Maria Taylor has officially released her cover of the Counting Crows classic ‘Colorblind’ today, featuring a collaboration with Chris Carrabba of Dashboard Confessional. This atmospheric recording, produced by Mike Bloom, actually began as a private birthday gift for Adam Duritz two years ago before Taylor decided to share it with the public. The track features dreamy guitars and layered vocals that highlight the natural chemistry between Taylor and Carrabba, who first met at Duritz’s New York apartment years prior. With single artwork provided by artist Alvaro Ilizarbe, this release serves as a bridge to 2026 as Taylor prepares to unveil a full slate of new original music for the first time since 2022.
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Desertfest London Announces 2026 Day Splits And Final Lineup Additions
Desertfest London has officially completed its 2026 lineup, revealing the day and stage splits for its fourteenth year of rock fury. Taking place from May 15th to 17th across Camden, the festival is set to feature a massive collection of stoner rock, doom, and underground heavy music. Friday night kicks off with a heavy stoner set headlined by the legendary John Garcia and Hermano at the Electric Ballroom, while Florida sludge pioneers Cavity mark their reunion by headlining the Black Heart stage. Saturday shifts the focus to “Best of British” talent, with local favorites Green Lung headlining the Roundhouse alongside new additions like Wytch Hazel and Church of the Cosmic Skull. The weekend concludes on Sunday with the highly anticipated festival debut of Clutch, who will finally take the Roundhouse stage for an exclusive UK performance.
The 2026 edition is particularly notable for its series of historic reunions and UK debuts. Beyond the return of Cavity, fans will witness the exclusive reunion of stoner legends The Sword and underground doom icons Capricorns, who return to the stage for the first time in nearly two decades. The final wave of additions also includes Inhuman Nature, Moloch, and Daufødt, rounding out a bill that balances legendary status with rising underground voices. With day tickets now available and the stage splits confirmed, the countdown is on for one of the most comprehensive celebrations of riff-culture the UK has seen.
New additions to Desertfest 2026:
CHURCH OF THE COSMIC SKULL
WYTCH HAZEL
INHUMAN NATURE
CAVITY
MOLOCH
DAUFODT
KUSHTHULU
IRON SLUG
TROLL MOTHER
Finn Wolfhard Brings A Handcrafted Vision To George Harrison’s “Give Me Love (Give Me Peace On Earth)”
It’s not every day that a fifty-year-old classic gets its first official music video, but George Harrison’s “Give Me Love (Give Me Peace On Earth)” just received a stunning visual treatment directed by Finn Wolfhard. This 1973 anthem served as the cornerstone of ‘Living in the Material World’ and captured the quiet, spiritual transition following the high-octane success of ‘All Things Must Pass’. Wolfhard decided to skip the digital shortcuts and instead collaborated with a massive team of twenty stop-motion artisans from Toronto based Nobody Told Me Studios and Tye Down Pictures. Every frame of this project feels remarkably tactile because each element was constructed by hand to reflect the meticulous care Harrison famously put into the gardens of his Friar Park estate.
The video serves as a beautiful trip through that private sanctuary and features several hidden references to the storied career of the Quiet Beatle. Dhani Harrison and David Zonshine executive produced the project with a focus on ensuring the visual world felt like a genuine homage to George’s lifelong passion for gardening and peace. Animation director Akash Jones guided the frame-by-frame process to create an emotionally driven environment that feels both fresh and timeless. Dhani has shared that his father would have absolutely loved the creative and heartfelt ideas Finn brought to the table to help the track reach a brand-new generation of listeners.
This release follows the recent arrival of the 50th anniversary editions of ‘Living in the Material World’ which were lovingly overseen by Dhani and Olivia Harrison. The album received a significant sonic upgrade from triple Grammy Award winning engineer Paul Hicks who went back to the original tapes to deliver a mix that is brighter and more dynamic than ever before. Hearing the clarified vocals on “Give Me Love (Give Me Peace On Earth)” alongside this handcrafted animation reminds everyone why this song remains such a definitive article of faith. It is a perfect example of what happens when young talent respects the legacy of a master and creates something that keeps the magic of art alive in a crowded digital landscape.
Lomor Sharpens The Riff On ‘Tantine Lo Clou’
Lomor is bringing a wild burst of energy to the global metal scene with the release of their latest single “Tantine Lo Clou” today. This fast and aggressive track finds the Réunion Island power trio transforming an awkward real-life encounter from their 2023 French tour into a razor-sharp thrash anthem. The song serves as a fantastic preview of their upcoming sophomore album ‘Sabouk Rouge’ which is currently scheduled for a February 6, 2026 arrival via Rockshots Records. Eric Castelnau, Gurvan Cambrai, and Mathieu Michalina successfully blend old-school thrash influences with a biting punk attitude to create a sound that feels both nostalgic and incredibly fresh. Between the frantic rhythms and the technical precision of the riffs, it is clear that the band is operating with a massive amount of confidence as they prepare for an extensive European tour.
Drug Church and White Reaper Team Up For Massive Co-Headlining Tour
Drug Church and White Reaper Team Up For Massive Co-Headlining Tour
Drug Church, White Reaper, SPY, Death Lens, Public Opinion, Concord Music Hall, Majestic Theatre, Fine Line, Delmar Hall, The Bottleneck, Summit Music Hall, Neumos, Aladdin Theatre, August Hall, The Fonda Theatre, The Observatory North Park, Area15 Portal, Walter Studios, Ferris Wheelers, Mohawk, St. Andrews Hall, The Roxy, Spirit Hall, Opera House, Warsaw, Paradise Rock Club, Union Transfer, Canal Club, Eulogy, The Basement East, The Albatross, The Abbey, The Orpheum, Terminal West, Mercury Ballroom
Blog Post:
Drug Church and White Reaper are hitting the road for a massive North American co-headlining tour in 2026. This spring run brings together two of the most energetic live acts currently touring, and the lineup includes a solid collection of support from SPY, Death Lens, and Public Opinion. Drug Church is continuing their heavy touring schedule in support of the 2024 full-length ‘PRUDE’ while White Reaper is celebrating their recently released album ‘Only Slightly Empty’. Both groups have built their reputations on delivering big guitars and massive hooks that consistently resonate in a live setting.
The tour kicks off on March 14th in Chicago and winds through more than thirty cities across the United States and Canada. Fans can expect a relentless evening of music as the bands travel from the Midwest to the West Coast before heading back toward the East. The inclusion of diverse opening acts ensures that every show offers a wide-ranging experience for the alternative rock and punk community. Recording big sounds for the studio is one thing, but hearing these tracks live and loud is where the energy of these two bands truly flourishes.
Tickets for the tour go on sale this Friday, December 19th, and many dates are expected to move quickly given the reputation of both headliners. Whether you are catching the show at The Fonda in Los Angeles or the Warsaw in Brooklyn, the combination of these two powerhouses is a perfect match for any spring calendar. The bands have managed to stay busy with individual projects, but coming together for this co-headlining run highlights a shared commitment to the spirit of modern guitar music.
Tour Dates:
03/14 – Chicago, IL @ Concord Music Hall %
03/15 – Madison, WI @ Majestic Theatre ^ %
03/16 – Minneapolis, MN @ Fine Line ^ %
03/18 – St. Louis, MO @ Delmar Hall ^ %
03/19 – Lawrence, KS @ The Bottleneck ^ %
03/20 – Denver, CO @ Summit Music Hall ^ %
03/23 – Seattle, WA @ Neumos ^ %
03/24 – Portland, OR @ Aladdin Theatre ^ %
03/25 – Boise, ID @ Treefort Music Fest ^ %
03/27 – San Francisco, CA @ August Hall ^ %
03/28 – Los Angeles, CA @ The Fonda Theatre ^ %
03/29 – San Diego, CA @ The Observatory North Park ^ %
03/31 – Las Vegas, NV @ Area15 Portal ^ %
04/01 – Phoenix, AZ @ Walter Studios ^ %
04/03 – Dallas, TX @ Ferris Wheelers^ %
04/04 – Austin, TX @ Mohawk ^ %
04/24 – Detroit, MI @ St. Andrews Hall #
04/25 – Cleveland, OH @ The Roxy #
04/26 – Pittsburgh, PA @ Spirit Hall #
04/28 – Toronto, ON @ Opera House #
04/30 – Brooklyn, NY @ Warsaw #
05/01 – Boston, MA @ Paradise Rock Club #
05/02 – Union Transfer #
05/06 – Richmond, VA @ Canal Club ^ #
05/08 – Asheville, NC Eulogy ^ #
05/09 – Nashville, TN @ The Basement East ^ #
05/11 – Jacksonville, FL @ The Albatross ^ #
05/12 – Orlando, FL @ The Abbey ^ #
05/13 – Tampa, FL @ The Orpheum ^ #
05/14 – Atlanta, GA @ Terminal West ^ #
05/16 – Louisville, KY @ Mercury Ballroom ^ #
^ w/ SPY
% w/ Death Lens
# w/ Public Opinion
Jon Anderson Returns To The Roots With ‘Earth Mother Earth’ And ‘Survival & Other Stories’
Jon Anderson is proving once again that the creative spirit never really rests, even when the industry tries to pigeonhole you into a single legacy. He has teamed up with Frontiers Music Srl to bring two fascinating chapters of his solo career back into the light on March 27th with the re-release of ‘Earth Mother Earth’ and ‘Survival & Other Stories’. These aren’t just standard reissues for the shelf; they are part of the Record Store Day Essentials Program with some beautiful colored vinyl options like green and gold marble. It is a reminder that Anderson has always operated on his own frequency, moving from the intimate, home-recorded folk textures of the late nineties to the global, collaborative experiments that defined his return to the scene over a decade later.
The contrast between these two records tells you everything you need to know about his artistic range. ‘Earth Mother Earth’ is a quiet, acoustic-based journey that feels like a deep breath of fresh air, leaning into environmental themes with a stripped-back production that lets his signature voice carry the weight. Then you have ‘Survival & Other Stories’, which was born from a period of intense health challenges and transformed into a worldwide collaboration after Jon invited musicians to send him their tracks via the internet. It is a triumphant comeback story that shows how a visionary can find inspiration in the most difficult circumstances. Whether you are spinning the new visualizer for “Time Has Come” or diving into the expansive sounds of “New New World,” it is clear that Jon Anderson is still finding new ways to share his message of hope and connection.
Blackstreet Reaches One Billion Streams For “No Diggity”
Blackstreet has officially secured their place in history as “No Diggity” surpasses one billion streams on Spotify. This milestone marks the group as the first 90s R&B male collective to enter the prestigious Billions Club. Led by Chauncey “Black” Hannibal alongside Levi Little, Mark Middleton, and Eric Williams, the quartet continues to showcase the unmistakable harmonies that defined an era. This achievement arrives at a pivotal moment as the group signs a new strategic partnership with XOXO Entertainment Corp to usher in a fresh chapter for 2026.
With a global tour and new music on the horizon, the group remains a cultural force decades after their initial chart domination. Fans around the world are celebrating this streaming victory which proves that the authentic Blackstreet sound resonates just as strongly with new generations as it did during the 90s. This partnership with XOXO Entertainment Corp focuses on innovative ways to elevate the group’s legacy through synergistic collaborations and high-profile endorsements. As the “Another Level” era approaches its 30th anniversary, the momentum behind these R&B icons shows that timeless artistry always finds a way to stay at the top.
Kyle Sevenoaks Ignites The Industrial Scene With “Watch It Burn”
British-Norwegian composer Kyle Sevenoaks is making a definitive return to the industrial metal landscape with the release of his latest single “Watch It Burn” today. This rich cacophony of sound serves as his first musical offering of 2025 and follows the successful run of his award-winning short horror film ‘Taste In Music’ which made waves throughout 2024. Sevenoaks describes the track as a visceral response to unfair power dynamics and cold calculations that affect the lives of everyday people. The music video effectively translates this theme of reclaiming control and finding catharsis through a landscape of heavy industrial elements and aggressive sonic textures. Between directing music videos and working on his debut feature film, the Oslo-based musician remains a fixture in the digital community as a regular performer at TwitchCon events in both the US and Europe. His commitment to the craft is further evidenced by endorsements from Spector Basses and Winspear Instrumental which highlight his standing as a professional in the industry. Whether he is building worlds on screen or layering industrial riffs in the studio, the focus remains on delivering a self-contained story that resonates with authenticity.
Photo Gallery: Brad Paisley, Jackson Dean, and Meghan Patrick at Hamilton’s TD Coliseum on December 12, 2025
All photos by Mini’s Memories. You can contact her through Instagram or X.
Testament Brings The “Thrash Of The Titans” To The United States
The energy of the Bay Area is heading across the country this spring as Testament officially launches the highly anticipated U.S. leg of their ‘Thrash Of The Titans’ world tour. This monumental trek unites three of the most enduring forces in heavy music with Overkill and the German legends Destruction joining the bill for a month of absolute chaos. Frontman Chuck Billy is looking at 2026 as a year that begins with an explosion as these metal brothers celebrate a friendship that has spanned nearly four decades. It is a rare opportunity to see a lineup this heavy and this seasoned sharing the same stage night after night to prove that the spirit of thrash is as vital as ever.
Tour Dates:
3/14 – Portland, OR – Roseland theater
3/15 – Boise, ID – Treefort Music Hall
3/16 – Salt Lake City, UT – Rockwell at the Complex
3/18 – Denver, CO – Summit Music Hall
3/20 – Milwaukee, WI – The Rave
3/21 – Minneapolis, MN – The Fillmore
3/22 – Chicago, IL – Ramova Theatre
3/24 – Detroit, MI – St. Andrew’s Hall
3/25 – Cleveland, OH – Agora Ballroom
3/27 – Worcester, MA – The Palladium
3/28 – Sayreville, NJ – Starland Ballroom
3/29 – Reading, PA – Club Reverb
3/31 – Atlanta, GA – Buckhead Theater
4/1 – St. Petersburg, FL – Jannus Live
4/3 – Houston, TX – House of Blues
4/4 – Dallas, TX – The Bomb Factory
4/5 – San Antonio, TX – Aztec Theatre
4/8 – Phoenix, AZ – The Van Buren
4/9 – Los Angeles, CA – The Belasco
4/10 – Berkeley, CA – The UC Theatre (no Overkill)