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SIMON COWELL Unveils New Boyband DECEMBER 10 Following Netflix Debut

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Newly signed to EMI/Universal, the British boyband December 10 has officially stepped into the spotlight with a live acoustic performance of NSYNC’s “Bye Bye Bye.” Recorded at London’s legendary Metropolis Studios, the video offers the first full look at the septet since their formation on the global Netflix docuseries ‘Simon Cowell: The Next Act’. The group—consisting of Cruz, Danny, Hendrick, John, Josh, Nicolas, and Sean—was hand-selected by Cowell from over a thousand hopefuls. Boasting a diverse heritage and the ability to play 14 instruments between them, the band is being positioned as a musically accomplished and inclusive group for 2026. Industry heavyweights like Poo Bear and Julian Bunetta have already been enlisted to mentor the boys, ensuring their vocal and songwriting skills match their undeniable charisma.

The members of December 10 bring a wealth of prior experience to the table, from West End stages and Junior Eurovision to the Irish National Opera. With influences ranging from Fela Kuti and Pearl Jam to Steve Lacy and Daft Punk, the band aims to revitalize the British boyband legacy with a fresh, “rambunctious” energy. Simon Cowell, who previously launched global giants like One Direction and Little Mix, expressed immense pride in the group’s humility and talent, while Island EMI President Louis Bloom noted their “undeniable chemistry.” As they move forward from their televised origins, the boys are focused on creating a unique sonic identity that blends multiple-part harmonies with a modern pop edge, signaling a major shift in the boyband landscape for the new year.

Meet December 10:

  • Cruz (19): Percussionist, West End veteran (Motown: The Musical)
  • Danny (17): Guitarist, former The Voice Kids contestant
  • Hendrick (19): Guitar, bass, and piano player from Walsall
  • John (17): Multi-instrumentalist and former Rochester Cathedral chorister
  • Josh (17): Drummer and guitarist with a massive social following
  • Nicolas (16): Guitarist who represented Portugal at Junior Eurovision
  • Sean (19): Guitarist and harmonica player, formerly of the Irish National Opera

ILLENIUM Unleashes High-Impact Single “War” with LØ SPIRIT Ahead of ‘Odyssey’

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Grammy-nominated electronic powerhouse ILLENIUM has released his latest single, “War,” a visceral collaboration with alternative singer-songwriter Lø Spirit. Arriving via Republic Records, the track serves as a high-octane bridge to his highly anticipated album ‘Odyssey’, set for release on February 6, 2026. “War” blends indie rock grit with cinematic electronic production, delivering a “darker, heavier energy” that explores the chaos of internal struggle and forward motion. The single follows a massive chart-topping moment for ILLENIUM, whose previous hit “Forever” recently secured the #1 spot on both the Billboard Dance/Mix Show Airplay and Mediabase Dance charts. With over 8 billion global streams and a legacy of record-breaking stadium shows, the Denver-based producer is poised to enter his most ambitious era yet, utilizing ‘Odyssey’ as a canvas for expansive sonic world-building.

Alongside the new single, ILLENIUM has revealed an elite roster of special guests for his upcoming “ILLENIUM Presents ODYSSEY” residency at the Sphere in Las Vegas. Across nine nights in March and April 2026, the immersive venue will host a rotating lineup featuring Alok, Dab The Sky, Wooli, Levity, Audien, Ray Volpe, SLANDER, DJ Diesel (Shaquille O’Neal), and Tape B. These shows represent the exclusive opportunity for fans to experience the ‘Odyssey’ album within the Sphere’s revolutionary audio-visual environment. Lø Spirit, the project of Joshua Landry, adds a raw, confessional depth to the collaboration, reflecting his own journey through recovery and self-reckoning. As ILLENIUM prepares to take over the world’s highest-resolution LED stage, “War” stands as a defiant anthem of catharsis that cements his status as a leading architect of modern melodic bass.

ILLENIUM Presents ODYSSEY at Sphere Las Vegas:

  • March 5 – with Alok
  • March 6 – with Dab The Sky
  • March 7 – with Wooli
  • March 12 – with Levity
  • March 13 – with Audien
  • March 14 – with Ray Volpe
  • April 2 – with SLANDER
  • April 3 – with DJ Diesel
  • April 4 – with Tape B

ANYMA Releases Trance-Inducing Single “Out Of My Body (Featuring EJAE)”

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Multidisciplinary artist Anyma has unveiled his latest single, “Out Of My Body (Featuring EJAE),” a transcendent electronic cut that further expands his cybernetic sonic universe. The track showcases the ethereal vocals of Korean American singer-songwriter EJAE, known for her record-breaking work in K-Pop and electronic music. Set against a backdrop of atmospheric synths and pulsing, hypnotic rhythms, the song explores the intersection between a love that feels like an out-of-body experience and the visceral power of a great dance record. Released via Interscope Records, this single marks the next stage of Anyma’s creative journey as he prepares for the forthcoming deluxe edition of ‘The End Of Genesys’, scheduled for early 2026.

Matteo Milleri, the visionary behind Anyma and co-founder of the global Afterlife movement, continues to cement his status as a boundary-breaking force in the industry. From his historic residency at the Las Vegas Sphere to headlining major festivals like Coachella and Tomorrowland, Milleri’s work seamlessly melds high-concept visuals with sophisticated techno production. EJAE’s haunting intensity adds a multidimensional layer to “Out Of My Body,” a track Anyma has looked forward to releasing for quite some time. As Milleri continues to lead the “Quantum Genesys” era with massive performances at the Pyramids of Giza and beyond, this new collaboration serves as a polished example of his commitment to raising global consciousness through art and technology.

SOLORA Captures After-Hours Intimacy with New Single “Cali Nights”

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Electronic producer Solora is shifting gears with his latest single “Cali Nights,” a sophisticated departure from the peak-hour adrenaline of his previous club anthem “Bassline.” Trading floor-filling intensity for a deeper, atmospheric groove, the track serves as the ultimate “after-party cut” designed for the blurred city lights of a late-night West Coast drive. Originally conceived as “LA Nights,” the production features a hypnotic, rolling bassline paired with ethereal vocals and melodic synths that drift over the beat with cinematic restraint. Drawing on his experience as the frontman for indie rockers The Scream, Solora infuses this electronic work with a distinct sense of songcraft, moving away from the energy of the crowd to explore the intimacy found once the music stops.

GHOST Partners with FeedLA and Serve Robotics for “Day of Deliverance”

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Capping off a monumental year defined by a #1 U.S. album and a wildly successful arena tour, Sweden’s theatrical rock ambassadors Ghost are giving back to the community of Inglewood. Today, Friday, December 19, 2025, the band’s custom “Skele-Bot” will assist FeedLA and the YMCA of Metropolitan Los Angeles in making essential food deliveries across the neighborhood. This “Day of Deliverance” partnership with Serve Robotics aims to bring global attention to food insecurity in the very location where Ghost will conclude their “Skeletour World Tour” this coming February. By utilizing autonomous delivery technology to provide fresh produce and meals, the band hopes to highlight the vital mission of the LA Y in addressing systemic challenges and providing basic human necessities to those in need.

FeedLA remains a cornerstone of community well-being, having distributed over 9 million pounds of food across Los Angeles in 2024 alone. Ghost’s involvement encourages fans to “come together, together as one” to support the program’s efforts, which include home deliveries and hot meals for children at various Y centers. As the band prepares for their tour finale at the nearby Intuit Dome, this collaboration serves as a powerful bridge between their theatrical world and tangible local impact. For those inspired by the “Skele-Bot” mission, the band and the YMCA are inviting supporters to visit the official FeedLA website to donate or find local opportunities to fight food insecurity in their own regions.

HOWARD JONES Celebrates 40 Years of “Things Can Only Get Better” on Jimmy Kimmel Live

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New wave pioneer Howard Jones took the stage on ‘Jimmy Kimmel Live’ to deliver an incredible 40th-anniversary performance of his prescient 1985 hit, “Things Can Only Get Better.” The rendition showcased the enduring optimism of the synth-pop classic, featuring a spirited call-and-response session where the audience joined in for the iconic chorus. Four decades after its original release, the track’s message remains a definitive anthem of hope, delivered with the same vibrant energy that propelled Jones to global stardom in the mid-80s.

THE SLOW MO GUYS Capture Vivid 10,000 FPS Paint Powder Drum Explosion

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Gavin Free and Dan Gruchy of The Slow Mo Guys have returned to a fan-favorite experiment, capturing an exploding spectrum of vivid paint powders on a pounded drum at a staggering 10,000 fps. Utilizing the high-speed Phantom T4040 camera mounted on the BOLT by MRMC motion control rig, the duo revisited their 2016 concept to document the kinetic chaos from “funkier angles” and with far greater detail than ever before. This 2025 update transforms simple physics into a breathtaking visual of suspended pigments, proving that even a decade later, faster speeds can reveal entirely new dimensions of a classic explosion.

SABRINA CARPENTER Reveals the Secrets Behind “Manchild” in New Vevo Footnotes

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Pop superstar Sabrina Carpenter takes fans behind the scenes of her chart-topping hit “Manchild” in the latest installment of Vevo Footnotes. Alongside co-directors Vania Heymann and Gal Muggia, Carpenter breaks down the intricate creative vision for the music video, which was filmed over three scorching days and inspired by a blend of self-revelation, disco-era sensuality, and classic Americana. The episode reveals several personal touches, including the fact that Sabrina’s sister hand-stitched the jean shorts for her featured look, and provides insight into the “trailer-like” concept designed to provoke a timeless, cinematic feel. From the roadside breakdown to the high-stakes scene of a car driving off a cliff, Carpenter discusses the improvisational energy required to survive the heat and the challenge of editing down an abundance of vibrant footage. Fans are also treated to a deep dive into the video’s hidden easter eggs—some of which went unnoticed until after her latest album announcement—establishing “Manchild” as a meticulous masterclass in color, cinematography, and storytelling.

RIVER EAST RIVER WEST Blends AI Innovation with Classic Country Storytelling

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Bitter Harvest Recordings has announced the release of “Too Many Whiskeys Under the Bridge,” the debut single from River East River West. This innovative studio project is the brainchild of acclaimed Liverpool songwriter John Jenkins, designed to explore the frontier where traditional songwriting meets modern AI technology. The track is an upbeat, foot-tapping country anthem that Jenkins penned years ago but never felt suited to perform himself. By utilizing AI as a creative tool—much like the Mellotrons or drum machines of previous eras—Jenkins has brought to life a fictional band capable of delivering his more traditional Nashville-leaning material with the specific swagger and swing he always imagined. The result is a vibrant reintroduction to his melodic craft, proving that the heart of a song remains with the author, regardless of the lens through which it is filtered.

“Too Many Whiskeys Under the Bridge” captures a relationship unraveling in the town of Belvedere, balancing sharp, wry humor with the “knowing nod” of classic country narrative traditions. The lyrics paint a vivid scene of red lipstick and frayed pride, all set against an irresistible rhythm that belies the emotional weight of the story. Jenkins, a veteran of John Peel sessions and the 1980s post-punk scene with The Persuaders, views this project as a way to ensure his compositions find a voice rather than sitting unheard in a vault. As a master of the UK Americana and folk scene, Jenkins’ experiment with River East River West establishes a new chapter in his decades-long career, demonstrating how emerging tech can serve the timeless art of the song.

PAUL MCCARTNEY Partners with Vevo for “Wonderful Christmastime” Footnotes

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Sir Paul McCartney is celebrating the 2025 holiday season by giving his perennial favorite, “Wonderful Christmastime,” the Vevo Footnotes treatment. Originally recorded during the ‘McCartney II’ sessions and released in 1979 as his first solo single in eight years, the track has evolved from a synth-heavy experiment into a global holiday standard. In this new digital edition, McCartney provides a “Pop-Up Video” style experience, sharing intimate reflections on the song’s Liverpool roots and debunking long-standing fan theories about its meaning. From joking about being the “head wizard of a Liverpool coven” to recalling the making of the music video with director Russell Mulcahy (who would later helm ‘Highlander’), the feature offers a rare, behind-the-scenes look at the craftsmanship behind the “simply having a wonderful Christmastime” refrain. For fans and skeptics alike, this 2025 retrospective establishes the track’s enduring legacy as an essential piece of the McCartney canon that continues to soundtrack the winter solstice.