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Red Stag Casino Australia

Eric Alper
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By Mitch Rice

Amusement and recreation on the Internet have long been a part of many users’ leisure time. User-friendly interfaces, transparent terms and conditions and a large number of available opportunities allow everyone to choose what is really interesting. Here you can find different genres for every taste: from classic slots to modern variants of table entertainment.

 

Red Stag Casino attracts attention thanks to the ease of access and a wide range of available categories. Bonus offers and regular promotions for new and regular accounts deserve special attention. Support for traditional and modern deposit methods allows you to choose a convenient way of transactions, and security is confirmed by an international license. Optimization for mobile devices makes it easy to enjoy your favorite variants anytime and from anywhere.

Game selection

The variety of categories allows everyone to find the right entertainment. The range includes both classic three-reel machines and modern multi-line slots with bonus rounds. Popular titles like Cleopatra’s Pyramid II, Mystic Gems and Cash Cow will please with bright design and dynamic process. The section with video slots is regularly updated with new variants, keeping the relevance and interest.

 

Fans of table genres will appreciate the presence of different versions of blackjack, roulette and baccarat. European and American variants of roulette allow you to choose the appropriate rules, and numerous modifications of blackjack expand the possibilities for tactical play. In addition to the classic formats, there are lesser-known variants that add variety to the overall selection.

 

Red Stag Casino also includes video poker with several popular scenarios. Formats like Jacks or Better, Deuces Wild and Aces and Faces are suitable for beginners and experienced players alike. A separate category includes simple entertainment such as keno, bingo and scratch cards. These options are suitable for those who are looking for dynamics and a minimum number of rules.

Payment Methods

A variety of ways to deposit and receive winnings makes using the site convenient for users. Among the supported options are bank cards Visa, MasterCard and American Express. You can also use e-wallets such as Skrill and Neteller, and for those who prefer anonymous and fast transfers, there are cryptocurrency solutions like Bitcoin and Litecoin. Popular prepaid cards including Neosurf and Paysafecard add an extra layer of flexibility.

 

Red Stag Casino provides transparent transactions through state-of-the-art data security methods. All deposits are processed instantly, while withdrawal times depend on the method chosen and usually take between a few hours and a few business days. Users also have the option to use bank transfers and even checks in some cases. Regardless of preferences, everyone will be able to find the best way to conduct financial transactions.

Support service

Effective technical assistance guarantees comfort when using the site. Specialists are ready to promptly answer questions and help solve any difficulties. For communication there is a 24-hour online chat, where you can get a quick answer in real time. For those who prefer a more formal approach, an e-mail address is available, where requests are processed in the order they are received. 

 

Red Stag Casino also provides the option of telephone support, which is especially convenient for discussing issues in detail. Regardless of the chosen method of communication, the operators are characterized by professionalism and friendly attitude. All inquiries are dealt with as quickly as possible, and the information provided is always accurate and useful. This approach helps to maintain a high level of trust and loyalty of users.

Mobile compatibility

Modern technology makes it easy to access entertainment via smartphones and tablets. Full optimization for mobile devices preserves the quality of graphics and stability of work on any screen. Convenient layout of sections and controls makes navigation simple and clear even on small displays. Thanks to this, you can launch your favorite categories at any convenient time without the need to use a computer.

 

Red Stag Casino does not require the installation of additional applications, as all functions are available through the browser. The mobile version supports all categories including slots, table entertainment and video poker. The technical specifications and connection quality do not affect the download speed, which allows you to enjoy the process without delays. This approach creates a comfortable environment for those who prefer to play on the road or in their free time.

Advantages of the platform

A wide range of entertainment allows you to find a suitable option for each user. The assortment includes slots, table and card categories, as well as video poker and additional fast formats. Transparent conditions and regular promotions create additional opportunities for bonuses and gifts. Technical support is available around the clock to help resolve issues promptly and provide detailed advice.

 

Red Stag Casino provides reliability thanks to an international license and modern data protection technologies. Convenient transaction methods including cards, electronic services and popular prepaid solutions make the process fast and secure. The mobile version is fully optimized, which allows you to use all functions on smartphones and tablets. This approach creates an environment where comfort and quality come first.

Conclusion

A wide range of options, a convenient support system and transparent conditions make the use of the site comfortable. Regardless of preferences, everyone will be able to find a suitable format for recreation and entertainment. A variety of categories and regular promotions create additional advantages, allowing you to combine pleasure with favorable offers.

Red Stag Casino stands out for its quality approach to security and user service. Flexibility in the choice of methods for depositing and receiving winnings simplifies interaction with the site. Support on mobile devices helps you always stay in touch with your favorite categories. Thanks to this approach, the time spent here leaves only positive impressions.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

‘Becoming Led Zeppelin’ Unveils the Band’s Meteoric Rise in First Trailer for Official Film

Eric Alper
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‘Becoming Led Zeppelin’ Unveils the Band’s Meteoric Rise in First Trailer for Official Film

Becoming Led Zeppelin explores the origins of this iconic group and their meteoric rise in just one year against all the odds. Powered by awe-inspiring, psychedelic, never-before-seen footage, performances, and music, Bernard MacMahon’s experiential cinematic odyssey explores Led Zeppelin’s creative, musical, and personal origin story. The film is told in Led Zeppelin’s own words and is the first officially sanctioned film on the group.

Becoming Led Zeppelin will arrive at 200 IMAX theaters on Friday, Feb. 7. Two days earlier, a special early access screening will be held in 18 cites. Tickets for both dates are available now at IMAX.com.

The Best Music Box Sets Of 2024

Eric Alper
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The Best Music Box Sets Of 2024

For the music lover in your life with an ear for classics and a craving for discovery, this year’s multidisc sets are the ultimate gift. From legendary live performances to career-defining reissues, these collections offer a backstage pass to some of the most pivotal moments in music history. Whether it’s unraveling the raw brilliance of Bob Dylan’s 1974 tour, grooving to the Beastie Boys’ timeless beats, or diving into Miles Davis’ groundbreaking quintet, each set is treasure hunt through artistry at its finest. So grab your headphones (or your turntable), because these multidisc treasures are ready to make this holiday season one for the ages!

Beastie Boys, ‘Ill Communication: 30th Anniversary’
A deluxe celebration of the Beastie Boys’ genre-defying opus includes remastered tracks, live recordings, and rarities like the funky “Sure Shot” and explosive “Sabotage,” capturing their boundary-pushing genius.

Bob Dylan & The Band, ‘The Live 1974 Recordings’
This 27-CD set captures Dylan’s first tour in eight years with The Band, showcasing expansive renditions of classics like “Gates of Eden” and “It’s Alright, Ma (I’m Only Bleeding).” A mix of raw energy and vocal wear, it chronicles the evolution of his live performances.

Elvis Costello, ‘King of America & Other Realms’
This six-disc anthology explores Costello’s proto-Americana phase, blending rootsy classics like King of America with rare live tracks and collaborations, showing his seamless versatility in genres from rockabilly to bluegrass.

John Lennon, ‘Mind Games: The Ultimate Collection’
This six-CD, two-Blu-ray set, produced by Sean Ono Lennon, deconstructs Lennon’s Mind Games with remixes, stripped-down tracks, and raw studio sessions, revealing new layers to his introspective masterpiece.

Miles Davis, ‘Miles in France – Miles Davis Quintet 1963/64: The Bootleg Series, Vol. 8’
This eight-LP set showcases Davis’ “Second Great Quintet” exploring bold, high-contrast arrangements. Performances from Antibes and Paris illustrate the group’s transformation with George Coleman and later Wayne Shorter on saxophone.

The Beatles, ‘The Beatles: 1964 U.S. Albums in Mono’
This collection restores the Fab Four’s early American releases to their original mono fidelity, offering a nostalgic dive into U.S.-exclusive albums like Meet the Beatles and Something New, now free from Capitol’s infamous “pseudo-stereo” tweaks.

The Grateful Dead, ‘Friend of the Devils: April 1978’
This limited-edition box includes eight previously unreleased shows from the band’s spring 1978 tour, featuring groundbreaking live staples like “Drums>Space” and iconic transitions between “Scarlet Begonias” and “Fire on the Mountain.”

The Police, ‘Synchronicity 40: Super Deluxe’
This six-disc set dives into demos, alternate versions, and live recordings of The Police’s landmark album. With detailed insights into their creative process, it highlights the band’s journey to achieving musical synchronicity.

Talking Heads, ‘Talking Heads: 77 (Super Deluxe Edition)’
The band’s groundbreaking debut is reimagined in a deluxe set featuring alternate takes, rare singles like “Love Goes to Building on Fire,” and a sizzling live performance at CBGB, accompanied by a richly detailed 80-page book.

Weezer, ‘Blue Album: 30th Anniversary Edition’
Weezer’s iconic debut is expanded with early demos, live tracks, and acoustic versions, revealing the band’s creative process. Highlights include a live cover of the Cars’ “Just What I Needed” and a raw take on “Jamie.”

Why Christmas Songs From Mariah Carey, Wham!, Brenda Lee, Bobby Helms, Burl Ives, and Andy Williams Chart Year After Year

Eric Alper
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0
Why Christmas Songs From Mariah Carey, Wham!, Brenda Lee, Bobby Helms, Burl Ives, and Andy Williams Chart Year After Year

Every December, the Billboard Hot 100 Top 40 sees a wave of older Christmas classics reclaiming their spots on the charts, with songs by Mariah Carey, Wham!, Brenda Lee, Bobby Helms, Burl Ives, and Andy Williams leading the charge. This phenomenon isn’t just a quirk of the season but a testament to how deeply intertwined holiday music is with cultural tradition, streaming habits, and the evolution of charting metrics. These songs, some decades old, resurface annually as a cherished part of the holiday experience, transcending generations and trends.

The enduring popularity of Christmas songs lies in their ability to evoke a sense of nostalgia and connection. Tracks like “All I Want for Christmas Is You” and “Last Christmas” are more than just music—they’re fixtures of the season that accompany family gatherings, gift exchanges, and festive celebrations. Their themes of love, joy, and togetherness resonate universally, ensuring that they remain relevant regardless of the era.

Streaming platforms have revolutionized how listeners engage with music, and holiday songs are no exception. With curated playlists like “Christmas Classics” and “Holiday Hits,” platforms like Spotify and Apple Music create a direct pathway for audiences to revisit their favorite holiday tracks. The sheer volume of streams these songs accumulate in December is enough to vault them onto the charts, often outperforming newer songs that lack the same seasonal appeal.

Cultural rituals also play a significant role in the resurgence of these classics. From department stores to television commercials, Christmas music dominates public spaces during the holidays, reinforcing its association with the season. Films and media further amplify this connection by consistently featuring these tracks, introducing them to younger audiences while reigniting fond memories for older generations.

Billboard’s chart methodology further solidifies the dominance of older Christmas songs. The Hot 100 ranks tracks based on a combination of streaming, radio airplay, and sales, with streaming holding significant weight in recent years. During December, holiday songs see a predictable surge in streams that often outpaces contemporary releases, allowing them to climb the charts despite their age.

Another factor contributing to the annual return of these songs is the relative scarcity of new holiday hits. While artists occasionally release fresh Christmas tracks, they rarely achieve the same cultural resonance as the classics. The staying power of songs like Mariah Carey’s “All I Want for Christmas Is You” underscores how challenging it is to craft a holiday tune that captures the collective imagination and becomes an enduring staple.

These songs also benefit from their multigenerational appeal. They’re as beloved by those who grew up with them as they are by younger listeners discovering them through modern platforms. This cross-generational popularity ensures that they remain central to holiday celebrations, uniting listeners of all ages in shared traditions.

Ultimately, the resurgence of older Christmas songs on the charts each year is a reflection of their timeless quality and cultural significance. Far from being outdated, they’ve become an essential part of how we celebrate the season, blending nostalgia with modern listening habits to create a unique and enduring musical phenomenon. As long as the holiday spirit endures, these classics will continue to dominate December.

What to Expect from the Next Festivals in Las Vegas in 2025

Eric Alper
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0

By Mitch Rice

Las Vegas will be a very exciting city to visit in 2025 if you love festivals. Its electrifying nightlife is guaranteed to offer you a memorable experience. Whether you want to enhance your visit with good food or a live gaming session in one of the famous casinos, you can find everything your heart desires.

Here are the major Las Vegas festivals worth attending in 2025:

Electric Daisy Carnival (EDC) – May 16-18, 2025

Near the end of Spring, Las Vegas will host one of the most epic electronic music festivals on the planet. EDC will be a three-day event that features great DJs and world-class music producers.

As usual, the music will be accompanied by mesmerizing visuals, pyrotechnics, and a range of interactive art installations.

The location will be the Las Vegas Motor Speedway. Its seating capacity is around 130,000, which means that the organizers are expecting a huge crowd to attend the festival. If you’re a fan of EDM, this event should definitely be on your calendar.

Punk Rock Bowling & Music Festival – May 24-26

For those with different musical preferences, the Punk Rock Bowling & Music Festival could be exactly what they need to relax and enjoy a fantastic atmosphere.

This is another three-day event that combines live performances with other forms of entertainment. Its name speaks for itself and is not just a metaphor. There will be bowling activities as part of the show, as well as pool parties.

This festival is well-known for its intimate atmosphere and popular punk bands. It celebrates the spirit of the genre in a fun and relaxed environment. A bit of rebellion and a bit of relaxation go well together.

The key to a memorable experience is to go with friends. The city feels more alive at night than during the day, which is not something you encounter everywhere.

When We Were Young Festival – October 18

In October next year, Las Vegas will be home to the nostalgic “When We Were Young Festival”. If you want to experience Autumn in this part of the US, you should go and enjoy yourself at the Las Vegas Festival Grounds. The festival only lasts one day but it will be a day full of beautiful memories.

Among the music genres you can expect to hear are pop-punk and alternative rock. Get ready for some singalongs with legendary bands and an atmosphere that will remind you of the early 2000s.

This festival is perfect for those who are over 30 years old. You can attend it even if you’re in your early 20s but you probably won’t understand some of the musical references unless you’ve taken the time to listen to the music that was popular 25 years ago.

Other Festivals

If you’re not interested in any of the three major festivals mentioned previously, you could still travel to Las Vegas in 2025 to take part in the Holo Holo Festival, which will delight those who love reggae and Hawaiian music.

This festival will be held in the Downtown Las Vegas Events Center and will feature artists like Steel Pulse and Common Kings.

Another festival in the same spirit will be held in October. It’s called the Reggae Rise Up Festival. For those who are fans of this genre, it will be a great opportunity to discover new artists and subgenres.

Other Things To See

If you go to Las Vegas and want to take a broader look at the city, you should know that almost nowhere on Earth will you find so much entertainment in so many ways.

Of course, the city is legendary for its casinos, including the Bellagio, whose fountains are iconic. Another hub of luxury and entertainment is Caesars Palace. Or, if you prefer a place that regularly hosts big concerts and boxing events, the MGM Grand is absolutely perfect.

The city can be experienced in many forms. It all depends on your personal tastes and budget. The people who join you on this journey are also important. Depending on who’s with you, you can have more fun in some ways than others.

Whatever you do, make sure you visit the city at night, as its real face can only be discovered after the sunset.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Gotye’s Isolated Vocals For “Somebody That I Used To Know”

Eric Alper
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Gotye’s Isolated Vocals For “Somebody That I Used To Know”

Gotye’s haunting breakup anthem “Somebody That I Used to Know,” featuring Kimbra, became a global sensation upon its release in 2011. The Grammy-winning hit blends Luiz Bonfá’s 1967 instrumental “Seville” with a minimalist xylophone melody, topping charts in over 30 countries and earning multi-platinum certifications worldwide. With over 2 billion YouTube views and 2.3 billion Spotify streams, it remains a defining track of the 2010s.

Jim Carrey Sings “Silent Night” On Late Night with Conan O’Brien

Eric Alper
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Jim Carrey Sings “Silent Night” On Late Night with Conan O’Brien

Jim Carrey can’t help but get emotional when he sings “Silent Night,” but he’s determined to get through it because he’s a professional.

David Sylvian’s ‘The Good Son vs The Only Daughter’ and ‘Died in the Wool’ Debut on Vinyl

Eric Alper
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David Sylvian’s ‘The Good Son vs The Only Daughter’ and ‘Died in the Wool’ Debut on Vinyl

David Sylvian‘s ‘The Good Son Vs The Only Daughter – The Blemish Remixes’ and ‘Dyed in the Wool – Manafon Variations’ will be released on vinyl for the first time in January 2025. Initially released on Sylvian’s samadhisound label in 2005 and 2011, respectively, but were previously only available on digitally and on CD.

‘The Good Son Vs The Only Daughter’ is the nine-track companion to David’s 2003 solo album, Blemish. The record features remixes by Burnt Friedman, Sweet Billy Pilgrim, Ryoji Ikeda, Readymade FC, Yoshihiro Hanno, Tatsuhiko Asano, Akira Rabelais, Jan Bang, and Erik Honoré.

‘Dyed in the Wool’ features six songs from Sylvian’s 2009 album, ‘Manafon’, which have been reworked by modern classical composer Dai Fujikura. The album reinvents the ‘Manafon’ songs and adds new material, including “I Should Not Dare” and “A Certain Slant of Light”, poems by Emily Dickinson set to music by Sylvian and Fennesz, sung by Sylvian, both of which feature Bang & Honoré, plus two new powerful compositions by Sylvian and Fujikura.

The album also features an 18-minute stereo mix of ‘When We Return You Won’t Recognise Us’ from the 2008–09 Biennial of Canaries. Sylvian, along with Fujikura, John Butcher, Arve Henriksen, Günter Müller, Toshimaru Nakamura, and Eddie Prevost, created a semi-improvised piece for the commissioned sound installation. The piece, inspired by a genetics research article on the original inhabitants of the islands, was recorded at Air studios London and Sylvian’s own samadhisound studios in NH USA.

THE GOOD SON VS THE ONLY DAUGHTER (THE BLEMISH REMIXES)

SIDE A
1. The Only Daughter (Remixed by Ryoji Ikeda)
2. Blemish (Remixed by Burnt Friedman)
3. The Heart Knows Better (Remixed by Sweet Billy Pilgrim)
4. A Fire In The Forest (Remixed by Readymade FC)
5. The Good Son (Remixed by Yoshihiro Hanno)

SIDE B
1. Late Night Shopping (Remixed by Burnt Freidman)
2. How Little We Need To Be Happy (Remixed by Tatsuhiko Asano)
3. The Only Daughter (Remixed by Jan Bang and Erik Honoré)
4. Blemish (Remixed by Akira Rabelais)

DIED IN THE WOOL (MANAFON VARIATIONS)

LP1 SIDE A
1. Small Metal Gods
2. Died In The Wool
3. I Should Not Dare (for N.O.)
4. Random Acts of Senseless Violence

LP1 SIDE B
1. A Certain Slant of Light (for M.K.)
2. Anomaly At Taw Head
3. Snow White In Appalachia
4. Emily Dickinson

LP2 SIDE C
1. The Greatest Living Englishman (coda)
2. Anomaly At Taw Head (a haunting)
3. Manafon
4. The Last Days of December

LP2 SIDE D
1. When We Return You Won’t Recognise Us

Steely Dan’s Jazz-Pop Classic ‘Katy Lied Returns’ to Vinyl After 40 Years

Eric Alper
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0
Steely Dan’s Jazz-Pop Classic ‘Katy Lied Returns’ to Vinyl After 40 Years

Steely Dan’s sophisticated jazz pop fourth album, 1975’s Katy Lied, with such standouts as “Black Friday,” “Bad Sneakers” and “Doctor Wu,” will return to vinyl for the first time in more than forty years on January 31, 2025, via Geffen/UMe, continuing the extensive reissue program of the band’s classic ABC and MCA Records catalog. The series, which began in November 2022 with the Dan’s legendary debut LP, Can’t Buy A Thrill, is being personally overseen by founding member Donald Fagen, and returns the group’s first seven records to vinyl, most of which haven’t been available since their original release. The series will close out with 1976’s guitar-driven The Royal Scam (“Kid Charlemagne,” “The Fez”) in mid-2025.

Pre-order Katy Lied now HERE

Katy Lied has been meticulously remastered by Bernie Grundman from the original analog tapes for release as a limited edition premium 45 RPM version on Ultra High-Quality Vinyl (UHQR) from Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds. Analogue Productions is also releasing this series of titles on Super Audio CD (SACD).

UMe’s standard 33 1/3 RPM 180-gram version has been remastered by Joe Nino-Hernes at Sterling Sound from high-resolution digital files and pressed at Precision. They will be housed in reproductions of the original artwork.

The 45 RPM UHQR versions will be pressed at Analogue Productions’ Quality Record Pressings on 200-gram Clarity Vinyl, packaged in a deluxe box, and will include a booklet detailing the entire process of making a UHQR along with a certificate of inspection. Each UHQR is pressed, using hand-selected vinyl, with attention paid to every single detail of every single record. All of the innovations introduced by QRP that have been generating such incredible critical acclaim are applied to each UHQR. The 200-gram records feature the same flat profile that helped to make the original UHQR so desirable.

Led by the songwriting and virtuoso musical duo of Walter Becker and Donald Fagen, Steely Dan released an extraordinary run of seven albums on ABC Records and MCA Records from 1972 through 1980. Filled with topline musicianship, clever and subversive wordplay, ironic humor, genius arrangements, and pop hits that outshone the Top 40 of its day, their records, which were as sophisticated and cerebral as they were inscrutable, were stylistically diverse, melding their love of jazz with rock, blues, and impeccable pop songcraft.

Steely Dan’s fourth studio album, Katy Lied, released on ABC Records in March 1975, stands as a significant milestone in the band’s discography, exemplifying their unique synthesis of rock, jazz, and pop. The album was the first one recorded by Becker and Fagen after guitarist Jeff “Skunk” Baxter and drummer Jim Hodder left the group following the duo’s decision to stop touring and focus solely on studio recordings. Key tracks such as “Black Friday,” “Bad Sneakers,” and “Doctor Wu” showcase Steely Dan’s evolving sound, characterized by complex chord changes, polished studio techniques, and a rotating cast of top-tier studio musicians. This included contributions from guitarist Larry Carlton, 20-year-old drummer Jeff Porcaro, and bassist Chuck Rainey, among others. One of the most notable contributors during this era was Michael McDonald, whose distinctive backing vocals added a rich layer of harmony to several tracks, including “Bad Sneakers” and “Any World (That I’m Welcome To).” McDonald’s soulful voice became a defining element of Steely Dan’s sound during this era and added an emotional depth to the album’s sophisticated arrangements.

Katy Lied was well-received by critics and fans alike, praised for its musical complexity and lyrical wit. The album peaked at No. 13 on the Billboard 200, bolstered by the hit single “Black Friday,” which climbed to No. 37 on the Billboard Hot 100. The record’s lasting influence is evident in its enduring popularity and its continued acclaim as a high point in Steely Dan’s illustrious career. In their retrospective reviews, All Music hailed Katy Lied as “another excellent record in one of the most distinguished rock & roll catalogs of the ’70s,” while Pitchfork awarded it a 9.1 (out of 10) , declaring, “it captures Steely Dan in the thick of it all, still hungry and energized by their early burst of creativity but not taking anything for granted. Before Katy Lied, Steely Dan were a rock band, but this is the record where they became something else.”

Steely Dan helped define the soundtrack of the ’70s with hits such as “Reeling in the Years,” “Rikki Don’t Lose That Number,” “Peg,” “Deacon Blues,” “Babylon Sisters,” and “Hey Nineteen,” culled from their seven platinum albums issued between 1972 and 1980 (including 1977’s groundbreaking Aja). Both their sound and their notoriety survived the ’80s despite Walter Becker and Donald Fagen occasionally surfacing for a solo project. They reunited as Steely Dan in the early ’90s, touring successfully throughout the decade and releasing a live album in 1995 (Alive In America). In 2000, they released their multi-GRAMMY winner, Two Against Nature, and were inducted into the Rock and Roll Hall of Fame in 2001.

Katy Lied Track List (33 RPM Vinyl)
Side A
1. Black Friday
2. Bad Sneakers
3. Rose Darling
4. Daddy Don’t Live In That New York City No More
5. Doctor Wu

Side B
1. Everyone’s Gone To The Movies
2. Your Gold Teeth II
3. Chain Lightning
4. Any World (That I’m Welcome To)
5. Throw Back The Little Ones

‘Wicked: The Soundtrack’ Shatters Records to Become the Film Musical Event of the Decade

Eric Alper
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0
‘Wicked: The Soundtrack’ Shatters Records to Become the Film Musical Event of the Decade

Today, Wicked: The Soundtrack makes Billboard 200 history with the highest debut ever for a theatrical adaptation of a stage musical and debuts at #1 on the Top Album Sales, Soundtracks, and Vinyl Albums charts.  In addition, the soundtrack debut marks the biggest sales week for any soundtrack this decade.

Listen to Wicked: The Soundtrack HERE via Universal Pictures / Republic Records / Verve Records.  Universal Pictures’ Wicked is in theaters now.

Since it’s release, Wicked: The Soundtrack has received rave reviews from press and fans alike.  Billboard proclaims: “The film’s official soundtrack captures the movie magic thanks to Ariana Grande and Cynthia Erivo — co-stars, and vocal powerhouses — injecting new life into the musical’s beloved centerpieces.”  Vogue says of the soundtrack, “it delivers,” and Out Magazine declares that the album is, “just as stunning as fans expected.”

With music and lyrics by legendary Grammy and Oscar winning composer and lyricist Stephen Schwartz, Wicked: The Soundtrack includes songs performed by Emmy, Grammy, and Tony winning powerhouse and Oscar nominee Cynthia Erivo (Harriet, Broadway’s The Color Purple) as Elphaba and Grammy-winning, multi-platinum recording artist and global superstar Ariana Grande as Glinda.

In addition, the soundtrack features the musical talents of Oscar winner Michelle Yeoh as Shiz University’s regal headmistress Madame Morrible; Olivier Award winner and Emmy nominee Jonathan Bailey (Bridgerton, Fellow Travelers) as Fiyero, a roguish and carefree prince; and pop culture icon Jeff Goldblum as the legendary Wizard of Oz.

Directed by acclaimed filmmaker Jon M. Chu (Crazy Rich Asians, In the Heights), Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive in theaters on November 21, 2025

Wicked: The Soundtrack Tracklisting:
1. No One Mourns the Wicked
2. Dear Old Shiz
3. The Wizard And I
4. What Is This Feeling?
5. Something Bad
6. Dancing Through Life
7. Popular
8. I’m Not That Girl
9. One Short Day
10. A Sentimental Man
11. Defying Gravity
12. Ozdust Duet (Bonus Track) *Digital Only

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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