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Ticketmaster Rolls Out Mobile-Only Tickets With New Anti-Fraud Features Amid Walled Garden Concerns

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Ticketmaster is rolling out a redesigned mobile ticket experience the company says will make tickets easier to verify and harder to duplicate. Announced in a March 4 press release, the update adds animated security elements, rotating barcodes, and new protections that block screenshots and screen recordings on both iOS and Android.

The company framed the move as the latest step in a decade-long, billion-dollar effort to cut fraud and improve entry operations through anti-bot tools, AI-driven fraud detection, encrypted tickets, and account security. “Tickets carry real value, which is why we tell fans to treat their Ticketmaster account with the same level of care and security as their bank account,” said Global President Saumil Mehta. The new experience also surfaces more event-day information directly in the ticket view, including directions, venue policies, and accessibility details, plus customizable branding and labels for face-value resale listings. Ticketmaster is pushing Passkeys too, a passwordless login tied to device-based biometrics or a PIN.

The rollout lands in familiar territory. Critics argue the same tools that reduce fraud can deepen “walled garden” dynamics, keeping ticket access, transfers, identity, and resale locked inside one platform. The Department of Justice has characterized Ticketmaster’s SafeTix system along those lines in its ongoing antitrust case against Live Nation and Ticketmaster, now underway in New York, arguing that app-locked tickets and rotating barcodes can act as competitive moats rather than simple security measures. Ticketmaster disputes the broader allegations.

The consumer tradeoff is real. Mobile-only tickets can leave fans stranded at the gate over a dead battery, a login failure, or a spotty connection, and restricting screenshots makes attendees more dependent on the app itself. Ticketmaster says some features are debuting on select events and will expand over time. The open question is whether the design reduces fraud or further cements a system where security, access, identity, and resale all run through one dominant platform’s rules.

John Summit And Dom Dolla To Headline Aspen’s Up In The Sky Festival

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John Summit and Dom Dolla will headline the second annual Up In The Sky Music Festival, set for August 7 to 8 in Aspen, Colorado. The festival returns to the scenic base of Buttermilk Mountain for a two-day run that pairs live music with panoramic views of the surrounding Aspen landscape.

John Summit headlines Friday, August 7, on a bill that also features Empire of the Sun, Leon Thomas, Passion Pit, Fcukers, Night Tapes, Collect 200 and thebandfriday. Dom Dolla closes out Saturday, August 8, with support from Parcels, Polo & Pan, Good Neighbours, Nimino, Cil, me nĂŒ and Paperwater. Organizers have also announced a special afternoon set from the Aspen Music Festival & School Orchestra, a unique touch that bridges the worlds of dance music and classical performance.

Tickets are on sale now. For additional ticketing details and the latest announcements, festivalgoers can visit upintheskyfestival.com.

Sara Bareilles Sets World Premiere For Her New Musical ‘The Interestings’

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Sara Bareilles has set the world premiere for ‘The Interestings’, a new musical adapted from Meg Wolitzer’s 2013 bestseller with a score by Bareilles. The show debuts at the Berkeley Repertory Theatre, with previews beginning January 31, 2027, and opening night set for February 17.

“When I read Meg Wolitzer’s unbelievably funny and poignant novel, The Interestings, I wrote the first song before I’d finished the book,” Bareilles said in a statement. “I felt like I knew these characters already, and they continue to inspire and challenge me to evolve as a writer and a storyteller.” A Northern California native, she added that bringing the show to one of the great theatres on the West Coast feels like coming home with something she’s proud to share.

The story follows six teenagers who meet at a summer camp in the ’70s, bonding over their creative dreams, then catches up with them decades later in New York City as they navigate the ups and downs of adult life. Casting and additional creative team members haven’t been revealed yet, and a general sale date is still to come.

Built To Spill Roll Through Summer On Their 2026 U.S. Tour

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Built to Spill are deep into a sprawling 2026 U.S. tour that runs through the summer and into early fall. The indie-rock mainstays are crisscrossing the country with stops still to come in Montana, Oregon, and a long California stretch before wrapping September 1 in Salt Lake City at Urban Lounge. A rotating cast of openers joins along the way, including Lily Seabird, The Hypos, Wussy, Guerilla Toss, and PLAYDEAD.

The band has also lined up some marquee supporting slots and festival appearances. Built to Spill play with The Hold Steady at Chicago’s The Salt Shed, join Courtney Barnett at the Hollywood Palladium in Los Angeles, and turn up at festivals including Zootown Music Festival and Pickathon. After decades in the game, Doug Martsch and company still bring that distinctive guitar interplay night after night.

Remaining 2026 Tour Dates:
06/19 – Missoula, MT @ Zootown Music Festival
07/30 – Happy Valley, OR @ Pickathon
08/21 – South Lake Tahoe, CA @ The Hangar
08/22 – Petaluma, CA @ Phoenix Theatre
08/23 – San Francisco, CA @ The Chapel
08/24 – San Francisco, CA @ The Chapel
08/25 – San Francisco, CA @ The Chapel
08/26 – Santa Cruz, CA @ Rio Theater
08/27 – Ventura, CA @ Ventura Music Hall
08/28 – Solana Beach, CA @ Belly Up
08/29 – Los Angeles, CA @ Hollywood Palladium (w/ Courtney Barnett)
08/30 – Pioneertown, CA @ Pappy & Harriets
09/01 – Salt Lake City, UT @ Urban Lounge

Video: The Rolling Stones Tear Up A Tiny Chicago Club In This 1997 Surprise Show

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The Rolling Stones’ surprise 1997 club show at Chicago’s Double Door is streaming now, upgraded and enhanced in 4K and 60fps. The intimate set served as a warm-up before the band launched its Bridges to Babylon tour, and it catches the Stones doing what they do best in a room a fraction the size of their usual stadiums. The setlist mixes deep cuts with bona fide classics, opening with Chuck Berry’s “Little Queenie” and rolling through “19th Nervous Breakdown,” “The Last Time,” “Out Of Control,” “Honky Tonk Women,” “Start Me Up,” “Jumping Jack Flash,” and a closing “Brown Sugar.” Keith Richards plays with real ferocity all night, and Mick Jagger sounds locked-in and loose. It’s the Stones stripped back to the bar-band core that started it all.

Video: Pink Floyd Icon David Gilmour Plays To 50,000 At The Historic GdaƄsk Shipyard

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David Gilmour’s full Live in GdaƄsk concert is streaming now, the final show of his 2006 On an Island Tour, played to a crowd of 50,000 at the GdaƄsk Shipyard to mark the founding of the Solidarity trade union. Gilmour performed the entire ‘On an Island’ album that night, backed by the Polish Baltic Philharmonic Orchestra under conductor Zbigniew Preisner, with Leszek MoĆŒdĆŒer featured on piano. The concert carries real historical weight as the last Pink Floyd-related recording to feature Richard Wright, who died in September 2008, and it arrived roughly a month after the death of Syd Barrett. The set reaches beyond the album into Pink Floyd territory with “Astronomy Domine,” “High Hopes,” a towering “Echoes,” and a closing “Comfortably Numb.” Gilmour’s guitar work is spellbinding throughout, a master at the absolute height of his expressive powers.


Genesis Bring Smoke, Lights And Mirrors To This Full 1978 Concert Film

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Genesis’ 1978 World Tour comes to life in this full concert film, a smoke-lights-and-mirrors document of the band’s “Mirrors” run pieced together from painstakingly restored 8mm and 16mm footage. The set spans the group’s prog-rock peak, opening with “Eleventh Earl of Mar” and “In The Cage” before moving through “Ripples,” “The Fountain of Salmacis,” “One For The Vine,” “The Cinema Show,” and the hit “Follow You Follow Me.” It closes out with “Dance on a Volcano,” a drum duet, and “Los Endos.” The restoration is a labor of love, stitching together rare footage and still photos to preserve a remarkable moment in the band’s history.


sombr Reimagines Olivia Dean’s “Man I Need” For triple j’s Like A Version

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sombr steps into triple j’s Like A Version studio for a striking take on Olivia Dean’s “Man I Need,” putting his own stamp on one of the year’s standout songs. The long-running Australian segment invites a different artist each week to perform an original alongside a cover they love, and sombr makes the most of the spotlight, reshaping the track to suit his moody alt-pop sensibility. It’s a confident showcase from a fast-rising voice.

Video: Tom Waits Delivers A Haunting “Tom Traubert’s Blues” On The Human Factor

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Tom Waits turns in a haunting live rendition of “Tom Traubert’s Blues” on The Human Factor, his weathered voice carrying every ounce of the song’s ache. The ballad reflects on homelessness, vulnerability, and life on the margins, and Waits delivers it with a raw, stripped-back arrangement that lets the lyrics cut deep. It’s a definitive showcase from one of American songwriting’s most singular voices, a Rock and Roll Hall of Famer who built an entire universe out of the lives of the forgotten and down-on-their-luck.

Video: David Gilmour Conjures “On an Island” In This Restored 2006 AOL Session

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David Gilmour’s performance of “On an Island” gets an upgraded release, drawn from the AOL Session recorded at Sony Studios in New York in April 2006. The session marked the release of Gilmour’s ‘On an Island’ album and features his longtime Pink Floyd bandmate Richard Wright. The title track unfolds with the unhurried, atmospheric beauty that defines Gilmour’s solo work, his guitar tone as expressive as ever. It’s a quietly stunning showcase from one of rock’s most distinctive voices.