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Acclaimed Vocalist Jenna Esposito Releases New Album ‘The Sixties Chicks’ Celebrating Pop, Power, and Women’s Voices

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Acclaimed vocalist Jenna Esposito, hailed as the voice of Little Italy and a powerhouse of American cabaret and pop, announces her new album ‘The Sixties Chicks’, out now on Good Fortune Records. It’s a vibrant salute to pop’s heroines and a celebration of women leading today’s charts.

“This record is my love letter to the women who raised me through their records,” says Esposito. “I wanted every track to feel like a pep talk, a party, and a permission slip to be loud, bold, and fully yourself.”

Built on radiant harmonies, punchy brass, and feel-good grooves, the album blends classic pop sensibilities with a modern sparkle. Esposito upgrades vintage textures with today’s energy—catchy hooks, widescreen arrangements, and a wink of New York sass.

“Far’ L’Amore Con Te” leads the charge with heart-in-throat romance and cinematic sweep as a standalone teaser ahead of the new record. Originally penned by Ernest Rossi as a love song for his wife, the track shines with Jenna’s soaring vocal and a timeless melody that feels both classic and immediate. While not part of the forthcoming album, the song is being boosted as a single to build momentum for the release — and with the original version now just past its 10-year anniversary (first released August 25, 2015), it also carries the weight of a special re-launch moment.

Produced by Jenna Esposito and Fortune Esposito, the album features an all-star ensemble: Fortune Esposito (guitar), David Crone (piano/keyboard), Charles Broelmann (drums/percussion), Frank Petrocelli (tenor sax), Kelly Esposito-Broelmann (backup vocals), Rob Langeder (backup vocals), Pete Spina (tenor sax), Nick Vallerio (tenor sax), Christopher Rinaman (trombone), Bob Gravener (trumpet), and Chip M. Fabrizi (percussion).

As women continue to redefine pop from the ground up, Esposito’s ‘The Sixties Chicks’ adds momentum—amplifying stories of resilience, joy, and sisterhood. The result is a record that nods to the past while pushing the present forward.

“I tracked these songs with the same spirit I take onstage—open-hearted, a little mischievous, and totally in the moment,” Jenna adds. “We chased performances that felt alive, where you can hear the grin, the grit, and the goosebumps.”

Born in Middletown, NY and based in Brooklyn, Esposito made her New York nightclub debut in 2004 and has since headlined storied rooms including Birdland and Feinstein’s/54 Below, shared stages with legends, and earned acclaim for her tributes to Connie Francis, Dean Martin, and The Great Italian-American Songbook.

Her discography spans ’13 Men… and Me!’, ‘To Connie… Love, Jenna’, ‘That’s Amore: Songs from the Great Italian-American Songbook’, and ‘More Amore’. Recent highlights include a world-finalist nod at Sanremo Senior and a tour of Sicily with the City Rhythm Orchestra.

To mark the release of ‘The Sixties Chicks’, Esposito will bring her high-voltage show on the road. Expect powerhouse vocals, sparkling arrangements, and the kind of banter that turns a concert into a celebration.

Montreal’s R&B Sensation Noëlly Lives Up to Her Name by Releasing Her First Christmas Song

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Montréal-based Noëlly Nsimba celebrates her birthday early this year with the release of “Christmas Just Wouldn’t Be Christmas Without You.” The singer-songwriter and former tennis pro was born on December 26, aka “Boxing Day,” just thirty minutes after midnight, compelling her mom and dad to name her as they did. As a result and because of her abiding faith, Christmas has long held a special place in her heart, so it was quite natural for her to record a song of the season. “Christmas Just Wouldn’t Be Christmas Without You” is now available on all streaming services and is offered to radio programmers in North America and beyond for airplay consideration. Produced by Rox Capriotti (Shape of Water, Vivaldi Metal Project, Morpheus Project) in Manchester (UK), the backing track was sent to Noëlly, who recorded her vocal part at her home studio in Montréal.

Noëlly had previously been on the Women’s Pro Tennis Tour, a pursuit that saw her compete in tournaments around the world as well as in her native Canada. The daughter of immigrants from the Democratic Republic of Congo, she pursued her tennis career while becoming an accomplished singer and songwriter. While “Christmas Just Wouldn’t Be Christmas Without You” was written by Chris Maule, she worked with Capriotti to, as she puts it, “Make it me,” adding, “I love Christmas; it’s my favorite holiday so I’m very happy about this recording.” During the holidays, Montreal is noted for its many Christmas markets, celebrations and snowfall, further inspiring Noëlly. “This is my favorite time of year when we go to church and enjoy exchanging gifts with family and friends, so I had thought about doing a Christmas song and this one is perfect for me. I’m excited to see Christmas through Zyon’s eyes now that he’d old enough to take it all in but even as a tiny infant I could see how delighted he was with his eyes following the lights on the tree. This year is going to be even better now that we have such a great song to play.”

Concurrent with the release of “Christmas Just Wouldn’t Be Christmas Without You” comes “True Love,” an original song written by Noëlly to mark a very emotional time in her life. The song was created when André Lukombo, her favorite uncle and her dad’s youngest brother passed away early in life from pancreatic cancer. “I was in England when I wrote it to express what my Aunt Gisele was going through and to give voice to these strong feelings. When she heard it, I could sense the emotion in her voice and realized the song had touched her as my uncle’s passing did me.” “True Love,” as with “Christmas Just Wouldn’t be Christmas Without You” is now available on all streaming platforms.

Last July, Noëlly seamlessly transitioned from her earlier career as a ranked tennis pro to music when she performed “O Canada,” to kick off the 2025 Canadian Women’s Open.  Her version of Canada’s national anthem, as well as a song she wrote about the sport she loves, “4 De Love Tennis,” were released simultaneously, setting the template for this week’s offering of “Christmas Just Wouldn’t Be Christmas Without You” and “True Love.”

Lost Pitch Launch Into Chaos and Clarity With New Single ‘It’s a Trap!’ and Debut Album ‘Bumpy Ride’

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Toronto’s Lost Pitch has always lived somewhere between noise and nuance. With their debut album ‘Bumpy Ride’ and lead single ‘It’s a Trap!’, the quartet sharpen their signature blend of cinematic alt-rock, soulful distortion, and melodic urgency into something visceral and deeply human.

Frontman and songwriter Erick Vidal calls the record both a reflection and a release. Written during a year of upheaval, Bumpy Ride’ channels exhaustion, persistence, and hard-won peace. “It was a year that tested every part of us,” Vidal says. “Physically, emotionally, creatively — it was all over the place.” What emerged is a collection of songs that sound alive in the mess — jagged, shimmering, and unfiltered.

Recorded between the home studios of bassist-producer Leandro Motta and drummer-foley artist Alex Mine, the band tracked each instrument themselves. There’s an intimacy to the noise — guitars bleed into vocal mics, the percussion feels close enough to touch. They embraced imperfection as a creative stance, finding beauty in the rough edges. The result isn’t polished to a mirror shine; it pulses like skin.

‘It’s a Trap!’ captures that energy in full force. Written by Vidal and produced by Motta, the track is an anthem for anyone who’s ever been cornered by circumstance but found rhythm in resistance. Born during personal crises — family illness, injury, and a near wipeout of their music from streaming platforms — the song became a reclamation. A bright guitar riff cuts through like a flare, carrying a chorus that feels both defiant and cathartic.

Vidal describes the song as his punch back — a refusal to surrender to burnout or fear. The lyrics acknowledge the weight, but the groove never falters. “There are traps everywhere — in our minds, our routines, our fears,” he says. “You just have to laugh and keep moving forward.” The result is equal parts frustration and freedom — a sonic paradox that defines Lost Pitch as their most compelling.

If ‘It’s a Trap!’ is the spark, ‘Bumpy Ride’ is the wildfire. Mastered at Abbey Road Studios in London by Frank Arkwright (Oasis, The Smiths, Blur), the twelve-track album is restless and expansive. It moves between roaring walls of guitar and quiet, haunted spaces, threading through pop instincts, psychedelic textures, and emotional weight. Each track feels like a scene from an unfinished film — vivid, imperfect, real.

The band’s DIY recording process gave the record its raw pulse. “We tracked everything ourselves — drums, strings, brass, vocals,” says Vidal. Without the safety net of a studio machine, they leaned into experimentation. “The chaos actually became part of the sound.” That tension — between precision and unpredictability — defines ‘Bumpy Ride’ both as a title and a philosophy.

Visually, the album’s artwork — a woman falling from a carousel horse — mirrors the collision of balance and collapse that runs through the record. Designed by Vidal and Daniel D’Avila, the image captures the sense of motion that threads through every Lost Pitch release. It’s poetic, slightly unsettling, and exactly what the band wanted: a reflection of a world in flux that still finds its rhythm.

‘It’s a Trap!’ and ‘Bumpy Ride’ mark a defining moment for Lost Pitch — a band embracing risk, emotion, and noise with fearless intent. The music doesn’t chase perfection; it finds clarity in the crash. For Vidal, Motta, Santos, and Mine, this debut isn’t just a statement. It’s a lifeline — one that pulls beauty from disorder and turns turbulence into sound.

Toronto’s Kid DET & Sad Classes Bring Raw Emotion and Soul to ‘In This Bed’ – The New Single From ‘Soul Food II: At the Cabin’

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Toronto-born and based artists Kid DET and Sad Classes deliver a slow-burn masterclass in vulnerability and melodic flow with their new single ‘In This Bed,’ the latest drop from their album ‘Soul Food II: At The Cabin.’ Produced by the duo themselves and released under Finest Edge Music Inc., the song dives deep into the emotional wreckage left behind when love turns to distance — and the night feels too long to face alone.

After the success of their first single ‘Rearview’ and its cinematic Fatty Soprano-directed video, ‘In This Bed’ slows things down, offering a glimpse into the quieter, more reflective corners of their artistry. The track’s R&B-infused production pairs moody keys and atmospheric basslines with the duo’s raw, confessional lyricism. It’s heartbreak and honesty wrapped in midnight rhythm.

“In my room dreaming ‘bout you, I can’t sleep in this bed without you,” they sing — a refrain that captures the song’s ache and intimacy. Built on late-night emotion, the record blends hip-hop’s storytelling instincts with R&B’s melodic vulnerability. It’s a record made for anyone who’s ever stared at the ceiling, replaying the sound of someone they can’t forget.

The single sits at the emotional center of ‘Soul Food II: At The Cabin,’ their 12-track follow-up to 2017’s ‘Soul Food: Road Trip.’ Where the first album chronicled youth and movement, the sequel dives into introspection — love, loss, growth, and the space between. ‘In This Bed’ is that still moment when reflection hits hardest, and the silence speaks loudest.

The song’s lyrics came from a shared sense of longing. Kid DET and Sad Classes wrote and produced the track together, building it around late-night studio sessions that blurred the lines between heartbreak and healing. The duo’s chemistry — polished by years of collaboration and friendship — is what makes the record so immediate and true.

Their sound defies easy labels, drifting between hip-hop, melodic rap, pop-rock, and alternative R&B. It’s a mix that reflects their city: diverse, emotional, and full of motion. On ‘In This Bed,’ that hybrid energy becomes something new — a confession over rhythm, a journal entry that plays like a love song.

The music video for ‘In This Bed’ extends that story visually, directed once again by Fatty Soprano. Set against soft lighting and intimate framing, it captures the emotional pull between memory and presence — two people caught between what was and what could’ve been. It’s less performance than moment, a cinematic snapshot of heartbreak and desire.

On the production side, the single continues their tradition of building everything from the ground up. Recorded and mixed in collaboration with engineer Sammy Sosa, ‘In This Bed’ captures the clarity and precision that’s become part of their sound. It’s their craftsmanship — not just their lyrics — that makes the record resonate.

As the second single from ‘Soul Food II: At The Cabin,’ ‘In This Bed’ marks another evolution in the duo’s storytelling. If ‘Rearview’ was about reflection, this one is about confrontation — the quiet kind that comes when the lights are off and the truth finally hits. It’s intimate. It’s human. And it proves that Kid DET and Sad Classes are writing their next chapter in real time.

Danny Marks Releases Two-Sided Anthem ‘One Way Ticket Home’ and ‘Please Mister Conductor’

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Toronto-born musician, broadcaster, and storyteller Danny Marks releases his new double-sided single “One Way Ticket Home” b/w “Please Mister Conductor”, out now through Cabbagetunes Records. The release unites Marks’ authentic voice and masterful guitar work in a celebration of homecoming, resilience, and the spirit of the Blues.

A lifelong pillar of Canadian music, Marks began playing guitar at age 11, later co-founding Edward Bear, who opened for Paul Butterfield, Led Zeppelin, The Byrds, Badfinger and Humble Pie. His collaborations include Bo Diddley, Rita Coolidge, and Rick James, and his award-winning solo career spans acclaimed albums like ‘Guitarchaeology’ and ‘Cities in Blue’. Since 1997, Danny has hosted BLUZ FM on JAZZ FM91, cementing his reputation as a trusted voice of Blues culture.

Winner of the ‘Blues with a Feeling’ Lifetime Achievement Award, Marks’ career continues to bridge the gap between legacy and innovation. His recent singles “Man on the Radio” and “I’m Ready” reflect his growth as a songwriter and guitarist with an unmistakable sense of storytelling and tone.

The A-side, “One Way Ticket Home”, was born from a personal chapter of resilience following a devastating house fire. In its soaring chorus, Marks sings ‘Home is where the heart is” capturing a universal truth about belonging, recovery, and the pull of familiar ground. It’s a pledge of hope set to a driving Americana rhythm, shaped by a twelve-string Rickenbacker that channels the classic spirit of the Traveling Wilburys.

The B-side, “Please Mister Conductor”, turns up the heat with raw, unfiltered Blues energy. Based on a true story of jumping aboard a train to Hamilton to sing with Lori Yates, Marks transforms the tale into a soulful plea – “Please Mister Conductor, won’t you let me ride your train.” The song carries humor, humility, and redemption all in one groove.

Reflecting on the songs, Marks says, “I got down to the station a little bit late and jumped on board without proper fare. Blues is truth. Every song is a story, and these two are pages from my life.” Truth-telling is the heart of Marks’ songwriting: real experiences turned into musical allegories that anyone can feel.

Marks adds, “’One Way Ticket Home’ is more of a pledge than a plea. It’s about gratitude, about returning to what matters. Music has always been my home.” With his trademark warmth, Marks delivers performances that feel both intimate and timeless.

Both tracks feature an all-star lineup: Alec Fraser Jr. on bass, Jonathan Goldsmith on piano, Robert Piltch on guitar, Barry Keane and Chuck D Keeping on drums, and Gene Hardy on saxophone. The songs were produced by Marks and Fraser Jr., mixed and mastered by Jeff Wolpert, with the memory of Peter J. Moore honored throughout the project.

The recording brings together Country Rock and Blues in a modern yet classic fusion. From the twang of the A-side to the grit of the B-side, Marks’ guitar tone anchors the emotional journey. Each side stands strong on its own, but together they form a portrait of an artist deeply in tune with his craft and community.

“One Way Ticket Home” and “Please Mister Conductor” mark a new chapter for a Canadian icon whose storytelling continues to define authenticity in music. As radio DJs and fans prepare to ‘flip the record’, both sides promise connection, comfort, and the kind of musical honesty only Danny Marks can deliver.

Addio to the Lady of Milan: Remembering Ornella Vanoni (1934–2025)

It is with a heavy heart, but a spirit full of gratitude for the music she left behind, that we say goodbye to one of Italy’s brightest stars. On November 21, 2025, the legendary Ornella Vanoni passed away peacefully at her home in Milan. She was 91 years old.

For those of us who grew up with Italian music, Ornella wasn’t just a singer; she was a mood. She was the sophisticated voice of Milan, a woman who could turn a simple pop song into a theatrical masterpiece, and a fiery redhead who lived life entirely on her own terms. From the theatre stages of the 1950s to the viral playlists of the 2020s, she remained timeless.

As we bid farewell to this icon, here are 50 things you need to know about the woman who captured the heart of Italy—and eventually, the world.

  1. She was born on September 22 1934 in Milan.
  2. She died on November 21 2025 at age 91.
  3. She was one of Italy’s longest standing musical artists.
  4. Her career lasted almost seventy years.
  5. She released about 121 works across LPs EPs and compilations.
  6. She sold more than 65 million records worldwide.
  7. She began as a theatre actress in 1960.
  8. She trained under director Giorgio Strehler.
  9. She performed at the Piccolo Teatro early in her career.
  10. She specialized in Bertolt Brecht productions.
  11. Her early songs focused on Milan’s criminal underworld.
  12. This earned her the nickname cantante della mala.
  13. She often sang in the Milanese dialect.
  14. She scored major hits in 1963 with “Senza fine” and “Che cosa c’e”.
  15. Both songs were written for her by Gino Paoli.
  16. She won the Festival of Neapolitan Song in 1964 with “Tu si na cosa grande”.
  17. She performed at Sanremo in 1965 with “Abbracciami forte”.
  18. She returned to Sanremo in 1966 with “Io ti daro di piu”.
  19. She sang “La musica e finita” at Sanremo in 1967.
  20. Her 1968 Sanremo entry “Casa Bianca” finished second.
  21. “Casa Bianca” later became the subject of a copyright dispute.
  22. She sang “Eternita” at Sanremo in 1970.
  23. She recorded “Una ragione di piu” in the late 1960s.
  24. She also recorded “Un’ora sola ti vorrei” during that era.
  25. Her song “L’appuntamento” was a Brazilian cover by Erasmo and Roberto Carlos.
  26. She covered Burt Bacharach’s “Don’t Make Me Over” as “Non dirmi niente”.
  27. She performed the theme song for Lucio Fulci’s 1972 film “Don’t Torture a Duckling”.
  28. In 1976 she collaborated with Vinicius de Moraes and Toquinho.
  29. That collaboration produced the album “La voglia la pazzia l’incoscienza l’allegria”.
  30. She released “Ricetta di donna” in the 1980s.
  31. She released “Uomini” during the same decade.
  32. She returned to Sanremo in 1989 with “Io come faro”.
  33. She recorded “Alberi” with Enzo Gragnaniello in 1999.
  34. She released a duets album with Gino Paoli in 2004.
  35. She also starred in stage and television productions.
  36. She posed for Italian Playboy in January 1977.
  37. She requested a statuette by Arnaldo Pomodoro as payment for the shoot.
  38. “L’appuntamento” gained worldwide recognition after appearing in “Ocean’s Twelve”.
  39. The song was also featured in the 2022 Netflix film “Toscana”.
  40. She had significant relationships with Giorgio Strehler and Gino Paoli.
  41. She married Lucio Ardenzi in 1960.
  42. She had one son Cristiano in 1962.
  43. Her parents helped raise Cristiano during her busiest years.
  44. She received an honorary degree from the University of Milan in June 2025.
  45. The degree was in Music Culture Media and Performance.
  46. She was a Protestant.
  47. She died of a heart attack at home in Milan.
  48. Before her funeral she was laid at the Piccolo Teatro where her career began.
  49. She released the album “Unica” in January 2021.
  50. “Unica” features collaborations with Francesco Gabbani Carmen Consoli and Virginia Raffaele.

Ornella Vanoni leaves behind a monumental legacy. Her voice traveled across genres languages decades films and stages. And even now in her passing she remains what she always was: unmistakably and unapologetically Ornella.

Blake Shelton Announces Return to The Colosseum at Caesars Palace

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Country music’s unabashed ambassador, Blake Shelton, is returning to The Colosseum at Caesars Palace for eight performances scheduled from January 15th through January 31st, 2026. Armed with thirty No. 1 hits, including his latest chart topper, “Texas,” and current radio smash, “Stay Country or Die Tryin’,” Shelton will unleash his signature, unmistakable, and raucous energy on Las Vegas, guaranteed to bring the house down.

Shelton expressed his excitement for the residency return, saying, “We had so much fun earlier this year, I figured—why not do it again? This time we’re gonna do it more country, with more cocktails, and probably make a few more questionable decisions. Let’s go, Vegas.” Fans can expect a powerhouse set packed with fan favorites and brand new music from his critically acclaimed album, ‘For Recreational Use Only’, which features collaborations with Gwen Stefani, Craig Morgan, and John Anderson.

Blake Shelton Las Vegas Residency Dates

  • January 15, 2026
  • January 18, 2026
  • January 21, 2026
  • January 23, 2026
  • January 24, 2026
  • January 28, 2026
  • January 30, 2026
  • January 31, 2026

Dasha Releases Flirty and Fiery Anthem “Like It Like That”

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Globally RIAA certified 40 times platinum country pop sensation Dasha has released her latest flirty and fiery anthem, “Like It Like That,” which is available everywhere out now via Warner Records. The song was written by Dasha with hitmakers David Garcia, JKash, and Gian Stone. The cinematic official music video for the single stars Love Island’s Rob Rausch with special guest entrepreneur and influencer Briley King, perfectly capturing the track’s carefree, spontaneous energy.

The California native shared the song’s meaning, saying, “‘Like It Like That’ is about letting go of that pressure to get love ‘right’ and embracing the moments that don’t fit the plan. At this point in my life, I’m not trying to have it all figured out—sometimes the so called wrong person is exactly right for right now.” She explained further that she is not looking for perfection but “good stories and chasing feelings that I can get songs out of.” “Like It Like That” follows the earlier singles “Not At This Party” and the emotional “Oh, Anna!” and this new track continues to build anticipation for her upcoming project. Earlier this year, she also released a high energy remix of “Not At This Party” by Grammy Award winning superstar artist, producer, and DJ David Guetta.

Serj Tankian Releases Eclectic New Project ‘Covers, Collaborations & Collages’

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Visionary musician, poet, and activist Serj Tankian has released his stunning new project, ‘Covers, Collaborations & Collages’, which is available everywhere out now via Serjical Strike Records and Create Music Group. This genre spanning collection celebrates artistic unity, reinvention, and storytelling, launching a ten week release schedule where a new track will drop each week. The first single, the eccentric electronic piece “Electric Dreams,” is also available out now. This deeply personal and eclectic body of work, described by Tankian as pre existing archival recordings, showcases his powerful reinterpretations and remarkable collaborations.

Among the highlights is a beautifully haunting cover of Chris de Burgh’s “I’m Counting On You,” reimagined with Tankian’s unmistakable emotional intensity. The compilation also showcases striking creative partnerships, including a collaboration with lauded producer Deadmau5 on the hypnotic “A Seed,” a duet with New Zealand singer songwriter Bic Runga on “Things Unspoken,” and a powerful cinematic piece, “Apocalyptic Dance,” with acclaimed composer Lucas Vidal, where Tankian bellows, “There are no more empires. Just burning campfires.” The cover of Armenian songwriter Ruben Hakhverdyan’s “When Death Arrives” is a poignant reminder of our mortality. Adding a visual dimension, each single’s artwork and the album’s main cover were created by artist D.S. Bradford, who also contributes lead guitar work on the soaring track “Kneeling Away From The Sun.”

‘Covers, Collaborations & Collages’ Track Listing

  • Electric Dreams
  • A Seed featuring Deadmau5
  • I’m Counting On You
  • I’m In Heaven
  • Things Unspoken featuring Bic Runga
  • I Found You
  • Kneeling Away From The Sun
  • Apocalyptic Dance featuring Lucas Vidal
  • Sonic Expulsions
  • When Death Arrives

Ashley Cooke Releases Latest Single “Swear Words”

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Powerhouse country artist, songwriter, and breakout star Ashley Cooke has released her latest track, “Swear Words,” which is available everywhere out now via Big Loud and Back Blocks Music. The track, written by Cooke with Johnny Clawson, Joe Fox, Kyle Sturrock, and Seth Ennis, is a raw and honest reflection on futility in a failing relationship. Cooke shared the personal meaning behind the song, saying, “This song is realizing that no words, answers, or explanations will be able to fix a relationship that’s beyond repair. It’s surrendering to the silence because it means finally having peace in the situation.”

This single is featured on her brand new nine song project, ‘ace’, which is also available out now and acts as a bridge to her sophomore album. ‘ace’ is a chronological concept record detailing the deeply personal parts of the last two and a half years of her life and includes the two subsequent tracks she announced: “Tin Foil Hat” (released October 3rd) and the fan favorite “Baby Blues” (released November 14th). Cooke is currently on her headlining Your Place Tour and on the road with Kane Brown, having recently earned an ACM nomination for New Female Artist. Her other collaborations, “All I Forgot” with Joe Jonas and the fiery anthem “The Hell You Are,” are also out now. Fans can find her performing alongside artists like Parker McCollum, Dustin Lynch, and Lee Brice as her tour continues through November.

‘ace’ Track Listing

  • gettin’ old
  • baby blues
  • the f word
  • talk about
  • the hell you are
  • swear words
  • excuses
  • tin foil hat (panic attack version)
  • my worst fear