There is something magical about a long outro, the kind that unravels slowly, looping a line or stretching a groove until it becomes its own little universe. Here are the standouts.
“Biko” – Peter Gabriel
A slow building chant carries the song into a powerful, prolonged communal outro.
“Can’t You Hear Me Knocking” – The Rolling Stones
The second half transforms into a loose, smoky jam driven by saxophone and percussion.
“Fool’s Gold” – The Stone Roses
The beat rides on for minutes, turning the groove into a full hypnotic stretch.
“Free Bird” – Lynyrd Skynyrd
The famous multi minute guitar section turns into one of rock’s most iconic extended endings.
“Helter Skelter” – The Beatles
The chaotic close down spirals into raw, noisy energy that feels almost uncontained.
“Hey Jude” – The Beatles
The na na na coda repeats endlessly and becomes a communal call along.
“I Am the Resurrection” – The Stone Roses
The final four minutes explode into an instrumental celebration.
“I Want You (She’s So Heavy)” – The Beatles
A long, swirling vamp builds intensity until its sudden cutoff.
“July Morning” – Uriah Heep
The organ driven outro stretches the song into a dramatic finale.
“Lazy Eye” – Silversun Pickups
After the peak, the song drifts into a hazy, drawn out instrumental fade.
“Layla” – Derek and the Dominos
The piano coda shifts the song into a gentle, famously long second movement.
“Moonlight Mile” – The Rolling Stones
The dreamy closing section glides softly as strings and guitars expand the atmosphere.
“Mr Blue Sky” – Electric Light Orchestra
The final orchestral tag blossoms into its own extended, cinematic segment.
“November Rain” – Guns N’ Roses
Multiple guitar solos and orchestral layers stretch the ending into a massive finale.
“On Every Street” – Dire Straits
The lingering guitar lines slow the song into a reflective, spacious outro.
“Purple Rain” – Prince
The guitar solo rides out for minutes and becomes one of Prince’s most emotional moments.
“Romeo and Juliet” – Dire Straits
The tender outro lets the guitar gently unwind the song’s final mood.
“Saucy Sailor” – Steeleye Span
The arrangement stretches into a lengthy folk rock instrumental close.
“Shine On You Crazy Diamond” – Pink Floyd
The sprawling sections drift through long, atmospheric passages.
“Sky Blue” – Peter Gabriel
Its soft, layered ending gently expands into an extended ambient wash.
“Starship Trooper” – Yes
The final section known as Wurm turns into a driving, escalating jam.
“Stone in Love” – Journey
The guitars soar through a warm, melodic extended close.
“Sultans of Swing” (unedited version) – Dire Straits
The outro guitar work stretches out with clean, expressive phrasing.
“Sway” – The Rolling Stones
The song eases out with a bluesy, emotional guitar run.
“Telegraph Road” – Dire Straits
The closing build surges through one of the band’s most dramatic outros.
“The Chain” – Fleetwood Mac
The bass driven final section powers into a legendary dramatic finish.
“Time Waits for No One” – The Rolling Stones
Mick Taylor’s guitar solo extends beautifully through the fade.
“Tunnel of Love” – Dire Straits
The final guitar lines shimmer into an extended, atmospheric descent.
“Why Worry” – Dire Straits
The delicate ending floats on a long, soothing instrumental fade.
“You Can’t Always Get What You Want” – The Rolling Stones
The choir and band stretch the finale into an uplifting extended close.