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Genre-Bending Hitmaker Oliver Tree Dies At 32 In Rio De Janeiro Helicopter Crash

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The music world lost one of its most unpredictable voices today. Oliver Tree, the singer, songwriter, producer, and filmmaker known for his bowl cut, wide-leg pants, and genre-bending catalog, died June 14, 2026, in a mid-air helicopter collision over the Recreio dos Bandeirantes neighborhood of Rio de Janeiro. He was 32. Brazilian outlet O Dia named him among the six victims identified by Rio de Janeiro Civil Police following the crash. Authorities confirmed one aircraft carried five people while the other carried only its pilot, with no survivors.

Born Oliver Tree Nickell in Santa Cruz, California, on June 29, 1993, Tree built a career that refused easy categories. He moved through ska, dubstep, indie pop, hip-hop, and alternative rock, often blurring the line between earnest songwriting and absurdist performance art. He launched his recording career as “Tree” in 2010, signed to London’s R&S Records at 20, and released his debut EP ‘Demons’ in 2013, drawing early attention when Radiohead’s Thom Yorke praised his cover of “Karma Police.”

His breakthrough arrived after “When I’m Down,” his 2016 collaboration with Whethan, went viral and led to a deal with Atlantic Records. His major-label debut EP ‘Alien Boy’ followed in 2018, complete with the freestyle monster truck stunts that became part of his legend. Tree spent years cultivating a persona that was equal parts pop star and internet provocateur, setting a Guinness World Record for the world’s largest kick scooter along the way.

The albums kept coming. His debut full-length ‘Ugly Is Beautiful’ landed in 2020, followed by ‘Cowboy Tears’ in 2022 and ‘Alone in a Crowd’ in 2023. Singles like “Life Goes On” and “Miss You,” the latter a chart-climbing collaboration with Robin Schulz, gave him real international reach and platinum certifications across multiple territories.

This year marked a new chapter. Tree released his fourth and final studio album, ‘Love You Madly Hate You Badly’, on April 24, 2026, stepping away from Atlantic to put it out independently through his own Alien Boy Records. In May he announced his most ambitious run yet, a world tour spanning all seven continents, 30-plus countries, and 70-plus shows. He had been in Brazil following a June 6 performance in São Paulo, part of that ongoing world tour. The European leg was set to begin in Lisbon on July 13.

Tree leaves behind a body of work that turned self-deprecation, surrealism, and pop hooks into something wholly his own. He was a rare figure who treated the music video, the live show, and the meme as one continuous canvas.

Video: Peter Frampton Unleashes His Legendary Talk Box On “Do You Feel Like We Do” At The Oakland Coliseum In 1977

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Peter Frampton hits the absolute peak of Framptonmania in this electrifying 1977 performance of “Do You Feel Like We Do” at the Oakland Coliseum Stadium, captured during Bill Graham’s legendary “Day on the Green” concert series where he co-headlined with Lynyrd Skynyrd. Backed by Bob Mayo, Stanley Sheldon, and John Siomos, Frampton stretches the song into an extended talk box showcase, shaping his 1954 Gibson Les Paul Custom into a guitar that seems to speak the lyrics. The massive outdoor crowd and the band’s tight improvisation capture exactly why ‘Frampton Comes Alive!’ became the best-selling album of 1976 and one of the defining live records of its era.

Video: Pearl Jam Tear Through The Who’s “Baba O’Riley” Live At Madison Square Garden

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Pearl Jam tear through The Who’s “Baba O’Riley” live at Madison Square Garden, joined by Steve Diggle of The Buzzcocks, in a high-voltage 2003 performance from the band’s Riot Act tour that marked the first run with organist Boom Gaspar.

Electric Light Orchestra Deliver A Full 1978 Wembley Concert In “Mr. Blue Sky” Glory

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Electric Light Orchestra’s full 1978 Wembley concert is streaming now, a fourteen-song run through the band’s peak era that opens with “Standing In The Rain” and “Night In The City” before rolling through “Turn To Stone,” “Telephone Line,” “Wild West Hero,” “Sweet Talking Woman,” “Mr. Blue Sky,” “Living Thing,” and a closing charge through “Roll Over Beethoven.”

Hozier And Lake Street Dive Unite For A Soaring “With A Little Help From My Friends” On The Late Show

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Hozier and Lake Street Dive joined forces with Louis Cato & The Great Big Joy Machine on The Late Show for a once-in-a-lifetime performance of The Beatles’ 1967 classic “With A Little Help From My Friends,” a soaring celebration of the 10th annual Love Rocks NYC benefit concert at New York City’s Beacon Theatre.


Brooklyn Indie-Pop Favorite Fia James Trades A Hollow Love For Hard Truth On “isn’t it?”

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A man-child romance just met its reckoning. Brooklyn-based pop singer-songwriter Fia James continues her momentum with the release of her latest single, “isn’t it?,” out now. The track was written by Fia James, Luke Niccoli (Joji, Carly Rae Jepsen) and Corey Harper (Alex Sampson), with a video directed by Natalie Sakstrup (Zayn Malik, Kylie Minogue, Renee Rapp).

The track sees James navigating the wreckage of a “man-child” romance, trading the comfort of a shared history for the cold clarity of truth. With evocative imagery, she explores the exhausting labor of “taking care” of someone else at her own expense. The song’s central question doubles as its most biting hook, a visceral acknowledgement that the hunger of loneliness beats the slow starvation of a hollow love.

“isn’t it?” follows a breakout period for James, whose first foray into music, “Knock The Wind Out of Me,” landed on Spotify’s Best of Fresh Finds Pop 2025 playlist. Her recent single “Jealous Baby” served as an empowering anthem for anyone dealing with insecure partners and again caught the attention of Spotify editors, earning placement on Fresh Finds and Fresh Finds Pop. The song racked up over 100,000 streams in one month and drew attention from Ones To Watch, Atwood Magazine, Mundane and more.

James’ sophisticated sound continues to offer an eclectic blend, drawing on the indie-pop intimacy of Clairo and Gracie Abrams, the throwback soul of Norah Jones, and the witty songwriting of Kacey Musgraves. The track aches and bites in equal measure, a sharp showcase for one of Brooklyn’s most magnetic new voices.

James recently attended New York Fashion Week, making appearances at VALENTINO, Alice and Olivia, Love Shack Fancy, PAPER and FLAUNT events. She also made headlines after falling down the stairs in New York’s Grand Central Station while being told to “get the fuck up” by a grumpy local.

Hailing from Boston and now based in Brooklyn, Fia has spent years honing her craft, treating every gig, from dive bars to iconic venues like Irving Plaza and The Stone Pony, like her own personal Super Bowl. She’s already logged time on the road alongside indie heavy hitters such as Grayscale and Smallpools.

Genre-Fluid Hitmaker FILLY Turns Post-Heartbreak Spiral Into A Club Anthem With “Over And Over”

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Heartbreak just got a high-BPM makeover. Genre-fluid hitmaker FILLY has released her new single, “Over And Over,” out now via slowplay/Interscope Records/Bamboo Artists. The track cements the Vienna-based singer, DJ, and producer as a rising star in pop and electronic music, channeling raw post-heartbreak energy into a dance number built on glossy synths and pure club momentum.

“Over And Over” captures the spiral that happens when a relationship flips from familiar to unfamiliar. The lyrics move through confusion and late-night second guessing, then land on a simple truth: even when it’s messy, there’s still hope that things will settle and be okay.

“With ‘Over and Over,’ I wanted to capture that euphoric energy of 2016 EDM while staying grounded in a very raw, human moment. The track eventually finds its heartbeat in the realization that love is a cycle worth repeating. It’s a dance record for anyone who has ever worn their heart on their sleeve and decided that, despite the mess, we’re going to be okay <333,” says FILLY.

Over the past few years, FILLY has built steady momentum on the heels of her Lollapalooza Berlin debut and a string of club dates that have established her as one to watch in electronic-pop, with her “Serious” collaboration alongside The Teenagers shining a light on her evolving album era.

Known for blending hyperpop gloss with European dance pulses, FILLY pairs sharp production with grounded narratives that set her apart. The single glides with infectious energy, a confident step from a producer who knows exactly how to move a room. It offers another peek into what’s ahead: an artist who balances her bold alien persona with real personal stories, growing her footprint across pop, dance, and pure personality, with more music already in motion.

Post-Hardcore Trio Held. Channel Inner Turmoil On New Single “Constant Tension” From Debut ‘Grey’

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Three veterans of the scene just dug into the push and pull of self-reckoning. Held., the trio featuring Douglas Robinson and Sal Mignano of The Sleeping alongside Coheed And Cambria’s Josh Eppard, have released “Constant Tension,” the second preview from their debut album, ‘Grey’, out now on MNRK Heavy.

The five-minute track follows the band’s debut single, “New You Anthem ft. Frank Iero,” which Revolver praised for its lightning-strike guitar and thunderous drums, Alternative Press called rousing, and idobi described as a dazzling post-hardcore tune.

Where Held.’s introduction leaned into catharsis through connection, “Constant Tension” presents a more unsettled dynamic. Directed by Adam Thomson, the accompanying video builds on the story arc introduced with “New You Anthem,” offering a sci-fi-tinged visual companion to the themes behind ‘Grey’.

“‘Constant Tension’ stems from an everlasting battle within myself to embrace who I am via internal reflection,” Robinson explains. “It’s all of my strengths fighting against all of my weaknesses. There is a ‘constant tension,’ a violent push and pull within my mind every single day. I let myself down so much, to the point where I often feel like I have to somewhat abandon myself and step outside to try and see the bigger picture, but the hurt inside of me pulls me back into my own thoughts. I go completely blank to try and focus, which oddly enough resorts to more tension, and more clouded thoughts. It feels like an endless cycle. The lyrics to ‘Constant Tension’ mirror all of this.”

On ‘Grey’, Held. channel decades of collective experience into a debut that reflects both creative evolution and personal reckoning. “The album as a whole truly feels like it’s everything I have ever wanted to write in my time growing as a musician,” Robinson says. “This record has, in many ways, healed me…. or, it’s at least trying to.” The track lands with raw emotional force, a gripping turn from a band hitting its stride.

Produced and mixed by Jon Markson (Drug Church, Drain, The Story So Far), ‘Grey’ was recorded at the Animal Farm in Flemington, N.J. Multiple limited-edition vinyl variants are available now.

House Heavyweights Matroda And San Pacho Launch After Midnight With Debut Single “Rich & Handsome”

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Two of modern house music’s sharpest minds just opened a brand-new chapter. Matroda and San Pacho have unveiled “Rich & Handsome,” the debut single from their collaborative project After Midnight, out now. It’s the first entry point into the project’s creative universe, and it arrives with a sound built for late-night spaces: confident, hypnotic, and made for movement.

“Rich & Handsome” merges the distinct identities of both producers, balancing Matroda’s refined technical precision with San Pacho’s raw, party-forward energy. The result is a groove-driven house record anchored by crisp percussion, rolling beats, and a magnetic rhythmic core, led by CREG’s vocals. Built for after-hours rooms, the track favors atmosphere and momentum, capturing the feeling of discovery that defines the best moments on a dancefloor.

The release marks the first official statement from After Midnight, a new collaborative concept introduced as a self-contained creative world rather than a traditional duo. Designed around scarcity, mood, and cultural weight, the project leans on a focused run of releases and limited live appearances. Their debut live performance happens at Do LaB during Coachella Weekend 2, positioning the single as both a foundation and a preview of what’s coming.

Both Matroda and San Pacho have built reputations as defining voices in modern house, earning global recognition for translating underground club sensibilities into large-scale festival moments. Their individual catalogs have racked up hundreds of millions of streams, and their sets have become fixtures across major festivals, clubs, and international stages. With After Midnight, they step into a shared lane rooted in instinct, atmosphere, and the freedom to explore a deeper, more focused sound.

“Rich & Handsome” kicks off a broader release cycle, with more music from After Midnight arriving throughout the year. The single establishes the tone for a project built around lasting presence, music made for the moments that exist just beyond the spotlight, where sound, space, and energy align.

UK Electronic Visionary Aaron Hibell Drops Debut Album ‘Synchronicity’ And A Sprawling North American Tour

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Carl Jung gets a co-writing credit on the boldest electronic debut of the year. Aaron Hibell’s first full-length album, ‘Synchronicity’, is out now via Astralwerks / Capitol Records, and it lands as a complete artistic statement from one of the UK’s most compelling producers.

The album bridges intimate soundscapes with club-ready force, moving easily between headphone immersion and dancefloor euphoria. Hibell pulls its name from Jung’s theory of meaningful coincidences and the orbital harmony of Saturn’s rings, exploring how unrelated events align into moments of real connection.

Across the record, Hibell blends organic and electronic textures to mirror the harmony that rises out of chaos. The arc moves from solitude to release, quiet reflection to collective lift. The sound spans trance, melodic techno, and house that sticks instantly. It resonates in headphones and detonates on dancefloors with equal command.

“This is the most personal project I’ve made so far. The idea behind Synchronicity is that there are these invisible patterns running through life. Moments where things align in ways that feel almost meaningful beyond explanation. Music can tap into that feeling. If someone listens to the album and feels a sense of wonder, or feels a little less alone in whatever they’re going through, then the record has done its job,” says Aaron Hibell.

The release caps a landmark stretch. Hibell debuted the album during a striking livestream from an abandoned power station, shared the Joris Voorn remix of “Set Me Free,” sold out a European headline tour last fall along with dates in New York and LA, and dropped “nocturnal” in December.

Now he’s bringing it to the road. The ‘Synchronicity’ North American tour transforms each venue into a sweeping cinematic experience, pushing what a live electronic show can be. He’ll also play Tomorrowland in Belgium and the 2026 Cercle Festival at France’s National Air and Space Museum. Tickets are on sale now.

Synchronicity North American Tour Dates:
06/18/2026 – Houston, TX – Bronze Peacock
06/19/2026 – Dallas, TX – Echo Lounge & Music Hall
06/20/2026 – Austin, TX – Brushy Street Commons
06/23/2026 – Phoenix, AZ – Crescent Ballroom
06/24/2026 – San Diego, CA – Music Box
06/25/2026 – Los Angeles, CA – Fonda
06/27/2026 – San Francisco, CA – Regency
07/09/2026 – Portland, OR – Wonder Ballroom
07/10/2026 – Seattle, WA – The Showbox
07/11/2026 – Vancouver, BC – Commodore