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Swedish Power Metal Force Metalite Sign to Perception and Launch a New Era With “Our Time Has Come”

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Metalite have a new label home and a new single, and both announcements land with the kind of momentum that suggests the Swedish modern power metal outfit are about to reach a significantly larger audience. The band has signed a worldwide contract with Perception, a division of Reigning Phoenix Music, and unleashed “Our Time Has Come,” a high-energy anthem that kicks off their upcoming concept album ‘Discovery’. Listen here.

The single delivers everything Metalite does best: soaring vocal lines, a pounding rhythm section, cinematic synth layers, and an arena-ready chorus built for maximum impact. Guitarist, producer, and founder Edwin Premberg frames the track’s role in the larger story the band is building. “This song kicks off a powerful new chapter for METALITE and marks the beginning of our upcoming concept album ‘Discovery’ where the story continues on a new planet and humanity begins a new life. It’s a classic METALITE track, full of high energy, soaring melodies, and that unmistakable METALITE sound.”

‘Discovery’ continues the narrative thread established on 2024’s ambitious concept album ‘Expedition One’, set in the year 2055 and following a renegade team searching for a new world across themes of human evolution, technology, and survival. The band has been building this sci-fi universe since their 2017 debut ‘Heroes in Time’, and each release has pushed the vision further.

Formed by Premberg and vocalist Emma Bensing in 2015, the band entered a new era in 2019 with ‘Biomechanicals’ and the debut of vocalist Erica Ohlsson, embracing electronic elements and pulsating rhythms that elevated their futuristic sound. Drummer Erik Junttila joined in 2024, bringing fresh energy to a lineup that has since toured alongside Pain, Leaves’ Eyes, and the Night Flight Orchestra and appeared at Sweden Rock and Masters of Rock.

With millions of streams and a growing global fanbase, Metalite are one of melodic metal’s most consistently inventive acts, and “Our Time Has Come” signals that the best may still be ahead.

Finnish Winterwave Band Rain Diary Release Emotionally Charged Single “Fire” From New Album ‘Night Church’

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Rain Diary have been playing “Fire” live for years, and the crowd reaction has always told them everything they needed to know about the song. Now the Finnish electronic rock outfit has released it as the final single from their new album ‘Night Church’, out now, and it’s a beautifully aching piece of music that represents the softer, more vulnerable side of everything the band does.

Rooted in Finnish melancholy, the imagery of evergreen forests, nightless nights, and snow-covered wilderness, Rain Diary have always drawn from a deeply specific emotional and geographic landscape. But they’ve consistently refused to be boxed in by the HIM and Nightwish comparisons that come easily to Finnish dark rock, injecting urban energy through drumming electronics and clever pop elements that place them closer to Depeche Mode and Placebo in spirit and sound. They’ve even coined their own genre tag for it: winterwave.

‘Night Church’ arrives as the band’s most fully realized collection of that sound, and “Fire” earns its place as the album’s closing statement. The song has always connected live, a testament to the kind of direct emotional communication Rain Diary build into their songwriting. Concert footage from their 2022 Huxleys Neue Welt Berlin performance, captured during their support run with Lord of The Lost on the Ensemble Tour, accompanies the release and shows exactly what the song does to a room.

The band consists of Joonas Verho on vocals, Tytti Toppari-Pellikainen on keyboards and vocals, Teemu Rantanen on guitar, Joni Bitter on bass, guitar, and programming, and Lauri Kujasalo on drums, a lineup that brings real depth and texture to music that lives and breathes in its own distinctive world.

Florida Metal Outfit Wage War Drag You Into the Swamp on Brutal New EP ‘It Calls Me By Name’

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Wage War have always known where they come from, and ‘It Calls Me By Name’ is their most direct declaration of that yet. The new EP is out now via Fearless Records, a 5-track collection rooted in Florida, the swamp, and the relentless aggression of nature, and it’s the heaviest thing the band has released in years.

Lead single “SONG OF THE SWAMP” arrives with an official video, and it sets the tone immediately. Bloodthirsty screams, deadly riffage, and pummeling percussion build a track that rages from start to finish without a moment of compromise. The band frames it plainly: “Driven by Florida and the raw aggression of nature, it’s a heavy track built on tension and hostility.”

The EP as a whole operates with a clear sense of identity. “It Calls Me By Name is about being drawn to your roots. Five tracks shaped by Florida, the swamp, and the relentless aggression of nature. Built heavy, but still driven by the hooks that have defined us. It’s our signature sound amplified and pushed further into metal than we’ve ever taken it.”

That push is audible across all 5 tracks, from the opening assault of “SONG OF THE SWAMP” through “4X4,” “BLINDFOLD,” “KARMA,” and closer “PURIFY.” The EP doesn’t wander or experiment for its own sake. It commits to a sound and a world and stays there with full conviction.

Briton Bond on lead vocals, Cody Quistad on rhythm guitar and clean vocals, Seth Blake on lead guitar, Chris Gaylord on bass, and Stephen Kluesener on drums have built something focused and unrelenting here, a release that knows exactly what it is and delivers it without apology.

‘It Calls Me By Name’ Tracklist:

SONG OF THE SWAMP

4X4

BLINDFOLD

KARMA

PURIFY

Beartooth Sign to Fearless Records and Launch a Bold New Era With Crushing New Single “Free”

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Beartooth are back, and they’ve arrived with a new label home, a new single, and a statement of intent that leaves no room for ambiguity. “Free,” out now on Fearless Records, is the band’s first new music since 2023, co-written and co-produced by Jordan Fish, and it’s a seismic, crushing track that marks both a turning point and a beginning.

Frontman Caleb Shomo frames it directly. “‘Free’ is the start of the next chapter of my music and my life. The emotional roller coaster that is living can be very complicated at times. In one day you can equally experience pure fear and pure joy. This song shows a glimpse of what is to come from the next Beartooth album, which is the most honest depiction of my soul I will most likely ever make.”

Where past Beartooth records documented survival, “Free” captures a moment of clarity inside the chaos, a subtle but significant shift that points toward whatever comes next. The official video, directed by Meg Gamez, brings the track’s emotional core into sharp visual focus.

The signing to Fearless Records adds another dimension to the announcement. Shomo is enthusiastic about the new partnership. “Fearless has empowered me as an artist like nothing I’ve ever experienced. They all truly love what they do, and it shows in the work. They go about their business with humility and a hunger for joy.” Fearless President Andy Serrao responds in kind, calling “Free” the perfect start to this next chapter.

More than a decade into their career, Beartooth have accumulated over 1.3 billion streams worldwide, 1 RIAA-certified platinum single, 1 gold single, and back-to-back number 1 singles at Active Rock radio. 2023’s ‘The Surface’ debuted at number 1 on Billboard’s Hard Rock Albums chart. Forbes called them a band “inching towards a tipping point of becoming the latest arena headliner.” With “Free,” that tipping point has arrived.

Metalcore Heavyweights ERRA Push Into Darker Territory With Punishing New Single “i. the many names of god”

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ERRA have never shied away from ambition, and “i. the many names of god” is one of the most deliberately constructed singles they’ve released. Out now via UNFD, the track opens the closing trilogy of their forthcoming album ‘silence outlives the earth’, a 3-part sequence that includes “ii. in the gut of the wolf” and “iii. twilight in the reflection of dreams,” and it marks a distinct tonal shift from everything that precedes it on the record.

The band frames the trilogy’s role with precision. “The trilogy represents a distinct shift in tone from the previous songs on the record. The record transitions to a darker place at this point, and many names serves to take the heaviest moods expressed in the preceding tracks and visceralize them.” That visceralization is immediate and unrelenting, seething with brutal discontent from the first note to the last.

The single follows “further eden,” which Revolver described as “full of synth-glossed melodies and breakbeats, but likewise concrete-smashing breakdowns and tense, effects-explosive guitar riffs.” Together the 2 singles sketch the full emotional and sonic range of ‘silence outlives the earth’, a record that clearly has something serious to say and the musical architecture to say it.

Genre-Bending Internet Icon Oliver Tree Takes Flight on Wild New Single “Flowers”

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Oliver Tree has never made anything ordinary, and “Flowers” keeps that streak firmly intact. The new single is out now via Atlantic Records, the latest preview of his highly anticipated fourth studio album ‘Love You Madly, Hate You Badly’, and it arrives with a music video that is exactly as unhinged as his fanbase has come to expect, featuring Tree dancing atop an airplane wing in full pilot uniform before meticulously vacuuming the cabin. Equal parts absurd and artful, the visual captures his unique ability to blur performance, parody, and pure pop spectacle into something that works on every level.

“Flowers” follows “Superhero,” his first single in 2 years, and the genre-blurring “Joyride,” continuing Tree’s fearless push across pop, alternative, and experimental territory without apology. The upcoming album was recorded across 7 continents and 80 countries over the past 2 years, from Africa to China to Afghanistan, resulting in a record that promises to be both genuinely adventurous and deeply personal. For an artist who has built an entire creative universe on his own terms, ‘Love You Madly, Hate You Badly’ looks like his most ambitious statement yet.

British Pop Star Mimi Webb Deepens the ‘Confessions’ Era With New Deluxe Album and Single “Ends In Y”

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Mimi Webb isn’t done with the ‘Confessions’ era, and ‘Confessions: An Unexpected Turn of Events’ makes a compelling case for why it deserved more room to breathe. The deluxe album is out now, anchored by new single “Ends In Y,” a country-inspired track about heartbreak, longing, and the particular exhaustion of missing someone every single day, accompanied by a western-tinged official music video.

The new material traces a clear emotional progression alongside previous single “Eyes Closed,” which explored the push and pull of a rebound relationship. Where “Eyes Closed” reaches for self-protection, “Ends In Y” confronts what remains once the distraction fades, a more vulnerable, more honest reckoning that reflects Webb’s continued growth as a songwriter.

The deluxe edition builds on the original ‘Confessions’ release with new tracks including “Ends In Y,” “Eyes Closed,” and “That Girl,” while revisiting key moments from the album including “Mind Reader” featuring Grammy Award winner Meghan Trainor. Webb’s honest, detail-driven lyricism remains front and center throughout, set against polished pop arrangements that earned widespread praise from Rolling Stone, NPR, Billboard, NME, Clash, and more on the original release.

Beyond the music, Webb has expanded her creative world through a collaboration with Disney and Primark, ‘The Mouse and The Muse: Mimi Webb Collection’, a limited-edition capsule featuring graphic tees, hoodies, and relaxed silhouettes reimagined with iconic Disney imagery, available now online and in Primark stores. Backed by over a billion global streams and a BRIT Award nomination, Webb remains one of contemporary pop’s most compelling voices, and ‘Confessions: An Unexpected Turn of Events’ is the fullest picture yet of what this era has meant.

Dance Music Phenomenon John Summit and Julia Wolf Blur Genre Lines on Haunting New Single “WITH ME”

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John Summit has never been content staying in one lane, and “WITH ME” is the clearest proof yet of how far he’s willing to push. The new single is out now via Experts Only/Darkroom Records, featuring alt-pop provocateur Julia Wolf, and it trades peak-time euphoria for something darker, more intimate, and emotionally charged, haunted by lingering memories, unresolved desire, and the ache of absence.

The track is the third single from Summit’s forthcoming album ‘CTRL ESCAPE’, due April 15, and it arrives as one of his most sonically adventurous releases to date. Built on layered synths, pulsing low end, and ghostly chopped vocals that blur the line between release and restraint, the production is both seductive and unsettling. Wolf’s raw, emo-tinged delivery pulls the listener under, “you stay up all night, you don’t say what you mean / I drink down my mistakes, I almost feel you with me,” before the track drops into an irresistible bassline.

Summit explains how the collaboration came together. “I’ve been a big fan of Julia’s voice and indie alternative sound for a while so I asked her if she’s ever been on a dance record and she said no. So I invited her to my Miami studio and we merged our sounds to make something I think is truly unique. I really don’t know what genre to call this but whatever it is there’s no rules and that’s what I love about dance music.”

‘CTRL ESCAPE’ pushes further across the electronic spectrum, fusing tech-house with dubstep, drum and bass, and broader influences, functioning as a portrait of Summit’s life right now, the relentless touring, the stadium shows, and the intimate club nights he keeps booking to stay connected to his earliest fans.

A massive summer lies ahead. Summit makes his Ibiza residency debut headlining 9 Mondays at UNVRS, makes his UK summer headline debut at Labyrinth Events’ Tofte Manor, and appears at Tomorrowland before returning to New York in September for the highly anticipated second Experts Only Festival following its sold-out 2025 debut.

Upcoming Tour Dates:

June 1 – Ibiza, Spain, UNVRS

June 8 – Ibiza, Spain, UNVRS

June 15 – Ibiza, Spain, UNVRS

June 22 – Ibiza, Spain, UNVRS

June 29 – Ibiza, Spain, UNVRS

July 6 – Ibiza, Spain, UNVRS

July 11-12 – Bedford, UK, Tofte Manor (Experts Only UK)

July 13 – Ibiza, Spain, UNVRS

July 19 – Boom, Belgium, Tomorrowland Week 1

July 20 – Ibiza, Spain, UNVRS

July 19 – Boom, Belgium, Tomorrowland Week 2

July 27 – Ibiza, Spain, UNVRS

August 1 – Las Vegas, NV, LIV Beach

August 8 – Las Vegas, NV, LIV Beach

September 19-20 – New York, NY, Experts Only Festival NYC

September 26 – Las Vegas, NV, LIV Beach

November 20 – Las Vegas, NV, LIV Nightclub

Synth Icons GUNSHIP Go Full Metal for John Carpenter’s Zombie Game on “Tell Me When The World Stops Ending”

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GUNSHIP have always lived at the intersection of music and cinema, and “Tell Me When The World Stops Ending” pushes that relationship into genuinely ferocious new territory. The new single is out now, written exclusively for legendary filmmaker John Carpenter’s upcoming zombie-slaying action epic video game Toxic Commando, and it’s the most aggressive thing the band has ever released.

Produced by GUNSHIP and mixed by Grammy-nominated Carl Bown, known for his work with Sleep Token, the track opens with a brooding Carpenter-esque synth line dripping with tension before the unmistakable rack of a pump-action shotgun tears through the silence. From there, the band slam into a punishing, high-velocity riff, with verses grinding in a snarling Nine Inch Nails-style industrial menace before the chorus detonates into a massive anthemic hook. Choir Noir contribute cult-like choral incantations across the track’s ominous breakdowns, and a savage mid-section barrage of chain-gun metal riffs closes the deal.

The partnership with Carpenter is a natural one. GUNSHIP’s creative bond with the horror icon and synth maestro stretches back to his appearances on fan-favourite anthems “Tech Noir” and “Tech Noir 2,” and when the call came to contribute to his video game, the answer was immediate. “When John Carpenter calls… you answer!” The band elaborates: “We grew up utterly obsessed with John’s films and his iconic soundtrack work. His artistry has been a constant source of inspiration and continues to shape the music we create as GUNSHIP.”

Beyond the music, developer Saber Interactive, the studio behind Warhammer 40,000: Space Marine 2 and World War Z, invited GUNSHIP to conceive the animated trailer’s concept after revealing they were longtime admirers of the band’s cinematic music videos. The wider Toxic Commando universe also extends into a comic book in association with Dark Horse Comics, a creative alignment that suits a band steeped in graphic-novel culture.

“Tell Me When The World Stops Ending” follows a prolific stretch for GUNSHIP that includes a collaboration and remix with Evanescence, an acclaimed cover of “Mad World” with an Akira-inspired visual, and a feature in Corin Hardy’s horror film “WHISTLE.” The new single cements their place at the crossroads of music, horror, gaming, and cinematic sound more definitively than anything they’ve done before.

Metal-Hip-Hop Fusion Force UnityTX Unleash Their Most Aggressive Single Yet With “STFU”

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UnityTX have never been subtle, and “STFU” is their most direct statement yet. The new single from the metal-hip-hop fusion outfit is out now via Pure Noise Records, the most aggressive release in a run that includes “Body Roc” and “Enjoy Tha Show,” and it arrives as a preview of their sophomore album ‘Somewhere, In Between…’, out now on Pure Noise Records. Listen here.

Frontman Jay Webster, aka SHAOLIN G, is candid about what drove the track. “‘STFU’ is a song that evokes a sense of insignificance in the face of the vastness of the world. Once the haze of success dissipates, you realize how precarious mental stability feels amidst growing pains, increased exposure, and the constant barrage of online opinions about you.”

That tension between ambition and exhaustion runs through the track’s entire architecture. Webster isn’t romanticizing the grind. He’s documenting it with unfiltered honesty. “It often seems easier to cut ties than to immerse myself in a system that will always find fault in every approach.”

‘Somewhere, In Between…’ follows up on the momentum UnityTX built with their debut, and “STFU” makes clear the band hasn’t softened anything in the process. The fury and frustration that define their live show are fully intact on record, with the metal-hip-hop collision they’ve made their own pushing into sharper, more focused territory.