Swept Away, the new Broadway musical featuring the music of the beloved folk-rock band The Avett Brothers, opened last night at the Longacre Theatre to a roaring standing ovation. The Avett Brothers joined the cast on stage for a special curtain call performance of the show’s title track.
The production incorporates songs from The Avett Brothers’ 2004 album, Mignonette, and others in their catalogue, plus one new song – “Lord Lay Your Hand on My Shoulder” – written by Seth Avett expressly for the production. The principal cast members, reprising their roles from the show’s previous sold-out and critically acclaimed runs at Berkeley Repertory in 2022 and Washington DC’s Arena Stage in 2023, include Tony Award winner John Gallagher, Jr. (Spring Awakening), Tony Award nominee Stark Sands (Kinky Boots), Adrian Blake Enscoe (Apple TV+’s Dickinson), and Wayne Duvall (1984).
An odyssey of “mythic proportions” (San Francisco Chronicle), Swept Away features a book by Tony Award winner John Logan (Red, Moulin Rouge! The Musical), direction by Tony Award winner Michael Mayer (Spring Awakening, American Idiot) and choreography by Tony Award nominee David Neumann (Hadestown).
The Swept Away ensemble includes Josh Breckenridge, Hunter Brown, Matt DeAngelis, Cameron Johnson, Brandon Kalm, Rico LeBron, Michael J. Mainwaring, Orville Mendoza, Chase Peacock, Tyrone L. Robinson, David Rowen and John Sygar. Swings include John Michael Finley and Robert Pendilla.
The Swept Away creative team includes Tony Award-winning set designer Rachel Hauck, Tony Award-winning costume designer Susan Hilferty, four-time Tony Award-winning lighting designer Kevin Adams, Tony Award-winning sound designer John Shivers, music arranger & orchestrator Chris Miller, music arranger & orchestrator/music supervisor Brian Usifer, music director Will Van Dyke, and casting director Jim Carnahan, Jillian Cimini, and Alexandre Bleau, CSA.
Swept Away is produced on Broadway by Matthew Masten, Sean Hudock and Madison Wells Live. Wagner Johnson Productions serve as Executive Producers.
The anticipated Broadway debut of Swept Away is the latest in a highlight-filled year for The Avett Brothers. In May, they released their first new album in five years, The Avett Brothers – now a Grammy nominee for Best Recording Package – followed by an extensive US tour and appearances on The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, CBS Saturday Morning, NPR’s All Things Considered, and more. Just last week, The Avett Brothers were presented with The North Carolina Award – their home state’s highest honor – by Gov. Roy Cooper.
For more information on Swept Away please see below and visit here.
The Velveteers are set to bring their explosive live show and forthcoming new album A Million Knives (out Valentine’s Day on Easy Eye Sound) across the Western United States this spring. Among the newly-announced shows are The Echo in Los Angeles, Empire Control Room in Austin, The Funhouse in Seattle and a dozen more just-added dates, mostly set for March 2025. The Boulder, Colorado-based trio will kick off the tour with a special home-state album release party in Denver, taking place February 14, before heading west.
Led by tour-de-force frontwoman Demi Demitro, who is backed by dual drummers Baby Pottersmith and Jonny Fig (playing on a conjoined kit) – A Million Knives finds The Velveteers collaborating with GRAMMY®-winning producer and Easy Eye Sound founder, Dan Auerbach, to spotlight their “buzzing pile-driver” (SPIN) live sound. Recent singles include “Go Fly Away,” an alt-pop ode to escapism that layers warmer atmospheres with The Velveteers’ signature grit and “Suck The Cherry,” a cathartic cry from Demitro; centered on feeling used and fed up in the face of vulnerability. Demitro discussed the album with Billboard recently, read more about A Million Knives here: https://www.billboard.com/music/music-news/the-velveteers-a-million-knives-black-keys-collaboration-1235797540/
Wathttps://www.youtube.com/watch?v=0BB97SixZyk
The thirteen songs on A Million Knives were written by The Velveteers after a particularly grueling stretch of life on the road – while exploring the typically-unspoken tolls of an industry that can be far from compassionate; especially as a non-binary, queer and woman led rock ‘n’ roll band. A Million Knives follows The Velveteers’ 2021 debut Nightmare Daydream, which quickly found them plying stadium stages with Smashing Pumpkins, Guns N’ Roses and many others. They started touring as a headliner this fall, including their first shows with top billing in New York, Nashville and more.
A Million Knives Tracklist:
1. All These Little Things
2. Suck The Cherry
3. See Your Face
4. Bound In Leather
5. On And On
6. Sweet Little Hearts
7. A Million Knives
8. Moonchild
9. Take It From The Top
10. Go Fly Away
11. Up Here
12. Heaven
13. Fix Me
The Velveteers Tour Dates:
2.14.25 Hi-Dive (Album Release Party) – Denver, CO*
2.28.25 Aggie Theatre – Fort Collins, CO
3.3.25 Shrine Social Club – Boise, ID
3.6.25 Mission Theater – Portland, OR
3.8.25 The Funhouse – Seattle, WA
3.11.25 Rickshaw Stop – San Francisco, CA*
3.13.25 The Echo – Los Angeles, CA
3.14.25 Voodoo Room at House of Blues – San Diego, CA*
3.16.25 The Rebel Lounge – Phoenix, AZ
3.20.25 The Underground – San Antonio, TX*
3.21.25 Sundown at Granada – Dallas, TX*
3.22.25 Empire Control Room – Austin, TX*
3.23.25 White Oak Music Hall – Houston, TX*
3.26.25 The Bottleneck – Lawrence, KS*
3.27.25 Slowdown – Omaha, NE*
* just-announced dates
Analogue Productions, the world leader in high quality vinyl production, is thrilled to announce the December 13 release of Birth of the Blue, a collection documenting the transformative first session in 1958 by the same band that would go on to record Kind of Blue – the one of the greatest and greatest-selling jazz album of all time – the following year.
Featuring Davis’ legendary sextet – John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb – who had first come together less than two weeks prior, this historic set was recorded at Columbia’s 30th Street Studio, and captures the origins of a momentous shift in modern jazz. Featuring four tracks, including three ballads and one Davis original, the music was meticulously remastered from new transfers of the original stereo session tapes, and is presented here as a standalone release for the first time ever. Birth of the Blue was pressed at Quality Record Pressing and the premium gatefold jacket features period-correct artwork plus new liner notes from acclaimed jazz historian Ashley Kahn, author of Kind of Blue: The Making of the Miles Davis Masterpiece.
Kahn notes that the four tunes on Birth of the Blue have previously been treated as “archival lagniappe – a stepchild undeserving of its own release.” He continues, “But to quote Miles himself: So what. Together these tracks capture a very rare and special group of improvisers in their first weeks as an ensemble, and have their own story to tell. Together, they merit their own release – musically, historically, undeniably.”
On Wednesday, December 4th, Analogue Productions and Acoustic Sounds will preview the release of Birth of the Blue with a special playback session and panel discussion featuring Kahn, Acoustic Sounds founder and CEO Chad Kassem, and Davis producer and archivist Steve Berkowitz, at NYC listening room All Blues. Named after a track on the Kind of Blue album and inspired by the jazz kissa bars of Japan, All Blues is home to one of the finest vintage playback systems in New York. The event is open to the public.
For over forty years, Acoustic Sounds has championed the art of vinyl, reissuing historic recordings with the utmost care and precision. The company was founded by Chad Kassem, whose unlikely journey from a small apartment-based vinyl resale operation to the helm of the world’s largest vertically integrated vinyl production facility has transformed the high-end audio industry. His Salina, Kansas-based company houses Acoustic Sounds in its entirety, a reissue label (Analogue Productions), state-of-the-art pressing plant (Quality Record Pressings), a mastering facility (The Mastering Lab at Acoustic Sounds), a recording studio and concert venue (Blue Heaven Studios), print shop (Consolidated Printing) and original recordings label (APO Records). Kassem’s relentless dedication to sound quality and preservation of historical recordings has made Acoustic Sounds a trusted source for high-fidelity music.Today, the company presses over a million records each year, bringing legendary labels and artists – from Verve, Impulse, Atlantic and Contemporary Records, to John Coltrane, Jimi Hendrix, Steely Dan and The Doors – as they’ve never been heard before to fans worldwide. Chad Kassem’s commitment to excellence has redefined the boundaries of high-quality vinyl production and built an empire grounded in authenticity and quality.
Birth of the Blue Tracklist:
1. On Green Dolphin Street
2. Fran-Dance
3. Stella By Starlight
4. Love for Sale
Great British Songwriter Gary Kemp is set to return with his third solo album, This Destination, out on January 31, 2025, through East West Records.
The guitarist, songwriter and co-founder of Spandau Ballet has been touring worldwide with Nick Mason’s Saucerful of Secrets since 2018, alongside bandmate and fellow host of the renowned podcast Rockonteurs, Guy Pratt.
Outside of music, Kemp, who studied at Anna Sher’s Children’s Theatre, has acted on-screen and stage in a number of TV, Film and Theatre productions – including a starring role in 1990’s British crime thriller The Krays alongside his Brother and Spandau Ballet bandmate Martin Kemp. In 1992, Kemp appeared in the Hollywood blockbuster The Bodyguard, starring Whitney Houston and in 2015, he performed in Jamie Lloyd’s West End productions of Harold Pinter’s The Homecoming, Party Time and Celebration.
Kemp’s new body of work follows on from 2021’s INSOLO. This Destination is his most personal to date and sees the songwriter channel his thoughts and feelings about the past, present and future through the guise of uncanny storytelling and character work. The album is simultaneously semi-autobiographical and an exercise in empathetic scene-setting.
The announcement comes alongside the release of the anthemic single “Put Your Head Up.”
This Destination puts on show the culmination of a lifetime dedicated to songcraft. The album features intricate and deliberate arrangements, including strings by the renowned John Metcalfe (formerly of The Durutti Column and more recently string arranger to the likes of Peter Gabriel, Blur and U2).
A special Dolby ATMOS mix of the album, created by musician Steven Wilson, will be available alongside the release. Wilson uses spatial audio mixing, which creates an immersive sound by placing audio elements into a three-dimensional space. The effect is a stunning recreation of how we hear sound in the real world. Wilson is the renowned master of this.
This Destination features keys and backing vocals by longtime collaborator Toby Chapman, who co-produced the album alongside Kemp at London’s Reformation and RAK studios.
The aforementioned renowned bassist, Guy Pratt – who handled rhythm section duties for Pink Floyd circa 1987 onward – was called upon to play bass on some of the songs. Pratt’s previous work includes performances and cuts for Madonna, Roxy Music, The Smiths and Womack & Womack, to name a few. The album’s closer features throat-singing by the Mercury Prize-nominated Sam Lee.
Lyrically, the 11-track offering marks a journey in discovery for Kemp, who, in the years following the pandemic, hit an unexpected wall of anxiety and a lapse in self-belief. This Destination is the soundtrack to the artist navigating his way back to familiar surroundings.
The first song composed for the album was the arresting and cinematic “Take The Wheel” – a piece of music which evokes the vivid imagery of a couple leaning forward against a windscreen trying to see the road through the rain.
Kemp pleads, “Is there anybody out there who can take the wheel?”. The lyric is a genuine call for somebody, anybody, to step in and take over.
The symmetry in the writing process came in the form of the very last song penned for the album, its title track, This Destination. Kemp said, “It’s about my relationship with music. Whatever I’m going through, whatever conflict arises, the process of making music is my resolution. That’s my destination.”
Elsewhere on the album, Kemp reflects on his relationship with the City in which he’s spent his life. “Borrowed Town” reckons with the notion that London belongs to no one. The ever-changing cultural hub is something we all inhabit but can never claim ownership over. Kemp says, “London is in constant flux. When you live here, you’re just borrowing it for a time.”
Kemp also recalls a remarkable moment in the album’s conception when a spell of writer’s block was broken by an unexpected intervention by a fellow musician. He’d been sitting by the piano for hours to avail when the phone rang:
“It was Richard Hawley. We chatted for a while and I told him I’d been going round in circles trying to write something that day. He said ‘Okay, here’s what you do. Go over to the piano and sit down’”. Kemp obliged. “‘Put your hands out over the keys. I’m going to go now, and you’re going to write a fucking brilliant song.’”
Sure enough, the encounter led Gary to produce the McCartney-esque “Work” – a semi-autobiographical tune in which he celebrates the unsung heroics of a parent’s everyday life. In “Work,” Kemp embarks on a trip down memory lane in an evocative account of his Mum and Dad’s working life. He says, “I remember going into the factory with my Dad one morning. I have this vivid recollection of the moment he put his brown overalls on over his clothes. To me he was Superman putting on his cape.”
The song’s outro builds into an uplift of staccato strings while Kemp repeats the mantra “Got to make it work.” The statement almost takes on new meaning with each repetition – partly summarising the song’s narrative whilst also acknowledging the pressure we put on ourselves in every aspect of life, from relationships to health issues to career decisions.
It’s on the album’s final track, “I Know Where I’m Going,” that Kemp reaches his resolution. He sings, “I know where I’m going; I plan to take a rest there.” Clearly, Kemp finds his peace of mind on the album’s full circle moment. He said, “It’s the most personal on the record… It had to go last – it just made sense”.
Through a combination of his own stories and stories imagined, Gary Kemp has certified himself as one of the country’s greatest songwriters. This Destination is out January 31, 2025, on East West Records.
Gary Kemp is one of the UK’s most successful songwriters of the past 40 years. As guitarist and founding member of the most influential and iconic band of the 80s, Spandau Ballet, he was responsible for writing the words and music for 23 hit singles and albums, including modern-day standards like True and Gold. Gary’s songs have had an extraordinary combined total of over 500 weeks in the charts and are hits all over the world. They’ve generated over 25 million record sales, and the songs were part of the soundtrack of the 80s. Last year, he received the BMI Icon Award at the 2023 BMI London Awards for his contributions to popular culture and music. He joined an elite group that includes The Bee Gees, Crosby, Stills & Nash, Ray Davies, Peter Gabriel, Queen, Sting, and Van Morrison.
Kemp’s songs have proven truly timeless. The ubiquitous hit single True has logged over 5 million air plays in North America alone, and his songs have featured in an incredible 100 feature films over the years, including Sixteen Candles, The Wedding Singer, Charlie’s Angels, Pixels and Crazy Stupid Love as well as countless TV programs including The Simpsons, Spin City, Gilmore Girls (all three times each) Euphoria, Modern Family and, Ugly Betty plus many, many more.
In 2012, he was presented with the Ivor Novello’s prestigious Outstanding Song Collection award. Gary has also won numerous awards and accolades for his work in Spandau Ballet, including an MTV award, a Brit and a Q award.
Gold has even made its way into popular culture as a sports anthem. In 1984, it was used by the BBC as its main theme for its coverage of the Los Angeles Olympics and in 2012, it became the unofficial anthem of the London Olympic Games. It has become a standard for sports and football fans to sing in recent times, most notably for Arsenal Football Club. It is truly a people’s song.
Other classics written by Gary include Through the Barricades, Only When You Leave, To Cut a Long Story Short and Chant No.1.
In recent years, Gary has become synonymous with the Rockonteurs podcast, which he hosts with fellow musician Guy Pratt, interviewing music legends and becoming the most listened-to music podcast in the UK.
He and Guy have also been part of the acclaimed Nick Mason’s Saucerful Of Secrets for the last 6 years, with Gary receiving praise and new audiences for his incredible guitar work. The band play Pink Floyd’s celebrated and significant early body of work, including tracks from the era of 1967’s ‘The Piper At The Gates of Dawn’ through to 1972’s ‘Obscured By Clouds’ which has included a much-lauded rendition of the 23-minute epic ‘Echoes.’
Gary is a Trustee of the Theatres Trust with a passion for keeping theatres at the heart of communities.
Gary grew up in Islington born October 16, 1959) and attended local grammar school Dame Alice Owens and Anna Schers Children’s Theatre drama club, becoming a child actor in film and TV before concentrating on playing guitar and songwriting and forming Spandau Ballet.
In the 90s, Gary decided t return to acting, starring in numerous films, including hugely successful British crime triller The Krays and Hollywood blockbuster The Bodyguard. He has continued to be featured regularly on stage, in film, and on TV.
TRACKLISTINGS FORMAT: Standard C
Borrowed Town
This Destinatin
Put Your Head p
Take the Wheel/li>
Dancing in Bed/li>
Windswept Stret (1978)
Johnny’s Comin Home
At the Chateau/li>
Work
Giving it Up
I Know Where Im Going
FORMAT: Deluxe C
Borrowed Town
This Destinatin
Put Your Head p
Take the Wheel/li>
Dancing in Bed/li>
Windswept Stret (1978)
Johnny’s Comin Home
At the Chateau/li>
Work
Giving it Up
I Know Where Im Going
Bonus tracks:
12.Boy
13.True (live acoustic version)
14.Through the Barricades (live acoustic version) FORMAT: Vinyl Side A
1. Borrowed Town
2. This Destination
3. Put Your Head Up
4. Take the Wheel
5. Dancing in Bed
6. Windswept Street (1978) Side B
1. Johnny’s Coming Home
2. At the Chateau
3. Work
4. Giving it Up
5. I know Where I’m Going
Nick Lowe and Los Straitjackets are set to bring Indoor Safari back to North America next year, announcing new West Coast tour dates for February and March 2025. The tour will include their first shows in many major cities since releasing Indoor Safari on Yep Roc Records in September, which marked Lowe’s first LP release in over a decade. The just-added 2025 dates include multi-night stands in Los Angeles (Troubadour), Portland (Mississippi Studios) and Seattle (Tractor Tavern) – as well as their return to San Francisco (Great American Music Hall), Napa (Uptown Theatre) and more.
The news comes just after Lowe, the “master songwriter who never takes himself too seriously” (Rolling Stone), wrapped a celebrated month-long U.S. run alongside Los Straitjackets – America’s beloved masked men of surf-and-spy guitar instrumentals. The live show celebrates a new album deemed “a masterclass in simple elegance and timeless tunes” (Salon), “effortlessly cool” (Paste) and “pop genius…a thrill” (Bandcamp). “Lowe and Los Straitjackets are a match made in heaven,” raved Forbes’ David Chiu at one of the recent New York shows. “It was a killer evening filled with top-notch songs.” They’ll cap off 2024 with three December dates in Texas, before heading back to Europe in early 2025.
Across twelve tracks,Indoor Safari includes brand-new Nick Lowe originals, deep-cut rarities and refitted versions of songs previously released in nascent form as singles. Produced by Lowe, Indoor Safari was recorded in various locations, and mixed by Alex Hall (JD McPherson, Cactus Blossoms) alongside Lowe at Reliable Recorders in Chicago. The album represents a culmination of Lowe’s decade-long working relationship with Los Straitjackets: Eddie Angel/guitar, Pete Curry/bass, Chris Sprague/drums and Greg Townson/guitar.
Nick Lowe Indoor Safari tracklist:
1. Went To A Party (Lowe, Angel, Curry, Sprague, Townson) 2:57
2. Love Starvation (Lowe) 2:51
3. Crying Inside (Lowe) 2:55
4. A Quiet Place (Bell, Meade) 3:13
5. Blue On Blue (Lowe) 3:38
6. Jet Pac Boomerang (Lowe) 3:14
7. Tokyo Bay (Lowe) 2:24
8. Trombone (Lowe) 4:06
9. Different Kind of Blue (Lowe) 3:34
10. Raincoat In The River (Schroeder, Kaye) 3:00
11. Lay It On Me Baby (Lowe) 2:51
12. Don’t Be Nice To Me (Lowe) 2:55
Nick Lowe Tour Dates
December 11 – Heights Theater – Houston, TX
December 14 – Kessler Theater – Dallas, TX
December 15 – Antone’s – Austin, TX
February 8 – Rockin’ Race – Malaga, Spain
February 10 – De La Warr Pavilion – Bexhill on Sea, UK
February 11 – Komedia – Bath, UK
February 12 – The Stables – Milton Keynes, UK
February 13 – The Garage – London, UK
February 16 – Glasgow Pavillion – Glasgow, UK
February 25 – Troubadour – Los Angeles, CA*
February 26 – Troubadour – Los Angeles, CA*
February 28 – Great American Music Hall – San Francisco, CA*
March 1 – Uptown Theatre – Napa, CA*
March 2 – Sweetwater Music Hall – Mill Valley, CA*
March 4 – Mississippi Studios – Portland, OR*
March 5 – Mississippi Studios – Portland, OR*
March 7 – Tractor Tavern – Seattle, WA*
March 8 – Tractor Tavern – Seattle, WA*
March 9 – Biltmore Cabaret – Vancouver, BC*
* Just announced 2025 tour dates
Two-time GRAMMY Award-winning and RIAA 2x Diamond-certified iconic band Hootie & the Blowfish will unveil a robust and comprehensive new box set, The Atlantic Years 1994-2003, on January 24, 2025. It will be available in multiple configurations, including 6LP and 5CD. The 6LP version will be available exclusively at Rhino.com, while the 5CD version will arrive in stores nationwide and at Rhino.com.
The box set presents the group’s seminal albums released on Atlantic Records in one essential package. The 6LP configuration boasts their definitive RIAA 22x Platinum-certified history-making debut, Cracked Rear View (1994), as well as the 3x Platinum Fairweather Johnson (1996) and Platinum Musical Chairs (1998)—both pressed on vinyl for very the first time in over 25 years! Plus, The Atlantic Years 1994-2003 includes two titles never-before-available on vinyl, namely the covers album Scattered, Smothered and Covered (2000) and the self-titled Hootie & the Blowfish (2003).
Celebrating its 30th anniversary, Cracked Rear View stands out as one of the top 10 best-selling studio albums of all time, “the highest-certified debut album of all-time,” according to the RIAA, and a cornerstone of the modern zeitgeist. Released on July 5, 1994, it reached #1 on the Billboard 200 and moved over 22 million copies and counting. The album propelled the band to the GRAMMY Award for “Best New Artist” and “Best Pop Performance by a Duo or Group with Vocals” for “Let Her Cry.” With additional iconic songs, including “Hold My Hand,” “Only Wanna Be With You,” and “Time,” the album has impressively generated over 1 billion streams and counting. Retrospectively, Billboard proclaimed, “Cracked Rear Viewsurpassed all expectations — and then some, to put it mildly.” Forbesand GRAMMY.comalso recently looked back on the record in extensive features.
On its heels, Fairweather Johnson bowed at #1 on the Billboard 200 and yielded “Old Man & Me (When I Get to Heaven)” and “Tucker’s Town,” while Musical Chairs saw the band return to the Top 5. Scattered, Smothered and Covered notably comprised covers of everyone from Led Zeppelin, Roy Orbison, and The Smiths to R.E.M., Tom Waits, and Bill Withers. The band’s 2003 self-titled album, Hootie & the Blowfish, marked their final release with Atlantic Records. The album boasted irresistible sing-along tracks like “Deeper Side” and “Little Darlin’” alongside power ballads like “Rain Song” featuring vocals from The Bangles’ guitarist Vicki Peterson and Continental Drifters’ co-founder Susan Cowsill.
CRACKED REAR VIEW
Hannah Jane
Hold My Hand
Let Her Cry
Only Wanna Be with You
Running from an Angel
I’m Goin Home
Drowning
Time
Look Away
Not Even the Trees
Goodbye
FAIRWEATHER JOHNSON
Be the One
Sad Caper
Tucker’s Town
She Crawls Away
So Strange
Old Man & Me (When I Get to Heaven)
Earth Stopped Cold at Dawn
Fairweather Johnson
Honeyscrew
Let It Breathe
Silly Little Pop Song
Fool
Tootie
When I’m Lonely
MUSICAL CHAIRS
I Will Wait
Wishing
Las Vegas Nights
Only Lonely
Answer Man
Michelle Post
Bluesy Revolution
Home Again
One By One
Desert Mountain Showdown
What’s Going On Here
What Do You Want from Me Now
SCATTERED, SMOTHERED AND COVERED
Fine Line
I Go Blind
Almost Home
Hey Hey What Can I Do
Renaissance Eyes
Before the Heartache Rolls In
Araby
I’m Over You
Gravity of the Situation
I Hope That I Don’t Fall in Love with You
Dream Baby
Driver 8
Let Me Be Your Man
Please, Please, Please Let Get What I Want
Use Me
HOOTIE & THE BLOWFISH
Deeper Side
Little Brother
Innocence
Space
I’ll Come Runnin
Tears Fall Down
The Rain Song
Show Me Your Heart
When She’s Gone
Little Darlin’
Woody
Go and Tell Him (Soup Song)
Kingmaker is delighted to announce the publication of Genesis: 1975 to 2025 – The Phil Collins Years by Mario Giammetti on 17 April 2025.
Originally published in 2021 as Genesis: 1975 to 2021 – The Phil Collins Years and out of print since late 2022, Genesis: 1975 to 2025 – The Phil Collins Years features revised text, new interview content and two additional chapters to bring the Genesis story completely up to date. As well as providing a detailed appraisal of The Last Domino? tour, the book also covers other recent events in the world of Genesis, including the sad loss of Richard Macphail and the forthcoming re-issue of The Lamb Lies Down On Broadway.
Genesis: 1975 to 2025 – The Phil Collins Years is the definitive biography of one of the world’s greatest rock bands following the departure of Peter Gabriel. It contains numerous exclusive interviews with band members and all of the important personalities who were part of the story of Genesis from 1975 onwards, including Ray Wilson who fronted the band for 1997’s Calling All Stations album and subsequent tour before the return of Phil Collins in 2007.
The book provides a detailed account of Genesis post Peter Gabriel, taking readers through each album and tour. Genesis: 1975 to 2025 – The Phil Collins Years contains a wealth of information about Genesis’s career, much of which may well be unknown even to the most ardent fans of the band.
Genesis: 1975 to 2025 – The Phil Collins Years also serves as a sequel to Giammetti’s highly acclaimed book Genesis: 1967 to 1975 – The Peter Gabriel Years, which is also published by Kingmaker and remains available.
Genesis: 1975 To 2025 – The Phil Collins Years is available for pre-order now from Burning Shed (UK/Europe) here, and from The Band Wagon USA (North America) here.
Mario Giammetti is an Italian music journalist with over 35 years’ experience. He has written for numerous Italian music magazines (including Classic Rock, Rockstar and Jam). In 1991 he founded Dusk (www.dusk.it) the only printed magazine in the world dedicated to Genesis. He has written 15 books related to the world of Genesis.
To celebrate an incredible year which has seen David Gilmour’s new album. Luck And Strange, hit the #1 spot in 8 countries and top ten in a further 14, as well as multiple sold-out shows in Rome, London, Los Angeles and New York, Gilmour has today released a very special live version of the first single from Luck And Strange, “The Piper’s Call”.
The Piper’s Call Live Around The World is a digital only release and was recorded at The Brighton Centre, Circus Maximus in Rome, the Royal Albert Hall in London, the Intuit Dome in Los Angeles and Madison Square Garden in New York and edited together by Gilmour, Charlie Andrew and Matt Glasby to form one seamless track recorded throughout the Luck And Strange tour.
David Gilmour: “On the Luck and Strange tour, I played with the best band I’ve ever had. Their personalities, playing abilities and enthusiasm for my new music have made for a fabulous experience for Polly and me. Romany’s voice really stands out and has its own particular character, she brings a sense of mischief and fun to the live performance, which I think we needed. Thank you to everyone who attended the shows in Europe and America and thank you for buying ‘Luck and Strange’. I hope you found as much enjoyment in the music as we did while performing it.”
Luck And Strange was recorded over five months in Brighton and London and is Gilmour’s first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with alt-J and Marika Hackman. The album features nine tracks, including the singles “The Piper’s Call”, “Dark And Velvet Nights”, and a beautiful reworking of The Montgolfier Brothers’ 1999 song, “Between Two Points”, which features 22-year-old Romany Gilmour on vocals and harp; the lead-off track, “The Piper’s Call”, and the title track, which features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 at a jam in a barn at David’s house. The album features artwork and photography by the renowned artist Anton Corbijn.
The Luck And Strange tour began with two sold-out warm-up shows at the Brighton Centre before moving to Circus Maximus in Rome for six sold-out nights, followed by the same about at London’s Royal Albert Hall before moving Stateside for sold-out evenings at the Intuit Dome and Hollywood Bowl in Los Angeles before concluding with five sold-out nights at Madison Square Garden in New York.
Luck And Strange tracklistings:
Vinyl: Black vinyl, gatefold sleeve and booklet with photography and design by Anton Corbijn
Side One:
“Black Cat”*
“Luck And Strange”
“The Piper’s Call”
“A Single Spark”
“Vita Brevis”*
“Between Two Points”** – with Romany Gilmour
Side Two:
“Dark And Velvet Nights”
“Sings”
“Scattered”***
CD: Album plus two bonus tracks. Digipak and booklet with photography and design by Anton Corbijn
“Black Cat”*
“Luck And Strange”
“The Piper’s Call”
“A Single Spark”
“Vita Brevis”*
“Between Two Points”** – with Romany Gilmour
“Dark And Velvet Nights”
“Sings”
“Scattered”***
Bonus tracks:
“Yes, I Have Ghosts”
“Luck And Strange (original Barn Jam)”*
Blu-Ray – Audio Only: Album in Dolby Atmos and high-resolution stereo mixes plus four bonus tracks. Digipak and booklet with photography and design by Anton Corbijn
“Black Cat*
“Luck And Strange”
“The Piper’s Call ”
“A Single Spark ”
“Vita Brevis”*
“Between Two Points”** – with Romany Gilmour
“Dark And Velvet Nights”
“Sings ”
“Scattered”***
Bonus tracks (In Dolby Atmos and Hi-Res stereo):
“Yes, I Have Ghosts”
“Luck And Strange (original Barn Jam)”*
“A Single Spark (Orchestral)”*
“Scattered (Orchestral)”*
Deluxe LP & CD boxsets will be announced in the coming weeks.
To mark the release of the remixed, remastered and extended Queen 1 boxset, the band have released the fourth episode in their Queen The Greatest Special series.
A message states: “Queen’s reputation for music videos is legendary, but that journey had to begin somewhere, and in this episode we head back to 1973 and revisit the band’s first steps. And in an exclusive interview, Roger Taylor and Brian May reveal that after a BBC TV show provided the inspiration, the introduction to life in front of the film cameras was far from an enjoyable and rewarding experience.”
Watch the first three Queen The Greatest Special episodes below:
Episode 1:
Episode 2:
Episode 3:
The 6CD + 1 LP Queen I box set (out now) contains 63 tracks with 43 brand new mixes, comprising the original album with its intended running order restored, intimate fly-on-the-wall audio of Queen in the studio, demos, rare live tracks, and previously unheard recordings from Queen’s first ever live performance in London, August 1970. Absent from the 1973 release, the song “Mad the Swine” has been reinstated to its original place in the running order. A 108-page book containing handwritten lyrics and memorabilia accompanies the release.
“This is not just a remaster,” writes Brian May in the CD sleeve insert notes, “this is a brand new 2024 rebuild of the entire Queen debut album, which, with the benefit of hindsight, we have re-titled QUEEN I.”
May continues, “All the performances are exactly as they originally appeared in 1973, but every instrument has been revisited to produce the ‘live’ ambient sounds we would have liked to use originally. The result is “Queen“ as it would have sounded with today’s knowledge and technology – a first.”
“Queen I is the debut album we always dreamed of bringing to you.”
Go to Queen’s official website for further details on the release.
May continues, “All the performances are exactly as they originally appeared in 1973, but every instrument has been revisited to produce the ‘live’ ambient sounds we would have liked to use originally. The result is “Queen“ as it would have sounded with today’s knowledge and technology – a first.”
“Queen I is the debut album we always dreamed of bringing to you.”
Go to Queen’s official website for further details on the release.
Pink Floyd’s The Endless River film, directed by Ian Emes, is made available to view on YouTube to celebrate the 10 year anniversary of The Endless River album.
Ian Emes is a long-time collaborator with Pink Floyd, having first created an animated film called French Windows, set to the music of Pink Floyd’s “One Of These Days”. Ian created original animated films for The Dark Side Of The Moon concert tour visuals (1972-1974), and his work was featured in the major exhibition Pink Floyd: Their Mortal Remains.
The Pink Floyd film, The Endless River, is included in The Later Years box set, an 18-disc collection of material and memorabilia from 1987 onwards, released on December 13, 2019.
