Officer Lucifer drop their latest single “Far From Right” with Page Hamilton of Helmet lending his signature vocals and guitar work to a track that tears through complacency and false authority with zero restraint. The collaboration brings Hamilton’s venomous delivery into Officer Lucifer’s dystopian narrative world, where engineered hybrids wage war against their human creators in a reflection of real-world control and resistance. Recording took place across Ecuador, California, and Austin with production by Officer Lucifer and mixing and mastering from Jim Kaufman, creating an international sonic assault that refuses to be pinned down by geography or genre.
The song fuses metal, punk, grunge, and Latin rhythms into a confrontational statement that dissects moral decay, consumer worship, and hollow belief systems. Crushing riffs collide with volatile rhythms as the lyrics call out performative rage and manufactured ideology without relying on easy slogans or comfortable answers. This track hits like a warning shot, politically charged yet unwilling to compromise its aggression for palatability. The result is a blistering addition to Officer Lucifer’s growing catalog that started with debut single “Uncivil War” and continues building their cinematic universe of chaos and rebellion.
Officer Lucifer operates as a collective rather than a traditional band, with core creative vision shaped by Pancho Tomaselli, David Coloma, and Andrés Benavides. Their international careers fuel a foundation that shifts between disciplined and volatile, bringing in additional collaborators to expand the sound without diluting the central mission. Band members exist as hybrid soldiers with military-style ranks, reinforcing a shared identity rooted in defiance and unity that transforms each release into something beyond just music.
“Far From Right” demands awareness and rejects the systems that thrive on apathy, standing as both protest and provocation. The track expands Officer Lucifer’s genre-defying approach while anchoring deeper into the mythology that makes this project more than a collection of songs. Hamilton’s contribution elevates the intensity, locking into the project’s refusal to offer comfort or compromise while pushing the boundaries of what heavy music can accomplish when stripped of traditional expectations.