Home Blog

Brett Young Covers Justin Bieber with Signature Swagger on “Yukon”

0

Brett Young is closing out the year with a surprise for his following by officially releasing a warm and stripped-back cover of the Justin Bieber hit “Yukon” via Nashville Harbor Records & Entertainment. This new version puts a distinct country-leaning swagger on one of the most celebrated songs of 2025 and highlights the diamond-selling artist’s natural ability to connect as a soulful storyteller. By leaning into the intimate vocal style that has become his trademark, Young manages to offer a fresh perspective on the track while maintaining the emotional core that made the original a chart-topping favorite. This festive release serves as the perfect bridge between his highly successful world tour and the massive headline trek scheduled to begin early next year.

2.0 Tour 2026:

  • Jan 22 – Nashville, TN – Ryman Auditorium
  • Jan 23 – Durham, NC – Durham Performing Arts Center
  • Jan 24 – Greenville, SC – Peace Center
  • Jan 29 – Troy, OH – Hobart Arena
  • Jan 30 – Joliet, IL – Rialto Square Theatre
  • Jan 31 – Wabash, IN – Honeywell Center
  • Feb 05 – Lancaster, PA – American Music Theatre
  • Feb 06 – Boston, MA – MGM Music Hall at Fenway
  • Feb 07 – Mashantucket, CT – Foxwoods Resort Casino
  • Feb 12 – Bowling Green, KY – SkyPAC
  • Feb 13 – Nashville, IN – Brown County Music Center
  • Feb 14 – Warren, OH – Packard Music Hall
  • Feb 20 – Duluth, MN – DECC Symphony Hall
  • Feb 21 – Waukee, IA – Vibrant Music Hall
  • Feb 22 – Nixa, MO – Aetos Center for the Performing Arts
  • Feb 26 – Syracuse, NY – Landmark Theatre
  • Feb 27 – Albany, NY – The Palace Theatre
  • Feb 28 – Bensalem, PA – Parx Casino Xcite Center

Freddie Mercury Revisits “Living On My Own” for ‘Mr. Bad Guy’ Anniversary

0

Freddie Mercury Revisits “Living On My Own” for ‘Mr. Bad Guy’ Anniversary

Freddie Mercury, Queen, David Wigg, Munich, Justin Shirley-Smith, Joshua J Macrae,

The archival vaults have opened once more for the final chapter of a video series celebrating the fortieth anniversary of Freddie Mercury’s debut solo album ‘Mr. Bad Guy’. This concluding episode takes listeners back to a candid 1985 interview in Munich where the frontman sat down with journalist David Wigg to discuss the personal nature of his songwriting. While the special edition vinyl reissue hit shelves on December 5, this footage provides an intimate look at the experiences of love and loneliness that fueled tracks like “Living On My Own”. Mercury remains in peak form throughout the clip, balancing his trademark wit with rare moments of vulnerability regarding the isolation of his international lifestyle.

During the conversation, the singer reflects on the rhythmic sexuality of “Foolin’ Around” and the self-aware warning within “My Love Is Dangerous”. He famously describes himself as a romantic at heart while acknowledging that he might not be the easiest partner for anyone to keep up with. These revelations offer a fascinating counterpoint to the flamboyant image portrayed in the “Living On My Own” music video which was famously filmed at his thirty-ninth birthday celebration. Mercury explains that while his life often resembles a gypsy style of travel between global hotels, he still manages to find his own version of a boogie time amidst the solitude.

The new special edition reissue of ‘Mr. Bad Guy’ features a fresh mix from Queen’s longtime sound team of Justin Shirley-Smith and Joshua J Macrae. Available on translucent green vinyl and as a picture disc LP, the record serves as a testament to Mercury’s desire to explore musical territory outside of his primary band. From the operatic heights of “Made In Heaven” to the dancefloor energy of “I Was Born To Love You”, the album captures a spectrum of moods that Mercury felt were a natural reflection of his life in the mid-eighties. The series concludes with a mischievous exchange about the album’s chocolate box cover art where the icon jokes about his dark blue shades and butch aesthetic.

This retrospective celebration honors a record that earned gold status and delivered a number one hit while Mercury was operating at the peak of his powers. By revisiting the Munich sessions and the honest words shared with a trusted friend like Wigg, the project highlights the enduring legacy of an artist who always preferred to keep things interesting. Whether discussing the sexual vibe of a rhythm or the reality of his clipped wings, Mercury continues to fascinate audiences four decades after these songs first hit the airwaves. It is a fitting tribute to a performer who put his entire soul into his first solo outing away from the Queen machine.

Pythonic Unleashes “Decomposition” to Define New Era of Groove‑Death Metal

0

Saskatoon metal veterans Pythonic have officially entered a new chapter with the release of their sophomore EP ‘Decomposition’ via a lineup that represents the heaviest iteration of the band to date. This project finds the group tearing down and rebuilding their earliest material from the ground up to provide the visceral justice that founding guitarist Vincent Kohut feels these tracks always deserved. The addition of vocalist Morgan Warriner alongside bassist Max Hiske and drummer Jayden Warriner has transformed the sonic landscape of the band into a more aggressive and cohesive unit. Every riff on the record has been sharpened and every arrangement tightened under the meticulous production of Reid Paraszczynec at Lucid Distortion Audio to ensure a relentless listening experience. From the scathing social commentary of “Pills” to the ritualistic intensity of “Liturgy” the EP explores a dark thematic range that includes occult horror and personal betrayal. The technical precision of lead guitarist Ryan Hunter combined with the thunderous low end from Max Hiske solidifies the group’s reputation for delivering a tight and professional onslaught. After a landmark year spent sharing stages with 200 Stab Wounds and closing out the main stage at Slaughter Fest in Edmonton the band is already focused on a prolific future involving multiple new full-length albums.

Adam Sanders Takes the Win on CBS Series ‘The Road’

0

The inaugural season of the CBS competition series ‘The Road’ has officially crowned hit songwriter Adam Sanders as its first champion following a high-stakes finale at the Ryman Auditorium. Sanders secured the victory after a series of performances that earned high praise from mentor Keith Urban who famously noted that the Florida native played the stage like a fiddle. The victory includes a massive quarter-million-dollar cash prize along with a recording contract and a coveted performance slot on the Mane Stage at “Stagecoach 2026”. After years of penning chart-topping hits for other artists, the transition to center stage marks a definitive new chapter for a performer who has already surpassed two hundred million global streams.

While traditionalist Channing Wilson and powerhouse Cassidy Daniels delivered incredible final sets, the audience vote ultimately favored the polished showmanship that Sanders developed while opening for Urban on the Midwest tour circuit. Producers Blake Shelton and Taylor Sheridan looked on as the winner performed his original anthem “All Summer Long” to a capacity crowd in Nashville. Sanders remains a significant force in the publishing world through Liz Rose Music where he has crafted number one hits like “Ain’t Worth The Whiskey” and “Hell of a Night”. With a dedicated following and a string of successful independent singles like “Bible in a House Fire”, the new champion is perfectly positioned to headline the “Red Bull Jukebox” show at The Pinnacle later next year.

Harley Girl Solidifies Electronic Presence with ‘The Music’ EP

0

Australian producer and DJ Harley Girl is back in the spotlight with the release of his highly anticipated sophomore EP titled ‘The Music’. This powerhouse collection arrives via Mammal Sounds and serves as a definitive statement for the rising Meanjin artist who has already spent the year dominating dancefloors. Featuring a signature blend of thumping rhythms and playful synth design, the project includes the explosive singles “Gimme !”, “Turn Up The Sound”, and “1Mhz*” alongside a brand new dance-ready cut “Nobody (Like You)”. Harley Girl describes the lead synth line on the final track as having the tension of a stretched rubber band which creates an energy that feels like it could tear apart at any moment. This release marks his second EP of 2025 following the success of ‘legitimate dj behaviour’ and highlights a remarkably productive creative streak. The collection acts as a necessary reprieve from the chaos of the world by channeling frenetic club energy into a cohesive and emotional listening experience.

Four Tet Delivers Landmark Remix of Sammy Virji and Chris Lake Hit “925”

0

Sammy Virji is officially capping off a historic year with a massive new collaboration that bridges the gap between underground credibility and global stardom. Following the runaway success of his sophomore album ‘Same Day Cleaning’, the producer has recruited electronic pioneer Four Tet to deliver a textured reinterpretation of the fan favorite track “925”. This remix arrives just as Virji secures the title of Best Producer at the DJ Mag Best of British Awards 2025, a win that follows his widely praised Radio 1 Essential Mix and a viral residency that helped define the modern UKG resurgence. The new version of “925” reframes the high-energy collaboration with Chris Lake into an atmospheric masterclass filled with organic percussion and shimmering synths. Momentum continues to build toward a massive 2026 season which includes two sold-out nights at the iconic Alexandra Palace in April. Fans are also looking forward to a huge homecoming show at Finsbury Park this coming August alongside a highly anticipated B2B set with Fred again.. in Chicago.

Steve Aoki and Kaaze Ignite Festivals with New ‘Head Rush’ EP

0

The electronic music landscape is shifting once again as Steve Aoki and Kaaze join forces for their first collaborative project titled ‘Head Rush’. Released via Dim Mak Records, this EP serves as a high-octane reunion for the two producers who have spent years discussing a shared creative vision. Fans will recognize the synergy from their previous work on the ‘HiROQUEST’ albums including the massive hits “Won’t Forget This Time” and “Whole Again”. This new collection successfully merges Aoki’s legendary electro energy with the unique Hōt Teknō style that Kaaze has pioneered on the global stage.

The title track features the emotive vocals of Sarah De Warren and delivers a big-room atmosphere that recently debuted to thousands of fans at the Hypersonic Festival. Aoki describes the project as an effort to capture those euphoric festival moments where the music simply lifts the entire crowd. The EP also includes “Give It To Me” and “Self Control” which are specifically designed to dominate mainstage sets throughout the coming season. Both artists expressed immense excitement about returning to the studio to craft melodies and drops that encourage listeners to completely lose themselves in the sound.

40 Fingers Performs “Overture” from ‘Jesus Christ Superstar’

0

The incredibly talented guitarists of 40 Fingers have just released a moody and atmospheric cover of the “Overture” from the classic Andrew Lloyd Webber rock opera ‘Jesus Christ Superstar’. This masterful arrangement by Andrea Vittori features the combined skill of Matteo Brenci, Emanuele Grafitti, Enrico Maria Milanesi, and Andrea Vittori on four acoustic guitars. Every note of this instrumental performance highlights the quartet’s deep reverence for the original score while showcasing their unique fingerstyle technique.

Skullcandy Delivers Immersive Audio with Aviator 900 ANC Headphones

0

Audio enthusiasts are finding a new favorite in the Skullcandy Aviator 900 ANC Over-Ear Noise Cancelling Bluetooth Headphones, which currently offer a massive savings opportunity. These headphones feature advanced adaptive four-mic active noise cancelling that works in real time to reduce background distractions for a truly clear listening experience. With the inclusion of THX spatial audio and head tracking, the device creates a dynamic 360-degree soundscape that moves with the listener to provide a realistic and cinematic feel.

The high-tech design includes several convenient features such as play-and-pause wear detection and the ability to customize audio via Personal Sound by Mimi. Users can enjoy seamless connectivity through Bluetooth 5.3 technology and a low latency mode that ensures smooth audio during gaming or video streaming sessions. For those on the move, the sweat-resistant nano coating and the flat-folding collapsible design make these headphones a durable and travel-friendly companion.

Battery performance remains a standout highlight with up to forty hours of playback even when the active noise cancelling is engaged. A quick ten-minute rapid charge provides four additional hours of power, ensuring that the music never has to stop for long. Available in a sleek True Black finish, the Aviator 900 ANC combines style with substantial technical specs to redefine the daily listening routine for fans of high-quality sound.

Georgia Scarlett Captures Strength and Self-Discovery on Debut ‘Rhythm of Life’

0

Meanjin-based singer-songwriter Georgia Scarlett is officially stepping into the spotlight with the release of her debut full-length album ‘Rhythm of Life’. This record beautifully merges intimate folk storytelling with the glowing warmth of country-pop to explore themes of healing and the quiet power found in life’s many turning points. Listeners are treated to a thoughtful narrative of personal growth across tracks like the tender acoustic opener “My Love” and the bittersweet breakup anthem “Can’t Stop Time”. The title track “Rhythm of Life” brings the sound to a soaring peak with lush harmonies and steady rhythms that signal a hopeful sense of renewal. With standout songs like “Bookworm” and “Watering Can” showcasing her versatility, the album successfully traces a journey from vulnerability toward a resilient and confident future.

‘Rhythm of Life’ Tour 2026:

Fri, Feb 21– Royal Hotel Nundah, Brisbane

Sat, Feb 22 – Banshees Bar, Ipswich

Wed, Feb 25 – The Gov (Fringe Festival Event), Adelaide 

Sat, Feb 28 – The Wesley Anne, Melbourne