool makes ghosting sound classy.
“I’m Still Standing” – Elton John struts through survival in glitter and grit.
“Idiot Wind” – Bob Dylan’s hurricane of words blows the bridge to pieces.
“If You Ain’t Glad” – Justin Townes Earle’s Americana flair spins smugness into gold.
“In My Life” – The Brian Jonestown Massacre’s hazy psych-rock farewell.
“In the Air Tonight” – Phil Collins’ slow build makes every grudge feel cinematic.
“Irreplaceable” – Beyoncé’s “to the left” mantra became a breakup blueprint.
“King Nothing” – Metallica’s metal growl strips a fallen ego bare.
“Knock ’Em Out” – Lily Allen warns off unwanted attention with quick wit.
“LDN” – Lily Allen sings sunny but cuts sharp about city life’s seedy underbelly.
“Leave (Get Out)” – JoJo’s teen pop debut was pure “we’re done” energy.
“Littlest Things” – Lily Allen’s bittersweet farewell still stings with truth.
“Love Yourself” – Justin Bieber’s polite-sounding put-down hides ruthless precision.
“Married with Children” – Oasis turns domestic boredom into Britpop snark.
“Nan You’re a Window Shopper” – Lily Allen’s playful takedown hides real shade.
“Na Na Hey Hey Kiss Him Goodbye” – Steam’s singalong is perfect for any public exit.
“No Children” – The Mountain Goats make mutual destruction weirdly catchy.
“Not Big” – Lily Allen’s bedroom burn is as blunt as it gets.
“Platypus (I Hate You)” – Green Day’s punk blast is pure spite.
“Positively 4th Street” – Bob Dylan’s sneer is as timeless as it is cutting.
“Rearviewmirror” – Pearl Jam’s grunge catharsis leaves you firmly in the past.
“Rest in Peace” – Dorothy’s rock stomp turns goodbye into a victory lap.
“Rootless Tree” – Damien Rice’s acoustic beauty hides a profane dagger.
“Seven Years” – Sully Erna’s raspy delivery makes the goodbye final.
“Shame for You” – Lily Allen calls out another cheating ex with pop bite.
“She’s Leaving You” – MJ Lenderman’s lo-fi charm makes the exit sting.
“Since U Been Gone” – Kelly Clarkson’s vocal power soars with freedom.
“Smile” – Lily Allen’s cheerful melody hides razor-sharp revenge.
“Somebody More Like You” – Nickel Creek’s folk precision twists the knife softly.
“Somebody That I Used to Know” – Gotye’s art-pop turns detachment into a masterpiece.
“Song for the Dumped” – Ben Folds Five mixes bitterness and humor perfectly.
“Superman” – Eminem’s love-hate rap makes clear there’s no saving this one.
“Tattoo” – Jordin Sparks turns permanent ink into a permanent goodbye.
“Take What You Take” – Lily Allen’s advice to meddling critics lands like a punch.
“Thank God and Greyhound You’re Gone” – Roy Clark’s country wit is sharp as ever.
“Thanks for Nothing” – Fefe Dobson’s pop-rock sneer is catchy catharsis.
“The Let Go” – Elle King’s bluesy rasp makes release sound sweet.
“Thnks fr th Mmrs” – Fall Out Boy’s pop-punk memory wipe is deliciously petty.
“Time for Me to Fly” – REO Speedwagon’s soaring vocals send you packing.
“Too Little Too Late” – JoJo’s R&B pop says the window’s closed.
“Unhappy Birthday” – The Smiths make cruelty sound almost charming.
“Your Legacy” – Ruby Red & Mr Ken’s brooding sound paints a final goodbye.
“You Don’t Know” – Reel Big Fish’s ska brass makes rejection bouncy.
“You Oughta Know” – Alanis Morissette’s alt-rock fury still scorches decades later.