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OLD SETTLER’S MUSIC FESTIVAL Returns “Back to Ben” for 2026 Lineup

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The 39th annual Old Settler’s Music Festival has officially unveiled its lineup for a highly anticipated return to its Texas Hill Country roots at Camp Ben McCulloch. Dubbed “OSMF 2026: Back to Ben,” the festival takes place April 17–19, 2026, offering a reimagined experience that prioritizes the intimate community spirit that has defined the event since 1987. Headlining the weekend is the progressive bluegrass powerhouse Railroad Earth, alongside a stellar roster including The Brothers Comatose, The Last Revel, and local favorite Shinyribs. As a volunteer-led nonprofit, Old Settler’s remains a cornerstone of the Americana and roots scene, providing a multigenerational sanctuary for late-night campfire jams and world-class performances beneath the iconic local oak trees.

This year’s “Back to Ben” theme emphasizes a return to the festival’s traditional values: family-friendly camping, music workshops, and an unpretentious atmosphere just a stone’s throw from Austin. The curated bill also features virtuosic talent like Michael Cleveland & Flamekeeper and 2025 Youth Talent Contest winner Ira Thorne Clifton, verifying the festival’s commitment to both legends and rising stars. With Early Bird passes available now, organizers expect a swift sell-out for this limited-capacity homecoming. Whether you’re there for the high-energy main stage sets or the spontaneous picking sessions by Onion Creek, OSMF 2026 promises a sophisticated yet soulful celebration of the American roots tradition.

Old Settler’s Music Festival 2026 Lineup:

  • Railroad Earth
  • The Brothers Comatose
  • The Last Revel
  • Lindsay Lou
  • Shinyribs
  • Michael Cleveland & Flamekeeper
  • Shelby Means
  • Two Runner
  • Magoo
  • Warren Hood Quartet with Emily Gimble
  • Billy Bright Band
  • Foggy Memory Boys
  • Feeding Leroy
  • Brother Thunder
  • Louisiana Surf Department
  • Ira Thorne Clifton

ARCHSPIRE Announces “Long Roads Big Loads” North American Tour

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Technical death metal titans Archspire, self-proclaimed as the world’s fastest band, are hitting the road this spring for the massive “Long Roads Big Loads Tour.” Supporting their highly anticipated new album Too Fast to Die—arriving April 10th, 2026—the run features an uncompromising support package including Undeath, Crown Magnetar, and Mutilation Barbecue. Known for their staggering BPMs and irreverent humor, the band is using this tour to debut new material and “expose” their new drummer to North American audiences for the first time. The trek kicks off in Calgary on April 24th and tears through major markets like Toronto, New York, and Chicago before a hometown finale in Vancouver on June 6th.

Fresh off the success of their blistering single “Carrion Ladder,” Archspire is promising a high-octane live experience that pushes the boundaries of human endurance. The band’s commentary remains characteristically blunt, warning fans that they’ll be “abusing gas station bathroom stalls” across the continent while encouraging crowds to heckle the new guy behind the kit. With Too Fast to Die poised to verify their status as the apex predators of the tech-death scene, this tour is set to be one of the most intense extreme metal events of 2026. Fans can expect a setlist packed with their signature “Stay Tech” precision and the kind of chaotic energy that only a band of this velocity can generate.

Archspire “Long Roads Big Loads Tour” Dates:

  • April 24 – Calgary, AB @ The Palace Theatre
  • April 25 – Edmonton, AB @ Midway Music Hall
  • April 26 – Saskatoon, SK @ Coors Event Centre
  • April 27 – Winnipeg, MB @ The Park Theatre
  • April 30 – Toronto, ON @ The Phoenix Concert Theatre
  • May 01 – Montreal, QC @ Théâtre Beanfield
  • May 02 – Quebec City, QC @ Salle Montaigne
  • May 03 – Worcester, MA @ Palladium Upstairs
  • May 05 – Reading, PA @ Reverb
  • May 06 – New York, NY @ Gramercy Theatre
  • May 07 – Baltimore, MD @ Baltimore Soundstage
  • May 08 – Charlotte, NC @ The Underground
  • May 09 – Richmond, VA @ The Canal Club
  • May 11 – Orlando, FL @ The Abbey
  • May 12 – Tampa, FL @ The Orpheum
  • May 13 – Atlanta, GA @ The Masquerade
  • May 15 – Austin, TX @ Come and Take It Live
  • May 16 – Houston, TX @ White Oak Music Hall
  • May 17 – Dallas, TX @ The Studio at The Bomb Factory
  • May 18 – Tulsa, OK @ The Vanguard
  • May 20 – Milwaukee, WI @ The Rave / Eagles Club
  • May 21 – Minneapolis, MN @ Fine Line
  • May 22 – Chicago, IL @ House of Blues
  • May 23 – Omaha, NE @ The Waiting Room
  • May 24 – Lawrence, KS @ The Granada
  • May 27 – Colorado Springs, CO @ The Black Sheep
  • May 29 – Albuquerque, NM @ Sunshine Theater
  • May 30 – Mesa, AZ @ The Nile Theater
  • May 31 – Los Angeles, CA @ The Belasco
  • June 02 – Roseville, CA @ Goldfield Trading Post
  • June 04 – Seattle, WA @ El Corazon
  • June 05 – Portland, OR @ Roseland Theater
  • June 06 – Vancouver, BC @ Rickshaw Theatre

What Barack Obama’s 2025 Playlist Says About Joy, Curiosity, and Great Vibes

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Barack Obama has always shared his book lists, movie picks, and summer playlists like a friend passing notes across the table, and his 2025 favorite music list continues that tradition with joy, curiosity, and heart. One scroll through these songs reveals a listener who moves easily between eras, genres, and moods, finding connection in pop bangers, soul-searching ballads, global rhythms, and intimate storytelling. This playlist feels less like a flex and more like an invitation, offering clues about how Obama listens, reflects, unwinds, and stays plugged into the world around him. Let’s dig into what this mix quietly says about taste, empathy, optimism, and a lifelong love of good songs.

One thing that jumps out immediately is how global this playlist is. There is Afrobeats, Latin pop, indie folk, K pop, soul, Americana, and quiet singer songwriter moments all sitting together peacefully. Burna Boy, Rosalia, Ganavya, Mora, Xavi, and BLACKPINK share space with Bruce Springsteen, Jason Isbell, and The Beths. It suggests a listener who is endlessly curious, genuinely paying attention, and happy to let music be a bridge instead of a boundary. This is what cultural optimism sounds like.

There is also a strong emotional through line here. Songs like “Please Don’t Cry,” “Silver Lining,” “Bury Me,” and “I Wish I Could Go Travelling Again” point to empathy and reflection, while tracks like “Abracadabra,” “Man I Need,” and “Jump” bring sparkle, confidence, and movement. It is a balance of dancing in the kitchen and staring out the window energy. The kind of list that understands life is complicated but still very much worth enjoying.

Most of all, this playlist feels generous. It lifts up emerging voices alongside established icons, and it celebrates sincerity without taking itself too seriously. It tells us that Barack Obama still listens like a fan, not a curator, and that he values feeling connected, curious, and hopeful. If this is what leadership looks like in headphones form, it is hard not to smile, press play, and feel a little better about the world for the length of a song.

Barack Obama’s 2025 favorite music list reads less like a playlist and more like a personality test, and the results are deeply comforting. This is the sound of someone who loves joy and groove but also leaves room for reflection, tenderness, and the occasional late night headphones moment. From Olivia Dean and Chappell Roan to Kendrick Lamar and SZA, the list hums with warmth, curiosity, and emotional intelligence. It feels like a reminder that good taste is not about chasing trends, but about staying open to feeling things.

One thing that jumps out immediately is how global this playlist is. There is Afrobeats, Latin pop, indie folk, K pop, soul, Americana, and quiet singer songwriter moments all sitting together peacefully. Burna Boy, Rosalia, Ganavya, Mora, Xavi, and BLACKPINK share space with Bruce Springsteen, Jason Isbell, and The Beths. It suggests a listener who is endlessly curious, genuinely paying attention, and happy to let music be a bridge instead of a boundary. This is what cultural optimism sounds like.

There is also a strong emotional through line here. Songs like “Please Don’t Cry,” “Silver Lining,” “Bury Me,” and “I Wish I Could Go Travelling Again” point to empathy and reflection, while tracks like “Abracadabra,” “Man I Need,” and “Jump” bring sparkle, confidence, and movement. It is a balance of dancing in the kitchen and staring out the window energy. The kind of list that understands life is complicated but still very much worth enjoying.

Most of all, this playlist feels generous. It lifts up emerging voices alongside established icons, and it celebrates sincerity without taking itself too seriously. It tells us that Barack Obama still listens like a fan, not a curator, and that he values feeling connected, curious, and hopeful. If this is what leadership looks like in headphones form, it is hard not to smile, press play, and feel a little better about the world for the length of a song.

DAVID VILA DIÉGUEZ Decodes Political Defiance in ‘Spanish Punk’

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What does democracy sound like when it’s shouted through a distortion pedal? This is the central question of David Vila Diéguez’s groundbreaking new study, Spanish Punk: Screaming for Democracy in a Postdictatorial State, released today, December 19, 2025. Emerging from the long shadow of Francisco Franco’s dictatorship in 1975, Spain’s transition to democracy was anything but smooth. Diéguez argues that punk was far more than a raucous musical export; it was a “rebellious cultural matrix” and a DIY response to the contradictions of a state attempting to reinvent itself. Through a meticulous analysis of fanzines, lyrics, and subcultural style, the book explores how bands like Eskorbuto, La Polla Records, and Kortatu challenged the hegemonic “Transition” narrative, posing urgent questions about who was being left out of the newly “free” society.

Blending historical, philosophical, and musicological research, Diéguez—a scholar and musician himself—demonstrates how punk served as the “cultural glue” for oppositional movements and anti-establishment identities. With a foreword by Isabela Raygoza, the book delves into the “rupturist discourse” of the era, examining how a generation used noise to navigate the uneasy aftermath of literal fascism. From the working-class streets of the Basque Country to the broader anti-capitalist struggles of the 1980s, Spanish Punk verifies that the movement’s supposed “nihilism” was actually a deeply engaged political commitment. It is a long-overdue and intellectually captivating exploration of cultural resistance that finally gives the Spanish punk epoch the scholarly searchlight it deserves.

LUCA BRAGALINI Unveils Definitive Study of ‘Duke Ellington’s Symphonic Visions’ In New Book

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The culmination of a decade-long study, Duke Ellington’s Symphonic Visions by Luca Bragalini has arrived as the first book entirely dedicated to the legendary composer’s works for the symphony orchestra. Released on December 15, 2025, as part of the acclaimed American Made Music series, this meticulous work unfolds across seven chapters that deep-dive into Ellington’s most complex orchestral scores. From unraveling the cultural challenges behind recording “La Scala, She Too Pretty to Be Blue” to the remarkable discovery of the unpublished score Celebration, Bragalini utilizes personal interviews and immersive archival research to shed light on a previously obscure aspect of Ellington’s oeuvre. The book even examines a poignant posthumous symphonic ballet sketched by Ellington on his deathbed, providing a rare look into the final creative thoughts of an American icon.

Published in English through a collaboration with the International Center for American Music, the book transcends narrow musicology by integrating art history, sociology, and urban history to explore Ellington’s political ideologies and his connection to the Harlem Renaissance. The narrative is brought to life with unpublished photographs from a prominent postwar Italian photojournalist who captured Ellington’s collaboration with the Orchestra Sinfonica della Scala in Milan. By tracing a journey that spans Harlem, Europe, and Canada, Bragalini verifies Ellington’s status not just as a jazz pioneer, but as a symphonic visionary whose work intersected deeply with religion and African American community identity. It is an engaging, interdisciplinary read that finally decodes the enigmatic persona of Ellington within the world of classical instrumentation.

TELLURIDE BLUEGRASS FESTIVAL Announces 53rd Annual Summer Solstice Pilgrimage

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When the sun hangs highest over the San Juan Mountains this June, the box canyon of Telluride will once again transform into a high-altitude sanctuary for the 53rd annual Telluride Bluegrass Festival. Taking place June 18–21, 2026, this legendary gathering is far more than a series of concerts; it is a summer-solstice pilgrimage for a global community known as “Festivarians.” From the main stage at Town Park to the late-night pickin’ sessions that echo through the campgrounds until dawn, the festival fosters a unique sense of togetherness. As Zach Tucker of Planet Bluegrass notes, the magic lies as much in the person sitting next to you as the virtuosos on stage. For legends like Peter Rowan and modern stars like four-time Grammy nominee Sierra Hull, the festival represents a “beautiful homecoming” where the boundaries between performer and fan dissolve into the thin, mountain air.

Founded in 1974, Telluride Bluegrass has earned its reputation as the “granddaddy of the modern festival circuit” by embracing an expansive sonic identity that welcomes everyone from Sam Bush and Emmylou Harris to Mumford & Sons and Janelle Monáe. Beyond the main stage, attendees can find intimate workshop performances at Elks Park or catch the prestigious NightGrass indoor sets. Planet Bluegrass continues to lead the industry in sustainable “festivation,” operating with a fierce independence and a strict “Leave No Trace” ethic. With tickets and camping passes historically moving at lightning speed, organizers are encouraging both “old-heads” and newcomers to secure their spots early. Whether you are navigating the canyon for the first time or returning for your fiftieth year, the 2026 gathering promises to verify why this storied event remains the gold standard for adventurous acoustic music.

Telluride Bluegrass Festival 2026 Info:

  • Dates: June 18–21, 2026
  • Location: Town Park, Telluride, Colorado
  • Tickets: On sale now via shop.bluegrass.com
  • Official Guides: First-timers and “Bluegrass with Kids” guides available at bluegrass.com

ANEIA KI Debuts with Emotional and Cinematic Ballad “When I Am With You”

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London-based and classically trained artist Aneia Ki has officially entered the spotlight with her debut single, “When I Am With You.” Produced in collaboration with London-based producer Tony Sage, the track is a masterfully crafted emotional ballad that feels tailored for the winter season. Opening with gentle piano arpeggios, the composition immediately draws listeners into a vulnerable storytelling journey. Aneia’s vocal delivery is the centerpiece here, starting with a soft, breathy tone that builds into a powerful, liberating performance. As the narrative evolves, Sage’s production introduces swelling synths and driving drum-machine patterns, expanding the sonic space and transforming the intimate piano piece into a cinematic experience that balances restraint with raw power.

Lyrically, the single explores the deep complexities of mental and emotional connection, offering a sense of closure that is both personal and universal. Fans of Enya’s atmospheric textures or Charlotte Cardin’s emotional precision will find much to admire in the way Aneia balances her detailed, focused verses with soaring, expansive choruses. The elegant piano progressions serve as a sophisticated foundation for her gorgeous voice, verifying her technical background while showcasing a fresh, modern R&B and alternative-pop sensibility. It is an impressive introduction for a new artist, proving she has a keen eye for detail and a voice capable of navigating profound emotional depths with ease.

THE WATCHMEN Return to the Stage for March 2026 Ontario Tour

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Canadian alternative rock icons The Watchmen are officially heading back on the road this March, bringing their muscular, roots-based pop sound to key stages across Ontario. Founded in Winnipeg in 1988, the band became a staple of the ’90s alt-rock explosion with multi-platinum and gold-selling triumphs like McLaren Furnace Room, In the Trees, and Silent Radar. Known for vocalist Danny Greaves’ soaring, unmistakable range and the band’s high-energy live chemistry, they have remained one of the country’s most enduring and respected live acts. This upcoming run of dates follows a busy 2025 that saw the group supporting fellow rock heavyweights like Big Wreck and The Trews, proving that their catalog of hits—from “Stereo” to “All Uncovered”—continues to resonate with audiences decades later. Whether you’re a longtime fan from the Slomotion era or a newcomer discovering their technical grit, this March tour is a perfect opportunity to see a seminal Canadian band that has never lost a step.

The Watchmen March 2026 Tour Dates:

  • March 26 – Kitchener, ON – Elements
  • March 27 – Oshawa, ON – Bond|St Event Centre
  • March 28 – Ottawa, ON – Bronson Centre

Photo Gallery: Burna Boy and Nissi Nation at Toronto’s Scotiabank Arena on December 17, 2025

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All photos by Mini’s Memories. You can contact her through Instagram or X.

OLG Stage at Fallsview Casino Crowned #1 Venue in Canada by Billboard

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The OLG Stage at Fallsview Casino has officially been named the #1 venue in Canada and a top 10 venue worldwide in Billboard Magazine’s 2025 year-end rankings for the 2,501–5,000 capacity category. This prestigious recognition follows a blockbuster tracking period (Oct. 2024 – Sept. 2025) that saw the Niagara Falls destination host a staggering lineup of global superstars, including The Killers, Lenny Kravitz, Nickelback, Reba, and Babyface. Richard Taylor, President of Niagara Casinos, noted the award is a testament to the team’s dedication to world-class entertainment, while VP of Marketing Cathy Price credited the front-line and behind-the-scenes crews for creating the “fantastic guest experiences” that propelled the venue to the top of the Billboard Boxscore charts.

The accolade further solidifies Fallsview’s status as a premier global entertainment hub, joining sister property Mohegan Sun Arena, which was also recognized as a top 6 worldwide venue in its respective category. Over the past year, the OLG Stage has become a go-to tour stop for high-caliber acts like The Beaches, The Black Crowes, and Yungblud, attracting audiences from around the globe to its state-of-the-art 5,000-seat theater. With upcoming 2026 performances already announced for icons like Tom Cochrane, Kim Mitchell, and Collective Soul, the venue is showing no signs of slowing down. This #1 ranking verifies that the OLG Stage at Fallsview Casino is not just a regional favorite, but a world-class leader in the live music industry.

Upcoming OLG Stage Performances:

  • Jan 16 – Tom Cochrane
  • March 27 – Sawyer Brown
  • March 29 – Collective Soul
  • April 25 – Carly Pearce
  • May 2 – Kim Mitchell & David Wilcox
  • May 16 – The Commodores (with Village People)
  • May 22 – Switchfoot, Fuel & Lit