Home Blog Page 100

Los Angeles Darkwave Trio Chalice Sect Turn Up the Voltage On Driving New Single “Silent Fever”

0

Chalice Sect are building real momentum. The Los Angeles darkwave trio follow January’s “Violet Grey” with “Silent Fever,” a guitar-driven single that pushes harder and faster than its predecessor while keeping the synth hooks front and center. An infectious post-punk pulse carries the track from first beat to last, landing equally well on headphones or a dark-lit club floor. The energy here is immediate and the songwriting is tight, two qualities that tend to separate the acts worth watching from the ones that coast on aesthetic alone.

Drawing from post-punk, new wave, and dark electro with a modern electronic edge, Chalice Sect builds around driving basslines, synth-heavy arrangements, and songs that move with genuine momentum. The reference points are clear, Twin Tribes, Molchat Doma, She Past Away, Kontravoid, but Chalice Sect are pulling the sound forward rather than leaning on nostalgia. “Silent Fever” is out now and makes a strong case for keeping this trio firmly on your radar.

London Singer-Songwriter A.A. Williams Announces New Album ‘Solstice’ and Shares Haunting New Single “Hold It Together”

0

A.A. Williams announces ‘Solstice’, due June 5 via RPM, and shares its first single “Hold It Together” alongside a new video. The London-based singer-songwriter brings her signature blend of haunting atmosphere and emotional intensity to a track that captures the precise weight of carrying deep feeling while keeping a calm surface. “You smile, you carry on, feeling everything, showing nothing,” she explains. It is one of the more honest descriptions of the song’s emotional territory you’ll find, and the music delivers exactly that. Pre-orders open April 22.

The single arrives after a successful UK and European tour and sets up a packed run of festival and headline dates through the summer. A.A. Williams opens the stretch at A Colossal Weekend in Copenhagen on May 9 before appearing at Wave Gotik Treffen in Leipzig, Mystic Festival in Gdansk, and Ankea Festival in Tampere. A run of dates supporting A Perfect Circle follows in June, taking her through Italy, Croatia, and the Netherlands. Festival appearances at Brutal Assault in the Czech Republic, Arctangent in Bristol, and Pelagic Fest in Maastricht close out the summer.

Tour Dates:

09/05 – Copenhagen, DK – A Colossal Weekend

23/05 – Leipzig, DE – Wave Gotik Treffen

03/06 – Gdansk, PL – Mystic Festival

06/06 – Tampere, FI – Ankea Festival

13/06 – Ferrara, IT – Ferrara Summer Fest w/ A Perfect Circle

18/06 – Zagreb, HR – SRC Salata w/ A Perfect Circle

23/06 – Tilburg, NL – 013 w/ A Perfect Circle

24/06 – Amsterdam, NL – AFAS Live w/ A Perfect Circle

07/08 – Jaromer, CZ – Brutal Assault

22/08 – Bristol, UK – Arctangent Festival

29/08 – Maastricht, NL – Pelagic Fest

Elijah Wood and Zach Cowie Bring Wooden Wisdom’s Vinyl DJ Experience to Denver’s Cervantes’ Ballroom

0

Wooden Wisdom is coming to Denver. The vinyl-only DJ project of actor and lifelong music obsessive Elijah Wood and acclaimed DJ and music supervisor Zach Cowie takes over Cervantes’ Masterpiece Ballroom on Sunday, May 31, 2026, with doors at 8pm MDT. Costumes are encouraged, with the night leaning into a fantasy-themed rave atmosphere that ties into Wood’s appearance at Fan Expo Denver the same weekend, celebrating the 25th anniversary of The Lord of the Rings.

Wooden Wisdom has built a devoted following for sets that move across genres with real fluency, pulling rare deep cuts alongside dancefloor favorites with a particular love for 1970s and 1980s disco. Wood and Cowie are committed crate-diggers, and their shared approach to musical storytelling means no two sets run the same. The duo weave together vinyl selections that feel genuinely curated rather than programmed, and the results hit differently than a standard DJ night.

Cervantes’ Masterpiece Ballroom, one of Denver’s most storied venues, provides the right setting for an event this specific in its energy. Tickets are on sale now.

Mundial Montréal Opens Artist Applications for Its 16th Edition This November

0

Mundial Montréal returns November 17 to 21, 2026 for its 16th edition, and artist applications are open now. The global music market and showcase festival is looking for artists ready to develop their careers on a national and international level, with a selection committee of five industry professionals reviewing all submissions. The application deadline was March 4, but they have extended it to March 20. The registration fee is CAD $45 per applicant.

The committee evaluates artistic quality, the uniqueness of the project, market momentum including recent releases, performances, press coverage, and awards, and the artist’s capacity to make the most of the opportunity. There is no points system and the process is deliberately subjective, prioritizing genuine artistic and career readiness over checklist criteria. Selected artists will be notified by mid-August at the latest.

If chosen, each performing group member receives an artist wristband granting access to showcases, conferences, and mentor café sessions. Mundial provides basic technical staff and backline equipment. Artists are responsible for their own travel, accommodation, and any required visas or travel documentation. A PRO pass holder must represent each selected project at the professional components of the event.

Applications must be submitted through the official form at mundialmonreal.com. Email submissions will not be considered. Artists not selected receive a CAD $45 discount code toward any festival pass.

Honey Jam Is Searching Canada for Female Artists Ages 14-25 for Its 30th Season Artist Development Programme

0

Honey Jam is celebrating 30 years of fostering emerging female artists and is now open for auditions. The organization is conducting a national search for female artists between the ages of 14 and 25 across all genres, including pop, hip hop, jazz, soca, R&B, gospel, rock, dancehall, blues, alternative, opera, and country. Artists from every province are encouraged to apply, with a Toronto live audition taking place Saturday, May 30, 2026 at 11am at the Live Nation Lounge, 2 Snooker Street, Liberty Village.

No advance approval is needed to audition in Toronto. Artists simply need to fill out the submission form, arrive at 11am for registration, and prepare a one-minute performance of the song they would perform at the showcase if selected. Original songs are encouraged. Covers are welcome but should reflect the artist’s own style. A keyboard will be provided on site. Artists should bring a printed one-pager with bio, photo, contact info, and social media links.

Every artist who participates receives free access to music industry workshops, one-on-one vocal and performance coaching, mentoring and networking opportunities, promotional exposure, and the chance to have original songs considered for airplay on major national radio. Selected artists will also have their bio and links hosted on honeyjam.com for one year and be considered for paid performance opportunities.

Artists outside Toronto can submit through the national online form at honeyjam.com. Selected participants will be contacted by approximately mid-June.

CIMA Is Bringing Canada House Back to Reeperbahn 2026 and Wants Your Applications Now

0

CIMA is returning to Hamburg for Reeperbahn 2026, running September 16 to 19, and is currently accepting applications from Canadian artists and bands to showcase at Canada House. Reeperbahn is one of Europe’s most significant music industry gatherings, drawing thousands of artists and professionals from around the world and offering direct access to Germany, the fourth largest music market globally. A potential pre-event showcase and business day in Berlin on September 14 may also be on the table for participating artists.

Showcase applications are free for artists. If accepted, showcasing costs are covered by the presenting partner, typically a provincial music association. Every artist applicant must have a business representative attached. Companies interested in the business mission without a showcasing artist are also welcome to apply and will be invoiced separately based on Hamburg and Berlin participation.

The application process has two required steps. Artists must complete both CIMA’s Canada House application form and Reeperbahn’s own artist application form. CIMA strongly encourages artists to apply as early as possible and no later than end of May to allow time for marketing, promotion, and funding applications. The Canada House showcase deadline is Friday, May 8, 2026.

Artists are also encouraged to connect with their local provincial music association, including Alberta Music, Music BC, MusicOntario, Manitoba Music, and others, to discuss export plans for the German market. Applications are open now at surveymonkey.com/r/CIMAREEPERBAHN26.

Polaris Music Prize Returns to Massey Hall on September 22 With Key 2026 Season Dates Announced

0

The Polaris Music Prize has announced its full 2026 season calendar, with the Concert and Award Ceremony returning to Toronto’s Massey Hall on September 22 for the fourth consecutive year. Presented by CBC and powered by FACTOR, the one-night event will feature live performances by that year’s nominees and close with the announcement of the Polaris Album Prize winner, the SOCAN Polaris Song Prize winner, and two Slaight Family Polaris Heritage Prize designations. The Album Prize carries a $30,000 award courtesy of the Slaight Family Foundation, with the Song Prize offering $10,000 from SOCAN. Performers will be announced in July. Tickets are on sale now.

The season rolls out across the summer with the 40-album Long List dropping June 11, the 20-song Long List on June 24, the 10-album Short List on July 9, and the 5-song Short List on July 29. Heritage Prize nominees are announced August 5 with public voting running through August 21. The Polaris Submission Portal is also open now, allowing Canadian musicians to submit their music directly for jury consideration, free of charge, for the first time ever.

Polaris also unveiled its 2026 visual identity, created by Toronto and Montreal-based aftermodern.lab. The design language draws from industrial and analog textile traditions, using fabrics, stitching, looms, and pattern-making as a framework for celebrating the many threads of Canadian musical identity. “We weave together the many threads of Canada’s identity into a quilt that reflects the spirit of the Polaris community,” said Aiyana Alzamora and Joshua Reginales of aftermodern.lab.

Building on the momentum of last year’s inaugural Polaris Festival, which welcomed over 11,000 participants across 22 September events, the organization will expand its Community Development Program and continue integrating the submission portal into its broader services. “The 2026 season is designed to showcase the depth, ambition and diversity of Canadian music,” said Executive Director Amber Still.

7 Fun And Friendly Tips To Nail Your First Zoom Media Interview As An Indie Artist

So you landed your first media interview. First of all, congratulations. That is a huge step. Someone out there wants to hear your story, your music, and what makes you tick. That alone is worth celebrating.

Now comes the part where many artists suddenly think, “Wait… what do I say? Where do I look? Why does my camera make me look like I am broadcasting from a cave?”

Relax. Interviews are just conversations about something you already love talking about: your music. Here are a few simple tips to help you feel comfortable, confident, and ready to shine when the Zoom light turns on.

  1. Set your space before the interview
    Find a quiet room with a clean background and good light facing your face, not behind you. Nothing fancy is required. A lamp and a tidy space go a long way.

Test your camera, microphone, and internet connection about 10 minutes before the interview. Trust me, even I get flustered when something goes wrong, which rarely happens, but you never know. A quick check saves a lot of stress.

  1. Put the camera at eye level
    Raise your laptop or camera so it sits at eye level. Stack a few books under your laptop if you have to. This simple trick makes you look more natural and confident, and it creates the feeling of real eye contact with the interviewer.

Plus, nobody wants the dramatic “camera pointing up at your chin” angle.

  1. Keep answers short and conversational
    Aim for answers that are about 20 to 30 seconds long. Think of it like chatting with one person, not giving a speech.

If the interviewer wants more detail, they will ask a follow up question. When you start repeating things you just said, that is usually the sign that it is time to wrap the answer.

  1. Have three talking points ready
    Before the interview, write down three things you want listeners to remember. Put them somewhere you can see them, but out of the camera’s view.

Maybe it is your new single, a video you just released, or something personal about the story behind the music. If you feel nervous or lose your train of thought, come back to those three points. They are your anchor.

  1. Pause and smile
    Take a breath before answering a question. A short pause makes you sound thoughtful and relaxed.

Smiling occasionally also keeps the tone warm and friendly on camera. If you need a moment to think, you can reset your brain with a simple phrase like, “I love that question,” or “Thank you for asking that.” Those few words give your mind a second to gather your thoughts.

  1. Have fun
    This one might be the most important. Let your personality shine through.

You are talking about music, creativity, and your journey as an artist. This is not a science exam. The more relaxed and authentic you are, the more people will connect with you.

  1. Read your press release and bio again
    Give your press release and your artist bio a quick read before the interview. Most, if not all, of the questions will come from that information.

Think about how you would explain those things in your own words. The interviewer is not looking for a script. They just want your voice and your story.

The interviewer already wants you to succeed. They invited you because they are interested in your music and what you have to say.

So take a breath, hit that Zoom link, and enjoy the moment. Your story deserves to be heard.

CIMA Members Can Now Apply for WINHUB Francophonie, a Free Online Networking Event for Francophone Music Markets

0

CIMA is inviting members to apply for WINHUB Francophonie, a free, members-only online networking event taking place May 19, 2026 on the WINHUB platform. Running 120 minutes, the session connects independent music companies across francophone markets through curated speed networking meetings and a company directory organized by shared interests. The event is conducted entirely in French.

Market presentations from ADISQ, BIMA, FÉLIN, IndieSuisse, and UPFI will offer direct insight into key francophone music industries across Europe and beyond. For Canadian independent companies looking to build international partnerships in French-language markets, this is a focused and accessible entry point with real infrastructure behind it.

WINHUB Francophonie is organized by WIN in partnership with ADISQ, BIMA, CIMA, FÉLIN, IndieSuisse, and UPFI, and co-funded by the European Union through IMPALA’s Network Project. Spots are limited and the application deadline is March 18, which means the window closes in days.

CIMA members can apply now at app.swapcard.com. Questions can be directed to membership@cimamusic.ca.

CIMA Is Taking Eight Canadian Music Companies to BIGSOUND 2026 in Brisbane This September

0

The Canadian Independent Music Association is organizing a business mission to BIGSOUND 2026 in Brisbane, Australia, running September 1 to 4, with space for eight Canadian music companies. The delegation will include curated business events developed in partnership with the Sydney Consulate and the BIGSOUND team, with support from an in-market consultant focused on building real connections within the Australian industry. It is a direct line into one of the most influential music industry gatherings in the southern hemisphere.

BIGSOUND draws over 1,700 conference delegates and more than 16,000 aggregate showcase attendees, bringing together tastemakers, industry leaders, and emerging artists across three nights of performances and full days of conference programming. Past speakers have included Nick Cave, Mike Shinoda, Amy Taylor, and Kelis. For Canadian companies looking to expand into Indo-Pacific markets, develop roster marketability, and build lasting international relationships, this is a high-value opportunity with genuine infrastructure behind it.

CIMA is also flagging that BIGSOUND may accommodate one to two Canadian acts this year, though artists must apply directly through the festival. The business mission is separate from artist showcasing and focuses on company-level connections and market development.

Participation is not guaranteed. Canadian music companies interested in attending can register their interest now via the CIMA survey at surveymonkey.com/r/CIMABIGSOUND26. More details will follow in the coming months.