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Why Fleadh Cheoil Coming to Belfast for the First Time Is a Historic Moment

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First, let’s get the pronunciation out of the way — it’s Flah Kyole. Say it a few times. Now you’re basically fluent. Fleadh Cheoil translates from Irish as “feast of music,” and a feast is exactly what it is. The world’s largest annual festival of Irish music, song, and dance, it has become a national institution since its beginnings in Mullingar in 1951, now drawing upwards of 600,000 visitors to its host city over the course of a week of festivities and competitions every August. Think Glastonbury, but with fiddles, tin whistles, and significantly more step-dancing.

When the festival began more than 70 years ago, it was against the backdrop of a decline in the popularity of traditional Irish music — a picture we would hardly recognise today. Comhaltas Ceoltóirí Éireann was formed in 1951 by traditional musicians and cultural advocates seeking to improve the standing of traditional Irish music, dance, and language in Ireland. That humble first gathering drew just a few hundred people. Now? It sells close to a million pints of Guinness in a single week. Mission accomplished.

So why is Belfast such a big deal? Because it’ll be just the second time in the festival’s 75-year history that the Fleadh Cheoil will be held north of the border. The last time the Fleadh was held in the north was in 2013, when Derry played host, drawing an estimated 430,000 attendees. Belfast had tried before — putting in bids for both 2023 and 2024 — and finally landed it for 2026. Good things come to those who wait (and to those who sort out their Irish language inclusion and accessibility plans).

From August 2 to August 9, 2026, the city of Belfast will host Fleadh Cheoil na hÉireann for the very first time. More than 700,000 people are set to visit the city during the eight-day celebration, and tourism officials have predicted it will create a legacy similar to that delivered by golf’s Open Championship on the north coast. For context, that’s a lot of people who are going to fall in love with Belfast — and probably never want to leave.

The Fleadh’s finest moments can often be found in hidden corners around the city. As the festival atmosphere sweeps through Belfast’s cobbled lanes and historic pubs, you just follow the sounds of an impromptu street session starting up — because the magic of the Fleadh is very much in the air. Competitions, parades, céilí dancing, language workshops, cross-community showcases — it’s a full week of joy that spills out of every venue and onto every street corner.

And here’s the cherry on top: Belfast has already been confirmed to host the Fleadh again in 2027, making it the first location in Northern Ireland to host the event twice. The city isn’t just hosting a festival — it’s writing itself into Irish cultural history. If you’ve ever wanted to experience the soul of Ireland at its most alive, most joyful, and most unapologetically musical, there has never been a better reason to book a flight to Belfast. The music is waiting.

Fleadh Cheoil na hÉireann takes place in Belfast, August 2–9, 2026. For more information visit fleadhcheoil.ie, visitbelfast.com, and discovernorthernireland.com.



Dasha Marks Her 26th Birthday With a Live Grand Ole Opry Recording of Her Most Personal Song, “Oh, Anna!”

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Dasha released a live recording of “Oh, Anna!” captured at the Grand Ole Opry as a birthday gift to herself and her fans, and the choice of song and setting says everything about where she is as an artist right now. Recorded on the Opry stage in August 2025 and released on her 26th birthday via Warner Records, the performance strips the song down to its core, putting the ache in her voice and the weight of every lyric front and center.

“Oh, Anna!” is among her most emotionally raw releases, wrestling with identity, growth, and the complicated relationship we have with our younger selves. The name is personal. Dasha grew up going by Anna, and stepping into the Opry circle to sing it carries a meaning that goes beyond performance. “The Opry carries so much history; it’s where country music’s story has been told for generations, and ‘Oh, Anna!’ carries my own history,” she says. “When I sang it there this past summer, I knew it was a moment I’d want to hold onto forever. Releasing this live version on my 26th birthday feels like the most meaningful way to honor where I started and who I’ve become.”

Dasha became a 2025 Opry NextStage class member and first stepped into the famed circle in June 2024. The trajectory since her breakout has been remarkable. “Austin (Boots Stopped Workin’)” became one of the most-streamed country songs of the year, earned Female Song of 2024 at the People’s Choice Country Awards, and helped push her into a billion-stream era. An MTV Video Music Awards nomination for Push Performance of the Year and a Best New Female Artist nod at the ACM Awards followed. At 26, she’s one of the most compelling new voices in country music, and this live recording is a genuine document of that.

Swae Lee Releases Debut Solo Album ‘Same Difference’ and Drops the Bayou-Soaked First Single “Flammable”

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Swae Lee is stepping out on his own. The Rae Sremmurd supernova has released his debut solo album ‘Same Difference’ via Eardruma Records and Interscope Records, and lead single “Flammable” is out now as the first taste of what he’s calling his Gemini era.

Produced by Rosen, “Flammable” marries the epic melodic sweep of Just Blaze instrumentals with the Atlanta trap sound of the 2020s, and Swae moves across it with the blend of melody and dextrous delivery that has always set him apart. The cinematic video, directed by Logan Meis, plants him in a backcountry bayou bash complete with a flamethrower and a fanboat, paying direct homage to his Southern roots. “My fans been waiting to eat,” Swae says simply. “Let the feast begin.”

The timing of the announcement lands in the middle of a significant moment for the Rae Sremmurd catalog. “Black Beatles,” originally released in 2016 and a Billboard Hot 100 number one for seven consecutive weeks, earned a diamond certification last June, fueled in part by a wave of nostalgia-driven social media trends revisiting that cultural era. Swae also helped set a Guinness World Records title during the release of the hit video game Ninja Gaiden 4 last October.

Tenille Townes Strips Everything Back on Her Most Personal Album Yet, ‘The Acrobat’

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Tenille Townes’ third album ‘The Acrobat’ is out now, and it marks a genuine turning point. Recorded, produced, and mixed entirely by Townes herself, with every instrument played by her, it’s the most stripped-back and intimate body of work she’s released, rooted in vulnerability, people-pleasing, self-abandonment, and the quiet tenacity it takes to keep moving when certainty falls away.

The title track, featuring Lori McKenna, arrives as an emotional anthem about trusting yourself and learning that you don’t have to reshape who you are to be worthy of love. “The Acrobat is about the slow erosion that comes from trying to become what someone else needs,” Townes shares. “The quiet whisper to the character in this song that I hope people hear, is that you don’t have to contort yourself to be worthy of love.” Writing it with McKenna, whose songwriting Townes describes as a compass influence since she first moved to Nashville, made the song a full-circle moment.

The album also features recent Grammy winners I’m With Her on “Grey Like Emmylou” and tracks written with Grammy-winning writers McKenna, Amy Wadge, and Daniel Tashian, alongside songs penned solely by Townes. The sparse production lets her storytelling and vocals do all the work, and the result lands with an intimacy that makes the listener feel genuinely present in the room.

Before the album’s release was even officially announced, Townes ran a fans-only pre-sale on social media that moved over 1,000 vinyl copies. That kind of connection between artist and audience is exactly what this record was built for.

The Canada-born, Nashville-based artist has earned 2 Juno Awards, 2 Academy of Country Music Awards, and 17 Canadian Country Music Association Awards, and has toured alongside Stevie Nicks, Miranda Lambert, Shania Twain, Keith Urban, Reba, Zac Brown Band, George Strait, and Dierks Bentley.

‘The Acrobat’ Track Listing:

  1. Ordinary Love Song
  2. The Acrobat featuring Lori McKenna
  3. Enabling
  4. We Could Use a Little More
  5. Lonely Talking
  6. She Plays The Piano
  7. Grey Like Emmylou featuring I’m With Her
  8. What’s Meant for You
  9. In Love With the Sky

The Long Road Festival 2026 Adds Emmylou Harris, Steve Earle, Josh Ross, and Dozens More to an Already Stacked Lineup

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The Long Road Festival returns for its seventh year on the August 2026 Bank Holiday weekend, August 27-30, at Stanford Hall in Leicestershire, and the latest round of additions makes an already compelling lineup genuinely exceptional.

Headlining the announcement is Emmylou Harris, a 14-time Grammy winner who will wrap her lauded European Farewell Tour at the festival, making this a genuinely historic moment for UK Americana fans. Steve Earle brings “Copperhead Road” back to the region for the first time since 2023, and breakout Canadian country sensation Josh Ross, known for his chart-topping collaboration with Akon on a countrified “Na Na Na,” brings current radio energy to the mix.

They join previously announced Saturday night headliner Bailey Zimmerman, making his first UK appearance in more than two years following a sold-out UK and European headline run in 2024. Nashville Songwriters Hall of Fame member and multiple Grammy-winning legend Jim Lauderdale performs festival highlights from a decades-spanning career for the first time. Shakey Graves, The Felice Brothers, Uncle Lucius, Striking Matches, Oliver Hazard, and The 502s round out a lineup that spans indie grit, Southern soul, acoustic storytelling, and beach folk across six stages.

Rising stars Mia Kelly, Lily Fitts, Noah James, and Slow Motion Cowboys join alongside UK talent including Kezia Gill, Rose Betts, Trevor Moss & Hannah-Lou, and Liam Price, winner of the festival’s inaugural Homegrown Talent Contest in 2025. Friday and Sunday headliners are still to be announced.

Beyond the music, the festival this year debuts a full-scale on-site Red Dog Saloon Texas-style BBQ restaurant, adding a communal dining experience to an event already known for its immersive country lifestyle atmosphere, classic cars, line dancing, vintage funfair rides, and campfires.

Tickets across all categories are on sale now.

Willie Nelson, Emmylou Harris, and Inara George Unite on a Previously Unissued Cover of Lowell George’s “Willin'”

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A previously unissued recording of Lowell George’s signature song “Willin’,” performed by Willie Nelson and Emmylou Harris and featuring Inara George, is out now as part of ‘Rock And Roll Doctor: Lowell George Tribute Album’, a long out-of-print collector’s edition released via Omnivore Recordings on vinyl, CD, and digitally.

The 2 LP set brings together 15 standout performances from Bonnie Raitt, Jackson Browne, Little Feat, Randy Newman, and more in celebration of one of rock and roll’s most underrated figures. Originally released in Japan in 1997 and in the US the following year, this new edition marks the first time the collection has been available on vinyl and introduces the previously unheard Nelson and Harris recording for the first time.

For Inara George, the track carries deeply personal meaning. “I remember how meaningful it was to sing ‘Trouble’ with Van Dyke Parks and Ry Cooder, they were both friends of my dad, which made it even more special,” she says. “So to be able to add voice, so many years later, to a track with such greats as Emmylou Harris and Willie Nelson feels like a perfect bookend. It’s such a gift to celebrate my father’s work alongside his musical peers.”

Lowell George’s influence as a writer, guitarist, singer, and producer spanned rock, R&B, country, blues, and West Coast jazz. He co-founded Little Feat in 1969 after a stint with Frank Zappa’s Mothers of Invention, and alongside Bill Payne and Richie Hayward built a sound unlike anything else of the era. His songwriting delivered enduring classics including “Willin’,” “Dixie Chicken,” and “Sailin’ Shoes.” Tragically, he passed away in 1979 at just 34, while touring in support of his only solo album ‘Thanks I’ll Eat It Here.’

“It’s always fun when Little Feat gets to record with Bonnie Raitt, especially when we’re giving tribute to our brother Lowell,” says co-founder Bill Payne, whose presence on the collection gives it an extra layer of authenticity.

Kentucky Singer-Songwriter Tyler Booth Teams With Jamey Johnson on the Deeply Personal “Clean Dirt”

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Tyler Booth’s debut release with Average Joes Entertainment and Jamey Johnson’s Big Gassed Records arrives in the form of “Clean Dirt,” a song about redemption, grace, and the unwavering nature of forgiveness, and it features Johnson himself on the track after hearing it and immediately wanting in.

The song was written by Booth alongside Phil O’Donnell, whose songs have been recorded by George Strait, Blake Shelton, and Montgomery Gentry, and Brian Davis, whose cuts include songs recorded by Brantley Gilbert, Lee Brice, and Jason Aldean. O’Donnell also produced the track. The writing session came together quickly around a hook the two writers had been sitting on for a while. “They had the hook: ‘three boards, two nails and one man to clean dirt,'” Booth says. “We wrote it that day.”

Johnson’s perspective on the song is equally direct. “It’s about redemption and God’s grace,” he says. “It points out that it isn’t what we do. It’s something Jesus Christ has already done and all we have to do is accept it. It’s a wonderful message that Tyler has woven into this song.” That Johnson chose to join the track rather than simply praise it from a distance says everything about how the song landed with him.

“Everybody has their trials and tribulations,” Booth adds. “There is always room for redemption.” It’s a straightforward sentiment delivered without apology, and the song is stronger for it.

Jason Aldean Announces 22-City Songs About Us Tour This Summer Behind His 31st Career Number One

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Jason Aldean is taking his latest album on the road this summer. The Grammy-nominated entertainer has announced the 22-city Songs About Us Tour, sponsored by Patriot Mobile and produced by Live Nation, kicking off July 16 in Bangor, Maine and running through late September. Chase Matthew, Mackenzie Carpenter, and Dee Jay Silver support across the run.

‘Songs About Us’ is out now, arriving on the heels of Aldean’s 31st career number one at country radio with “How Far Does A Goodbye Go,” a milestone that underscores just how consistently he has performed across two decades in the format. The album also includes “Drinking About You,” “Dust on the Bottle,” and upcoming single “Don’t Tell On Me.”

The ACM Artist of the Decade has delivered 13 top 10 country albums in 20 years, and his career-spanning collection ’30 Number One Hits’ debuted at number four on the Billboard Top Country Albums chart last year. His 2026 Full Throttle World Tour recently wrapped a first-ever headlining run in New Zealand and a return to Australia for the first time in over a decade, and the Songs About Us Tour picks up that momentum through the North American summer and fall.

2026 Songs About Us Tour Dates:

July 16 – Maine Savings Amphitheater, Bangor, ME

July 17 – PNC Bank Arts Center, Holmdel, NJ

July 18 – Bethel Woods Center for the Arts, Bethel, NY

July 23 – INTRUST Bank Arena, Wichita, KS

July 24 – Paycom Center, Oklahoma City, OK

July 25 – Morton Amphitheater, Kansas City, MO

July 30 – Cascades Amphitheater, Ridgefield, WA

July 31 – Ford Idaho Center Amphitheater, Nampa, ID

August 14 – Toyota Amphitheatre, Wheatland, CA

August 15 – Save Mart Center at Fresno State, Fresno, CA

August 22 – Riverbend Music Center, Cincinnati, OH

August 27 – Brookshire Grocery Arena, Bossier City, LA

August 28 – Brandon Amphitheater, Brandon, MS

August 29 – The Wharf Amphitheater, Orange Beach, AL

September 10 – Veterans United Home Loans Amphitheater at Virginia Beach, Virginia Beach, VA

September 11 – Northwell at Jones Beach Theater, Wantagh, NY

September 12 – The Meadows Music Theatre, Hartford, CT

September 17 – TD Coliseum, Hamilton, ON

September 18 – Empower Federal Credit Union Amphitheater at Lakeview, Syracuse, NY

September 19 – Freedom Mortgage Pavilion, Camden, NJ

September 25 – BankNH Pavilion, Gilford, NH

September 26 – BankNH Pavilion, Gilford, NH

Beastie Boys’ Platinum-Selling ‘To the 5 Boroughs’ Gets Its First-Ever Physical Deluxe Release With 11 Bonus Tracks

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Beastie Boys’ ‘To the 5 Boroughs’ is out now in its first-ever physical deluxe edition via UMe, and it’s a proper collector’s piece. The limited-edition 3 LP and 2 CD set features 11 bonus tracks including remixes and B-sides, bringing the 2019 digital deluxe edition to physical formats for the first time.

The 3 LP set is pressed on 180-gram vinyl in a triple gatefold jacket with pop-up elements and a subway map lithograph, all housed in a firm slipcase. The 2 CD version comes in a multi-paneled soft pack. Both formats reflect the care and New York City pride that defined the original release.

‘To the 5 Boroughs’ arrived in 2004 as a self-produced love letter to the band’s home city, debuting at number one on the Billboard 200 and topping the Top Rap Albums, Top R&B/Hip-Hop Albums, Rap Album Sales, and Top Album Sales charts simultaneously. The album balanced deep pop culture references across tracks like “Shazam!” and “Ch-Check It Out” with more pointed social and political commentary on “Right Right Now Now,” “It Takes Time To Build,” and “An Open Letter To NYC.”

The bonus disc adds remixes from Just Blaze, Brainpower, Graham Coxon, and others alongside B-sides and rarities that round out the full picture of that creative period.

CD 1:

  1. Ch-Check It Out
  2. Right Right Now Now
  3. 3 The Hard Way
  4. It Takes Time To Build
  5. Rhyme The Rhyme Well
  6. Triple Trouble
  7. Hey Fuck You
  8. Oh Word?
  9. That’s It That’s All
  10. All Lifestyles
  11. Shazam!
  12. An Open Letter To NYC
  13. Crawlspace
  14. The Brouhaha
  15. We Got The

CD 2:

  1. Brrrr Stick Em
  2. And Then I
  3. Now Get Busy
  4. Ch-Check It Out (Just Blaze Remix)
  5. Triple Trouble (Brainpower Remix)
  6. Triple Trouble (J. Wizzle Remix)
  7. Triple Trouble (Dexter’s Triple Decollte Situation)
  8. Triple Trouble (Graham Coxon Remix)
  9. Rizzle Rizzle Nizzle Nizzle
  10. MTL Reppin’ For The 514
  11. RRNN: Straight Outta Shibuya

Matchbox Twenty Answer a Decade of Fan Requests With ‘The North (B-Sides)’ EP, Now on Global Streaming for the First Time

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Matchbox Twenty have done something fans have been waiting on for over a decade. ‘The North (B-Sides)’ EP is out now via Rhino Records, bringing five tracks from the ‘North’ era to global streaming platforms for the very first time. Previously scattered across limited-edition retail pressings and international exclusives, “Don’t Wanna Be Loved,” “Waiting on a Train,” “I Believe in Everything,” “Help Me Through This,” and “Straight for This Life” are now together in one definitive collection, completing the story of that era for both longtime fans and new listeners.

The timing is meaningful. Later this year, the band will celebrate the 30th anniversary of their diamond-certified debut ‘Yourself or Someone Like You’, one of the defining rock albums of the 1990s. Further details on that celebration are expected in the coming months, and the release of this EP feels like the beginning of a broader moment of reflection for a band with over 50 million records sold worldwide.

The catalog that surrounds this release is remarkable by any measure. Number one hits across four decades, Grammy nominations, billions of streams, and a run of multi-platinum albums from ‘Mad Season’ through ‘More Than You Think You Are’ through ‘North’ itself. Rob Thomas has added three Grammy Awards and multiple BMI honors to that legacy through his solo career, while Paul Doucette has built a parallel career scoring film and television projects.

‘The North (B-Sides)’ Track Listing:

  1. Don’t Wanna Be Loved
  2. Waiting on a Train
  3. I Believe in Everything
  4. Help Me Through This
  5. Straight for This Life