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Boston Alternative Metal Powerhouse Prospect Hill Release Defiant New Single “Blood In The Water”

Eric Alper
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Boston Alternative Metal Powerhouse Prospect Hill Release Defiant New Single “Blood In The Water”

Prospect Hill have released “Blood In The Water,” their most direct and hard-hitting single yet, and it arrives while the Boston alternative metal band are currently mid-tour across Europe and the UK with Lansdowne and Joe Hermes. The track dropped April 17 and captures the band operating at full intensity, fusing crushing guitars and driving rhythms with a raw vocal performance that doesn’t flinch from confronting mortality, doubt, and the decision to keep fighting when everything feels like it’s collapsing.

The song is built around a specific emotional moment the band knows well. “When the pressure builds, when doubt creeps in, when it feels like everyone’s waiting for you to fail,” the band explains. “It’s about choosing to fight harder instead and creating something that lasts beyond you.” That mindset is baked into every second of the track, which blends melodic hard rock with darker alternative metal intensity in a way that feels earned rather than manufactured. It hits hard and means it.

Prospect Hill didn’t arrive here overnight. Their breakout single “Come Alive” broke into the Top 40 on the Billboard Mainstream Rock chart and became a fixture on SiriusXM Octane’s Big Uns countdown through sustained fan demand, not industry maneuvering. “Victim,” a fan favorite, received a powerful second life through a re-release featuring Taproot’s Stephen Richards, whose additional verse and harmonies added another dimension to an already resonant track. The band has built millions of streams and a fiercely loyal audience through relentless touring and a blue-collar work ethic that goes back to their beginnings in the basements and backyards of a town just outside Boston.

“Blood In The Water” is out now on all major streaming platforms. The European and UK run with Lansdowne and Joe Hermes wraps May 2 in Uden, Netherlands. The tour has already hit Germany, Czech Republic, Austria, Switzerland, and France, with remaining dates in the UK and Netherlands still to come.

Prospect Hill EU/UK Tour Dates:

April 23, Strom, Munich, DE (w/ Lansdowne, Joe Hermes)

April 24, Komplex Klub, Zürich, CH (w/ Lansdowne, Joe Hermes)

April 25, L’Empreinte, Savigny-le-Temple, FR (w/ Lansdowne, Joe Hermes)

April 27, The Underworld, London, UK (w/ Lansdowne, Joe Hermes, Less Than Hollow)

April 28, KK’s Steel Mill, Wolverhampton, UK (w/ Lansdowne, Joe Hermes)

April 29, Slay, Glasgow, UK (w/ Lansdowne, Joe Hermes)

May 1, Rebellion, Manchester, UK (w/ Lansdowne, Joe Hermes)

May 2, De Pul, Uden, NL (w/ Lansdowne, Joe Hermes)

Geese Announce Massive “Getting Killed Again” North American Tour Behind Breakout Album

Eric Alper
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Geese Announce Massive “Getting Killed Again” North American Tour Behind Breakout Album

Geese are having one of those years that comes along once in a generation for a rock band. Their third album ‘Getting Killed,’ released last September, landed as one of the defining records of 2025, and the momentum hasn’t slowed for a second since. They debuted on SNL, delivered a viral Tiny Desk set, won the BRIT Award for International Group of the Year, and just played Coachella, where they marked the occasion by covering headliner Justin Bieber’s “Baby” with the kind of irreverence that’s made them impossible to ignore. Now they’ve announced the “Getting Killed Again” tour, their most ambitious North American run yet.

The fall leg launches September 29 at the Ryman Auditorium in Nashville and runs through November 10 at Roadrunner in Boston, hitting some of the most storied rooms on the continent along the way. The centerpiece of the whole run is a hometown show at Queens’ Forest Hills Stadium on October 2, the biggest headline slot of the band’s career. Two nights at Hollywood Forever in Los Angeles follow later in October, along with stops at Denver’s Mission Ballroom, Chicago’s The Salt Shed on Halloween, Toronto’s History, and Washington DC’s The Anthem, among many others.

Before the fall North American dates, Geese have a full summer of festival appearances on both sides of the Atlantic. The North American festival run includes Governors Ball, Bonnaroo, Lollapalooza, and Outside Lands. The European and UK stretch in August covers Primavera Sound, Oya Festival, Way Out West, Flow Festival, Pukkelpop, Lowlands, Reading, Leeds, Electric Picnic, and more, with two nights at Glasgow’s Barrowland Ballroom and two nights at London’s Troxy already sold out.

‘Getting Killed’ follows 2023’s ‘3D Country’ and frontman Cameron Winter’s well-received 2024 solo debut ‘Heavy Metal.’ The band has moved fast and kept getting bigger with each release, and the venues on this tour reflect exactly that trajectory. Artist pre-sale tickets are available April 29 at 10 AM local time, with the public on-sale following May 1 at 10 AM local time.

Geese “Getting Killed Again” Full Tour Dates:

June 4, Primavera Sound, Barcelona, Spain

June 7, The Governors Ball Music Festival, New York, NY

June 12, Bonnaroo, Manchester, TN

June 18, Nelsonville Music Festival, Nelsonville, OH

June 21, Green River Festival, Greenfield, MA

July 18, Minnesota Yacht Club Festival, Saint Paul, MN

July 31, Osheaga Festival, Montreal, QC

August 1, Lollapalooza, Chicago, IL

August 2, Hinterland Music Festival, Saint Charles, IA

August 7, Outside Lands, San Francisco, CA

August 13, Oya Festival, Oslo, Norway

August 14, Way Out West, Gothenburg, Sweden

August 15, Syd For Solen, Copenhagen, Denmark

August 16, Flow Festival, Helsinki, Finland

August 19, Unaltrofestival, Milan, Italy

August 21, Pukkelpop, Hasselt, Belgium

August 22, Lowlands Festival, Biddinghuizen, Netherlands

August 23, Tanzbrunnen, Cologne, Germany

August 25, Barrowland Ballroom, Glasgow, Scotland (Sold Out)

August 26, Barrowland Ballroom, Glasgow, Scotland (Sold Out)

August 28, Reading Festival, Reading, England

August 29, Leeds Festival, Leeds, England

August 30, Electric Picnic, Stradbally, Ireland

September 1, Troxy, London, England (Sold Out)

September 2, Troxy, London, England (Sold Out)

September 18, Shaky Knees Festival, Atlanta, GA

September 29, Ryman Auditorium, Nashville, TN

September 30, Hellbender, Asheville, NC

October 2, Forest Hills Stadium, Queens, NY

October 6, Teatro Metropólitan, Mexico City, MX

October 8, Arizona Financial Theatre, Phoenix, AZ

October 9-11, FORM Arcosanti Festival, Arcosanti, AZ

October 13, Gallagher Square at Petco Park, San Diego, CA

October 15, Hollywood Forever, Los Angeles, CA

October 16, Hollywood Forever, Los Angeles, CA

October 19, Fox Theater, Oakland, CA

October 22, Paramount Theatre, Seattle, WA

October 25, Suwanee Hulaween Music Festival, Live Oak, FL

October 27, The Rockwell at The Complex, Salt Lake City, UT

October 28, Mission Ballroom, Denver, CO

October 30, The Midland Theatre, Kansas City, MO

October 31, The Salt Shed, Chicago, IL

November 3, History, Toronto, ON

November 6, The Anthem, Washington, DC

November 7, The Fillmore, Philadelphia, PA

November 10, Roadrunner, Boston, MA

Photo Gallery: Lewis Capaldi and Joy Crookes at Toronto’s Scotiabank Arena on April 22, 2026

Eric Alper
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Photo Gallery: Lewis Capaldi and Joy Crookes at Toronto’s Scotiabank Arena on April 22, 2026

All photos by Mini’s Memories. You can contact her through Instagram or X.

Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Lewis Capaldi
Joy Crookes
Joy Crookes
Joy Crookes
Joy Crookes
Joy Crookes

Pop-Punk Mainstays The Dollyrots to Perform Live on Little Steven’s New SiriusXM Series

Eric Alper
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Pop-Punk Mainstays The Dollyrots to Perform Live on Little Steven’s New SiriusXM Series

The Dollyrots are kicking off their “Sun-Soaked Summer 2026” tour run in style. The pop-punk mainstays will perform live on Little Steven Van Zandt’s new SiriusXM session series Live in the Underground Garage on June 10 at 3 PM ET, broadcasting from SiriusXM’s New York studios on Channel 21. The appearance marks the second installment of the new series, which puts standout artists in an intimate live setting moderated by Little Steven himself, and serves as the official launch point for the band’s summer run.

The timing lines up with the release of their latest single “Attention Span,” a high-energy track that delivers exactly what Dollyrots fans show up for: punchy riffs, infectious hooks, and a pace that doesn’t let up. Over the years the band has carved out a genuine lane in modern pop-punk, building a loyal fanbase through a fierce DIY ethos and a consistent ability to write songs that stick. The SiriusXM session should be a strong showcase for where they are right now.

After the New York broadcast, the tour rolls through New Haven, a New York show at Bowery Palace with Bobby Mahoney and Kurt Baker, Bensalem Township, and Washington DC for Vans Warped Tour at The Fields at RFK Campus, wrapping up in Chicago at Motoblot 2026. Tickets are available now at thedollyrots.com.

“Sun-Soaked Summer 2026” Tour Dates:

June 10, SiriusXM Studios, New York, NY (Live in the Underground Garage, 3 PM ET, Channel 21)

June 11, Cafe Nine, New Haven, CT

June 12, Bowery Palace, New York, NY (with Bobby Mahoney and Kurt Baker)

June 13, Broken Goblet Brewing, Bensalem Township, PA

June 14, Vans Warped Tour, The Fields at RFK Campus, Washington, DC

June 19, Motoblot 2026, Chicago, IL

Video: System Of A Down’s Explosive 2011 Rock am Ring Comeback Performance Is Now Streaming

Eric Alper
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Video: System Of A Down’s Explosive 2011 Rock am Ring Comeback Performance Is Now Streaming

Five years off the road had done nothing to dull System Of A Down’s edge, and their 2011 headlining set at Rock am Ring in Nürburg, Germany proved it immediately. Captured in a high-quality professional recording now streaming at OnlyLiveConcert.com, the performance documents the Armenian-American metal icons at a pivotal moment, their first major return to the stage after a lengthy hiatus, delivering a career-spanning setlist to a massive Nürburgring crowd that had been waiting years for exactly this. From the politically charged fury of “B.Y.O.B.” to the soaring melodic weight of “Aerials,” Serj Tankian’s operatic vocals, Daron Malakian’s electrifying guitar work, and the locked-in rhythm section of Shavo Odadjian and John Dolmayan remind you why no band in heavy music has ever sounded quite like this one.


Misty Copeland and Stavros Niarchos Foundation’s Andreas C. Dracopoulos to Be Honored at Lincoln Center’s 2026 Summer Gala

Eric Alper
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Misty Copeland and Stavros Niarchos Foundation’s Andreas C. Dracopoulos to Be Honored at Lincoln Center’s 2026 Summer Gala

Lincoln Center for the Performing Arts has announced the honorees for its 2026 Summer Gala, and the choices reflect two distinct but complementary legacies of civic commitment to the arts. Groundbreaking dancer, author, and advocate Misty Copeland and Stavros Niarchos Foundation Co-President Andreas C. Dracopoulos will both be recognized at the event on Monday, June 1 at David Geffen Hall. The evening opens the door to Lincoln Center’s beloved Summer for the City festival, which launches across the full campus on June 10.

Copeland receives the inaugural Lincoln Center Luminary Award, a newly established honor created to recognize artists who demonstrate both extraordinary talent on stage and a genuine civic vision, artists who create, convene, and actively care for communities. The award will be presented with remarks from Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem. Copeland’s record speaks for itself. In 2015 she became the first Black woman promoted to Principal Dancer of American Ballet Theatre, a milestone that resonated well beyond the dance world. She’s a New York Times bestselling author, a Lincoln Center board member, and the founder of the Misty Copeland Foundation, whose flagship BE BOLD program works to expand access, diversity, and inclusion in dance, with a particular focus on ballet. Few artists have matched her ability to command a stage and simultaneously reshape the institutions around her.

Dracopoulos has been a foundational force behind Lincoln Center’s most ambitious public-facing initiatives over the past decade and a half. As Co-President of the Stavros Niarchos Foundation, he was a driving force behind Restart Stages, the outdoor performing arts center created on campus in 2021 to help New Yorkers safely gather and help the performing arts sector find its footing again after the pandemic. He’s also been the lead supporter of Summer for the City’s free programming since the festival launched in 2022, a festival that has now welcomed more than 1.6 million visitors. SNF’s support of the ongoing SNF Lincoln Center West Initiative, a project launched in 2023 to open up the Amsterdam Avenue side of campus with public gardens, welcoming entrances, and a world-class amphitheater, adds another chapter to a relationship between the foundation and Lincoln Center that stretches back to 2009, and in fact to the 1960s through SNF’s founder.

“The arts are a powerful force for inspiration and connection, fundamental to who we are as a city,” said Lincoln Center President and CEO Mariko Silver. “We are grateful and honored to celebrate the extraordinary talent, vision, and civic leadership of Misty Copeland and the remarkable leadership of Andreas C. Dracopoulos.”

Tickets for the performance portion of the Summer Gala go on sale to Lincoln Center members on May 13 at 12pm and to the general public on May 20 at 12pm through Lincoln Center’s Choose-What-You-Pay model. Performers and participants will be announced in the coming weeks. Full details at LincolnCenter.org.

Spotify Connects to Claude for Personalized Music and Podcast Recommendations

Eric Alper
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Spotify Connects to Claude for Personalized Music and Podcast Recommendations

Spotify is now available inside Claude, and the integration is more useful than it might sound at first. Starting today, Spotify users can connect their account directly to Claude and get personalized music and podcast recommendations drawn from their actual listening history and taste profile. Ask for a playlist for your morning run, a podcast for your commute, or something new from an artist you already love, and Claude pulls from Spotify’s personalization technology and catalog expertise to deliver it. Both Free and Premium listeners have access, with Premium users also able to describe a mood or vibe and get a playlist built around it on the spot.

The integration goes further than simple recommendations. Once you find something you want, you can preview or save it, play it directly inside Claude, or open it in the Spotify app. Claude also supports Spotify Connect, meaning you can see where Spotify is currently playing across your devices and switch or control playback without ever leaving the conversation. Moving from your phone to your laptop to a speaker without breaking the flow is the kind of friction-free experience that makes a feature actually worth using day to day.

On the data side, Spotify is clear that it does not share any music, podcasts, or other audio or video content with Anthropic for training purposes. Users control whether Spotify is connected and can disconnect at any time. The integration is available now globally for Free, Pro, and Max Claude users on web, mobile (iOS and Android), and desktop. For artists and podcasters, it’s one more way to get their work in front of listeners at the exact moment they’re looking for something new.

Queercore Legends Pansy Division Mark 35 Years With First European Tour Since the ’90s

Eric Alper
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Queercore Legends Pansy Division Mark 35 Years With First European Tour Since the ’90s

Pansy Division are celebrating 35 years with their most active stretch in decades, and they’re doing it the right way. The San Francisco queercore pioneers have announced a full run of tour dates that includes their first European shows since the 1990s, a 14-city run across the UK, Ireland, and mainland Europe in July, bookended by Midwest dates in May and an East Coast three-show run in September. “In 2026, our 35th year, Pansy Division will be more active than any year since the aughts,” says vocalist and guitarist Jon Ginoli. “A new generation has discovered our band. Combined with the cult following who have stayed with us all along, interest in our band is high.”

That interest makes sense when you look at the moment we’re in. Pansy Division formed in 1991 when Ginoli and bassist Chris Freeman surveyed San Francisco’s rock scene and found a conspicuous absence of openly queer musicians. Their response was to start a band and fill that void themselves, marrying melodic indie rock with a hyper-aware queer identity and a sex-positive message that was unapologetic, blunt, funny, and loud. “I’d had the idea to have an out gay rock band before I moved to California,” Ginoli says, “but it took living in San Francisco to make it a reality.”

The band’s reach extended well beyond the LGBTQ+ community from the start. Green Day took them out on the ‘Dookie’ tour in 1994, exposing them to massive mainstream audiences and generating one of the more unlikely but genuinely meaningful cross-genre moments of the decade. Rob Halford of Judas Priest has cited the band as an inspiration in his own decision to come out. Willie Nelson became a fan. Rolling Stone eventually dubbed them “queercore legends,” and Pitchfork credited them with exposing “tons of people to a new musical subculture.” Newsweek ran the headline “Pansy Division’s punk beat smashes gay stereotype.” None of that happened by accident.

Three decades later, the landscape they helped shape looks almost unrecognizable compared to where it started. “There is so much of it now that I can’t keep track of it,” Ginoli says of LGBTQ+ representation in music. “And that’s a far cry from when we were starting out.” But the band isn’t resting on that legacy. If anything, the current political climate has sharpened their sense of purpose. “The in-your-face messages in our music, of being out and queer and living our lives as we wish, have an added resonance given the dangerous right-wing swerve of so many countries in the West,” Ginoli says. “Delivered with humor, it’s queer joy for our community and our allies.”

The current lineup is Ginoli on vocals and rhythm guitar, Freeman on bass and vocals, Luis Illades on drums, and Joel Reader on guitar and vocals. The European leg opens July 4 in Nottingham and runs through July 19 in Bergamo, Italy, where the show is free. The East Coast dates in September include Washington DC, Philadelphia, and New York. Full dates below.

Pansy Division 2026 Tour Dates:

May 14, Portal, Louisville, KY (all ages)

May 15, Broadway, St. Louis, MO (all ages)

May 16, Beat Kitchen, Chicago, IL (17+)

July 4, The Bodega, Nottingham, England

July 5, The Exchange, Bristol, England

July 7, Hug & Pint, Glasgow, Scotland

July 8, Yes, Manchester, England

July 9, The Lexington, London, England

July 10, Grand Social, Dublin, Ireland

July 11, Cavern, Exeter, England

July 12, Green Door, Brighton, England

July 14, dB’s, Utrecht, Netherlands

July 15, Sonic Ballroom, Cologne, Germany

July 16, Lido, Berlin, Germany

July 17, Back to the Future Fest, Glaubitz, Germany

July 18, Outside Rodeo Fest, Coburg, Germany

July 19, Punk Rock Raduno, Bergamo, Italy (Free)

September 17, Comet Ping Pong, Washington, DC (all ages)

September 18, PhilaMOCA, Philadelphia, PA (all ages)

September 19, TV Eye, New York, NY (21+)

Niall Horan Shares Heartfelt New Single “Little More Time” Ahead of Fourth Album ‘Dinner Party’

Eric Alper
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Niall Horan Shares Heartfelt New Single “Little More Time” Ahead of Fourth Album ‘Dinner Party’

Today, Niall Horan shared his poignant new single, “Little More Time,” which he describes as his “favorite song” from Dinner Party, his fourth studio album. Listen to “Little More Time” HERE. Dinner Party, which will be released on June 5 via Capitol Records, is available for pre-order /pre-save HERE.

“‘Little More Time’ is a song about wanting time to stand still. If you could just press pause and the world would stop yet you could still live within the world like no one was watching,” explained Niall Horan. “I spend a lot of time away from home. So having found roots and wanting to be at home more, I felt compelled to write a song about the smaller moments and wishing that you could just stay in them.”

GQ observed, “[‘Little More Time’] may as well be an anthem for any 30something looking down the barrel of midlife. In the nostalgic early-aughts jam, Horan sings about turning clocks upside down, stretches out each melody and verse like it’s stuck in honey, and begs for one more song like a reveler coming to terms with last call at their favorite karaoke bar—a Bernard’s Watch for the adults in the room.”

Horan will perform on the plaza at New York City’s Rockefeller Center on June 12 as part of the Citi Concert Series on “TODAY.” While in the States, he’ll also play co-headlining stadium shows with Thomas Rhett at Nashville’s GEODIS Park (July 9) and Hersheypark Stadium in Hershey, PA (July 18). He’ll kick off the UK/EU leg of  Dinner Party Live On Tour on September 22 in Birmingham, England at Utilita Arena Birmingham. For further details, visit https://niallhoran.com/pages/tour.

There’s something about sharing a table that feels like sharing a future and Dinner Party brings the listener into that experience with warmth, wit and sincerity. The album is cinematic and organic, with songs that play like memories being gently created. Julian Bunetta and John Ryan, Horan’s longtime collaborators, served as executive producers. His other creative partners and co-writers included Afterhrs, Amy Allen, Ian Franzino, Andrew Haas, Steph Jones, Rocky Block and Joel Little.

In April, Horan shared the intimate title track – the nucleus of the album. Clash said, “‘Dinner Party’ is all lush guitar effervescence and dulcet, 90s tinged production. It feels a little like a lost Crowded House track, a mid-tempo mover that gives Niall space to dial into the thrill of connection.” Horan recently spoke about the album during a visit to “Jimmy Kimmel LIVE!” and in an NME “In Conversation” feature that celebrated his 10 years as a solo artist.

The multi-Platinum-selling singer/songwriter first rose to prominence as part of the internationally acclaimed One Direction and has since firmly established himself as a powerhouse solo artist, selling over 90 million records worldwide. He launched his solo career with the Platinum-certified album Flicker, which featured the triple-Platinum hit “Slow Hands.” Horan has since released three additional albums —Heartbreak Weather, which ranked No. 1 on both Billboard’s Top Album Sales Chart and the U.K.’s Official Albums Chart, The Show, which topped the same two charts, and The Show: Encore. His 2024 global headline trek “THE SHOW” LIVE ON TOUR brought his music to packed arenas across multiple continents, culminating in a sold-out North American run and over 1.2 million tickets sold worldwide.

Austin Experimental Heavy Trio Portrayal of Guilt Drop “Total Black” Ahead of New Album ‘…Beginning of the End’

Eric Alper
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Austin Experimental Heavy Trio Portrayal of Guilt Drop “Total Black” Ahead of New Album ‘…Beginning of the End’

Portrayal of Guilt have released “Total Black,” the final single ahead of their fourth studio album ‘…Beginning of the End,’ out this Friday via Run For Cover. The Austin trio have spent a decade building one of the most uncompromising catalogs in heavy music, and the new album finds them pulling from every dark corner they’ve explored, combining groove and avant-garde with nu-metal, trip hop, dark ambient, and black metal into something that sounds fully and unmistakably their own. Listen here.

“Total Black” is a pummeling closer to the album’s preview campaign, arriving with a visualizer and landing in the company of critical praise that’s been building since the record was first announced. Stereogum called an earlier track “an even more deranged Korn,” Revolver went with “eerily sensual and supremely screamy,” and Bandcamp praised the band’s “hallmark raw intensity.” Premier Guitar described the record as testing the boundaries of black metal while sinking deeper into the sounds of sadness. That’s a wide range of reactions, which is exactly what Portrayal of Guilt tends to produce.

The band made an immediate impact in underground circles with their debut ‘Let Pain Be Your Guide,’ mixing nihilistic hardcore, black metal, screamo, and imaginative textures into something that felt genuinely new. ‘We Are Always Alone’ and ‘CHRISTFCKER’ followed in 2021, corroding genre boundaries further with industrial music, post-metal, and sludge. More recent releases pushed even further, with the ‘Devil Music’ EP reimagining their sound classically and ‘CHRISTFCKER II’ diving into EBM and goth territory. ‘…Beginning of the End’ feels like the synthesis of all of it, a band that has fully internalized a decade of restless experimentation and channeled it into a single focused statement.

The album was recorded and mixed by Phillip Odom between March and June 2025, with mastering by Will Yip. Touchstones cited in the band’s orbit include Deftones, Massive Attack, Dystopia, Deathspell Omega, Celtic Frost, and Cursed. That’s not posturing. It’s an accurate map of where this record lives.

‘…Beginning of the End’ drops Friday. A North American headline tour kicks off May 9 with a hometown send-off at Mohawk in Austin, running through early June with support from Street Sects, pageninetynine, Taraneh, Halloween, and The Infinity Ring on select dates. Tickets are on sale now.

‘…Beginning of the End’ Tracklist:

  1. Backstabber
  2. Human Terror
  3. Heaven’s Gate
  4. Under Siege
  5. Ecstasy
  6. Death From Above
  7. God Will Never Hear Me
  8. Chamber of Misery Pt. IV (feat. Slim Guerilla)
  9. Total Black
  10. Object of Pain
  11. The Last Judgement

Portrayal of Guilt Tour Dates:

May 9, Mohawk, Austin, TX (w/ Street Sects and pageninetynine)

May 12, Siberia, New Orleans, LA (w/ Street Sects and Taraneh)

May 14, Minglewood Hall – 1884 Lounge, Memphis, TN (w/ Street Sects and Taraneh)

May 15, TrimTab Brewing, Birmingham, AL (w/ Street Sects and Taraneh)

May 16, The Boneyard, Chattanooga, TN (w/ Street Sects and Taraneh)

May 17, Portal, Louisville, KY (w/ Street Sects and Taraneh)

May 19, Off Broadway, St. Louis, MO (w/ Street Sects and Taraneh)

May 20, X-Ray Arcade, Cudahy, WI (w/ Street Sects and Taraneh)

May 21, Zhora Darling, Minneapolis, MN (w/ Street Sects and Halloween)

May 22, Empty Bottle, Chicago, IL (w/ Street Sects and Halloween)

May 24, Black Circle Brewing, Indianapolis, IN (w/ Street Sects and Halloween)

May 26, Mahall’s, Cleveland, OH (w/ Street Sects and Halloween)

May 27, Pyramid Scheme, Grand Rapids, MI (w/ Street Sects and Halloween)

May 28, Lager House, Detroit, MI (w/ Street Sects and Halloween)

May 29, Bridgeworks, Hamilton, ON (w/ Street Sects and Halloween)

May 30, Prepare the Ground – The Cave, Toronto, ON

May 31, Sotterenea, Montreal, QC (w/ Street Sects and Halloween)

June 1, Deep Cuts, Medford, MA (w/ Street Sects and The Infinity Ring)

June 2, Le Poisson Rouge, New York, NY (w/ Street Sects and The Infinity Ring)

June 3, Johnny Brenda’s, Philadelphia, PA (w/ Street Sects and The Infinity Ring)

June 4, DC9, Washington, DC (w/ Street Sects and The Infinity Ring)

June 5, Stanczyks, Durham, NC (w/ Street Sects and The Infinity Ring)

June 6, Dog Days Fest, Savannah, GA

June 7, The Earl, Atlanta, GA (w/ Street Sects and The Infinity Ring)

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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