Robin Taylor Zander steps confidently into the spotlight with the announcement of his self-titled album ‘Robin Taylor Zander,’ out now via Confidential Records. Alongside the news, he shares the glowing yet reflective new single “She Can’t Turn Back Now,” paired with a video directed by Jon Gillies. Following earlier releases “All She Wrote” and “Nobody’s Home,” the song highlights Zander’s gift for melodic pop rock, blending warmth, clarity, and emotional pull. It sounds effortless and inviting, the kind of track that settles in quickly and rewards repeat listens.
Co produced with legendary producer Jack Douglas and mixed alongside Jay Messina, the album captures Zander’s wide ranging musical instincts and personal voice. A full time member of Cheap Trick and a true multi instrumentalist, Zander draws from decades of pop and rock influence while shaping something unmistakably his own. This release feels open, confident, and deeply musical, marking a meaningful new chapter that fits naturally alongside his growing body of work.
Houston born, Los Angeles based rock artist DE’WAYNE is set for a massive 2026 run as special guest on the “Lost Americana World Tour” alongside mgk and Wiz Khalifa. Fresh off the release of his third studio album ‘June,’ out now via Fearless Records, DE’WAYNE brings his high voltage, soul drenched rock energy to amphitheaters across North America. This moment feels earned and electric, and his presence on this tour adds a jolt of raw emotion and fearless style that elevates the entire bill.
‘June’ showcases DE’WAYNE at his most open and expansive, blending rock, soul, and pop with striking honesty across tracks like “forever,” “sundays,” “june,” “biological,” and “highway robbery.” Produced with Dylan Bauld and shaped alongside Brandon Colbein, the album continues his rise as a boundary pushing artist who thrives on connection and live energy. Between this tour, his fall run with Duckwrth, and a growing list of festival highlights, DE’WAYNE’s momentum feels unstoppable right now, and the road ahead looks loud, bold, and deeply exciting.
TOUR DATES: May 31 – Charlotte, NC – PNC Music Pavilion June 2 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek June 3 – Bristow, VA – Jiffy Lube Live June 5 – Bangor, ME – Maine Savings Amphitheater June 6 – Hartford, CT – Xfinity Theatre June 9 – Holmdel, NJ – PNC Bank Arts Center June 10 – Burgettstown, PA – The Pavilion at Star Lake June 12 – Scranton, PA – The Pavilion at Montage Mountain June 13 – Darien Center, NY – Darien Lake Amphitheater June 14 – Toronto, ON – Budweiser Stage
Nineties country favorite John Berry brings the joy of the open sea to fans with ‘John Berry: Live From The Country Music Cruise,’ out now in collaboration with StarVista Music. Featuring 14 live performances recorded aboard The Country Music Cruise, the album opens with the fan favorite “Kiss Me In The Car,” written by Berry and Chris Waters and delivered here with warmth, ease, and crowd fueled energy. The performances glow with shared connection, capturing the spirit of an event where artists and fans experience the music together from morning to night. This record feels inviting, heartfelt, and full of life, offering a front row seat to a truly special country tradition. Berry is also bringing that seasonal spirit back on the road with his 29th Annual Christmas With John Berry Tour, continuing a holiday tradition built on comfort, classics, and genuine connection.
Singer songwriter Ana Luna returns with “Bleeding Pen,” out now and unfolding as a slow burning, cinematic ballad shaped by dramatic textures and her haunting, ethereal vocal presence. Building on songs like “Daddy’s Empire,” “Dance in a Trance,” and “Can We Pretend We Just Met At A Bar?,” the track explores guilt, memory, and emotional reflection with striking clarity. It moves patiently, letting atmosphere and storytelling do the work, and it lands with a quiet intensity that stays with you long after the final note fades. This song feels deeply considered and beautifully executed, showing an artist fully in command of her emotional world.
“Bleeding Pen” sets the tone for Ana Luna’s debut album ‘Tainted Silhouettes,’ out now, a body of work shaped by her journey from Ukraine to Paris to Los Angeles and her natural gift for cinematic storytelling. Drawing from dream pop, alt rock, and moody ballads, the album frames personal experience through a lens that feels intimate and universal at once. There is a sense of honesty and grace running through this chapter, and the music resonates as something both personal and expansive, offering listeners space to reflect, connect, and heal.
Kentucky hard rock mainstays Black Stone Cherry roar into a powerful new chapter with ‘Celebrate,’ arriving March 6, 2026 via Mascot Records. Recorded at High Street Studios in Bowling Green and produced by the band themselves, the EP captures their chemistry, grit, and heart at full force across six original tracks and a bold cover of Simple Minds’ “Don’t You (Forget About Me)” featuring Tyler Connolly. New single “Neon Eyes” leads the charge with thumping riffs and road ready swagger, and it hits like pure Black Stone Cherry energy, loud, confident, and built to light up a crowd. This record sounds urgent, alive, and deeply connected to everything the band stands for.
The video for “Neon Eyes” offers a day in the life snapshot on the road, following the band from behind the scenes moments to a high voltage headline set at the 2025 Maid of Stone Festival. Across ‘Celebrate,’ songs like “I’m Fine” and “Deep” explore real emotion through muscular hooks and raw soul, while the Simple Minds cover adds a surprising and soulful finale. There’s a sense of unity and purpose running through every track, and the EP lands as a fearless, heartfelt statement from a band still pushing forward together and making music that truly connects.
Georgia natives Jason Aldean and Luke Bryan are joining forces for a landmark hometown show at Sanford Stadium on April 25, 2026, marking a rare return to one of college football’s most iconic venues. Announced in person on SEC Nation from the University of Georgia campus, the concert brings Aldean and Bryan back to the field they last rocked together in 2013. This time, they headline an all star lineup featuring Zach Top, Lauren Alaina, DJ Rock, and Dee Jay Silver as part of the first Live Between the Hedges Concert Series Presented by Pruitt Health. The scale, setting, and shared history make this a true homecoming moment, and the excitement around this bill feels huge.
Set on Dooley Field, the show celebrates longtime friendships, Georgia roots, and the kind of shared energy that turns a concert into a memory people talk about for years. Everything about this night points to something special, and it already sounds like one of those rare events where the music, the place, and the moment line up perfectly.
Chicago duo Somewhere Safe continue their momentum with “so help me god,” out now and glowing with retro dance energy and modern pop polish. Drawing from 80s dance, synth pop, and new wave, the track pulses with vibrant synths and melodies that invite instant movement, while vocals carry emotional weight rooted in guilt, hope, and the desire for change. Created entirely in house by Phillip Segarra and Kyle Moede, from writing and production to visual design, the song reflects a fully realized artistic vision inspired by the radio hits that shaped them growing up. This track feels joyful, sincere, and confidently crafted, landing as another strong step toward the duo’s debut EP arriving in 2026.
Midwest pop punk staples Motion City Soundtrack keep the celebration rolling with newly announced tour dates alongside Say Anything, extending their co headlining run into Winter 2026. Fresh off the excitement of their first album in ten years, the band heads back out with a run packed with big rooms, loud singalongs, and shared nostalgia. The tour stretches from fall through Valentine’s Day, weaving through major cities before closing in Minnesota, and it feels joyful, full throttle, and deeply rewarding for longtime fans who have grown up with these songs.
TOUR DATES:
Jan. 23 – Ft Lauderdale, FL – Revolution Live at the Backyard Jan. 24 – Orlando, FL – House of Blues Jan. 26 – Nashville, TN – Marathon Music Works Jan. 27 – Atlanta, GA – Tabernacle Jan. 28 – Charlotte, NC – The Fillmore Jan. 30 – Brooklyn, NY – Brooklyn Paramount Jan. 31 – Philadelphia, PA – The Fillmore Feb. 1 – Silver Spring, MD – The Fillmore Feb. 3 – New Haven, CT – College Street Music Hall Feb. 4 – Boston, MA – Roadrunner Feb. 6 – Sayreville, NJ – Starland Ballroom Feb. 7 – Buffalo, NY – Buffalo RiverWorks Feb. 9 – Cleveland, OH – Agora Theatre Feb. 10 – Detroit, MI – The Fillmore Feb. 11 – Milwaukee, WI – The Rave / Eagles Club Feb. 13 – Chicago, IL – Riviera Theatre Feb. 14 – St. Paul, MN – Palace Theatre
Viral country riser Taylor Austin Dye turns up the volume with “Damn Good Day,” out now and packed with punch, personality, and unapologetic edge. Following her album ‘Sick of Me’ and the viral momentum of “Rest In Peace,” the new single lands as an up tempo anthem driven by a razor sharp hook and Dye’s unmistakable delivery. Co produced with Lex Lipsitz and co written alongside Delaney Ramsdell, Andrew Capra, and Kasey Tyndall, the track pairs bold lyrics with fearless energy, while the official video adds playful bite as Dye marches through a strict finishing school setting. This song hits with confidence and attitude, and it sounds like a rallying cry built to be shouted back at full volume.
In 1985, Fine Young Cannibals arrived fully formed with “Johnny Come Home” and their self titled debut, introducing a sharp, soulful sound that stood apart instantly. That momentum soared with ‘The Raw & The Cooked,’ a global breakthrough packed with era defining hits like “She Drives Me Crazy,” “Good Thing,” and their inspired take on “Ever Fallen In Love.” The album raced to the top of charts worldwide, earned major awards recognition, and became a cultural touchstone that distilled decades of musical influence into a lean, electrifying statement. Its impact remains undeniable, and the record still feels thrilling, focused, and endlessly replayable.
The band’s story carries its own sense of destiny. After The Beat closed its chapter, David Steele and Andy Cox pushed forward creatively, joining forces with Roland Gift and shaping a sound rooted in soul, pop, and British grit. That chemistry translated into songs that traveled far beyond genre lines, finding lasting life in film, television, and fashion moments that continue to introduce their catalog to new audiences across generations.
That enduring influence now receives a full celebration with ‘FYC40,’ out now via London Records. The definitive anthology spans the band’s journey from the raw urgency of “Johnny Come Home” to the emotional weight of “The Flame,” presenting a vivid portrait of their evolution. Available in multiple formats, the collection offers core hits, expanded tracklists, and a deep dive into rare and unreleased remixes, all curated to reflect the breadth of the band’s reach.
The expanded editions dig even deeper, featuring remixes by key figures from dance and hip hop culture alongside fresh reinterpretations that bring the songs into modern club spaces. Highlights include DJ Q’s rework of “Ever Fallen In Love,” out now and reimagined with driving low end and contemporary momentum. The Deluxe 4CD DVD box set rounds out the celebration with albums, rarities, restored live performances, and classic television appearances, capturing a band whose legacy continues to move bodies, hearts, and dancefloors.
