Sometimes, the song hiding on the flip side ends up stealing the show. From cult classics to surprise chart-toppers, these 13 B-sides prove that greatness doesn’t always come first.
Bruce Springsteen – “Pink Cadillac”
Originally the B-side to “Dancing in the Dark,” this rock-and-roll ride took on a life of its own. Its bluesy swagger and playful lyrics became a fan favorite—and even earned a hit cover by Natalie Cole.
David Bowie – “The Man Who Sold the World”
Released as the B-side to “Space Oddity” in 1973, this haunting masterpiece found new life decades later thanks to Nirvana’s iconic MTV Unplugged cover. Bowie’s eerie storytelling made it timeless.
Elvis Presley – “Hound Dog”
Paired as the B-side to “Don’t Be Cruel,” “Hound Dog” became one of rock’s earliest revolutions. Its sneer, swagger, and swing transformed Elvis into the King of Rock & Roll.
Fleetwood Mac – “Silver Springs”
Intended for Rumours but cut from the album, this emotional powerhouse was relegated to the B-side of “Go Your Own Way.” Stevie Nicks’s fiery performance later made it a highlight of their reunion tours.
Kraftwerk – “The Model”
This B-side to “Computer Love” became an unexpected hit, reaching #1 in the U.K. in 1982. With its icy synths and robotic charm, it helped define electronic pop for decades to come.
Oasis – “Acquiesce”
The B-side to “Some Might Say,” this explosive anthem showcases both Gallaghers at their best. Fans quickly declared it one of Oasis’s defining songs—and a centerpiece of their live shows.
Pearl Jam – “Yellow Ledbetter”
Originally tucked behind “Jeremy,” this soulful, meandering jam became one of Pearl Jam’s most beloved songs. With its cryptic lyrics and mournful guitar, it closes countless concerts in cathartic style.
Prince – “Erotic City”
Released as the B-side to “Let’s Go Crazy,” this funky, futuristic groove blurred lines between soul, synth, and sexuality. A dance-floor classic that proved Prince was always one step ahead.
Radiohead – “Talk Show Host”
Hidden behind “Street Spirit (Fade Out),” this moody, atmospheric track gained cult status after appearing in Romeo + Juliet. Its hazy guitar loops hinted at the experimental sound Radiohead would soon embrace.
The Beatles – “I Am the Walrus”
Paired with “Hello, Goodbye,” Lennon’s surreal masterpiece eclipsed its A-side in ambition. Psychedelic, orchestral, and gloriously strange—it’s The Beatles at their most brilliantly weird.
The Rolling Stones – “You Can’t Always Get What You Want”
When it first appeared as the B-side to “Honky Tonk Women,” few predicted this gospel-tinged anthem would become one of the Stones’ defining songs. A slow-burn classic of bittersweet truth.
The Smiths – “Please, Please, Please Let Me Get What I Want”
Released as the B-side to “William, It Was Really Nothing,” this tender plea became a cult classic. Clocking in under two minutes, it’s one of Morrissey and Marr’s most heartfelt creations.
U2 – “The Sweetest Thing”
Originally buried on the B-side of “Where the Streets Have No Name,” Bono’s apology song for missing his wife’s birthday became so loved that U2 re-recorded and re-released it as a hit single a decade later.