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Ashley Cooke Spotlights Heartfelt Stories in New “It’s Been a Year” Video

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Country powerhouse Ashley Cooke has unveiled a deeply moving video for her hit song “It’s Been a Year” that captures the raw spirit of life in Nashville. By placing a microphone on Broadway and asking strangers to share what they overcame this year, the artist created a space for authentic emotion and pride to shine through. The resulting footage serves as a beautiful acknowledgement of the challenges and triumphs that help people grow, turning the song into a communal experience.

Originally released as a surprise drop to close out a breakthrough season, “It’s Been a Year” quickly became a standout track on the massive twenty-four song debut album ‘Shot in the Dark’. The lyrics perfectly resonate with anyone working toward a goal while navigating major life milestones like growing older or celebrating new arrivals. It carries a profound personal connection for the songwriter because her own grandmother was declared in remission from breast cancer on the very day the track originally debuted.

Since its introduction, the track has evolved into a staple for year-in-review social media content by summing up the confusing and fun nature of living. The video emphasizes the power of honest storytelling and highlights why so many listeners find comfort in the vulnerability of her debut record. Seeing these real stories paired with the hit song provides an uplifting perspective on the resilience of the human spirit as the year comes to a close.

Evie Williams Captures Early Adulthood Tension in “Heather Court”

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Pop artist Evie Williams has released her evocative new single “Heather Court,” a hazy blend of indie folk and psychedelic textures that marks her most introspective work to date. Named after an old apartment block that symbolized a romanticized future, the track explores themes of self-sabotage and the gap between one’s imagined life and a reality of “mattresses on the floor.” Driven by warm, overdriven guitars and a lazy drum swing, the song showcases Williams’ signature feather-light vocals and features a hypnotic spoken-word bridge that dissolves into rich, stacked harmonies. Following a successful run as a QUBE Effect finalist and a sold-out debut full-band show, Williams steps into a moodier sonic palette with this release, delivering a sun-bleached, melancholic anthem for anyone navigating the bittersweet feeling of wasted potential.

Marshmello Delivers High-Energy Recap with Apple Music’s 2025 Megamix

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Global hitmaker Marshmello has been tapped to curate Apple Music’s fourth annual year-end Megamix, putting a high-octane spin on the biggest tracks of 2025. Available exclusively on the platform, the mix features chart-dominating artists such as Tate McRae, PinkPantheress, Blackpink, Doechii, Lorde, Bad Bunny, and Addison Rae, all reimagined in immersive Spatial Audio. This year’s edition continues a prestigious holiday tradition that has previously seen the likes of Diplo and DJ Khaled at the helm, spanning genres from global pop to hip-hop. By blending his signature electronic production with the year’s most influential sounds, Marshmello offers fans a definitive, club-ready snapshot of the musical landscape over the past twelve months. Check it out here.

Brett Young Covers Justin Bieber with Signature Swagger on “Yukon”

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Brett Young is closing out the year with a surprise for his following by officially releasing a warm and stripped-back cover of the Justin Bieber hit “Yukon” via Nashville Harbor Records & Entertainment. This new version puts a distinct country-leaning swagger on one of the most celebrated songs of 2025 and highlights the diamond-selling artist’s natural ability to connect as a soulful storyteller. By leaning into the intimate vocal style that has become his trademark, Young manages to offer a fresh perspective on the track while maintaining the emotional core that made the original a chart-topping favorite. This festive release serves as the perfect bridge between his highly successful world tour and the massive headline trek scheduled to begin early next year.

2.0 Tour 2026:

  • Jan 22 – Nashville, TN – Ryman Auditorium
  • Jan 23 – Durham, NC – Durham Performing Arts Center
  • Jan 24 – Greenville, SC – Peace Center
  • Jan 29 – Troy, OH – Hobart Arena
  • Jan 30 – Joliet, IL – Rialto Square Theatre
  • Jan 31 – Wabash, IN – Honeywell Center
  • Feb 05 – Lancaster, PA – American Music Theatre
  • Feb 06 – Boston, MA – MGM Music Hall at Fenway
  • Feb 07 – Mashantucket, CT – Foxwoods Resort Casino
  • Feb 12 – Bowling Green, KY – SkyPAC
  • Feb 13 – Nashville, IN – Brown County Music Center
  • Feb 14 – Warren, OH – Packard Music Hall
  • Feb 20 – Duluth, MN – DECC Symphony Hall
  • Feb 21 – Waukee, IA – Vibrant Music Hall
  • Feb 22 – Nixa, MO – Aetos Center for the Performing Arts
  • Feb 26 – Syracuse, NY – Landmark Theatre
  • Feb 27 – Albany, NY – The Palace Theatre
  • Feb 28 – Bensalem, PA – Parx Casino Xcite Center

Freddie Mercury Revisits “Living On My Own” for ‘Mr. Bad Guy’ Anniversary

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Freddie Mercury Revisits “Living On My Own” for ‘Mr. Bad Guy’ Anniversary

Freddie Mercury, Queen, David Wigg, Munich, Justin Shirley-Smith, Joshua J Macrae,

The archival vaults have opened once more for the final chapter of a video series celebrating the fortieth anniversary of Freddie Mercury’s debut solo album ‘Mr. Bad Guy’. This concluding episode takes listeners back to a candid 1985 interview in Munich where the frontman sat down with journalist David Wigg to discuss the personal nature of his songwriting. While the special edition vinyl reissue hit shelves on December 5, this footage provides an intimate look at the experiences of love and loneliness that fueled tracks like “Living On My Own”. Mercury remains in peak form throughout the clip, balancing his trademark wit with rare moments of vulnerability regarding the isolation of his international lifestyle.

During the conversation, the singer reflects on the rhythmic sexuality of “Foolin’ Around” and the self-aware warning within “My Love Is Dangerous”. He famously describes himself as a romantic at heart while acknowledging that he might not be the easiest partner for anyone to keep up with. These revelations offer a fascinating counterpoint to the flamboyant image portrayed in the “Living On My Own” music video which was famously filmed at his thirty-ninth birthday celebration. Mercury explains that while his life often resembles a gypsy style of travel between global hotels, he still manages to find his own version of a boogie time amidst the solitude.

The new special edition reissue of ‘Mr. Bad Guy’ features a fresh mix from Queen’s longtime sound team of Justin Shirley-Smith and Joshua J Macrae. Available on translucent green vinyl and as a picture disc LP, the record serves as a testament to Mercury’s desire to explore musical territory outside of his primary band. From the operatic heights of “Made In Heaven” to the dancefloor energy of “I Was Born To Love You”, the album captures a spectrum of moods that Mercury felt were a natural reflection of his life in the mid-eighties. The series concludes with a mischievous exchange about the album’s chocolate box cover art where the icon jokes about his dark blue shades and butch aesthetic.

This retrospective celebration honors a record that earned gold status and delivered a number one hit while Mercury was operating at the peak of his powers. By revisiting the Munich sessions and the honest words shared with a trusted friend like Wigg, the project highlights the enduring legacy of an artist who always preferred to keep things interesting. Whether discussing the sexual vibe of a rhythm or the reality of his clipped wings, Mercury continues to fascinate audiences four decades after these songs first hit the airwaves. It is a fitting tribute to a performer who put his entire soul into his first solo outing away from the Queen machine.

Pythonic Unleashes “Decomposition” to Define New Era of Groove‑Death Metal

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Saskatoon metal veterans Pythonic have officially entered a new chapter with the release of their sophomore EP ‘Decomposition’ via a lineup that represents the heaviest iteration of the band to date. This project finds the group tearing down and rebuilding their earliest material from the ground up to provide the visceral justice that founding guitarist Vincent Kohut feels these tracks always deserved. The addition of vocalist Morgan Warriner alongside bassist Max Hiske and drummer Jayden Warriner has transformed the sonic landscape of the band into a more aggressive and cohesive unit. Every riff on the record has been sharpened and every arrangement tightened under the meticulous production of Reid Paraszczynec at Lucid Distortion Audio to ensure a relentless listening experience. From the scathing social commentary of “Pills” to the ritualistic intensity of “Liturgy” the EP explores a dark thematic range that includes occult horror and personal betrayal. The technical precision of lead guitarist Ryan Hunter combined with the thunderous low end from Max Hiske solidifies the group’s reputation for delivering a tight and professional onslaught. After a landmark year spent sharing stages with 200 Stab Wounds and closing out the main stage at Slaughter Fest in Edmonton the band is already focused on a prolific future involving multiple new full-length albums.

Adam Sanders Takes the Win on CBS Series ‘The Road’

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The inaugural season of the CBS competition series ‘The Road’ has officially crowned hit songwriter Adam Sanders as its first champion following a high-stakes finale at the Ryman Auditorium. Sanders secured the victory after a series of performances that earned high praise from mentor Keith Urban who famously noted that the Florida native played the stage like a fiddle. The victory includes a massive quarter-million-dollar cash prize along with a recording contract and a coveted performance slot on the Mane Stage at “Stagecoach 2026”. After years of penning chart-topping hits for other artists, the transition to center stage marks a definitive new chapter for a performer who has already surpassed two hundred million global streams.

While traditionalist Channing Wilson and powerhouse Cassidy Daniels delivered incredible final sets, the audience vote ultimately favored the polished showmanship that Sanders developed while opening for Urban on the Midwest tour circuit. Producers Blake Shelton and Taylor Sheridan looked on as the winner performed his original anthem “All Summer Long” to a capacity crowd in Nashville. Sanders remains a significant force in the publishing world through Liz Rose Music where he has crafted number one hits like “Ain’t Worth The Whiskey” and “Hell of a Night”. With a dedicated following and a string of successful independent singles like “Bible in a House Fire”, the new champion is perfectly positioned to headline the “Red Bull Jukebox” show at The Pinnacle later next year.

Harley Girl Solidifies Electronic Presence with ‘The Music’ EP

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Australian producer and DJ Harley Girl is back in the spotlight with the release of his highly anticipated sophomore EP titled ‘The Music’. This powerhouse collection arrives via Mammal Sounds and serves as a definitive statement for the rising Meanjin artist who has already spent the year dominating dancefloors. Featuring a signature blend of thumping rhythms and playful synth design, the project includes the explosive singles “Gimme !”, “Turn Up The Sound”, and “1Mhz*” alongside a brand new dance-ready cut “Nobody (Like You)”. Harley Girl describes the lead synth line on the final track as having the tension of a stretched rubber band which creates an energy that feels like it could tear apart at any moment. This release marks his second EP of 2025 following the success of ‘legitimate dj behaviour’ and highlights a remarkably productive creative streak. The collection acts as a necessary reprieve from the chaos of the world by channeling frenetic club energy into a cohesive and emotional listening experience.

Four Tet Delivers Landmark Remix of Sammy Virji and Chris Lake Hit “925”

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Sammy Virji is officially capping off a historic year with a massive new collaboration that bridges the gap between underground credibility and global stardom. Following the runaway success of his sophomore album ‘Same Day Cleaning’, the producer has recruited electronic pioneer Four Tet to deliver a textured reinterpretation of the fan favorite track “925”. This remix arrives just as Virji secures the title of Best Producer at the DJ Mag Best of British Awards 2025, a win that follows his widely praised Radio 1 Essential Mix and a viral residency that helped define the modern UKG resurgence. The new version of “925” reframes the high-energy collaboration with Chris Lake into an atmospheric masterclass filled with organic percussion and shimmering synths. Momentum continues to build toward a massive 2026 season which includes two sold-out nights at the iconic Alexandra Palace in April. Fans are also looking forward to a huge homecoming show at Finsbury Park this coming August alongside a highly anticipated B2B set with Fred again.. in Chicago.

Steve Aoki and Kaaze Ignite Festivals with New ‘Head Rush’ EP

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The electronic music landscape is shifting once again as Steve Aoki and Kaaze join forces for their first collaborative project titled ‘Head Rush’. Released via Dim Mak Records, this EP serves as a high-octane reunion for the two producers who have spent years discussing a shared creative vision. Fans will recognize the synergy from their previous work on the ‘HiROQUEST’ albums including the massive hits “Won’t Forget This Time” and “Whole Again”. This new collection successfully merges Aoki’s legendary electro energy with the unique Hōt Teknō style that Kaaze has pioneered on the global stage.

The title track features the emotive vocals of Sarah De Warren and delivers a big-room atmosphere that recently debuted to thousands of fans at the Hypersonic Festival. Aoki describes the project as an effort to capture those euphoric festival moments where the music simply lifts the entire crowd. The EP also includes “Give It To Me” and “Self Control” which are specifically designed to dominate mainstage sets throughout the coming season. Both artists expressed immense excitement about returning to the studio to craft melodies and drops that encourage listeners to completely lose themselves in the sound.