Home Blog Page 1013

Non-Fungible Token (NFT) Market to Grow by USD 68.16 Billion From 2024-2028

Eric Alper
-
0
Non-Fungible Token (NFT) Market to Grow by USD 68.16 Billion From 2024-2028

The global non-fungible token (NFT) market size is estimated to grow by USD 68.16 billion from 2024-2028, according to Technavio. The market is estimated to grow at a CAGR of  30.23%  during the forecast period. Increasing demand for digital art is driving market growth, with a trend towards growing interest in nfts among major brands. However, uncertainty in nfts  poses a challenge. Key market players include AirNFTs Platform, Asynchronous Art Inc., Binance Holdings Ltd., Blockchain App Factory, Celer Network, Chaincella, Decentraland Foundation, Enjin Pte. Ltd., Foundation Labs Inc., Funko Inc., Gemini Trust Co. LLC, Mintable.app, Ozone Networks Inc., Out The Mud Ventures Inc., Rarible Inc., Sky Mavis, SuperRare Labs Inc., Tiki Labs Inc., Yellowheart LLC, Axie Infinity.Cloudflare, Inc.; PLBY Group, Inc.; Dolphin Entertainment, Inc.; Takung Art Co., Ltd.; Dapper Labs, Inc.; Onchain Labs, Inc

NFTs, or Non-Fungible Tokens, have taken the art, athletes, and celebrities worlds by storm. These digital assets, representing unique items like artworks, collectibles, and even virtual real estate, are creating buzz in various industries. Blockchain technology powers NFTs, ensuring transparency, ownership, and scarcity. The gaming industry and media & entertainment sector are leveraging NFTs for tokenizing games, trading cards, and virtual items. Artists and athletes are minting NFTs of their digital artworks and collectibles, offering fans exclusive ownership. Augmented Reality (AR) and Extended Reality (XR) are enhancing the NFT experience, making it more interactive. The NFT community is growing, with online platforms enabling easy buying, selling, and trading. However, regulatory considerations, consumer protection, and legal frameworks are crucial. Fraud and taxation are concerns, with securities laws and intellectual property rights coming into play. Blockchain networks like Ethereum and proof-of-work/stake mechanisms ensure secure transactions. The NFT market is evolving, with potential applications in decentralized finance, music, and even virtual vehicles. The future looks promising, with the metaverse and virtual reality (VR) offering new possibilities. The White House and third parties are exploring NFTs, signaling mainstream adoption.

Big brands, such as Visa Inc. And Budweiser, are increasingly exploring the Non-Fungible Token (NFT) market for potential earnings. In August 2021, Visa Inc. Made a significant investment by purchasing a CryptoPunk NFT for approximately USD165,000. This acquisition expanded Visa’s historic commerce artifacts collection. The primary motivation for these corporations is the opportunity to generate additional revenue. Furthermore, they are focusing on utilizing NFTs as incentives for consumers. For instance, NFTs can serve as innovative rewards, offering exclusive gifts to loyal customers.

Non-Fungible Tokens (NFTs) have disrupted the art, collectibles, and entertainment industries by allowing unique digital assets to be bought and sold as property. Artists, athletes, celebrities, and even the White House have joined the NFT community, creating digital artworks, collectibles, and virtual items backed by blockchain technology. NFTs provide proof of ownership, scarcity, and authenticity, making them attractive to investors. However, challenges persist, such as regulatory considerations under securities laws, consumer protection, and fraud. Distributed networks like Ethereum facilitate NFT trading, but logistical issues and taxation remain unclear. The gaming industry, media & entertainment, and decentralized finance are exploring NFTs for tokenization of games, virtual items, and digital property. Augmented Reality (AR) and Extended Reality (XR) are expected to enhance the NFT experience. However, legal frameworks and regulatory considerations need to address intellectual property, third-party rights, and securities laws. Ultimately, NFTs offer a new way to monetize and trade digital assets, but careful planning and regulation are crucial to ensure a fair and secure marketplace.

The Non-Fungible Token (NFT) market presents both opportunities and challenges for sellers. Valuation of NFTs is uncertain due to the difficulty in determining future demand and pricing. Factors such as scarcity, uniqueness, and buyer perception play a significant role in determining NFT value. New sellers face challenges in anticipating buyer identity and purchase drivers. As the market continues to evolve, predicting future trends in NFT pricing remains difficult for new investors. The value of NFTs is subjective and dependent on buyer perception, leading to price fluctuations.

Non-Fungible Tokens (NFTs) refer to unique digital collectibles, minted on the Blockchain. These collectibles are limited-edition and cannot be exchanged or replicated. Vendors offer online platforms for buying and selling NFTs. Key features include the owner’s exclusive right to sell, royalty payments on future sales, and protection against unauthorized use or copying. The NFT market’s expansion is fueled by the increasing demand for digital assets worldwide. Industries are going digital, and the Internet’s ubiquity, along with rising usage, encourages investments in digital assets. Tokenization, which creates digital tokens representing asset ownership, further boosts market growth. These factors are expected to significantly contribute to the growth of the global NFT market.

The Non-Fungible Token (NFT) market is revolutionizing the way we buy, sell, and own digital assets. This innovative technology allows for the unique representation and ownership of electronic artworks, gaming items, and collectibles on the blockchain. The gaming industry has embraced NFTs, enabling tokenization of in-game items and creating new revenue streams. NFTs on Ethereum network provide scarcity and ownership, making digital artworks valuable and collectible. Legal frameworks are evolving to accommodate this new asset class, while AR, VR, and XR technologies enhance the NFT experience. Blockchain technology and cryptocurrencies power the NFT market, with Web 3 enabling decentralized finance and creating new distribution networks. Fraud prevention is crucial in this market, with NFT suppliers ensuring authenticity and ownership. The NFT market offers a new frontier for creators, collectors, and investors, with Magic Eden and other platforms serving as marketplaces for these unique digital assets.

The Non-Fungible Token (NFT) market is a revolutionary digital ecosystem where Art, Digital Artworks, and Collectibles come to life as unique, verifiable, and tradable assets on the blockchain. This decentralized platform allows Artists, Athletes, and Celebrities to monetize and showcase their Intellectual Property in the form of NFTs, including Painting, Music, and even Virtual Real Estate. Blockchain technology enables Ownership and Transfer of these Digital Assets with transparency and Security. NFTs are not limited to the Art World but extend to Gaming Industry, Sports Collectibles, Trading Cards, and Virtual Items. The market also includes Decentralized Finance, Cryptocurrencies, and Cryptocurrencies/assets. Regulatory considerations and Consumer Protection are essential aspects of this emerging market, with legal frameworks and Taxation being crucial. NFTs can be traded on various Online Platforms, and the market is expanding into Extended Reality (XR) and Metaverse, offering new opportunities for creators and investors. However, Fraud and Scam risks exist, highlighting the need for careful consideration and due diligence. NFTs represent a new frontier in the Digital Economy, with potential applications in various industries, including Media & Entertainment, Logistics, and even House and Vehicle ownership. Smart Contracts and Proof of Work or Stake are essential components of the NFT market, enabling seamless Transactions and Distribution Networks. The NFT community continues to grow, with various Third Parties offering services and solutions to facilitate the creation, trading, and management of NFTs. The NFT market is a dynamic and evolving space, offering endless possibilities for creators, investors, and consumers alike.

Taylor Swift and Coldplay Top Pollstar’s 2024 Year-End Worldwide Chart

Eric Alper
-
0
Taylor Swift and Coldplay Top Pollstar’s 2024 Year-End Worldwide Chart

 Pollstar, the “Voice of Live” and trusted authority for in-depth concert and live industry data, proudly announced that Taylor Swift‘s “The Eras Tour” and Coldplay’s “Music of the Spheres World Tour” have set new benchmarks in the global concert industry. Swift’s historic achievement as the first-ever tour to gross more than $2 billion highlights her unparalleled impact, while Coldplay’s tour solidified its place in history with over 10.3 million tickets sold—the most by any artist on a single tour. Both tours claimed the top two spots on Pollstar’s Top 200 Worldwide Top Touring Artists chart, released by the premier trade publication in its Year End issue published today, with Coldplay also gracing the cover of this milestone edition.

In Pollstar’s highly anticipated annual Year End issue, featuring the charts, in-depth industry insights, surveys, and more, it is confirmed that Taylor Swift has made history as the first artist to achieve a $2 billion-grossing tour, with a total gross of $2,201,107,485. Swift’s record-breaking 2024 gross of $1.04 billion and more than 5.2 million tickets sold across 80 shows during the reporting period, cemented “The Eras Tour” as an undeniable cultural phenomenon. Notably, the tour also became the first in history to surpass the $1 billion milestone last year. With 10.05 million tickets sold across the entire tour, Swift now holds the record for the most tickets sold on any tour by a solo artist. The overall record for tickets sold on a single tour is held by Coldplay’s “Music of the Spheres,” which surpassed 10 million tickets with a total of 10.3 million.

“2024 has proven to be a historic year for the live entertainment industry, one we may never see again in our lifetimes,” said Andy Gensler, Pollstar Editor-In-Chief. “While the industry has slowed since 2023, we still saw record-setting revenues, with the top two tours of all time running concurrently. Taylor Swift’s powerhouse ‘The Eras Tour’ shattered the all-time touring record, while Coldplay’s ‘Music of the Spheres Tour’ sold more tickets than any artist in live entertainment history. That tour also grossed over $1.3 billion and remains the second highest-grossing tour ever, with 48 more dates scheduled in 2025. We are honored to feature them on the cover of Pollstar‘s Year End Special, the largest issue in Pollstar‘s 42-year history. I am immensely proud of the work our team has put into creating this monumental edition.”

In addition to Taylor Swift’s top position, the Top 10 rankings on 2024’s Top 200 Worldwide Top Touring Artists chart are Coldplay (No. 2), P!NK (No. 3), Luis Miguel (No. 4), Bruce Springsteen & The E Street Band (No. 5), The Rolling Stones (No. 6), Bad Bunny (No. 7), Zach Bryan (No. 8), Metallica (No. 9), and Madonna (No. 10).

The annual Pollstar rankings, which spotlight top-performing tours globally, also revealed 2024 as another banner year for the concert industry worldwide. Total grosses for the Top 100 Worldwide Top Touring Artists were up to a record-breaking $9.5 billion (2023’s total was $9.2 billion).

The Top 10 of the Top 200 North America Top Touring Artists chart are The Rolling Stones (No. 1), Bad Bunny (No. 2), Zach Bryan (No. 3), Luke Combs (No. 4), Luis Miguel (No. 5), Kenny Chesney (No. 6), P!NK (No. 7), Madonna (No. 8), Aventura (No. 9), and Taylor Swift (No. 10).

For charts and in-depth editorial analysis, visit Pollstar‘s Year End editorial hub at www.pollstar.com now. Additional editorial features and industry news will be released online on Dec. 16.

Editorial content for Pollstar‘s Year End Special Issue includes Pollstar‘s industry leading charts along with our data analysis and a deeper look at 2024’s Top Ten Tours. There’s also a 2024 two-part Executive Survey that includes Live Nation’s Leslie Olenik, AEG’s Rich Schaefer, CAA’s Mitch Rose, WME’s James Rubin, Wasserman’s Jackie Nalpant, CLP’s Cara Lewis, PRG’s Randy Hutson, SoFi Stadium’s Jen Sandstrom, and Outback Presents Mike Smardak among many others. Also featured in this issue is a look at The Year In Agencies, Ticketing, Festivals, International, Country, Latin, Comedy, Sustainability, Women, Pipelines to Success, Cancellations and more. This Year End issue is the biggest yet, packed with invaluable insights and a comprehensive review of the year’s most significant developments across the industry.

Pollstar Live!, the world’s premier gathering of live entertainment professionals, returns to the Beverly Hilton in Los Angeles on February 18-20, 2025. With over 30 years of history, this three-day event offers compelling discussions led by industry visionaries, beginning with Production Live! a full day dedicated to those “in the trenches” in live events. Beginning Wednesday, Pollstar Live! takes center stage, delving into the most relevant and informative topics for live entertainment professionals. The conference will focus on artist development, data, research, and the visionary strategies driving the global live entertainment industry to unprecedented heights. A perennial highlight of the conference, the annual Pollstar Awards celebration will commemorate the year’s top achievements. Go to Pollstar.live to register and for the latest announcements about keynote speakers, panelists, session topics, and more.

HUAWEI FreeBuds Pro 4: HUAWEI SOUND Elevating TWS Flagship Experience to New Heights

Eric Alper
-
0
HUAWEI FreeBuds Pro 4: HUAWEI SOUND Elevating TWS Flagship Experience to New Heights

Huawei Consumer Business Group (CBG) unveiled its first TWS earbuds under the HUAWEI SOUND brand, the HUAWEI FreeBuds Pro 4, at the HUAWEI Flagship Launch Event in Dubai on December 12.

Drawing inspiration from classical design and Huawei’s dedication to audio innovation, the HUAWEI FreeBuds Pro 4 aims to “Catch the Sound,” delivering lossless, pure, and immersive listening experiences. The earbuds feature powerful hardware including Dual-driver True Sound and proprietary algorithms to ensure stable and clear calls with effective background noise elimination.

HUAWEI FreeBuds Pro 4 incorporates Dual-driver True Sound working with Digital Cross-Over technology to deliver rich, authentic sound experiences. The Dual Independent Sound Output System precisely allocates audio signals to each driver, while the 11mm Quad-Magnet Dynamic Driver Unit ensures stable and accurate real-time audio reproduction. Featuring Polar Code technology and Huawei’s proprietary L2HC 4.0 codec[1], it achieves 2.3Mbps lossless[2] TWS audio transmission, supporting 48kHz/24-bit high-resolution audio. Users can select between professionally tuned EQ modes, including Classic and Balanced, to accurately recreate live music essence.

Equipped with Huawei’s AI noise cancellation algorithm, it eliminates up to 100 dB of external call noise. The quad-microphone system, combined with multi-channel deep neural network (DNN) algorithm, accurately distinguishes human voices from environmental sounds. Whether at concerts, sports events, or cafes, the system intelligently isolates your voice. Head Motion Controls allow call answering and rejection through nodding or head shaking.

Features Shape Memory Foam ear tips, offering 30%[3] improved noise reduction compared to the previous generation. Intelligent Dynamic ANC generates customized noise-cancellation parameters based on real-time environment for a pure immersive listening experience.

Adopts the Spectrum Silver Strings design, available in Black, White, and refreshing Green. Each earbud features a meticulous 6-layer protective lacquer coating, with the golden HUAWEI SOUND emblem emblazoned on its surface, signifying flagship quality.

Sir Rod Stewart Reveals His Model Masterpiece in the U.K.

Eric Alper
-
0
Sir Rod Stewart Reveals His Model Masterpiece in the U.K.

Britain’s #1 model railway magazine, Railway Modeller, has announced an exclusive interview with British rock legend Sir Rod Stewart, showcasing his breath-taking HO scale model railway layout. The intricate “Grand Street & Three Rivers Railroad” is inspired by the bustling cityscapes and industrial grandeur of 1940s America, and has taken over three decades for the singer to craft.

Sir Rod’s passion for model railways is brought to life in this expansive, meticulously detailed layout that spans 27 feet by 62 feet. Boasting towering skyscrapers, a 900-foot mainline, bustling docks and intricate urban scenes, it is both a technical marvel and an artistic masterpiece. The January issue provides readers with unparalleled access to the layout’s new home in the UK and a candid interview with the rock icon himself.

Having relocated the layout from his Los Angeles residence to his English country estate, Sir Rod reveals the immense work involved in rebuilding and enhancing the setup: “I’m not happy with the lights – we’ve really got to work on that. “We’re going to add some uplights on some of the buildings and skyscrapers. Then we’re going to have thunder and lightning, everything but rain put in for effects!” he says with excitement. New features include advanced lighting for day-to-night transitions, sound effects, and a computer-controlled automation system for seamless train operations.

Railway Modeller Editor, Craig Tiley, reflects on the layout’s impact: “Sir Rod’s dedication and eye for detail elevate this project beyond a simple hobby. It’s a world-class exhibit, blending artistry and technology.”

Sir Rod’s passion for the craft clearly shines through in every detail. He emphasizes the joy of creating the scenery himself, stating, “Nearly all the buildings are either scratch-built or adapted from kits. Nothing is recognizable—everything is unique.” And the project isn’t complete: extensions to the layout include docks with large-scale ships, mountainous regions, and a dedicated homage to legendary model railway artist George Sellios, plus a significant extension of railway track from the world-leading British manufacturer, PECO.

Sir Rod has also just announced that we he will be performing at Glastonbury 2025 in the Legends slot, and whilst his life as a global music star is hectic, he finds great solace in model-making, spending up to five hours a day in his workshop. He states: “When I walk into my workshop, it’s like entering the gates of heaven.”

His love for the hobby extends beyond personal enjoyment and Sir Rod hopes to inspire future generations of model railway enthusiasts with what he has done, and inspire others to follow in his footsteps: “It’s the greatest hobby in the world,” he declares.

In the January 2025 issue, Railway Modeller celebrates this extraordinary achievement, and its 75th anniversary year of publishing with exclusive photos, behind-the-scenes insights, and a deeper look into Sir Rod’s creative process. The feature offers inspiration for both railway enthusiasts and those who appreciate the power of passion-driven projects. The magazine’s sister publication, Continental Modeller will also feature Sir Rod and his layout, along with other imagery, in its forthcoming January issue on sale from December 17th.

LG Teams Up With Will.i.am to Launch “xboom by Will.i.am”

Eric Alper
-
0
LG Teams Up With Will.i.am to Launch “xboom by Will.i.am”

LG Electronics (LG) has announced a partnership with creative artist, multi-platinum musician, and tech entrepreneur, will.i.am, to launch a new line of audio products under the brand “xboom by will.i.am.” The partnership aims to transform xboom into a culture-forward brand with an urban aesthetic, providing an all-new audio experience.

In this partnership, LG has appointed will.i.am as LG xboom’s “Experiential Architect.” He will play a pivotal role in carving out a new space for xboom in the audio industry. Drawing inspiration from his pop culture and technological know-how, will.i.am will provide strategic counsel for LG xboom’s product development, design, and brand marketing. By combining LG’s advanced technologies with will.i.am’s unique insights as a world-renowned music artist and tech entrepreneur, this partnership will infuse LG xboom products with fresh creative aspirations.

“Working with renowned tech and lifestyle innovator, LG, opens the door to groundbreaking and dynamic experiences that speak to a broader community of music enthusiasts,” said will.i.am. “By bringing our cutting-edge technology and distinctive creative visions together with LG xboom, we want to foster an iconic culture where people can explore their passion for music with others on a whole new level.”

The 2025 line of “xboom by will.i.am” products, including Bluetooth speakers and wireless earbuds will be unveiled at CES 2025. The xboom Buds will be the first product available in the market.

All “xboom by will.i.am” products bear the mark of will.i.am, who took part in creating LG xboom’s signature sound that boasts a rich bass with a balanced and warm tones. It comes in two distinct modes for listening: one mode provides stimulating sounds that gets you moving with powerful bass while a second mode offers a soothing sound with harmonious tones. The overarching design for LG xboom aims to elevate music enjoyment. Speakers incorporate clever embellishments such as easy-to-hold straps and colorfully interactive lighting that is in sync with the beat of the music being played. Earbuds are designed ergonomically with ear tips and ear hooks for a comfortable fit that also delivers the best sound experience.

“This launch marks the integration of our wireless earbuds and Bluetooth speakers into one audio brand, LG xboom,” said Lee Jeong-seok, head of LG Media Entertainment Solution Company’s audio business division. “We are thrilled to announce this partnership with will.i.am that will play a critical role in solidifying LG xboom’s new identity.”

All “xboom by will.i.am” products will be integrated with will.i.am’s RAiDiO.FYI, an AI-powered interactive audio experience, to introduce a new generation of listeners to infotainment. RAiDiO.FYI empowers listeners with unique abilities to immerse, personalize, and have a two-way real-time conversation with their favorite topic-based STAiTiONS. This conversational media platform transforms radio as we know it into a new dimension, connecting consumers deeper with the music, talk radio, and cultural content they love.

LG and will.i.am will celebrate this new partnership with product showcases and tech demonstrations at CES 2025 (January 6-10). To know more about “xboom by will.i.am”, please visit http://www.lg.com/global/xboom/xboombywilliam.

Folk Group Sussex Delivers Release “Under Your Tongue” From ‘Shine’ Album

Eric Alper
-
0
Folk Group Sussex Delivers Release “Under Your Tongue” From ‘Shine’ Album

While suggestive song titles and lyrics aren’t new or novel, the songwriting quality sometimes can say a lot or leave lots to the imagination with an engaging economy of words. For Rothesay, New Brunswick-originating but now Quebec-based group Sussex, they have raised that bar with their latest single “Under Your Tongue,” a toe-tapping jewel from their album Shine, which should leave you with a smile or wry grin.

“A hallmark of some of the great songs of the early 20th century is that they had all kinds of sex in them, but it was in expressions, images, and euphemisms…not blatantly in your face,” the band says regarding “Under Your Tongue.” “Love — and sex — is the best medicine. And you put it Under Your Tongue.” In short, it has all the makings of a racy song but isn’t nearly as overt or lewd as some hit singles tend to be in various genres these days.

“Under Your Tongue” is a nifty little ditty that opens with some excellent guitar picking before ambling along with some romantic, old-school innuendo. Fans of Mark Knopfler, Knopfler’s delightful ’90s side project The Notting Hillbillies, and John Hiatt’s honest if blunt deep cut “Little Head” would lap up, er, enjoy “Under Your Tongue” from start to finish. Aside from Lutes who provides vocals and acoustic guitar, the single is highlighted by Moncton, New Brunswick-born and Montreal-based pedal steel guitarist Joe Grass (who has worked with Polaris Music Prize-winner Patrick Watson), and Montreal-born and based bassist Morgan Moore (Martha Wainwright, The Barr Brothers).

“Under Your Tongue,” written by Rothesay, New Brunswick-born and Pointe-Claire, Quebec based singer and guitarist Rob Lutes, is the follow-up to their previous single “Shine Down Every Day.” A lyric video was also released for “Under Your Tongue” which simply shows an LP being played on a record player during the tune. The single is from Sussex’s latest album Shine, a 10-track record the tandem of Lutes and pianist and vibraphonist Michael Emenau (who like Lutes grew up in Rothesay, New Brunswick but is now based in Montreal) wrote most of the material for. Shine, recorded over four days at Montreal’s Alchemist Studios (formerly a chapel) and recorded and mixed by Michel Pepin (the McGarrigle Sisters) is the followup to 2019’s The Ocean Wide and 2015’s Parade Day. More recently the band has performed in Ottawa and Montreal in support of Shine while getting attention from the Toronto Blues Society and Roots Music Canada.

Both Lutes and Emaneau have come a long way from their days together in a high school folk-rock tribute band called the Hippopotamus Waterfall. While Lutes recorded eight solo albums prior to he and Emaneau reuniting in 2012, Emaneau was certainly no slouch, performing in Tokyo, New York City and Paris (where he made inroads as a composer and elite jazz vibraphonist). Now, thanks to “Under Your Tongue,” Sussex are guaranteeing fans another fantastic listening experience that has staying power. It’s a song that’s hard to pass up.

Brantford Folk Artist KC Armstrong Delivers Festive Fun with “I Hate That Sweater”

Eric Alper
-
0
Brantford Folk Artist KC Armstrong Delivers Festive Fun with “I Hate That Sweater”

Traditionally, Christmas shopping has seen one half of a couple get all of their presents purchased, assorted, and gift-wrapped weeks if not months before the big day. The other half? Well, they leave things until the last minute, plead with the store clerks not to close on time, and take whatever item remains on the shelves, at the cash register, or in the backroom. Now Brantford, Ontario-based Americana artist KC Armstrong has crafted the perfect, toe-tapping, upbeat narrative with his latest single, “I Hate That Sweater.”

“I Hate That Sweater” originated from a song Armstrong, who grew up in Lakefield, Ontario, penned entitled “Don’t Keep Me Waiting,” the first song he wrote that made it to a studio setting. It later appeared on a charity album compiled by Peterborough AM radio station CKPT with local bands doing original tunes. “Don’t Keep Me Waiting” was then countrified for his Ranchsongs album, leaving Armstrong a bit happier with that version. He rewrote the song originally as a “male anthem (tongue-in-cheek) about the trials and tribulations of waiting while your better-half prepares herself for a night on the town.” That version appeared on his Finally Crafted album.

In October 2024, Armstrong heard about a Christmas song contest from Cashbox Radio. Thinking of crafting an entirely new song, he remembered Randy Bachman’s “Taking Care Of Christmas” song, slightly reimagined from the signature “Taking Care Of Business.” “The idea started developing when I pictured the descending motif riff from ‘Don’t Keep Me Waiting’ being played on bells,” he says. “Humming the chorus tag ‘Don’t Keep Me Waiting’ a few times to myself, I heard my inner voice shouting, ‘I Hate That Sweater.'”

After finishing the lyrics an hour later, Armstrong added a glockenspiel, tubular bells, and sleigh bells which open the song with a snippet of the melody to “Silent Night.” The end result is a uptempo, toe-tapping beauty that speaks of Armstrong receiving a “green rhinestone, red pleather” sweater from his other half who got it at a good price at the absolute last minute. Toss in some great horns and amusing dialogue between the lyrics, and you have a nifty and newfangled Noel nugget.

“I Hate That Sweater” features Armstrong on vocals and bass, MaryEllen Allen on vocals, guitarists Barry Haggarty and Scott Utting, saxophonist Sean O’Connor, keyboardist Steve O’Connor, and drummer Jake Adams. Marty Hepburn, who worked on the original “Don’t Keep Me Waiting” song with Armstrong, fleshes the song out on harmonica. And Armstrong’s wife Debbie adds her dialogue part as “Little Debbie” in “I Hate That Sweater” for the narration snippets.

A video for “I Hate That Sweater” was also made but the single has already taken off quicker than Santa’s sleigh and Rudolph, making it to rotation on Cashbox Radio while being heard internationally in Italy, England, Bermuda, Australia and the United States. It also recently entered the Canadian Indie Country Countdown for Christmas songs.

“I Hate That Sweater” is the latest offering from the accomplished musician who has seen his material heard all over. Armstrong’s witty, whimsical style brings to mind musicians like Randy Newman, Nick Lowe, and the late Ronnie Hawkins. In fact, Armstrong’s band subbed as the Hawks for the iconic rocker back in 2003. Armstrong’s then band Cadillac Ranch were slated to back Hawkins at the legendary SARS-Stock concert at Toronto’s Downsview Park before hundreds of thousands featuring the Rolling Stones and AC/DC. Sadly, Hawkins’ health resulted in the appearance never being realized. Armstrong has also worked with and shared the stage with countless others, including the late Jeff Healey, while playing festivals across Canada and throughout North America.

Tillsonburg Roots Meets Toronto Pop Rock: Justine Chantale and Broadtree Team Up for Empowering Anthem “Bye Felicia”

Eric Alper
-
0
Tillsonburg Roots Meets Toronto Pop Rock: Justine Chantale and Broadtree Team Up for Empowering Anthem “Bye Felicia”

With the political climate and divisiveness rampant across many areas in North America and beyond, gathering family and friends around the table for a big feast might come with discussions or fervent arguments. But for Tillsonburg, Ontario singer Justine Chantale, she wanted to remove any baggage that could cause emotional or mental strain. With help from Toronto pop tandem Broadtree (Nicole McCafferty and Armand Antony), Chantale has created the roots-y, revealing pop rock single “Bye Felicia.”

Chantale, who co-wrote the song with McCafferty and Antony, says “Bye Felicia” (produced by Angel Gomez) isn’t about turning the other cheek so much as standing up for yourself when required. “In writing ‘Bye Felicia’ with Armand and Nicole, the song was taken in the direction to give yourself permission to rid yourself of the toxicity in your life – in this case, a person,” she says. “At the time, I was going through a really tough period in my life, dealing heavily with grief, and I didn’t know how to set boundaries. I was surrounded by hurtful situations and toxic people who I thought I had to be around, which was making me miserable. Writing this song was the anthem I needed to be brave enough to set boundaries and put myself first.

“I’ve met a lot of people in my life who willingly put themselves in situations or be around people that hurt them because they think they need to or that they need to ‘save face.’ It never amounts to anything good. I hope that in hearing this song, more people put themselves first, say ‘f-ck that’ and ‘Bye Felicia’ to whatever or whoever is keeping them from living their best life.”

“Bye Felicia” is a roots-based pop rock single that brings to mind artists such as Meredith Brooks, Kathleen Edwards, Sheryl Crow, and The Chicks circa “Goodbye Earl.” Starting off with a series of “na na na na nas,” the track has a strong message and strong melody that takes off in the chorus thanks to the combined harmonies of Chantale, McCafferty and Antony while bassist Tim Hance fleshes out the track. Not letting people “rain on my parade” nor getting the best of you is what comes through the infectious, sing-along chorus. And while offering an olive branch of sorts if the person or people change their ways, there’s no looking back or regretting what you did to distance yourself from the poisonous swamp of hurtful barbs or internet trolls.

“I think that it’s so important to recognize that some behavior is just unacceptable,” McCafferty says regarding the message in “Bye Felicia.” “Right now, the world is teaching us that you can treat others however you want without consequence. And that shouldn’t be true because it enables the loudest, most thoughtless people to be the ones who persevere.

“As women in particular, we’re taught to smooth things over and keep the peace when people have bad behavior. But if we don’t learn to stand up for ourselves, speak up, and set those boundaries, it can actually put us in very dangerous situations. The song is an anthem to stick it to people trying to control your life, but it’s also an anthem to the joy of how freeing it can be to just refuse to engage.”

“Bye Felicia” is the latest single from Chantale who has had a string of singles in recent years to go alongside her 2015 debut EP Stepping Stones and 2021 EP Starting Today. Previous singles include “Highway 59,” “What’s The Point,” “Wondering,” and “If I Know You.” She also lent her voice to Operation Smile in 2023, a group helping children internationally who have cleft lip or cleft palate and require surgery to address the issue.

As for Broadtree, the 2023 Arts Acclaim Award-winning duo includes Cape Breton native McCafferty and Antony who started performing on the theatre stage before music took hold. They’ve had three number one singles in Canada on the Indie Country Countdown and, to date, over two million streams. Broadtree have performed at Canadian Music Week, Toronto’s Canadian National Exhibition and Stomp N Stampede among many other festivals. And they are advocates for mental health issues, racial equality, First Nations rights and issues affecting LGBTQ+.

Now with “Bye Felicia,” look for Justine Chantale and Broadtree to make new fans and grow their audience with this empowering anthem. “One of our favorite writes turned into this killer bop!” Chantale wrote on her Instagram page regarding the track. It’s so good it might even persuade a few Felicias to change their proverbial tune.

Alex Blum Channels Chapel Hill and Charlotte in Blues Rock Single “Hometown”

Eric Alper
-
0
Alex Blum Channels Chapel Hill and Charlotte in Blues Rock Single “Hometown”

There’s an adage that says home is where you hang your hat. But for North Carolina blues rock musician Alex Blum, the adage stating you have to leave in order to come back might be more apt. The musician’s travels resulted in his latest single “Hometown,” a groove-riddled homage off his Good Weather album regarding where he grew up and the good-natured attitude of its inhabitants.

“‘Hometown’ is a song I wrote while far from home, and it had truly been too long since I had been in my hometown,” Blum, raised growing up in Chapel Hill but now based in Charlotte, says. “I had taken a trip full of idealism, hitch-hiking between off-grid communes and eco-villages and other various alternative living communities across the country and working very hard trying to contribute to what I thought was a positive mission. But the communities were beset by bickering, gossip, and slander, which I would have thought was part of ordinary life, but people would really kick each other out of a living situation over the most petty grievances.”

Blum felt betrayed by people who were “completely dishonest and openly manipulative” yet who professed to “trying to make the world a better place.” After ending up in California, he pined for the days of being in his hometown, a place “where people truly knew each other” and held each other to a higher standard. Left with either dealing with the proverbial backstabbing or speaking out in the hopes that clearing the air would result in progress, Blum picked the latter.

“The point here is not to settle old disputes, but to reflect on life and glean lessons that we all can learn,” he says of “Hometown,” which was also inspired by a Biblical reference (Luke 4:24: “Truly I tell you, no prophet is accepted in his hometown.”) “It’s a song about venturing out into the world and discovering people are way less trustworthy than you had thought or hopes, and finding out about yourself in the process — all the while missing your hometown.”

“Hometown” is a groove-based track bringing to mind the likes of Everlast and Beck, melding a slight hip-hop back beat against a delivery resembling Lou Reed in some respects. A mid-tempo arrangement allows Blum’s narrative to come to the fore, leaving an infectious, intelligent, and intriguing track that works wonderfully for well over five minutes.

“Hometown” is the latest single from Blum’s latest album Good Weather, released in October. The artist is no stranger to being as prolific as he is eclectic, with a myriad of albums and EPs dating back to 2016’s Sunday Morning EP. In 2022, Blum released Speak Dreams To Me, a record he describes as his “fullest rock album” that featured the musician playing every instrument (including drums) while also diving deeply into songwriting for the first time. In 2018, he released Tourmaline (Guitar Instrumentals Vol. 1) and Amethyst (Guitar Instrumentals Vol. 2) five years later. Blum also released Acetone-Electro Tape in 2020 and 2023’s Blues Master Does Another Electro Tape. Other albums include 2020’s Rap Beats Vol. 1, while 2022 saw three more album releases: Alex Blum Does Rap Music and Noise Music. Earlier in 2024, Blum released Abstract Sample-Based Music.

Blum also spent time busking on the streets of Nashville and Asheville and has performed throughout North Carolina as well as in New York City. Now with his new single “Hometown,” Alex Blum’s career is sure to impress people far beyond his own hometown.

Tom Jackson’s The Huron Carole: Angels Without Wings Encore Airs on CTV2, APTN, APTN Lumi, Eastlink Community Channel

Eric Alper
-
0
Tom Jackson’s The Huron Carole: Angels Without Wings Encore Airs on CTV2, APTN, APTN Lumi, Eastlink Community Channel

Immerse yourself in the magic of The Huron Carole, a musical journey curated on the ancestral lands of the Mi’kmaq people. Following its premiere on APTN, APTN Lumi and Eastlink in 2023, these same broadcasters, along with CTV2, proudly present encore presentations beginning December 20, 2024. This iconic variety concert, recorded at the Rebecca Cohn Auditorium in Halifax, promises unique interpretations of seasonal classics from country to operatic, to innovative blends of traditional with contemporary.

Founder Tom Jackson, C.C., LL.D., takes the stage with an extraordinary 6 piece-band, featuring guest performances from Measha Brueggergosman-Lee, Shannon Gaye, Natalie MacMaster and Donnell Leahy, Beverley Mahood, Loreena McKennitt, Andrea Menard, and PIQSIQ. Sing along with this exuberant audience vocally led by the Halifax Camerata Singers.

CTV/CW Network stars from Sullivan’s Crossing – Morgan Kohan, Chad Michael Murray and Scott Patterson – bring greetings and direct viewers on how to donate to the Canadian Red Cross.

“Producing The Huron Carole – Angels Without Wings – live at the Rebecca Cohn Auditorium with broadcasters alongside, comes full circle from our first 1997 CBC-TV production at the same location. Along with the posterity, the show demonstrates our love for community, music, and action raising money for the Canadian Red Cross and their emergency management fund. The perfect storm of love!” says Jackson.

The ‘Angels Without Wings’ are bringing an evening of joy—and now, audiences and viewers can help make a life-saving difference. By supporting Emergency Management at the Canadian Red Cross, Canadians can play a critical role in protecting the country’s most vulnerable during times of crisis.

  • Between April 2023 and March 2024, the Canadian Red Cross supported over 81,000 people across Canada in the aftermath of emergencies.
  • During the same period, 50,500 essential relief items—including cots, blankets, teddy bears, hygiene kits, and more—were distributed to those in need post-disaster.
  • The Government of Canada estimates that every dollar invested in pre-disaster preparedness and risk reduction saves up to $15 in post-disaster response and recovery costs.

By contributing to the Red Cross, audiences enable proactive measures before the next disaster occurs, increasing the organization’s ability to respond effectively. Donations help train emergency management volunteers and pre-position vital supplies—such as clean-up kits, comfort kits, baby supplies, blankets, clothing, food, and water—across the country, ensuring faster and more efficient responses.

When disaster strikes, specially trained Red Cross Disaster Teams are on the ground immediately, providing critical relief and ongoing support to those affected. This includes not only meeting immediate needs but also assisting with long-term recovery from emotional and financial stress caused by evacuation and loss.

CRC is recognized, trusted, and for decades, has been at the forefront of Canada’s largest and most important emergency operations – from the evacuation of entire communities due to floods and wildfires, to major industrial disasters.

Most Canadians never expect a disaster to happen to them.

DONATE NOW
Secure Link to Red Cross web site:
https://www.redcross.ca/disasterscanada/HuronCarole
Text ANGELS to number 30333 to donate $10

Watch The Huron Carole on CTV

  • On CTV2
    Sunday, Dec. 22 at 7:00pm EST
  • On CTV Ottawa
    Saturday, Dec. 28 at 9:30am EST
    Sunday, Dec. 29 at 9:00am EST
  • On CTV2 Ottawa
    Saturday, Dec. 28 at 10:00am EST
  • On CTV Northern Ontario
    Sunday, Dec. 29 at 9:00am EST
  • On CTV Toronto
    Sunday, Dec. 29 at 9:00am EST
  • On CTV2 Toronto
    Tuesday, Dec. 24 at 8:30am EST

Watch The Huron Carole on ATPN

  • Friday, Dec. 20 at 11:00am EST/8:00am PST
  • Saturday, Dec. 21 at 3:00am EST/12:00am PST
  • Saturday, Dec. 21 at 7:00pm EST/4:00pm PST
  • Monday, Dec. 23 at 11:30am EST/8:30am PST
  • Monday, Dec. 23 at 3:00am EST/12:00am PST
  • Tuesday, Dec. 24 at 9:30pm EST/6:30pm PST
  • Wednesday, Dec. 25 at 2:00pm EST/11:00am PST
  • Thursday, Dec. 26 at 1:00amEST/10:00pm PST* (Dec. 25)

Watch on Eastlink Community TV, Channel 10/610

  • Monday, Dec. 23 at 8:00pm AST
  • Tuesday, Dec. 24 at TBA AST (NS region only)
  • Wednesday, Dec. 25 at TBA AST (NS region only)

On APTN Lumi

  • Stream on your own time. Go to watchaptnlumi.ca and start your free trial today! Unlimited access to all programming is $4.99/month.

2024 marks 37 years of Tom’s storied steps into humanitarian efforts that have resulted in coordinating more than $250 million in funds and in-kind services to an abundance of charities and relief organizations including food banks, women’s shelters, mental health programs and other initiatives in the communities he visits coast to coast.

1...1,0121,0131,014...3,029Page 1,013 of 3,029

Follow us on Instagram @thatericalper

That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

Popular posts

Popular category

© Copyright - That Eric Alper