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12 Artists Who Celebrate Their Roots Through Music

Music is memory made audible. For these twelve artists, the songs they carry are inseparable from the cultures, languages, and landscapes that shaped them. Whether weaving ancestral prayers into blues rhythms or bringing mariachi to Broadway, each has made their heritage a living, breathing force in their work — not a relic, but a reason to sing.

Nelly Furtado — Portuguese–Azorean Heritage

Born to Azorean immigrant parents in Victoria, BC, Nelly Furtado grew up singing Portuguese at home and performing in a Portuguese marching band as a teenager. Her 2003 album Folklore was a deliberate plunge into that heritage, while songs like “Onde Estás” — sung entirely in Portuguese — echoed the fado tradition her father loved. She has said, “There are so many things I loved about growing up Portuguese — the aesthetics, the smell of incense, the beautiful songs.” In 2014, the President of Portugal awarded her the Commander of the Order of Prince Henry in recognition of her cultural ambassadorship.

Donita Large — Cree & Métis Heritage

Saddle Lake First Nation singer-songwriter Donita Large grew up surrounded by Métis, country, and gospel music, and went on to create what she describes as “folk with Indigenous sizzle.” Her debut single “Going to Walk That Line” shot to #1 on the Indigenous Music Countdown in 2021, and her 2026 album The Ancestors — produced with Grammy-winning Chris Birkett — blends folk, blues, rock, and Cree traditional sounds to honour the stories of Treaty Six Territory. Her breakthrough single “Ancestors in My Bones” opens with a Cree prayer recited by her father, anchoring her contemporary artistry in lived tradition.

Linda Ronstadt — Mexican–American Heritage

Despite reigning over American rock and pop for a decade, Linda Ronstadt insisted her true root music was always Mexican. “Most people in rock ‘n’ roll come from blues or from traditional Black church gospel, but I learned rancheras,” she has said. Her 1987 album Canciones de Mi Padre — sung entirely in Spanish — sold over 10 million copies and became the best-selling non-English-language album in U.S. history, earning a Grammy for Best Mexican/Mexican-American Album. Added to the Library of Congress National Recording Registry, it was a love letter to the family songs her grandfather brought from Sonora, Mexico.

Beyoncé — Black Southern & Creole Heritage

Beyoncé has built a substantial part of her artistic legacy on celebrating her Black Southern heritage — from her Houston Creole roots to the broader HBCU tradition. Her 2024 album Cowboy Carter was described by Billboard as a tribute to her Southern heritage that also educates on the crucial history of Black influence in country music. Her song “Black Parade,” released on Juneteenth 2020, drew praise for referencing Southern roots, African ancestry, and the West African Orishas, with Beyoncé writing: “Being Black is your activism. Black excellence is a form of protest.”

Shakira — Colombian & Lebanese Heritage

Born in coastal Barranquilla with a Lebanese father and Colombian mother, Shakira has spent her career weaving both heritages into everything she does. The Los Angeles Times noted that she proudly displays her roots through lyrics in Spanish and choreographies based on the belly dance she learned in childhood. Her Super Bowl 2020 performance alone spanned Latin rock, Arabic belly dancing, mapalé, salsa, and champeta — a cultural map of the Caribbean. In 2025, Barranquilla used her lyric “En Barranquilla se baila así” as the official slogan of its UNESCO-recognized Carnaval.

Carlos Santana — Mexican & Afro-Latin Heritage

Carlos Santana grew up hearing his father play violin in a mariachi band in Jalisco, Mexico, before crossing the border to San Francisco and fusing traditional Mexican son and bolero with African rhythms and American rock. He has described his music as rooted in the belief that “the Aztec and the African are in every note.” His Grammy-winning Supernatural (1999) brought that vision to a new generation, and he has spoken extensively throughout his career about his pride in Mexican culture and its spiritual dimensions.

Gloria Estefan — Cuban Heritage

Gloria Estefan fled Cuba with her family as a baby and grew up in Miami, where Cuban rhythms, conga, and the sounds of exile shaped her childhood. With Miami Sound Machine she helped bring conga, salsa, and Afro-Cuban rhythms into the global mainstream. Her 1993 Spanish-language album Mi Tierra — a tribute to her Cuban roots — won the Grammy for Best Tropical Latin Album. She has said that making the album was her way of giving her daughter a connection to a homeland she herself never got to know.

Ricky Martin — Puerto Rican Heritage

Ricky Martin rose to international fame as a global pop star, but has always insisted his identity is rooted in Puerto Rico. His crossover hit “La Copa de la Vida” became the anthem of the 1998 FIFA World Cup, and his subsequent Spanish-language work consistently returned to the rhythms of salsa, bomba, and plena. He has spoken about the pride he feels in representing Puerto Rico on the world stage, and his philanthropy through the Ricky Martin Foundation has focused intensely on child welfare in Puerto Rico, especially in the aftermath of Hurricane Maria.

Alicia Keys — Harlem & African-American Heritage

Alicia Keys grew up in Hell’s Kitchen and Harlem, steeped in the musical traditions of Black New York — gospel, jazz, blues, and soul. Her debut album Songs in A Minor (2001) was a deliberate homage to that legacy, blending classical piano with R&B in a way that honoured both church music and street rhythms. She has said that Harlem gave her “the voice, the fight, and the faith” that define her artistry, and her ongoing engagement with African musical traditions shows a commitment to roots that extends well beyond her home borough.

Céline Dion — Québécois & French-Canadian Heritage

The fourteenth child of a working-class family in rural Québec, Céline Dion began singing in her parents’ piano bar at age five, deeply immersed in the chanson tradition of French Canada. Long after achieving global stardom in English, she has returned repeatedly to French-language albums celebrating her Québécois roots, winning the Juno Award for French-Language Album and speaking passionately about the duty to preserve French language and culture. She has called the music of her childhood “the compass that always brings me home.”

Joni Mitchell — Prairie Canadian Heritage

Joni Mitchell grew up on the prairies of Saskatchewan and Alberta, and the wide, open landscapes of the Canadian West run as a deep current through her entire catalogue — from the folk songs of her early career to the jazz orchestrations of her later work. She has spoken about the flat horizon of her youth as the source of her sense of “looking at things from a long distance” — a quality that defines her songwriting voice. Her memoir-in-song approach throughout her career reflects the specific light, loneliness, and freedom of the prairie in ways no other writer has matched.

Dolly Parton — Appalachian Heritage

Dolly Parton was born the fourth of twelve children in a one-room cabin in the Smoky Mountains, and she has made the music and storytelling traditions of Appalachia central to everything she has created. Her songs brim with mountain imagery, hardscrabble dignity, and the pentatonic scales of old Appalachian folk music — even when she is playing stadiums. Her 2001 bluegrass album Little Sparrow was a deliberate return to those roots, and she has said, “I was raised with very little, but I was raised with everything.” In 2022 she was inducted into the Rock and Roll Hall of Fame in acknowledgment that her country roots had always transcended genre.

These twelve artists remind us that celebrating heritage through music isn’t nostalgia — it’s one of the most radical acts of artistic honesty a performer can make. Their roots are not a constraint. They are the source.

How You Can Support the JUNO Awards and Your Music This Weekend, Even If You’re Not Nominated

The JUNO Awards are back, and the spotlight is on nominees like Justin Bieber, Tate McRae, and The Weeknd. The weekend also brings the entire Canadian music community together, with artists across the country contributing to the energy, conversation, and celebration.

Start by being active online. Share your favourite Canadian songs, highlight artists in your scene, and celebrate the wins as they happen. Post clips, reactions, and recommendations. When audiences are tuned in, your voice helps shape what they discover.

Support your peers in a meaningful way. Repost nominations, send messages of encouragement, and spotlight artists whose work you respect. Community builds through consistency, and moments like this amplify that connection across the industry.

Use the attention around the weekend to share your own work. Release a live clip, post a performance, or talk about what you are creating right now. Increased visibility across Canadian music brings more listeners, and sharing your story helps them find you.

Take part in events happening around the awards. Showcases, industry gatherings, and local performances create opportunities to connect, collaborate, and build relationships. These spaces often lead to the conversations that shape future projects.

Celebrate both legacy and emerging artists. Honours for artists like Joni Mitchell and Nelly Furtado reflect decades of influence, while new nominees step into national recognition. Supporting both strengthens the full spectrum of Canadian music.

Tune in and stay engaged. Watch the broadcast, share your reactions, and keep the conversation going throughout the weekend. Collective attention helps elevate the entire scene and extends the reach of every artist involved.

The JUNOs highlight where Canadian music stands today and where it is heading next. Every artist contributes to that story, and this weekend is a chance to be part of it in real time.

Official JUNO Awards website:  junoawards.ca 

CBC Music: www.cbcmusic.ca/junos

JUNO TV: junotv.ca 

SOCIAL MEDIA

X: @TheJUNOAwards Instagram: @TheJUNOAwards TikTok: @TheJUNOAwards

Facebook: TheJUNOAwards  // @CanadianMusicHallofFame  YouTube: @TheJUNOAwards  #JUNOS

Ska-Punk Veterans Big D And The Kids Table Unleash “Whiplash” From Upcoming 12th Album

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Five years is a long time to wait for new Big D And The Kids Table music, and “Whiplash” makes clear the Boston ska-punk institution used that time well. The new single arrives with an official video today and serves as the first taste of ‘The Good Ole American Saturday Night,’ their 12th full-length album, due June 12 via SideOneDummy Records. Produced by Joe Gittleman of The Mighty Mighty Bosstones and Matt Appleton of Reel Big Fish, the record reunites the band with two of their most trusted collaborators, Gittleman previously helmed the fan-favorite ‘Strictly Rude,’ while Appleton engineered and produced 2021’s ‘Do Your Art.’

“Whiplash” is pure BIG D, turning a moment of domestic chaos into a high-energy, sing-along catharsis. Vocalist David McWane keeps the setup delightfully straightforward: “What would you do if you walked into a room and saw your roommate in bed with your girlfriend? Well, if you want to know the rest of the story, cue up Whiplash.” The broader album carries the same spirit, driven by a simple but forceful message: love more, find joy, build community, and lose yourself completely in a live show.

McWane frames the band’s philosophy with characteristic bluntness: “We like being the incorrigible, rabid Anthrax of the ska scene. We don’t want to be Metallica.” More than 30 years in, that freedom is still the engine.

Earl Sweatshirt, MIKE, And SURF GANG Drop “Leadbelly” Ahead Of Double Album ‘POMPEII // UTILITY’

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Earl Sweatshirt, MIKE, and SURF GANG have shared “Leadbelly,” the second single from ‘POMPEII // UTILITY,’ their double LP arriving April 3 via 10k/Tan Cressida/SURF GANG Records. Structured as two distinct sides, MIKE on POMPEII and Earl on UTILITY, the album is held together by SURF GANG’s Harrison, evilgiane, Elipropperr, and Flea Diamonds, whose frenetic, distinctly online production gives both rappers new creative ground to move through. Every piece of visual art on the project comes from sculptor and Earl’s childhood friend Sharif Farrag, keeping the whole thing firmly within the community that built it.

The friendship between MIKE and Earl stretches back to 2016, producing collaborations on MIKE’s ‘weight of the world’ and Earl and The Alchemist’s ‘VOIR DIRE’ before this full collaborative project finally took shape with SURF GANG as the connective tissue. The album draws on African and diasporic traditions of collective, iterative storytelling, and both artists are clear about what that means. Earl said it directly: “I feel obligated to put a lot into it because of the gift of getting to do this.” MIKE framed it as shared responsibility: “We all have ownership in a sense. It’s like there’s a pot, and we’re responsible for putting things back into that pot.”

Secret shows in Los Angeles, New York, and London have been announced via their website. The ‘Home on the Range’ tour follows, launching June 9 in Riverside with 26 U.S. stops and support from the album’s guests, before heading to Europe. Australian and New Zealand dates in May include a performance at Sydney Opera House as part of Vivid LIVE Festival.

Trashcan Sinatras Return With “Bad Husband” Featuring Camera Obscura’s Tracyanne Campbell

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Ten years between albums is a long time, but Trashcan Sinatras sound like they never left. The legendary Scottish five-piece have announced their seventh album ‘Ever The Optimist,’ due July 31, and launched it with “Bad Husband,” a duet featuring Tracyanne Campbell of Camera Obscura. Produced by Paul Savage, drummer of The Delgados and a trusted collaborator with Mogwai, Teenage Fanclub, and Arab Strap, the album also features a collaboration with Green Gartside of Scritti Politti, leaning into gentle experimentation while staying rooted in the melodic, lyrically driven guitar pop the band has always championed.

“Bad Husband” is an upbeat, primary-colored hop that cheerfully contradicts its subject matter, with Campbell’s voice wrapping around Francis Reader’s lead as both protagonists admit their failures with surprising joy. Reader sums it up perfectly: “Never has separation sounded quite so celebratory.” The accompanying video, directed by Chris Dooley and shot in Los Angeles, stars real-life married actors Paul F. Tompkins and Janie Haddad Tompkins, whose improvised exchanges blur the line between performance and documentary reality. ‘Ever The Optimist’ arrives July 31 on vinyl, collectors’ edition vinyl, CD, and digital.

‘Ever The Optimist’ Track List:

Ever The Optimist

Games For The ZX Spectrum

Bad Husband (ft. Tracyanne Campbell)

The Bitter End

A View From Nowhere

Hold On To Today (ft. Green Gartside)

The Associated Funk

Rome

Melodramatic

Birds I Couldn’t Identify

Learning To Love Your Ghost

Jenevieve And Jordan Ward Connect On New Single “Waiting Room” With Asia Tour Dates Ahead

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Jenevieve is moving fast. The Los Angeles-based artist returns with “Waiting Room,” a new single featuring Jordan Ward, out now alongside an official visual directed by Yanchi. The track builds naturally on the sonic world of ‘CRYSALIS,’ pairing Jenevieve’s signature breezy delivery with Ward’s fluid, genre-blurring style, continuing her exploration of intimacy and self-reflection. The visual draws from the reverse-shot technique made iconic by The Pharcyde’s “Drop” video, and echoes themes from Jordan Ward’s recent album ‘BACKWARDS.’

The release lands one day after Jenevieve completed the sold-out European leg of ‘The CRYSALIS Tour – Worldwide,’ which included stops in Paris, London, and Amsterdam. The tour resumes in May with dates across Asia, including Shanghai, Seoul, Tokyo, and a return to Manila, where she previously filmed the visual for “Haiku.” The ‘CRYSALIS’ era has been a genuine breakthrough, with the album earning praise from NPR, Billboard, VIBE, and The FADER, “Head Over Heels” hitting number one at R&B radio, and “Baby Powder” surpassing 175 million global streams.

Dublin Alternative-Rock Duo Alpine Skies Drop “A Long Way” Ahead Of Debut Album ‘Inspired Conflicts’

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Alpine Skies have released “A Long Way,” the lead single from their debut album ‘Inspired Conflicts,’ arriving April 16. The Dublin alternative-rock duo of Kevin Homan and Darren Farrell have been building steadily, drawing praise from Simon Le Bon of Duran Duran and support from Hot Press, Pure M Magazine, and Sirius XM, and “A Long Way” is their most focused statement yet. The track sits at the midpoint of the album and centers on the quiet resilience of people fighting through internal crises they never put on display. The band frames it plainly: “What really underpins the message is the return of self. The regaining of confidence and self worth from within.”

‘Inspired Conflicts’ was self-produced and recorded with Sean Hurley at Little Bear Studios in Dublin, mastered by Gabe Wolf in Los Angeles, and features contributions from Lee Tomkins of Aslan, Gavin Fox of Turn and Idlewild, and Paul “Binzer” Brennan of The Frames, The Waterboys, and Bellx1. The album launches live on April 30 at Whelan’s in Dublin, with special guests to be announced. Tickets are on sale now at whelanslive.com.

Upcoming Shows:

April 30 – Dublin – Whelan’s (upstairs) – Album Launch

North London Indie-Pop Songwriter Natalie Shay Gets Honest On New Single “sorry for u”

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Natalie Shay writes indie-pop for people who feel things deeply, and “sorry for u” makes that abundantly clear. The North London singer-songwriter’s new single is out now, a defiant, bright-edged track about being let down by someone who had her full trust and responded by rewriting the story. Crafted with RNDMBEATS and Call Me Loop, it’s the latest preview of her upcoming EP ‘ATMOSPHERE,’ a sonic diary tracing the electric pull of new love, trauma bonds, and the complicated emotional terrain of life in your mid-twenties. Shay has built her reputation honestly, with 20 million-plus streams, BBC Radio 1 and 6 Music support, coverage in Rolling Stone and Billboard, sold-out shows at Omeara, a support slot for Shania Twain at BST Hyde Park, and festival appearances at SXSW, Reading, and Isle of Wight. In April she plays her biggest headline show to date at Oslo in London, plus her first-ever regional headline at Manchester’s Deaf Institute Lodge.

Upcoming Tour Dates:

April 17 – Manchester – Deaf Institute Lodge

April 23 – London – Oslo

Smalltown Gathering Returns To Salida For Three Days With The California Honeydrops, Fruition, And Moontricks

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Smalltown Gathering returns to Riverside Park in downtown Salida, Colorado for its second annual edition, and it’s growing. The festival expands from two days to three this year, running through Sunday with gospel yoga and live music continuing until 3 p.m. on the final day. Tickets go on sale today at smalltowngathering.com. Headliners are The California Honeydrops, Fruition, and Moontricks, with a full supporting lineup that includes Lindsay Lou, Yasmin Williams, Lowdown Brass Band, and Silas Herman & The Tone Unit, among others. After the main stage closes each night, late-night shows continue at venues around town. The festival also features a full yoga and workshop schedule led by Gina Caputo, Mary Beth Larue, and Steph Winsor, a Kids Zone with arts, crafts, and interactive acoustic music workshops through the Coletrain Music Academy, and limited camping available at Marvin Park less than a mile from the main venue. Smalltown Gathering grew out of Campout For The Cause, the grassroots Colorado festival founded by Scotty Stoughton in 2009 that has featured past performers including Billy Strings, Gregory Alan Isakov, and Elephant Revival.

2026 Smalltown Gathering Lineup:

The California Honeydrops

Fruition

Moontricks

Lindsay Lou

Magoo

Daniel Rodriguez

Yasmin Williams

Slap Dragon

Lowdown Brass Band

Pickin’ On The Dead

LVDY

Bonfire Dub

Silas Herman & The Tone Unit

Ramona

Megan Letts

DJ Sleepy

Floodgate Operators

Bob Dylan Adds New Dates To The ‘Rough and Rowdy Ways’ Tour Through July

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Bob Dylan keeps adding to the calendar. The ‘Rough and Rowdy Ways’ tour, named for his June 2020 studio album that made him the first musical artist with a Top 40 album in every decade since the 1960s, continues with a fresh round of dates now confirmed through July. The current run covers the Midwest and South through May 1, with a second wave of Pacific Northwest and West Coast dates opening June 4 at McMenamins Edgefield in Troutdale, Oregon. That stretch includes two nights at the Greek Theatre in Berkeley, the Santa Barbara Bowl, and the Rady Shell at Jacobs Park in San Diego, before closing out with two nights at the Filene Center at Wolf Trap in Vienna, Virginia on July 24 and 25.

Dylan’s live schedule has been relentless and deliberately intimate by arena standards, favoring theaters, auditoriums, and historic rooms that suit the deep catalog he draws from each night. The West Coast dates in June and the Wolf Trap closing stretch are the newly added shows, expanding a 2026 run that already covered considerable ground across the heartland and the South.

Bob Dylan ‘Rough and Rowdy Ways’ Tour Dates:

March 27 – La Crosse, WI – La Crosse Center

March 28 – Rockford, IL – Coronado Theatre

March 30 – Waukegan, IL – Genesee Theatre

March 31 – Muncie, IN – Emens Auditorium

April 2 – Grand Rapids, MI – DeVos Performance Hall

April 3 – Saginaw, MI – The Theater

April 4 – Detroit, MI – Masonic Temple Theatre

April 6 – Louisville, KY – The Louisville Palace

April 9 – Columbus, OH – Palace Theatre

April 10 – Cleveland, OH – KeyBank State Theatre

April 12 – Dayton, OH – Winsupply Theatre

April 14 – Knoxville, TN – Knoxville Civic Auditorium

April 16 – Bowling Green, KY – SKyPAC

April 17 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium

April 19 – Asheville, NC – Thomas Wolfe Auditorium

April 20 – Spartanburg, SC – Spartanburg Memorial Auditorium

April 22 – Macon, GA – Macon City Auditorium

April 23 – Dothan, AL – Dothan Civic Center

April 25 – Jackson, MS – Thalia Mara Hall

April 27 – Baton Rouge, LA – Raising Cane’s River Center

April 28 – Shreveport, LA – Shreveport Municipal Auditorium

April 29 – Tyler, TX – Cowan Center

May 1 – Abilene, TX – Abilene Auditorium

June 4 – Troutdale, OR – McMenamins Edgefield

June 6 – Woodinville, WA – Chateau Ste. Michelle Winery

June 7 – Woodinville, WA – Chateau Ste. Michelle Winery

June 9 – Eugene, OR – Cuthbert Amphitheater

June 12 – Lincoln, CA – The Venue at Thunder Valley

June 13 – Berkeley, CA – Greek Theatre

June 14 – Berkeley, CA – Greek Theatre

June 17 – Santa Barbara, CA – Santa Barbara Bowl

June 18 – Highland, CA – Yaamava’ Theater

June 20 – Palm Desert, CA – Acrisure Arena

June 21 – San Diego, CA – The Rady Shell at Jacobs Park

June 23 – Phoenix, AZ – Arizona Financial Theatre

July 2 – Thackerville, OK – WinStar World Casino and Resort

July 24 – Vienna, VA – Filene Center at Wolf Trap

July 25 – Vienna, VA – Filene Center at Wolf Trap