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Carly Rae Jepsen Finally Gives Fans the Official Release of Fan-Favourite “Disco Darling” for Record Store Day 2026

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Carly Rae Jepsen’s fans have been asking for this one for years. “Disco Darling,” the beloved outtake from the ‘Dedicated’ sessions, gets its official release on April 18th as an exclusive Record Store Day 2026 vinyl single, pressed on baby blue 7″ with a disco ball etching on Side B, limited to 2,000 copies at independent record stores.

The song has a history worth knowing. Originally written with Tavish Crowe in 2016 and later rewritten and produced by Mike Wise for ‘Dedicated,’ it was cut from the album twice, missing both the original release and ‘Dedicated Side B.’ A demo leaked online in December 2020, and the full track surfaced in February 2021, turning “Disco Darling” into one of the most requested unreleased tracks in Jepsen’s catalogue. Earlier this year, Jepsen sent a cryptic newsletter teasing the song’s lyrics before confirming the release with characteristic wit: “Thank you for bullying me into this.”

The track is pure Jepsen at her most effervescent, a shimmering, disco-inflected pop song built around the kind of chorus that lodges itself immediately and refuses to leave. “Disco Darling” rewards the years fans spent campaigning for it.

Singer-Songwriter Dove Ellis Brings His Acclaimed Debut Album ‘Blizzard’ to New York, Los Angeles, Dublin and Manchester

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Dove Ellis announced a run of Spring headline shows spanning Dublin, Manchester, Los Angeles, and New York, and it’s the next logical step for an artist who arrived seemingly out of nowhere with one of last year’s most quietly impressive debut albums. ‘Blizzard’ was self-produced and recorded in London and Liverpool, with mixing by Sophie Ellis and Andrew Sarlo (Big Thief, Dijon, Mk.Gee, Bon Iver), and it drew broad acclaim on the strength of a single preview single. The shows follow his North American debut opening for Geese. Tickets are on sale now.

2026 Tour Dates:

May 18, The Workman’s Club, Dublin, Ireland

May 20, Band On The Wall, Manchester, UK

May 28, Hollywood Forever Cemetery, Los Angeles, CA

May 30, Bowery Ballroom, New York, NY

K-Pop Meets Brit-Pop Hitmaker Shao Hao Turns His Dating Chronicles Into the Euphoric New Single “Thursday”

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Shao Hao has spent years writing hits for some of East Asia’s biggest artists. Now he’s putting that same craft to work on his own story, and “Thursday” makes a strong case for why that’s worth paying attention to. Listen here.

The new single fuses K-pop’s forward-thinking melodic energy with hints of 80s Brit-pop instrumentation. Sparkling synths and propulsive beats drive a chorus built to linger, while the lyrics bottle the excitement and vulnerability of falling for someone new. It’s bright, energising, and effortlessly catchy, the kind of track that feels like a late-night confession wrapped in neon. “Thursday” was written and produced with a team from BLACKPINK’s label YG and recorded in Seoul, where Shao also took K-pop performance classes ahead of the release.

The video leans into the fun, setting Shao inside a fictional retro TV dating show called Thursday Night, where he plays three different alter egos navigating a love quest. Drag icon Bitchtrice hosts the whole thing, a deliberate and celebratory nod to self-expression and freedom. “‘Thursday’ reflects a new way of loving,” Shao says, “one that’s more honest, playful, and unafraid of being seen.”

The backstory here is considerable. Shao broke through as a songwriter after winning a competition at London’s Roundhouse, which led to a publishing deal in Taiwan. Since then, he’s crafted number ones across China, Malaysia, Singapore, and Taiwan, written for Mandopop superstar Stefanie Sun (whose latest Asia tour used his song as its theme, reaching half a million audiences), and scored anime and Netflix series across Japan and Taiwan. He was also nominated for Best Original Song at Taiwan’s Golden Bell Awards.

“Thursday” is a taste of a forthcoming EP arriving this spring, and it signals an artist stepping confidently into his own spotlight after years of defining other people’s.

Van Halen Celebrate the 40th Anniversary of ‘5150’ With a Massive Super Deluxe Edition

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Forty years on, ‘5150’ still hits like a freight train. Van Halen’s landmark 1986 album, the first recorded with lead singer Sammy Hagar, is getting the full Super Deluxe treatment from Rhino, and the package is substantial.

At its core is a 2023 remaster of the original album, home to “Why Can’t This Be Love,” “Dreams,” “Love Walks In,” and “Best of Both Worlds,” tracks that defined a new era for the band and proved the Hagar lineup had nothing to apologize for. Alongside the remaster comes a disc of rare singles edits, extended versions, and B-sides that hardcore fans have been hunting for years.

The third disc is the real discovery: a previously unreleased live performance recorded on August 27, 1986, pulling from the full ‘5150’ tour setlist. Twelve tracks, including “Panama,” “Ain’t Talkin’ ‘Bout Love,” and “Wild Thing,” captured at full throttle. The Blu-ray rounds things out with the first HD release of the band’s classic 1986 live video Live Without a Net, plus the promo video for “Dreams.”

The physical package follows the template set by the For Unlawful Carnal Knowledge and Balance reissues, with a book featuring band photography, backstage passes, promotional items, tape boxes, and tour dates from the period. It’s a proper archival document, not just a reissue.

‘5150’ 40th Anniversary Edition Track Listing:

CD 1: Original Album (2023 Remaster)

  1. Good Enough
  2. Why Can’t This Be Love
  3. Get Up
  4. Dreams
  5. Summer Nights
  6. Best of Both Worlds
  7. Love Walks In
  8. 5150
  9. Inside

CD 2: Rarities

  1. Best of Both Worlds (Edit)
  2. Dreams (Edit)
  3. Love Walks In (Edit)
  4. Why Can’t This Be Love (Extended Version)
  5. Dreams (Extended Version)
  6. Best of Both Worlds (Live)
  7. Rock and Roll (Live)
  8. Love Walks In (Live)

CD 3: Live in New Haven, CT 1986

  1. There’s Only One Way to Rock
  2. Summer Nights
  3. 5150
  4. Panama
  5. Best of Both Worlds
  6. Love Walks In
  7. Guitar Solo
  8. I Can’t Drive 55
  9. Ain’t Talkin’ ‘Bout Love
  10. Wild Thing
  11. Why Can’t This Be Love
  12. Rock and Roll

Blu-ray:

Live Without a Net (HD Upgrade)

Dreams (Promo Video)

Singer-Songwriter Lecx Stacy Collides Emo and Electronic Chaos on “With You, I’d Be Closer to God”

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Lecx Stacy makes music that doesn’t sit still. The Los Angeles-based, first-generation Filipino American artist has released his new single “With You, I’d Be Closer to God,” and it’s the kind of track that shifts beneath you as you listen.

The song opens with finger-picked guitar, intimate and exposed, before unraveling into something far stranger. Electronic textures, glitching elements, and a fast, repetitive beat collide with emo melodies and dramatic lyricism, building a soundscape that’s volatile and cathartic in equal measure. Stacy describes it as equal parts Hawthorne Heights and Crystal Castles, and that tension holds throughout. Written after touring with Sega Bodega and Eartheater, the track channels a newfound Catholic devotion alongside a deep pull toward electronic dance music, and the collision between those two forces gives it real charge.

Where his previous single “Winter, A Wilted Flower” leaned into stillness, “With You, I’d Be Closer to God” pushes forward with urgency. Distortion, repetition, and pressure become tools for emotional release rather than obstacles to it. Stacy’s instinct has always been to process grief, longing, and belief through sound, a practice rooted in the beat-making equipment his older brother left behind after his passing.

The single is part of a larger body of work that draws on his father’s stories of Filipino “folkhouses,” bars where men sang American folk songs after long nights, and maps them onto Stacy’s own upbringing in Ramona, California. The result is music suspended between landscapes, generations, and identities, Americana filtered through Filipino ritual, emo-folk, folktronica, noise, and ambient texture.

Stacy has shared stages with Eartheater, Jean Dawson, and Sega Bodega. His live performances are tense, devotional, and unflinching, and they mirror exactly what his recordings are doing.

Metal Newcomers Ashes Awaken Go Deep With Raw New Single “For You”

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Ashes Awaken aren’t here to play it safe. The metal outfit have released “For You,” their second single and a direct follow-up to their debut “A Better Way,” and it lands with real emotional weight.

Where a lot of heavy music keeps vulnerability at arm’s length, “For You” leans straight into it. Thunderous guitars, dynamic drumming, and soaring vocals build a soundscape where brokenness and redemption aren’t abstractions. They’re the whole point. The track is driven by themes of repentance, grace, and renewal, and the band delivers it with the kind of conviction that makes heavy music matter.

The song started, as the band tells it, as a prayer. “It was me calling out to God honestly, without filters, asking for forgiveness and strength to move forward,” the band explained. “Faith isn’t something we layer on top of the music. It’s the foundation. We don’t write sermons; we write testimonies.” That distinction comes through clearly in the music, where the aggression feels earned and the melody gives it room to breathe.

“For You” is also the first real look at what’s coming on their debut album, ‘Rise.’ According to the band, the record expands the journey begun here, covering sin, shame, redemption, and renewal across a heavier, more diverse, and more personal set of songs. “If ‘For You’ is the prayer,” they said, “‘Rise’ is the transformation that follows.”

Ashes Awaken are building something with genuine depth. “For You” makes the case that they’ve got the songwriting to back it up.

Deep Purple Return to the Royal Albert Hall for a One-Night-Only November Show

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Deep Purple are going back to the Royal Albert Hall. The hard rock icons have announced a one-off show at the iconic London venue on November 25th, and it’s shaping up to be one of the year’s most significant live events.

The Royal Albert Hall holds real weight in the Deep Purple story. In 1969, the band made history there as the first rock group to premiere a full classical composition with an orchestra on that stage. It was a boundary-pushing moment that still resonates, and returning to that room carries genuine significance for a band that’s never stopped pushing forward.

UK rockers Jayler join the bill for the night, rounding out what promises to be a full-throttle evening. The show closes out a run of European dates that includes Newcastle, Glasgow, Birmingham, Manchester, and London. Tickets are on sale now via AEG Presents.

Deep Purple’s reach keeps expanding. Their 1970 classic “Child in Time” was reworked for the trailer for the latest season of Stranger Things, bringing one of rock’s most powerful songs to millions of new listeners. Their 2024 album =1 added another critically acclaimed chapter to a catalogue that already includes “Smoke on the Water,” “Highway Star,” and five decades of hard rock dominance, including induction into the Rock & Roll Hall of Fame.

This is a band that remains creatively restless and commanding on stage. One night, one room, no excuses.

Math-Rock Innovators MAEBE Have Signed to Ripcord Records and Released “Brain Paint”

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MAEBE have made a serious move. The Bristol math-rock quintet have signed to Ripcord Records, and their first release on the label, the new single “Brain Paint,” is out now.

The track marks the studio debut of MAEBE’s current five-piece lineup, and it’s a genuine statement. “Brain Paint” melds guitar virtuosity with addictive melodies and cinematic post-rock dynamics, delivering the kind of bombastic, layered instrumental rock that’s been winning over audiences at shows with Intervals, Alpha Male Tea Party, Poly-Math, and Standards. It hits hard and doesn’t let go.

Band leader and guitar journalist Mike Astley-Brown put it plainly: “‘Brain Paint’ is a bombastic riff fest. It’s a pretty bold statement of intent, but it’s fun and heartfelt, too. Everyone in the band listens to a lot of instrumental music, and I don’t think any of us have heard anything quite like this.”

MAEBE’s trajectory has been building steadily. Their second album, ‘Rebirth. Relive. Repeat.,’ earned praise from PROG Magazine, Guitarist, Classic Rock, Distorted Sound, and Noizze, and landed on both PROG and Total Guitar’s best-of-2023 lists. Lead single “Harsh Realm” reached MTV’s Metal Thrashing Madness playlist in the US, while “Tautology” pulled BBC Introducing South & West support.

“Brain Paint” is the first look at a forthcoming body of work due later this year on physical CD via Ripcord Records. A UK headline tour is coming this spring and summer, including an appearance at Radar Festival in Manchester in August.

2026 Tour Dates:

28 May, The Exchange, Bristol

29 May, The Rainbow, Birmingham

30 May, The Fickle Pickle, Southend

25 June, Wharf Chambers, Leeds

26 June, JT Soar, Nottingham

27 June, 33 Oldham Street, Manchester

2 August, Radar Festival, Manchester

Nate Bargatze Steps Into His First Leading Film Role in ‘The Breadwinner’

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Nate Bargatze has built one of the most devoted audiences in stand-up comedy, and now he’s taking his first shot at a leading film role. ‘The Breadwinner,’ directed by Eric Appel of ‘Weird: The Al Yankovic Story,’ opens May 29th via TriStar Pictures, and the trailer makes a strong case that Bargatze’s particular brand of self-deprecating, wide-eyed chaos translates perfectly to the big screen. Mandy Moore co-stars as his wife Katie, whose Shark Tank deal sends Bargatze’s lifelong breadwinner character into full stay-at-home dad meltdown mode, complete with exploding model volcanoes, clogged toilets, and a car accident that his own kids saw coming from the start. Bargatze co-wrote the script with Dan Lagana and produced alongside Jeremy Latcham through Wonder Project.

10 Songs to Play This Easter

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10 Songs to Play This Easter By Eric Alper

Easter is one of the most sonically rich moments on the Christian calendar, and whether you grew up in a church pew or simply find yourself drawn to music that carries real weight, these ten songs deliver. From centuries-old hymns to modern worship anthems, each one tells a piece of the same story: death, grief, and then something that changes everything.

“Christ Is Risen” by Phil Wickham

Wickham wrote this one to feel like a declaration, and it does. A modern anthem built for large rooms and open hearts, it captures the shock and joy of Easter morning in a way that lands even if you are hearing it for the first time.

“In Christ Alone” by Newsboys / Keith and Kristyn Getty

Few songs written in the last 25 years have embedded themselves into worship culture the way this one has. Getty and Stuart Townend packed an entire theology into four verses, and every version, from the Newsboys to countless church choirs, carries the same gravity.

“The Old Rugged Cross” – Traditional

Written by George Bennard in 1912, this hymn has outlasted almost everything in popular music. Its focus on the crucifixion rather than the celebration gives it a solemnity that still stops people in their tracks more than a century later.

“Death Was Arrested” by North Point Worship

This one leans into the drama of what Easter actually means. North Point Worship wrote it with a cinematic sweep that makes the central idea, that death itself lost, feel as staggering as it should.

“Amazing Grace (My Chains Are Gone)” by Chris Tomlin

John Newton wrote Amazing Grace in 1772. Chris Tomlin added a chorus in 2006 and introduced it to an entirely new generation. The original was already one of the most recorded songs in history. Tomlin’s version reminded everyone why.

“What a Beautiful Name” by Hillsong Worship

This won Song of the Year at the GMA Dove Awards in 2017 and it earned it. Brooke Ligertwood wrote it as a meditation on the power and humility wrapped up in who Jesus is, and the bridge alone has moved entire arenas to silence.

“Jesus Paid It All” – Traditional / Worship versions

Elvina Hall wrote the original lyrics in 1865, reportedly on the back of a hymnal during a sermon. Modern worship artists including Kristian Stanfill have brought it to new audiences, but the core message, grace that costs the recipient nothing, has never needed updating.

“In God’s Country” by U2

From The Joshua Tree, this one carries a longing that fits the Easter weekend mood without ever naming it directly. Bono wrote it as a meditation on faith, land, and redemption, and the way The Edge’s guitar opens the track feels like something being lifted. It has never been a worship song, but on the right morning, it sounds like one.

“Forever” by Kari Jobe

Recorded live, which matters here because this song breathes differently in a room full of people. Jobe builds it slowly and then opens it up, and by the time the declaration comes that the grave is overcome, you feel the momentum of it.

“Were You There” – Traditional Spiritual

The oldest song on this list and in some ways the most arresting. It does not celebrate or declare. It simply asks a question and lets the weight of it settle. Every Easter playlist needs at least one moment of stillness, and this is it.