Kameron Marlowe delivers a massive vocal performance on his latest single “Let The Lonely” out now via Columbia Nashville. This stadium-ready yearner finds the powerhouse singer reuniting with his frequent collaborators Joybeth Taylor and Austin Goodloe to explore the addictive cycle of a toxic relationship. Marlowe utilizes his mountainous baritone to underscore the hopelessness of a push-and-pull dynamic that feels impossible to quit. The track captures a moody and atmospheric energy through the expert production of Goodloe who helps bottle that specific feeling of desperation into a tight three-minute window. Marlowe notes that the song reflects a universal experience where two people find themselves pulled back into each other’s orbit despite knowing the outcome. This release solidifies his reputation for delivering raw and relatable country anthems that resonate deeply with listeners who have lived through the same emotional struggles.
Watch Kristen Wiig Brake The Saturday Night Live Cast For 4 Minutes
PopMojo recently highlighted the absolute comedic brilliance of Kristen Wiig by showcasing the most legendary times she forced her ‘Saturday Night Live’ co-stars to break character. The hilarious compilation features iconic sketches like “Whiskers R We” where she famously shared the screen with Kate McKinnon and guest stars like Amy Adams and Billie Eilish. Fans can also revisit the sun-soaked absurdity of “The Californians” as she tests the composure of Bill Hader and Fred Armisen with over-the-top valley accents and dramatic stares. From the physical comedy of Herb Welch to the unprepared musical chaos of Garth and Kat, Wiig remains a master of the unexpected delivery. This entertaining retrospective serves as a perfect tribute to a performer who turned the act of breaking character into a beloved art form.
Dasha Finds Home With New “Train” Single And ‘Anna’ EP
Global country-pop star Dasha recently explored the deep meaning of finding home with the release of her wistful single “Train” from the new ‘Anna’ EP. This track stands out as her first outside cut and was solo-written by Nashville songwriter Kyle Sturrock to capture the nostalgia of settling into a brand-new city. The arrangement begins with a stripped-down acoustic vocal before building into a rich soundscape of dobro, pedal steel, and shuffling drums. Dasha relates the lyrics to her own experience moving to Nashville at eighteen to study at Belmont and finding comfort in the unfamiliar. This moving ballad highlights her growth as an artist who can deliver powerful stories that feel like they were pulled directly from her own diary.
The eight-track collection arrived this past October via Warner Records and represents a significant return to her creative roots. Produced with a focus on emotional honesty, the project features the high-energy David Guetta remix of “Not At This Party” alongside the flirty visuals of “Like It Like That.” She recently celebrated the release while crossing Canada on her “Welcome to Dashville” headline tour with major stops at the Park Theatre and the Vogue Theatre. This new era follows the massive global success of her platinum smash “Austin (Boots Stop Workin’)” and proves her ability to transcend genres. By embracing both her Dasha persona and her identity as Anna, she has created a definitive body of work for her expanding fanbase.
Madison Beer Commands Attention With New “Yes Baby” Single
Global pop powerhouse Madison Beer recently kicked off a thrilling new creative chapter with the arrival of her latest single “Yes Baby” via Epic Records. This high-energy track serves as a spiritual successor to her gold-certified hit “Make You Mine” and moves her sonic journey forward with undeniable urgency. Produced alongside longtime collaborators Leroy Clampitt and Lostboy, the song blends shimmering electronic-dance textures with a flirty and confident vocal performance. Beer described the record as a fun celebration meant to be blasted with friends, and the track has already reached the top of the dance radio charts. The release follows a massive year of milestones for the singer-songwriter, including several new RIAA certifications and a growing list of global accolades.
The official music video for “Yes Baby” takes the song’s energy to new heights through a fierce eighties exercise homage. Concepted and co-directed by Beer alongside Aerin Moreno, the visual features mirrored choreography and a vibrant gym setting that perfectly captures the track’s propulsive beat. This single acts as a bridge toward her highly anticipated third studio album ‘Locket’ which is officially scheduled to arrive on January 16, 2026. Fans have already been treated to other recent standouts like “Bittersweet” and “15 Minutes” as she prepares to unveil her most cohesive and personal body of work to date. With her current momentum and a visionary approach to both sound and style, she continues to solidify her place as a dominant force in modern pop.
Juliana Madrid And Ella Jane Honor Richard Russell In “Sky King”
Juliana Madrid and Ella Jane have joined forces for the haunting new single “Sky King” as part of the recently released ‘All Things Go: 10 Years’ charity compilation. The track pays a tender and graceful tribute to Richard “Beebo” Russell and his widely known 2018 flight over the Seattle skyline. Madrid felt moved to write the piece after discovering his story online and finding a deep sense of empathy for the hidden struggles within ordinary lives. This indie-pop collaboration captures a beautiful tragedy while encouraging listeners to lead with kindness and love toward one another. All proceeds from the project benefit The Ally Coalition to support LGBTQ+ youth and local community empowerment.
Lauren Watkins Teams With John Morgan For “Slippery Slope” Single
Lauren Watkins is embracing the complicated nature of partnership with her latest single “Slippery Slope” featuring a soulful collaboration with John Morgan. This smoky country duet serves as the final preview of her recent full-length studio album ‘In A Perfect World’ which arrived this past autumn. Co-written with Will Bundy, Mark Trussell, and Lydia Vaughan, the track captures the irresistible pull of a past flame within a rich barroom setting. The vocal chemistry between Watkins and Morgan heightens the emotional stakes as they navigate the relatable cycle of an on-again, off-again relationship. Produced by her husband Will Bundy and Joey Moi, the song expertly balances an old-school nostalgic feel with a fresh and modern production style.
The ten-song collection marks a significant evolution for Watkins as she finds a beautiful balance between life on the road and her quiet farmhouse roots. This new chapter follows her successful 2024 debut and features standout tracks like the pulse-racing “Lose My Cool” and the gritty anthem “I’ll Get Through It.” Throughout the recent release cycle, she has maintained a heavy presence on the road with major tours alongside Zach Top and Riley Green. She even celebrated her album launch day with a massive performance at Madison Square Garden while opening for Lainey Wilson. Her natural storytelling and lyrical truth continue to establish her as a prominent maverick within the mainstream country landscape.
U2 Accepts 2025 Woody Guthrie Prize At Cain’s Ballroom
U2 recently celebrated a historic milestone as the recipients of the 2025 Woody Guthrie Prize during a powerful ceremony at Cain’s Ballroom in Tulsa. Bono and The Edge returned to the legendary venue for the first time since their 1981 tour to accept the honor on behalf of the entire band. This prestigious award recognizes artists who carry forward the legacy of social consciousness and activism that defined the life of Woody Guthrie. During the evening, the duo participated in an intimate conversation with T Bone Burnett to discuss their long-standing commitment to using music as a force for global change.
The special fundraising event featured a surprise six-song acoustic set that highlighted the deep connection between the band’s catalog and Guthrie’s folk roots. Fans were treated to moving renditions of “Sunday Bloody Sunday” and “One” along with a cover of the Woody Guthrie classic “Jesus Christ.” Anna Canoni shared her family’s appreciation for how the Dublin rockers have spent decades confronting injustice through their art and humanitarian efforts. This induction places the group alongside previous honorees like Bruce Springsteen and Mavis Staples in a lineage of standard bearers for justice.
Parker McCollum Announces 2026 Tour Dates
Country superstar Parker McCollum is officially kicking off the new year with the announcement of his first 2026 tour dates across North America. This upcoming run follows the massive success of his self-titled album ‘Parker McCollum’ and features a reimagined setlist including the hit single “What Kinda Man” alongside fan favorites like “Killin’ Me” and “Big Sky.” Known for his high-energy performances and deep connection with his audience, the multi-platinum artist continues to build on the momentum of his career by bringing his chart-topping hits to major arenas. Fans can look forward to catching him at a special New Year’s Eve performance at Dickies Arena in Fort Worth before the official tour begins in January.
The 2026 trek features an impressive lineup of rising talent including Max McNown, Jake Worthington, and Laci Kaye Booth to open the shows. This fourteen-date run will visit iconic rooms like Rupp Arena in Lexington and the Frost Bank Center in San Antonio as McCollum brings his signature Texas country sound to the masses. The tour schedule also includes a highly anticipated two-night stand at the St. Augustine Amphitheater to wrap up the spring leg in late March.
Parker McCollum 2026 Tour Dates:
Jan 23 – El Paso, TX @ Don Haskins Center
Jan 24 – Glendale, AZ @ Desert Diamond Arena
Jan 29 – Edinburg, TX @ Bert Ogden Arena
Jan 30 – Corpus Christi, TX @ Hillard Center Arena
Jan 31 – San Antonio, TX @ Frost Bank Center
Feb 5 – Oxford, MS @ SJB Pavilion at Ole Miss
Feb 6 – Lexington, KY @ Rupp Arena
Feb 7 – Salem, VA @ Salem Civic Center
Feb 12 – Winston-Salem, NC @ Lawrence Joel Veterans Memorial Coliseum
Feb 13 – Auburn, AL @ Neville Arena
Feb 14 – Savannah, GA @ Enmarket Arena
Mar 26 – Estero, FL @ Hertz Arena
Mar 27 – St. Augustine, FL @ St. Augustine Amphitheater
Mar 28 – St. Augustine, FL @ St. Augustine Amphitheater
Hallie Marie Explores Spiritual Awakening In New “Blue In Her Head” Single
Singer-songwriter Hallie Marie has recently released her sweeping new single “Blue In Her Head” which serves as a cinematic journey through isolation and healing. Recorded in collaboration with Andreas Landeck at The Keep Recording, the track evolves from a quiet, contemplative opening into a dynamic multi-phase rock arrangement featuring duelling guitar solos and swelling strings. Hallie draws on Buddhist themes like hungry ghosts to personify the world as an elusive stranger while her lyrics trace a spiritual path toward reclaiming hope and presence. Sonically evoking the expansive psychedelia of Pink Floyd, the song utilizes layered vocals and instrumental builds to mirror the movement from emotional detachment to a passionate recognition of life’s innate beauty. This latest offering follows her previous work on “3:59” and reinforces her reputation as an intellectually curious artist capable of balancing deep melancholy with a profound sense of light.
Kate Wyatt Trio Moves Like Starlings On New ‘Murmurations’ Album
Montréal jazz pianist Kate Wyatt recently unveiled her sophomore studio album ‘Murmurations’ to widespread acclaim for its telepathic group interplay. Joined by bassist Adrian Vedady and drummer Louis-Vincent Hamel, the trio explores the natural phenomenon of birds moving in unison through eleven intricate original compositions. This release follows her award-winning debut ‘Artifact’ and showcases a deep musical dialogue built on years of trust and collective spontaneity. Listeners are already embracing the record for its sensitivity and the unique way it breathes as a single, responsive organism. One standout highlight includes a creatively reimagined version of the Kurt Weill standard “Mack the Knife” which displays the inventive spirit of the ensemble.