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Dawson’s Creek’s James Van Der Beek Has Died At Age 48

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James David Van Der Beek, best known for his role as Dawson Leery on Dawson’s Creek, died on February 11, 2026, at the age of 48 after a journey with stage 3 colorectal cancer.

For many, he will always be Dawson – the earnest, film-obsessed teenager growing up in Capeside. The series ran from 1998 to 2003 and became one of the defining teen dramas of its era, helping establish The WB and launching the careers of its young cast. Van Der Beek appeared in every episode of the six-season run.

Born March 8, 1977, in Cheshire, Connecticut, Van Der Beek began acting in middle school productions before pursuing professional work as a teenager. At 16, he made his professional debut off-Broadway in Edward Albee’s Finding the Sun. By his late teens, he had appeared in films including Angus and I Love You, I Love You Not before landing the role that would change his life.

During hiatuses from Dawson’s Creek, he expanded into film, starring as quarterback Jonathan “Mox” Moxon in Varsity Blues, which opened at number one at the U.S. box office and earned him an MTV Movie Award. He later took on darker material in The Rules of Attraction, which developed a cult following.

Over the next two decades, Van Der Beek built a diverse career across television and film. He appeared in Don’t Trust the B—- in Apartment 23, playing a fictionalized version of himself to critical praise. He held recurring and main roles on series including CSI: Cyber and Pose, and co-created and starred in What Would Diplo Do?. He also competed on Dancing with the Stars and The Masked Singer, continuing to embrace reinvention and humor about his public image.

In August 2023, after a routine colonoscopy, Van Der Beek was diagnosed with colorectal cancer. He publicly shared the diagnosis in November 2024, saying he had been privately dealing with it while focusing on his health and family. He described the experience as life-altering, requiring patience and strength he did not know he possessed.

In December 2024, he participated in The Real Full Monty, raising awareness for prostate, testicular and colorectal cancer testing and research. In 2025, he auctioned memorabilia from Dawson’s Creek and Varsity Blues to help with treatment-related costs.

Van Der Beek married business consultant Kimberly Brook in 2010. The couple had six children: daughters Olivia, Annabel, Emilia and Gwendolyn, and sons Joshua and Jeremiah. In 2020, the family moved from Los Angeles to Texas. In interviews, he frequently spoke about fatherhood as the most meaningful role of his life.

He is survived by his wife, their six children, his father, his brother Jared and his sister Juliana.

James Van Der Beek’s career spanned more than three decades, from off-Broadway stages to network television, studio films and streaming series. His legacy includes an iconic teen drama, a willingness to evolve, and a public openness about illness that brought awareness to colorectal cancer.

He was 48.

BilloBuckers Release “It’s Okay Not To Be Okay” Addressing Male Depression With Empathy

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BilloBuckers release “It’s Okay Not To Be Okay” today via Deadly Records, a poignant single addressing male depression with empathy and understanding. The Leicester/Nottingham indie band tackles how men mask emotional struggles and the importance of offering support through this stirring track, which is currently featured on BBC Introducing and attracting attention from major radio DJs and stations. The five-piece group previously released debut EP ‘Eloquently Common’ and three singles that accumulated over 60,000 streams combined. Vocalist Billy Buckler shared a spoken word piece about the single’s meaning and message.

BilloBuckers combine the grit and force of conventional rock with the introspectiveness of indie rock, exploring themes of love, sorrow, and personal development through rich guitar riffs, dynamic rhythms, and soul-stirring vocals. The band draws influence from Arctic Monkeys, The View, Kasabian, Rat Boy, The Stone Roses, and The Libertines, wearing these inspirations heavily on their sleeve throughout their music. Each song creates sonic journeys that capture the essence of human experiences with a distinct sound that blends raw energy and emotional depth.

Paul Simon, Mary J. Blige And Hozier Lead 10th Annual Love Rocks NYC Lineup

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The 10th annual Love Rocks NYC takes place March 5 at the Beacon Theatre in New York City, bringing together an all-star lineup to benefit God’s Love We Deliver. Paul Simon, Mary J. Blige, Hozier, Billy F Gibbons, Elvis Costello, Goo Goo Dolls, Jon Batiste, Linda Perry, Nile Rodgers & CHIC, Preservation Hall Jazz Band, Trombone Shorty, and Warren Haynes will perform at the fundraising concert, led by music director and band leader Will Lee of the CBS Orchestra and the Late Show with David Letterman. JB Smoove, Jeff Ross, Julianne Moore, Whoopi Goldberg, Paul Shaffer, and Zarna Garg will make appearances throughout the evening. Tickets go on sale Friday, Feb. 13 at 10 am ET via Ticketmaster.

Bad Bunny’s Super Bowl Halftime Show Draws 128.2 Million Viewers In Historic Performance

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Bad Bunny’s halftime performance at Super Bowl LX attracted 128.2 million viewers, making it the fourth most-watched halftime show in Super Bowl history. The predominantly Spanish-language set featuring Lady Gaga and Ricky Martin trails only Kendrick Lamar’s 2025 performance at 133.5 million viewers, Michael Jackson’s 1993 show at 133.4 million, and Usher’s 2024 appearance at 129.3 million, according to Nielsen Big Data + Panel figures released Tuesday. The broadcast helped propel the game to record-breaking viewership numbers, with the second half reaching 137.8 million viewers as the Seahawks defeated the Patriots 29-13.

NBC reported that Sunday’s game became the second most-watched Super Bowl ever at 127.7 million viewers, just behind last year’s record, and the most-watched show in NBCUniversal history. The Telemundo broadcast averaged 3.3 million viewers, making it the most-watched Super Bowl in the Spanish-language network’s history, with coverage peaking during halftime at 4.8 million viewers for the most-watched Super Bowl halftime show in Spanish-language history. The performance honoring Bad Bunny’s Puerto Rican roots concluded with the singer shouting “God Bless America” while running through a list of countries in the Americas and holding up a football with the message “Together we are America.”

Social media engagement set records with four billion total views in the first 24 hours, a 137% increase year-over-year. More than half of all NFL social views came from international markets, reflecting Bad Bunny’s global reach.

St. Louis CITY SC Unveils The Tina Turner Kit In Historic Adidas Collaboration

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In a celebration of one of the most iconic female artists of all time, St. Louis CITY SC unveiled The Tina Turner Kit, a historic collaboration with adidas honoring the Queen of Rock ‘n’ Roll and her deep ties to St. Louis.

The MLS team’s homage to Tina Turner marks the first adidas collaboration with a female music artist on a soccer kit and includes a number of cultural events to celebrate her impact on St. Louis, including a concert with the St. Louis Symphony Orchestra (SLSO), a Tina-focused pop-up shop, and a music-themed community education initiative for youth and young adults.

Born Anna Mae Bullock, Tina Turner moved to St. Louis at 16, where she found her voice performing in clubs across the region before becoming a global force – redefining performance, style, and female power on her own terms. Her story of reinvention and resilience mirrors the ethos of the city that shaped her.

Inspired by Turner’s electrifying stage presence, The Tina Turner Kit shimmers in gold – echoing the movement of her glamorous attire and the energy of her live performances. Her silhouette appears in metallic gold on the kit’s authentication tag, while her signature, rendered in CITY Red, nods to her iconic lipstick and nails.

Accented in black are Founding Partner and front-of-jersey sponsor Purina, Founding Partner BJC Healthcare on one sleeve, and an MLS and Apple TV patch lockup on the other.  Designed in partnership with adidas and BMG, custodians of Turner’s music and image rights, the kit will serve as CITY SC’s secondary jersey for the 2026 and 2027 Major League Soccer seasons.

“Not only did Tina Turner change music, she impacted culture over decades and continues to permeate it today,” said Carolyn Kindle, CEO, St. Louis CITY SC. “It is a profound honor to celebrate her influence and legacy. St. Louis has long been home to so many artists who have shaped music history and Tina stands at the top of that list.”

CELEBRATING TINA’S MUSIC

The Tina Turner Kit anchors a citywide celebration that extends beyond the pitch and will be highlighted by *Eternal: A Tribute to Tina Turner presented by Purina*, a Tina Turner tribute performance by the St. Louis Symphony Orchestra on Sunday, Feb. 15 at 7:00 p.m. at Powell Hall at the Jack C. Taylor Music Center.

SLSO Music Director Stéphane Denève and guest conductor Anthony Parnther (conductor of the soundtracks to Tenet and Black Panther: Wakanda Forever), will lead an immersive symphonic tour of Tina’s rise to stardom featuring GRAMMY Award-winning artist Brittany Howard of Alabama Shakes and St. Louis native and “The Voice” finalist Kennedy Holmes, bridging classical music, rock and modern soul in a way that mirrors Turner’s genre-defying career.

“St. Louis is a homecoming for Tina. It’s where she first felt the thrill of the stage and the joy of performing,” said Erwin Bach, who was her husband and manager. “I’m especially excited for the orchestral interpretation of ‘Proud Mary’ and the initiatives around town. Local kids will discover the power of music and how performance makes it even more meaningful. Special thanks are also extended to the Taylor family for their enthusiasm and continued support of music and sport in the St. Louis community.”

THE TINA POP-UP RETAIL EXPERIENCE

CITY SC’s tribute to Tina and her legendary career also includes a Tina Turner Pop-up Shop at City Foundry (3730 Foundry Way, Suite 137, St. Louis, MO 63110), where the new kit and other limited-edition CITY SC x Tina Turner merchandise will be available. On display at the pop-up will be a selection of artifacts from Turner’s personal collection, including one of her dresses, a GRAMMY Award, and more. The pop-up shop is open February 11-20 from 11 a.m. – 7 p.m. daily; on February 11 the shop will open an hour early at 10 a.m., and on February 18 the shop will close at 9 p.m.

The Tina Turner Kit and supporting merchandise are also available at CITY Pavilion (2118 Market St.), CITY Goods (inside Energizer Park) and www.stlcitygo.com. CITY SC is offering free kit customization (personalized name and number) of Tina Turner Kits purchased at the Tina Turner Pop-up Shop, CITY Pavilion or at www.stlcitygo.com until March 31, 2026.

COMMUNITY PROGRAM WITH LASTING IMPACT

St. Louis CITY SC will collaborate with the Center of Creative Arts (COCA) on the creation of a Tina Turner-focused music curriculum for kids and teens. Students will explore Turner’s lasting influence while giving participants the opportunity to learn and perform songs from her repertoire, along with choreography inspired by her performances. A portion of sales proceeds from The Tina Turner Kit will help fund this initiative. Celebrating 40 years as a leading community arts center, COCA provides arts education for St. Louisans of all ages, skill levels, and backgrounds through classes, camps, performances, exhibitions, and more. 

TINA TURNER NIGHT AT ENERGIZER PARK

CITY SC also will celebrate Turner at Tina Turner Night presented by SeatGeek on Saturday, Aug. 22, when the team takes on Houston Dynamo at Energizer Park at 7:30 p.m. As a tribute to the many musical contributions Turner made, CITY SC licensed the rights to one of her hits “Simply the Best” and is incorporating the song into events the team is executing to honor her legacy. Match tickets are available at www.seatgeek.com or via the STL CITY SC app.

Sparks The Rescue Announces East Coast Spring Tour Following 20th Anniversary Celebration

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Sparks The Rescue returns to the road this spring with an East Coast tour launching May 7 in Burlington, Vermont. The announcement follows the Portland rock band’s 20th anniversary celebration at the State Theatre last year, marking a renewed commitment to live performance after a period of limited activity. The eight-date run includes stops in Philadelphia, Brooklyn, Albany, Worcester, and multiple New England venues, with select shows featuring support from Wheatus, Signal the Escape, and The Sophomore Beat. “We’re so thrilled to become more active this year and start touring in the northeast,” the band shares. “After some sparse activity over the last few years, it’s become more apparent than ever that we love spending time with each other and playing music together. That’s what it’s all about and we can’t wait to reconnect with some old friends who love the songs as much as we do. See you out there.” Presales begin Tuesday, Feb. 10 at 10 am ET, with general on sale starting Friday, Feb. 13 at 10 am ET.

Sparks The Rescue Tour Dates:

5/7 – Burlington, VT @ Higher Ground

5/8 – Portland, ME @ Live at Madrid’s

5/9 – Philadelphia, PA @ Milkboy

5/10 – Brooklyn, NY @ The Woodshop

5/14 – Portsmouth, NH @ The Press Room

5/15 – Amherst, MA @ The Drake

5/16 – Albany, NY @ Empire Underground

5/17 – Worcester, MA @ Palladium Upstairs

That Time Art Garfunkel And Tab Laven Performed Rooftop “Scarborough Fair” To Announce Tour Return

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Art Garfunkel returned to the spotlight with a rooftop performance in New York City in 2022, singing a verse from “Scarborough Fair” with guitarist Tab Laven. The intimate rendition served as the announcement vehicle for Garfunkel’s return to touring, capturing the legendary vocalist’s enduring vocal grace against the Manhattan skyline. Tin Mirror Productions filmed and released the promotional video, which features both the performance and a brief message from the artist about his upcoming dates.

SiriusXM Announces Daytona 500 Coverage

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SiriusXM will offer listeners extensive coverage of the 68th running of the DAYTONA 500 on February 15, as well as other live races happening during NASCAR’s Speedweek, access to in-car audio from drivers, and daily coverage from Daytona International Speedway.

NASCAR fans can hear it all in their cars and on the SiriusXM app on the exclusive 24/7 SiriusXM NASCAR Radio channel (channel 90).

On DAYTONA 500 race day, Sunday, Feb. 15, SiriusXM will broadcast live from the track starting at 7 am ET. When the green flag drops (approximately 2:30 pm ET) listeners will hear every lap of the race live, followed by post-race coverage that will include interviews with the 2026 DAYTONA 500 Champion and other drivers. In addition to the main race broadcast on SiriusXM NASCAR Radio, SiriusXM will also offer 10 additional Driver2Crew ChatterTM channels that will carry the in-car communication feeds of several teams throughout the race.

SiriusXM NASCAR Radio will also provide live coverage of the America 250 Florida Duel at DAYTONA on Thursday, Feb. 12 at 7 pm ET, the Fresh from Florida 250 NASCAR Craftsman Truck Series race on Friday, Feb. 13 at 7:30 pm ET, and on Saturday, Feb. 14, both the General Tire 200 NASCAR ARCA Series race at noon ET and the United Rentals 300 NASCAR O’Reilly Auto Parts Series race at 5 pm ET.

In addition to airing the live race broadcasts, the SiriusXM NASCAR Radio channel will broadcast from the infield at Daytona International Speedway throughout the week. Hosts Dave Moody, Danielle Trotta, Larry McReynolds, Mike Bagley, Pete Pistone, Brad Gillie, Todd Gordon, Mike and Angie Skinner, John Roberts, Pat Patterson and others will be live on site interviewing drivers, crew chiefs, owners and others, and providing insight on everything happening around the track.

On Thursday, SiriusXM will team up with Dirty Mo Media, the multimedia content platform of Dale Earnhardt Jr., for a series of special fan-facing shows at the Daytona Fan Zone Stage. Fans at the track will be able to watch as Dale Jr. hosts a live episode of his popular podcast, “Dale Jr. Download,” from 3-4 pm ET. Dale Jr. will be joined on stage by 2023 NASCAR Cup Series champ Ryan Blaney.

Following the episode of the “Dale Jr. Download,” several SiriusXM NASCAR Radio and Dirty Mo personalities including Danielle Trotta, Jordan Bianchi, Pete Pistone and others will team up for a live show from 4-4:30 pm ET. SiriusXM’s Dave Moody will then host a special episode of “SiriusXM Speedway” live from the stage from 4:30-6 pm ET, leading into live coverage of that night’s America 250 Florida Duel at DAYTONA.

On Monday, Feb. 16, on “The Morning Drive,” hosts Mike Bagley and Pete Pistone will be back at the track to recap Sunday’s race and interview the 2026 DAYTONA 500 champion driver, crew chief and owner.

Billboard Canadian Hot 100 And Albums Charts Adopt New Streaming Weight Methodology

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Billboard has recalibrated the methodology for both the Billboard Canadian Hot 100 and Billboard Canadian Albums charts to align with evolving streaming economics and listener habits. The Canadian Hot 100 now operates under an updated paid to ad-supported streaming ratio of 1:2.5, effective with the chart dated Jan. 31, 2026. This adjustment narrows the gap from the previous 1:3 ratio, giving ad-supported streams greater influence in chart positions.

The shift reflects Billboard’s strategic response to increased streaming revenue and changing consumption patterns across digital music platforms. Paid and subscription on-demand streams maintain their premium weighting, but the reduced differential acknowledges the growing role of ad-supported listening in the modern music economy. The Canadian Albums chart previously adopted similar changes, effective Jan. 17, bringing both Canadian charts into methodological harmony with their U.S. counterparts.

Under the revised formula, each album consumption unit equals 2,500 ad-supported streams or 1,000 paid streams from an album’s tracks. One album sale and 10 individual track purchases continue to count as single album units. The math delivers meaningful shifts in what constitutes chart success: artists now need 33.3% fewer ad-supported streams and 20% fewer paid streams to generate an album unit compared to the previous system.

These methodology updates reshape competitive dynamics for Canadian artists and international acts charting domestically. The changes position Billboard’s Canadian charts as more responsive instruments for measuring actual listening behavior while maintaining the distinction between revenue tiers. Chart watchers will see the impact unfold across weekly rankings as streaming patterns translate into positions under the new weighting structure.

The methodology shift creates a more advantageous landscape for artists with strong ad-supported streaming audiences, particularly those who connect with younger listeners or demographics less likely to maintain paid subscriptions. Chart positions will reflect a broader cross-section of listening behavior rather than heavily favoring premium subscribers, which could elevate tracks that perform well on free tiers of services like Spotify and YouTube. Artists who previously fell short of chart milestones despite massive streaming numbers may find themselves breaking through under the new formula. The change also reduces the streaming threshold for album chart placement, making it easier for newer or independent acts to compete with established artists who traditionally dominate through physical and download sales. Ultimately, the recalibration positions the charts as more accurate barometers of actual cultural consumption rather than purely revenue-based metrics.




Em Spel Debuts New Single “The Tide” From Upcoming Album ‘Bird Or Snake’

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Singer-songwriter Em Spel premieres her new single “The Tide” as a second preview of her upcoming album ‘Bird or Snake’. Following the release of “Geographic” last month, this new track highlights the warm vocals and imaginative arrangements of artist Emma Hospelhorn. The song combines original vocal harmonies with elegant instrumental parts and subtle electronic textures. Hospelhorn wrote, composed, and produced all the material on the record independently. This collection of music presents a fully realized artistic vision that balances intimacy with technical sophistication.

The artist developed the track “The Tide” by blending her varied musical backgrounds in classical, punk, and free jazz. The song began as a simple skeleton featuring Hospelhorn on guitar and Eric Ridder on drums. Collaborators Katie Ernst, Dustin Laurenzi, and Mabel Kwan added bass, saxophone, and synthesizers to the recording. Hospelhorn also utilized a Korg Little Bits synth to generate specific electronic sounds throughout the piece. Mixing engineer Brian Deck finalized the track to manage the diverse range of sonic elements.

‘Bird or Snake’ serves as a joyful amalgamation of art-folk and indie rock. Hospelhorn drew upon her experience as a flutist in the avant-classical group Ensemble Dal Niente to inform her multi-instrumental approach. She wrote many of the songs in 2022 during a residency with the Eastern Frontier Foundation on Norton Island in Maine. A period of recovery from illness in 2024 allowed her to revisit these compositions with a new perspective on the peculiarities of life. This relaxed approach to the final recording process helped the artist determine exactly what each track required.

The resulting record showcases an artist finding new ways to thrive through creative exploration. Her work frequently references nature, the environment, and the sea to create a sense of liveliness and warmth. Hospelhorn successfully captures a specific sonic environment that feels both experimental and grounded. ‘Bird or Snake’ stands as a highly inspirational work within the contemporary indie landscape.