ACM Award-winning duo Tigirlily Gold has released “Call It Home (A Song for North Dakota),” a heartfelt tribute to their home state out now via Sony Music Nashville. Sisters Krista Olson and Kendra Slaubaugh, born and raised in Hazen, ND, co-wrote the track to celebrate the specific imagery and values that shaped their lives long before they found success in Nashville. The song serves as a central piece of their new partnership as spokespersons for North Dakota Tourism, officially debuting during a high-profile appearance at ND Country Fest where they were introduced by Governor Kelly Armstrong.
Produced by Pete Good and Austin Goodloe, the track balances polished country production with deeply personal lyrics that list the duo’s favorite aspects of the Peace Garden State. The release marks a major full-circle moment for the sisters, who have spent the year rising through the country ranks while keeping their Midwestern heritage at the forefront of their identity. To further commemorate the launch, Tigirlily Gold is set to perform the anthem during their appearance at the Grand Ole Opry, bringing the spirit of North Dakota to one of the most iconic stages in music.
Grammy-nominated soul powerhouse Aloe Blacc has teamed up with viral electronic artist Sickick and YouTube icon Vikkstar for the release of their new collaborative single, “Lonely Together.” Out now via Purple Fly Records, the track is an uplifting anthem designed to find connection within moments of isolation. Blacc, the unmistakable voice behind Avicii’s “Wake Me Up,” provides soaring vocals that anchor the record’s cathartic message. The production blends Sickick’s signature vibrant synths with Vikkstar’s melodic sensibilities, resulting in a feel-everything track that bridges the worlds of soulful pop and high-energy electronic music.
The collaboration brings together three distinct global forces. Sickick, known for his gold-certified “Frozen” remix with Madonna, contributes his enigmatic production style, while Vikkstar—co-founder of The Sidemen—continues his rise as a recording artist following his work with Alan Walker. This release arrives as Aloe Blacc continues his global tour in support of his critically acclaimed album ‘Stand Together’, further solidifying his commitment to blending artistry with universal themes of human connection. “Lonely Together” is a testament to the power of shared experience, offering a sonic sanctuary for listeners navigating the complexities of the modern world.
Stutter house pioneer BUNT. has joined forces with Grammy-winning duo The Chainsmokers and vocalist Izzy Bizu for their new collaborative single, “Spaces.” Out now via Arista Records, the track is a kinetic blend of festival-ready energy and late-night intimacy, capturing the hazy nostalgia of a fading summer. First debuted during BUNT.’s packed Lollapalooza set and recently performed at a surprise NYC pop-up show, the song explores the disorienting emotional landscape of falling out of love. For BUNT., who was delivering food for Uber Eats just two years ago, the collaboration marks a massive full-circle moment alongside the duo he considers his “childhood heroes.”
The release comes during an exceptionally prolific run for all artists involved. BUNT. is currently in the midst of a global tour following the success of his breakout hit “Clouds” and recent collaborations with artists like Tom Odell and Mapei. Meanwhile, The Chainsmokers continue to refine their modern dance sound, tapping into the brash, UKG-inspired production that fueled their latest hits like “White Wine & Adderall.” As both acts embark on extensive worldwide tour dates through the fall—including stops at CRSSD Fest and major arenas—”Spaces” stands as a centerpiece of their live sets, bridging the gap between the 2016 EDM era and the cutting edge of the current stutter house movement.
Platinum-certified pop artist Leah Kate has officially launched the journey toward her sophomore album, ‘Genius’, with the release of ‘Act I: It Doesn’t Take a Genius (To Ruin Everything)’. Featuring the new singles “Meltdown” and “ill,” this first installment sets a cinematic tone for an album Leah describes as a dissertation on her own bad decisions and chaotic unraveling. By releasing the record in three distinct acts, she aims to lead listeners through a narrative arc that moves from self-inflicted ruin to empowerment. The project arrives during a massive creative streak for the Los Angeles alt-pop star, who recently lent her sharp songwriting skills to pop icon Kesha for the nightclub anthem “ATTENTION!”
The lead tracks “Meltdown” and “ill” follow the success of Leah’s summer single “Dead Sexy Body,” further cementing her reputation for pairing “kiss-off” anthems with booming, rock-influenced production. With over a billion global streams and a string of viral hits like “10 Things I Hate About You,” Leah continues to define a generation of heartbreak anthems while maintaining a razor-sharp, tongue-in-cheek perspective on her own life. As she prepares for the full release of ‘Genius’ on November 7, this first act offers an intimate, high-energy look at the unraveling that precedes self-discovery. Each subsequent chapter promises to take fans deeper into the “vibrant movie” Leah has constructed for her most ambitious album to date.
In a special episode of the Musora series ‘Covers’, the members of the legendary 90s pop band Spin Doctors were tasked with performing a spontaneous rendition of Prince’s “Purple Rain” with minimal preparation. The performance offers a unique behind-the-scenes look at the group’s creative process in the studio, demonstrating their ability to lock into a classic arrangement while infusing it with their own signature energy. Beyond the technical execution, the session highlights the profound emotional power of music to bridge memories and connect artists through a shared appreciation for one of the most iconic songs in the pop canon.
Following a successful run of Southern California dates on his ‘Georgie Goes West Tour’—including a notable sold-out performance at Pappy & Harriet’s—Twin Shadow has released “Awkward Backward,” the second single from his upcoming seventh album, ‘Cadet’. Arriving via Dom Recs, the track utilizes twisting synths and a push-pull rhythmic tension to navigate the internal friction of relationship self-doubt. Twin Shadow describes the song as a vulnerable confession regarding his own defensive shortcomings and the ego-driven need to predict a partner’s exit before it happens. By stripping back the layers of these insecurities, the track serves as both an admission of past patterns and a sincere invitation to abandon the chase for the upper hand in favor of genuine emotional connection.
Singer-songwriter and producer Keren Ann has released her tenth solo studio album, ‘Paris Amour’, out now via her own Bring Back Music label. While the record travels through various themes and landscapes, it is unique for being crafted entirely within her home in the Montmartre neighborhood of Paris. This creative homecoming arrived 25 years after her debut and follows a career spent bridging the gap between French and English-language folk-pop, including a string of acclaimed releases on Blue Note Records. Produced by Keren Ann herself, the album functions like a film score for her personal horizons, blending her signature “serene mystery” with a stunningly diverse collection of songs that observe the world from her hilltop view in the 18th arrondissement.
The album opens with “La Sublime Solitude,” a track celebrating the creative necessity of seclusion, before moving into the pulsating energy of “La Musique À Fond,” a homage to the transcendent power of song. The collection concludes with a powerful collaboration featuring jazz trumpeter Avishai Cohen on “L’Echo des Tirs,” a haunting electronics-driven piece that addresses the aftermath of violence while maintaining a luminous sense of hope. From the direct love letter of the title track to these darker, more atmospheric explorations, ‘Paris Amour’ reflects the full spectrum of urban life—joy, mourning, sensuality, and yearning. It stands as a definitive portrait of an artist who is both a citizen of the world and a permanent resident of the Parisian musical landscape.
Dierks Bentley has teamed up with rising country duo The Band Loula to release a powerful, roots-infused live rendition of the Bill Monroe classic “Get Down On Your Knees and Pray.” Recorded during Bentley’s massive 30-city ‘Broken Branches’ tour, the track captures a swampy, delta bluegrass arrangement that became a nightly highlight for arena and amphitheater crowds across the country. Bentley, who first heard the song performed by the Del McCoury Band, noted that the unique energy of The Band Loula inspired him to finally incorporate the gospel bluegrass tune into his own set. The resulting performance has been described as a hair-raising number filled with grit, heart, and a physical manifestation of the spiritual intensity found in traditional bluegrass.
The release marks the conclusion of a milestone summer for Bentley, which wrapped this past weekend with a headlining return to Madison Square Garden. The tour served as a showcase for his latest album ‘Broken Branches’, blending new tracks like “She Hates Me” and “Well Well Whiskey” with career-spanning hits. For The Band Loula, the collaboration represents a definitive moment in their trajectory, moving from tour openers to creative partners on a recording that will endure beyond the road. By leaning into their specific “delta bluegrass-y” sound, the trio has breathed new life into a foundational piece of American music, offering fans a taste of the electrifying live chemistry that defined one of the season’s most successful tours.
Woolwich, Ontario Folk singer Carla Muller proudly announces the re-release of her cherished holiday album ‘Snow Came Falling’, a collection inspired by family, tradition and the spirit of the season. The album returns with renewed focus on its themes of connection, memory and the warmth of shared music, inviting listeners into the comforting world Muller has created through song.
Carla reflects on the journey behind the project with gratitude for the creative community that helped bring her work to life. She says, “This has been an interesting time, finally fulfilling my life-long dream to share my music with the world, with themes of family, love and loss. I write from my heart, for the people I love, and for myself – past and present. It is a good place to be, and I have been so blessed to work with so many talented musicians, all helping to bring my stories to life. The past three years at Canterbury Music Company have been such a learning experience, working with Jeremy Darby and Julian Decorte, and great musicians such as Andrew Ascenzo, Dave Barnes, Burke Caroll, Melanie Conly, Gary Craig, Jessica Deutsch, Davide Direnzo, Jason Fowler, Kevin Fox, Rich Grossman, Robbie Grunwald, Nathan Hiltz, Charles James, Drew Jurecka, Mark Kelso, Juliann Kuchocki, Maury Lafoy, Mark Lalama, Joy Lapps, Dave MacDougall, Ross MacIntyre, Mark Mariash, Scott Metcalfe, Rob Piltch, Chris Quinn, Paul Reddick, Alex Samaras, John Showman, Ernie Tollar, Kevin Turcott, Quisha Wint, and more.”
Originally created as a musical tribute for her father, ‘Snow Came Falling’ features a blend of original compositions and Christmas standards that echo the sounds Muller grew up hearing in her family home. Songs such as “Once Upon A Christmas Eve”, “Snow Came Falling”, “Go And Find Him” and “Sirens Of The Snow” highlight her gentle vocal style and the acoustic textures that frame the album. Each song reflects the intimate atmosphere Muller envisioned when revisiting the carols and memories that shaped her love of music.
The album also includes German and English selections that honour Muller’s heritage. “Weißt du Wieviel Sternlein Stehen / Heaven’s Sky” preserves the lullaby her father sang to her as a child, and the children’s choir led by Quisha Knight brings the piece to life with the excitement Muller hoped to capture. The arrangement emphasizes the song’s tender roots and its place within her family’s Christmas traditions.
Listeners will also find inventive interpretations of seasonal classics, including “Leise, Rieselt Der Schnee (Softly Falls The Snow)”, arranged with Hawaiian guitar, steel drums and a bright choral lift. Muller’s reimagining of the piece offers a fresh, joyful sound that complements the album’s quieter moments. Across the track list, she builds a world shaped by sincerity, warmth and lyrical storytelling.
Among the original works, “I Can Hear The Bells” stands as one of the most deeply personal. Co-written with the late Sean Cunnington, the song reflects themes of faith and resilience. Muller has spoken often about the comfort she finds in its words, which became especially meaningful in the years following the loss of her friend and her sister. Its message of hope and continuity remains central to the album and to this re-release.
Recorded at Canterbury Music Company and mastered by David Travers-Smith, the album showcases an impressive group of musicians whose work supports Muller’s arrangements with elegance and care. Contributions from Jason Fowler, Mark Lalama, Rob Piltch, Ross MacIntyre, Gary Craig, and an expansive roster of instrumentalists and vocalists create the rich sonic landscape that defines the project.
With the re-release of ‘Snow Came Falling’, Muller invites listeners to rediscover the songs that made the album a seasonal favourite. The collection continues to reflect her belief in the power of music to hold memories, honour loved ones and lift the spirit during the holidays. Its blend of originals, traditional carols and heartfelt performances offers a space of calm and reflection that feels especially resonant each December.
Acclaimed singer-songwriter Steve Poltz announces his return to his Canadian roots with an extensive 17-date spring tour across Eastern Canada, kicking off April 15, 2026. The Halifax-born artist continues his momentum following sold-out theatre runs and massive responses at major festivals across Australia and the US, bringing his “good old-fashioned sing-along” show to intimate venues throughout the Maritimes, Ontario, and Quebec. The tour supports his 14th solo album, JoyRide, out January 30, 2026, a collection of “unsaturated, unadulterated art” that captures the chaos and poetry of his creative life.
Recorded in East Nashville with producer Dex Green, JoyRide represents a raw, unfiltered approach to recording. “Capturing me in a studio is like convincing a whirling dervish to stop spinning long enough to sign a bill into law,” says Poltz. The album embraces a spirit of “no seatbelts, no helmets,” featuring “real humans making real noise in real time”. The sessions utilized the legendary rhythm section of Bryan Owings and Christopher Donohue—best known for their work with Emmylou Harris—to create a natural, organic feel.
The new collection highlights Poltz’s penchant for contemporary collaboration, featuring co-writes with industry heavyweights like Vince Herman of Leftover Salmon and Jim Lauderdale. On the track “Love a Little Bigger,” Poltz and Herman turned a spontaneous chorus into a “rowdy” anthem that serves as a “singalong reminder to forgive faster and swim more often”. The album also features “Fixin’ Up,” a track Poltz wanted to capture the essence of a moment in Andy Frasco’s kitchen, where the song stopped Frasco from doing dishes to ask, “What the hell is this? I love it”.
True to his reputation as a “musical trickster,” Poltz infuses the record with humor and storytelling. The track “The Son of God” recounts a dream conversation with Jesus about “buying some Funk and Wagnalls encyclopedias,” while “Hairlift” rhymes “Mao Zedong” with “well hung” in what Poltz calls a “little bit of humor that leaves you with a sideways smile”. The title track, “JoyRide,” is described as a “love song to the road” that feels like “a warm hug after a long road trip”.
About Steve Poltz Steve Poltz is a Canadian-American singer-songwriter and founding member of the indie-rock band the Rugburns. While he is known for co-writing the hit “You Were Meant for Me” with Jewel, Poltz has spent recent years crushing festivals in Canada, Australia, and the US, building a reputation as a prolific live performer. His recent work focuses on contemporary collaborations and high-energy touring, including successful runs with Danny Michel. He continues to capture the hearts of crowds with his unique blend of musicianship and storytelling.
Steve Poltz 2026 Tour Dates:
April 15, 2026 – The Union Street, Berwick, NS April 17, 2026 – The Carleton, Halifax, NS April 18, 2026 – The Carleton, Halifax, NS April 19, 2026 – The Carleton, Halifax, NS April 20, 2026 – The Frolic & Folk Pub & Grill, Iona, NS April 21, 2026 – Decoste Centre, Pictou, NS April 22, 2026 – Charlotte Street Arts Centre, Fredericton, NB April 24, 2026 – Royal City Mission, Guelph, ON April 25, 2026 – Marsh Street Community Centre, Clarksburg, ON April 26, 2026 – Aeolian Hall, London, ON April 29, 2026 – Horseshoe Tavern, Toronto, ON April 30, 2026 – The Spire, Kingston, ON May 1, 2026 – Red Bird, Ottawa, ON May 2, 2026 – Red Bird, Ottawa, ON May 3, 2026 – Motel Chelsea, Chelsea, QC
