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Evan Rotella Channels The Great Folk Rockers With ‘Last Train Home’ Album

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The train song is one of the most time-tested traditions in North American music. Yet when it’s done right, it feels just as fresh and affecting as the very first time an itinerant bluesman rode the rails. The proud tradition continues in “Last Train Home,” the exquisitely mournful title track to Niagara Falls singer-songwriter Evan Rotella’s sophomore album.

Late-hour introspection of the kind only a vagabond lifestyle can induce, the song finds our hero heading back from another night on the eternal road, pondering what he’s learned and what’s been lost to him. Rotella’s voice crackles with self-recognition as he surveys the “thieves and cheats” that are sharing the ride with him, the “heroes and saints” who are his fellow passengers on a trip whose rituals are as routine as it is outcome is unknown.

“All ride together to find whatever awaits,” he observes, taking his place in the annals of great spokesmen for the anonymous and the disaffected.

Like the album that bears its name, “Last Train Home” relies on an appropriately spare arrangement: just one man’s voice, his acoustic guitar and a harmonica. Springsteen’s Nebraska period leaps immediately to mind—which is none too surprising, given that Rotella’s first public appearance had him singing “Born in the U.S.A.” at a school talent show when he was only six. But you can hear more than a hint of the great Bob Dylan himself in the way Rotella’s unadorned vocals echo across these new tracks, spinning tales of reckoning and contemplation that mark him as a true poet in his own right.

The seven-song album sets a new standard in Rotella’s decade-long evolution as a performer and writer. His vast creative talents were previously captured on the 2020 single “(If I Was a) Rockstar” (featuring Pittsburgh scene stalwarts guitarist Danny Gochnour on guitar and Joe Munroe on keyboards); on 2021’s “The Demo Tapes,” which brought together a bunch of acoustic numbers he had written between the ages of 12 and 14; and on his first full-length album, “Happy To Be Here” (2023), a collection of 10 original songs performed by an all-star lineup and produced by Mark Rogers (LMT Connection) and Myles Rogers (Jin The Band).

His bracingly mature output has earned Rotella a host of tributes from the public and the tastemakers alike. He’s been called “one to watch” by Billboard Canada and hailed for providing Niagara’s best entertainment in multiple years by the readers of Niagara Falls Review and Niagara This Week. A good deal of that acclaim stems from his well-earned reputation as a live performer who’s spent the past four years baring his musical soul at festivals, theatres, patios, bars and parties across the Niagara region. In that time, Rotella has opened shows for Steven Page (Barenaked Ladies), The Wilderness, Miss Emily, Honeymoon Suite, Wheatus, Stephen Stanley, Willie Nile, Joe Grushecky, Bobby Mahoney & The Seventh Son, Joe D’Urso, Southside Johnny and the legendary Steve Earle. He’s played alongside the likes of Rick Rose, Bobby Mahoney, Teenage Head’s Dave Rave and the House rockers’ Danny Gochnour. And cementing the Springsteen connection, he’s likewise graced the stage at the iconic Stone Pony in Asbury Park, New Jersey.

Rotella’s 2024 began with back-to-back residencies at Hamilton’s Casbah Lounge and The Cameron House in Toronto; the cusp of the new year sees him just active, performing solo gigs across Ontario and making another trip south of the border to his spiritual Mecca in Jersey.

Evan Rotella Tour Dates:
December 21 – Take 2 Restaurant & Bar, Fort Erie, Ontario
December 26 – Garden City Manor, St. Catharines, Ontario
December 28 –Utopia Lounge and Vintage Shoppe, Crystal Beach, Ontario
December 31 – Private house party
January 3, 2025 – StradaWest, Niagara Falls, Ontario
January 10, 2025 – Taps Brewhouse, Niagara Falls, Ontario
January 16, 2025 – Teddy’s Sports Bar, Grimsby, Ontario
January 17, 2025 – Stone Pony, Asbury Park, NJ, USA
January 19, 2025 – Watermark, Asbury Park, NJ, USA
January 24, 2025 – Strada West, Niagara Falls, Ontario
March 28, 2025 – Teddy’s Sports Bar, Grimsby, Ontario

Looks like we can expect plenty more pearls of musical wisdom from Rotella in the future. Because every visit to an adoring out-of-town crowd means another long and lonely train ride back.

Winterfolk XXIII: Celebrating 23 Years of Folk, Blues, and Roots Music in Toronto – Feb 14-16, 2025

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Winterfolk, Toronto’s beloved annual celebration of folk, blues, and roots music, returns for its 23rd year from February 14–16, 2025, at the iconic Tranzac Club. This year’s festival promises an extraordinary mix of established artists, including Michael Jerome Browne, Dala, Donné Roberts, Russell deCarle, Amanda Rheaume, and Tannis Slimmon, alongside emerging talent and community-driven performances, all set to reignite the spirit of live music and inspire audiences of all ages.

Since its inception, Winterfolk has championed the rich traditions of folk, blues, and roots music while offering a platform for emerging voices in the industry. Over the years, the festival has grown from a grassroots effort to a highly respected event that draws over 150 performers and a diverse audience annually. Beyond showcasing exceptional talent, Winterfolk creates opportunities for mentorship, collaboration, and connection within the music community.

This year’s festival focuses on rebuilding and revitalization, presenting a lineup that combines iconic performers with fresh, youthful energy to ensure the continued evolution of roots music. According to Winterfolk founder Brian Gladstone, “Amid declining resources and shrinking audiences, Winterfolk is focused on rebuilding for a sustainable and vibrant future by presenting young emerging talent—a voice from the future that ensures the evolution and vitality of roots music.”

Highlights of Winterfolk XXIII

  • Opening Night – Friday, February 14, 2025: Celebrate Valentine’s Day with “Valentine Voices: A Night of Female Power,” featuring performances by Lynn Miles, Melanie Peterson, and more artists to be announced.
  • Saturday, February 15, 2025: A full day of music, including fan-favorite artists DALA, Robert Priest, Tannis Slimmon, Noah Zacharin, Lynn Harrison, Brian Gladstone, and Laura Fernandez, as well as “The Blues of Winterfolk” showcase starring Toronto Blues Society rising star Jesse Greene and friends. Additional workshops and guitar sessions will round out the day.
  • Sunday, February 16, 2025: The festival shines a spotlight on community music organizations and talent like Ken Whiteley, Michael Jerome Browne, Amanda Rheaume, providing a glimpse into the past and future of folk, blues, and roots music.
  • Winterfolk XXIII’s lineup features a mix of celebrated names and rising stars, including Michael Jerome Browne, Donné Roberts, Russell deCarle, Dala, Amanda Rheaume, Tannis Slimmon & Lewis Melville, Harpin’ Norm Lucien, Jesse Greene, and many more.
    In addition to its artist showcases, Winterfolk is partnering with local organizations such as the Toronto Folk Festival, Brampton Folk Festival, and Seneca College Music Program to amplify their work and foster greater collaboration within the music community.

Beyond performances, Winterfolk XXIII offers workshops, seminars, and discussions designed to engage audiences on a deeper level. These activities provide opportunities to learn about the rich history of roots music and connect with the vibrant Toronto music scene.

Like many festivals, Winterfolk faces challenges as it continues to recover from the pandemic. Despite a low-budget year, all signs point to success as audiences, sponsors, and grants steadily return. Gladstone remains optimistic: “It takes a community to build a festival, and Winterfolk’s success has been a true partnership with our fans, audiences, artists, and supporters. Together, we’ve grown the festival, enriched the roots music scene, and strengthened the Toronto music community.”

Event Details

  • Dates: February 14–16, 2025
  • Location: Tranzac Club, 292 Brunswick Avenue, Toronto, ON
  • Times:
    • Friday, February 14: 7:00 PM – 11:00 PM
    • Saturday, February 15: 12:00 PM – 11:00 PM
    • Sunday, February 16: 12:00 PM – 9:00 PM

Winterfolk XXIII invites music lovers, families, and friends to experience three unforgettable days of live music, community connection, and cultural celebration. Whether you’re a longtime fan or discovering the festival for the first time, Winterfolk offers something truly special for everyone.

For tickets and more information, visit Winterfolk’s Official Website.

Winterfolk XXIII is proudly presented with the support of local partners, artists, and volunteers who share a passion for keeping the spirit of folk, blues, and roots music alive.

Markham Jazzlicious WinterFest Unveils Details of 2025 Festival

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Destination Markham proudly announces the return of the wildly popular Markham Jazzlicious WinterFest for its third year. Building on the success of the sold-out 2023 and 2024 editions, this year’s series promises even more memorable evenings celebrating the vibrant culinary and musical culture of the City of Markham. With six events planned from late January to March 2025, Markham Jazzlicious WinterFest continues to grow as a must-attend cultural experience in the Greater Toronto Area.

2025 Event Schedule:

  • Series 1: January 21–25 | 2x-time JUNO Award nominee Alex Bird & The Jazz Mavericks at SMASH Kitchen & Bar
  • Series 2: January 28–February 1 | 3x-time JUNO Award nominee Jill Barber at Essence of Unionville, Hilton Toronto/Markham
  • Series 3: February 4–8 | 2x-time JUNO Award nominee Tanika Charles at Laz Authentic Cuisine
  • Series 4, 5 & 6: Details coming soon!

“Jazzlicious WinterFest has really become one of Markham’s most talked-about events,” says Markham Mayor Frank Scarpitti. “What started as a way to support Markham’s local dining scene during the quiet season has turned into a can’t-miss experience, highlighting our world-class chefs and some of the best jazz musicians in Canada. We’re excited to welcome both residents and visitors for another unforgettable season.”

“We’re thrilled to see Markham Jazzlicious WinterFest continue to grow,” says Andrew Baldwin, Executive Director, Destination Markham Corporation. “This festival represents everything that makes Markham unique – the intersection of culinary excellence and cultural richness. We are proud to create a platform that draws visitors and spotlights Markham as a premier destination for unforgettable experiences.”

Culinary Highlights:

  • Hosted at SMASH Kitchen & Bar, guests will enjoy an exceptional menu crafted by Executive Chef Isaac Co, perfectly complementing the evening’s performances.
  • Essence of Unionville, located in the Hilton Toronto/Markham Suites, will feature a menu by Executive Chef Jitin Gaba, enhancing the soulful sounds of the evening.
  • At Laz Authentic Cuisine, guests will be treated to a spectacular meal prepared by Executive Chef and Owner Diakhia Lezama, paired with outstanding jazz performances.

Whether you’re a jazz enthusiast or simply love good food and great company, Markham Jazzlicious WinterFest is your perfect escape from the ordinary. Venture just north of Toronto’s downtown core to discover why Markham is rapidly becoming one of the GTA’s premier culinary and cultural destinations.

Markham Jazzlicious WinterFest is produced by Destination Markham Corporation in collaboration with the Markham Jazz Festival, and in partnership with Cosmo Music, Flato Markham Theatre, JAZZ.FM91 radio and, with funding provided by the Government of Canada, through the Federal Economic Development Agency for Southern Ontario (FedDev Ontario), Experience Ontario and Central Counties Tourism.

The perfect holiday gift, the 2025 edition of the Markham Jazzlicious WinterFest will now feature six musical and culinary pairings at signature venues across the city. Guests will be treated to a night of delicious meals prepared by some of Markham’s top chefs and live jazz performances by some of Canada’s brightest stars.

Tickets for the 2025 Markham Jazzlicious WinterFest are now on sale. For further information and to pre-register for series tickets, visit jazzlicious.ca.

About Destination Markham: Destination Markham Corporation (DMC) is an arm’s length municipal corporation launched in April 2020 as the destination management organization (DMO) for the City of Markham. Its purpose is to promote Markham as a remarkable destination for visitors, including tourists, sport and festival attendees, meeting and conference delegates, and business travellers. The key tourism objectives are to research, develop, market, and grow Markham’s tourism/visitor economy. This initiative will collaborate with Markham’s hotel industry, festival-event conference-travel planners, attraction operators, cultural institutions, sports tourism promoters, entertainment and recreation providers, food service businesses and the City of Markham. Learn more at visitmarkham.ca.

About FedDev Ontario: For 15 years, the Government of Canada, through FedDev Ontario, has worked to advance and diversify the southern Ontario economy through funding opportunities and business services that support innovation, growth and job creation in Canada’s most populous region. The Agency has delivered impressive results, which can be seen in southern Ontario businesses that are creating innovative technologies, improving productivity, growing revenues, creating jobs, and in the economic advancement of communities across the region. Learn more about the impacts the Agency is having in southern Ontario by exploring our investment profiles, our Southern Ontario Spotlight, and FedDev Ontario’s X, Facebook, Instagram and LinkedIn.

5 Surprising Facts About Kate Bush’s ‘Hounds Of Love’

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Listening to Kate Bush’s Hounds of Love an experience that’s continued to win new fans since 1985. With its blend of ethereal sounds, emotional depth, and groundbreaking production, it’s no surprise that it remains a beloved masterpiece.

1. Running Up That Hill Almost Had a Completely Different Name
The lead single, “Running Up That Hill,” was initially titled “A Deal with God.” Kate Bush envisioned the song as a poignant exploration of gender empathy—a man and a woman making a deal with God to exchange places for better understanding. However, EMI Records worried that the religious reference might limit its airplay. Reluctantly, Bush agreed to change the title, but she always felt that the original title truly captured the song’s essence. Despite its initial release in 1985, the song gained a new generation of fans when it topped charts globally in 2022, thanks to Stranger Things.

2. The Dreamlike Inspiration Behind Cloudbusting
Inspired by Peter Reich’s memoir A Book of Dreams, “Cloudbusting” tells the story of the controversial psychologist Wilhelm Reich through the eyes of his son. The song’s narrative captures a child’s awe and heartbreak as he watches his father’s dream—his cloudbusting machine—fall victim to government raids. The music video, featuring Donald Sutherland, brought this poignant tale to life with cinematic visuals. Kate’s decision to cast Sutherland reportedly involved her sneaking into his hotel to personally pitch the idea!

3. The Ninth Wave Is a Concept Album Within an Album
Side two of Hounds of Love, titled The Ninth Wave, is a seven-track conceptual suite that tells the harrowing and ethereal story of a woman adrift in icy waters. Drawing on themes of survival, death, and rebirth, it’s an immersive narrative journey that feels cinematic in its scope. Bush layered sound effects, traditional Irish instruments, and choral arrangements to create an otherworldly atmosphere.

4. The Famous Fairlight CMI Synthesizer Was Front and Center
Kate Bush was one of the first artists to master the Fairlight CMI, a revolutionary synthesizer and sampler. She used it extensively on Hounds of Love, particularly on “Running Up That Hill” and other tracks, to create lush soundscapes that were ahead of their time. The album is a testament to Bush’s ability to fuse cutting-edge technology with deeply human emotions, a balance few artists have achieved so seamlessly.

5. The Album Launch Party Was Out of This World—Literally
When Hounds of Love was released on September 16, 1985, its launch party was held at the London Planetarium. Guests were treated to a playback of the album accompanied by a mesmerizing laser show—a fittingly celestial celebration for an album that feels like it came from another world. The theatricality and innovation of this event mirrored the album’s bold artistic vision, setting the tone for its critical and commercial success.

Hounds of Love redefined what pop music could achieve, blending avant-garde experimentation with chart-topping accessibility. Its themes of empathy, resilience, and artistic vision resonate as profoundly today as they did in 1985, offering a blueprint for how music can push boundaries while remaining deeply personal.

My Next Read: “Mixing Pop and Politics: A Marxist History of Popular Music” by Toby Manning

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From rock’n’roll to contemporary pop, Mixing Pop and Politics by Toby Manning is a provocative and entertaining mash-up of music and Marxist theory. A radical history of the political and social upheavals of the last 70 years, told through the period’s most popular music.

Mixing Pop and Politics is not a history of political music, but a political history of popular music. Spanning the early 50s to the present, it shows how, from doo-wop to hip-hop, punk to crunk and grunge to grime, music has both reflected and resisted the political events of its era.

Mixing Pop and Politics explores the connections between popular music and political ideology, whether that’s the liberation of rock’n’roll or the containment of girl groups, the refusal of glam or the resignation of soft rock, the solidarity of disco or the individualism of 80s pop.

At a time when reactionary forces are waging political war in the realm of culture, and we’re being told to keep politics out of music, Mixing Pop and Politics is a timely, original and joyful exploration of popular music’s role in our society.

My Next Read: “Like Lockdown Never Happened” By Joy White Looks At How Black Music and Culture Redefined the Pandemic Era

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In Like Lockdown Never Happened, Joy White explores the profound impact of Black music and culture during the pandemic, revealing how it became a beacon of resilience and connection in a socially distanced world. From the explosion of online events to groundbreaking creative expressions, the book highlights the cultural moments that defined this era, such as Kano’s Newham Talks, Steve McQueen’s BBC anthology Small Axe, the Verzuz DJ Battle series, TikTok’s Don’t Rush Challenge, and the rise of radio station TheresNoSignal.

The book delves into how Black joy and sonic Black geographies played a pivotal role in shaping the cultural narrative of the pandemic. By examining the interplay of chronological and kairotic time, it underscores the role of Black music in combating isolation and boredom while offering insights into the power of Black creativity to sustain communities through unprecedented challenges. Rich in analysis and cultural depth, Like Lockdown Never Happened is essential reading for anyone interested in music, culture, and how art helps us navigate crisis.

Joy White is Lecturer in Applied Social Studies at the University of Bedfordshire and the author of Urban Music and Entrepreneurship: Beats, Rhymes and Young People’s Enterprise and Terraformed: Young Black Lives in the Inner-City. She has also written for The Quietus, The Conversation, Prospect, Red Pepper and Google Arts & Culture.

My Next Read: “Instrument of War” by David Suisman

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Since the Civil War, music has coursed through the United States military. Soldiers have sung while marching, listened to phonographs and armed forces radio, and packed the seats at large-scale USO shows. “Reveille” has roused soldiers in the morning and “Taps” has marked the end of a long day. Whether the sounds came from brass instruments, weary and homesick singers, or a pair of heavily used earbuds, where there was war, there was music, too.

Instrument of War by David Suisman is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence.

Whether it involves chanting “Sound off!” in basic training, switching on a phonograph or radio, or cueing up an iPod playlist while out on patrol, the sound of music has long resonated in soldiers’ wartime experiences. Now we all can finally hear it.

David Suisman is associate professor of history at the University of Delaware. He is the author of Selling Sounds: The Commercial Revolution in American Music, winner of numerous awards and honors, and co-editor of Capitalism and the Senses and Sound in the Age of Mechanical Reproduction.

Alice Cooper’s Solid Rock Teen Centers Unveil “My Christmas List” Lyric Video Featuring Rob Halford and Brandon Jenner

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Alice Cooper’s Solid Rock Teen Centers and the Rock For Children team are spreading holiday cheer with the release of a lyric video for “My Christmas List,” a standout track from the GRAMMY-nominated album Solid Rock Revival. Featuring the legendary vocals of Rob Halford, Alice Cooper, and Brandon Jenner, this festive tune promises to be both captivating and uplifting. Written by Dana Kamide, the song embodies a message of hope, change, and positivity. Other artists on the album include icons like Slash, Daryl “DMC” McDaniels, and 123 Andres, all contributing their talents to benefit a cause dedicated to empowering youth. Every purchase of the album directly supports the Solid Rock Teen Centers, which provide free after-school programs in music, dance, art, and vocational training to teens aged 12–20 in Arizona.

The Rock For Children initiative is presented by The Norelli Family Foundation in partnership with Alice Cooper’s Solid Rock Teen Centers. The foundation works tirelessly to improve children’s lives by fostering creativity, personal growth, and artistic excellence in a supportive environment. Located in Mesa, Phoenix, and Goodyear, Arizona, these centers are more than just places to learn—they are vibrant hubs for teens to discover and express their talents while connecting with peers. With proceeds from Solid Rock Revival funding these vital programs, this collaboration is a perfect blend of music and philanthropy, ensuring that the next generation has the tools and support to thrive. Listen to “My Christmas List” and join the movement to make a meaningful difference this holiday season.

Gene Simmons Extends 2025 Tour Across North America

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Gene Simmons is proving that the stage really is where he belongs! The KISS cofounder and legendary rock icon has extended his 2025 tour with the Gene Simmons Band, adding even more dates to an already exciting spring lineup. Kicking off April 5th in Rohnert Park, CA, at The Event at Graton Resort & Casino and wrapping up May 24th at Houston’s House of Blues, this tour promises to be a rock-and-roll masterclass. Simmons and his band will hit iconic venues across North America, ensuring fans from Florida to Ontario get their fix of his signature style. With stops in cities like Nashville, Clearwater, and Niagara Falls, the Demon himself is bringing the fire to fans across the continent. Get ready, because Gene Simmons isn’t just touring—he’s taking over.

Gene Simmons Band 2025 Tour Dates
04/05 – The Event at Graton Resort & Casino – Rohnert Park, CA
04/25 – Ruth Eckerd Hall – Clearwater, FL
04/26 – Fillmore – Miami Beach, FL
04/28 – The Moon – Tallahassee, FL
04/29 – Florida Theater – Jacksonville, FL
04/30 – Hard Rock Live – Orlando, FL
05/03 – Beaver Dam Amphitheater – Beaver Dam, KY
05/05 – Basie – Red Bank, NJ
05/06 – Wellmont – Montclair, NJ
05/08 – Wind Creek Casino – Bethlehem, PA
05/09 – Paramount – Huntington, NY
05/15 – Fallsview Casino – Niagara Falls, ON
05/20 – Brown County Music Center – Nashville, IN
05/22 – House of Blues – Dallas, TX
05/23 – Tobin Center – San Antonio, TX
05/24 – House of Blues – Houston, TX

Federal Trade Commission Announces Bipartisan Rule Banning Junk Ticket and Hotel Fees

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The Federal Trade Commission today announced a final Junk Fees Rule to prohibit bait-and-switch pricing and other tactics used to hide total prices and bury junk fees in the live-event ticketing and short-term lodging industries. These unfair and deceptive pricing practices harm consumers and undercut honest businesses.

“People deserve to know up-front what they’re being asked to pay—without worrying that they’ll later be saddled with mysterious fees that they haven’t budgeted for and can’t avoid,” said FTC Chair Lina M. Khan. “The FTC’s rule will put an end to junk fees around live event tickets, hotels, and vacation rentals, saving Americans billions of dollars and millions of hours in wasted time. I urge enforcers to continue cracking down on these unlawful fees and encourage state and federal policymakers to build on this success with legislation that bans unfair and deceptive junk fees across the economy.”

The Junk Fees Rule will ensure that pricing information is presented in a timely, transparent, and truthful way to consumers of live-event tickets and short-term lodging, two industries whose pricing practices the Commission has studied in particular. Consumers searching for hotels or vacation rentals or seats at a show or sporting event will no longer be surprised by a pile of “resort,” “convenience,” or “service” fees inflating the advertised price. By requiring up-front disclosure of total price including fees, the rule will make comparison shopping easier, resulting in savings for consumers and leveling the competitive playing field.

The Commission launched this rulemaking in 2022 by requesting public input on whether a rule could help eliminate unfair and deceptive pricing tactics. After receiving more than 12,000 comments on how hidden and misleading fees affected personal spending and competition, the FTC announced a proposed rule in October 2023 and invited a second round of comments. The Commission received more than 60,000 additional comments which it considered in developing the final rule announced today.

The FTC estimates that the Junk Fees Rule will save consumers up to 53 million hours per year of wasted time spent searching for the total price for live-event tickets and short-term lodging. This time savings is equivalent to more than $11 billion over the next decade.

The Final Rule

The final rule targets specific and widespread unfair and deceptive pricing practices in the sale of live-event tickets and short-term lodging, while preserving flexibility for businesses. It does not prohibit any type or amount of fee, nor does it prohibit any specific pricing strategies. Rather, it simply requires that businesses that advertise their pricing tell consumers the whole truth up-front about prices and fees.

To accomplish this, the Junk Fees Rule requires that businesses clearly and conspicuously disclose the true total price inclusive of all mandatory fees whenever they offer, display, or advertise any price of live-event tickets or short-term lodging. Businesses cannot misrepresent any fee or charge in any offer, display, or ad for live-event tickets or short-term lodging.

In addition, the rule requires businesses to display the total price more prominently than most other pricing information. This means that the most prominent price in an ad needs to be the all-in total price—truthful itemization and breakdowns are fine but should not overshadow what consumers want to know: the real total.

Finally, the rule requires businesses that exclude allowable fees up front to clearly and conspicuously disclose the nature, purpose, identity, and amount of those fees before consumers consent to pay. For instance, businesses that exclude shipping or taxes from the advertised price must clearly and conspicuously disclose those fees before the consumer enters their payment information.

Industries beyond live-event ticketing and short-term lodging are prohibited from deceiving consumers about fees and pricing per longstanding law. The FTC will use its law enforcement authority to continue to rigorously pursue bait-and-switch pricing tactics, such as drip pricing and misleading fees, in other industries through case-by-case enforcement.

The Commission vote approving publication of the final rule was 4-1, with Commissioner Andrew Ferguson dissenting. Chair Lina M. Khan issued a separate statement, as did Commissioner Rebecca Kelly Slaughter. Commissioner Melissa Holyoak issued a concurring statement and Commissioner Andrew Ferguson issued a dissenting statement. The final rule will become effective 120 days after its publication in the Federal Register.

The primary staffers leading development of the final rule are Annette Soberats, Stacy Cammarano, and Karen Mandel in the FTC’s Bureau of Consumer Protection.