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From Vinyl to Virtual: How Music Collectibles Evolved with Technology

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By Mitch Rice

From Vinyl to Virtual: How Music Collectibles Evolved with Technology

Once upon a time, music was something you had to physically hold. A vinyl record, a cassette tape, or a CD were the ways we connected with our favorite artists. But let’s be honest, that tactile feeling of flipping through record bins is now a bit of a nostalgic fantasy. Fast forward to today, and music collectibles are no longer just about physical formats. Many of them have gone virtual. Now, instead of storing records, you can store digital assets, some even as a blockchain-backed NFT. Welcome to the new era of music memorabilia.

Vinyl, Cassettes, and the Glory Days of Physical Music

The heyday of music collectibles was the 70s, 80s, and 90s, when vinyl records and cassette tapes ruled the world. Music wasn’t just about listening; it was about owning a piece of an artist’s legacy. Fans didn’t just collect albums—they cherished them. Collecting became part of the experience. Limited editions, colored vinyl, and signed covers were the Holy Grail for collectors. And who could forget that moment when you first got your hands on an autographed record or an ultra-rare album? That feeling of exclusivity still stands out, doesn’t it?

But, as with all things, times change. While vinyl is back (thank you, hipster culture!), digital formats, streaming, and downloads dominate the scene. But something’s missing, right? We lost the thrill of the find, the tactile connection to the music. That’s when technology started to step in, shaking things up once again.

Enter the Digital Era: The Rise of Virtual Music Collectibles

Here’s where it gets interesting: As we moved from physical to digital formats, we didn’t just lose the albums. We gained a whole new world of digital collectibles. Enter blockchain, NFTs, and digital assets—these aren’t just buzzwords. These innovations have completely redefined how we interact with music memorabilia.

Instead of finding a rare vinyl, you might be buying exclusive, limited-edition digital art linked to your favorite band. It’s not just about owning a track anymore. It’s about a digital experience that could include never-before-heard music, exclusive artwork, or behind-the-scenes footage. All of them are guaranteed to be authentic via blockchain verification. That’s right. No fakes here, folks.

NFTs have allowed music to move into a new dimension where scarcity, ownership, and digital art all intersect. And fans? Well, they love it. Collecting music memorabilia has now become as much about the experience as the actual content. For instance, owning a unique digital art piece tied to an album is just as exciting as scoring a limited-edition vinyl. Who knew a pixelated image could feel as valuable as a tangible record?

The ‘Hype Drop’ Phenomenon: Where Exclusivity Meets Innovation

Here’s the kicker: Not only are fans now collecting these new-age digital assets, but they’re also getting in on the thrill of a “hype drop.” A hype drop is when a brand or artist releases a limited-edition product, often digitally. It is designed to create massive excitement and demand. It’s like a Black Friday event, but for digital content.

Think of platforms like HypeDrop, where fans can buy “mystery boxes” containing rare, exclusive items. It’s a surprise, and it taps into that rush of anticipation. This electronic mystery box can contain anything from unreleased music tracks to digital art. And the thrill is real. The rarity of these items, combined with the excitement of the “drop,” creates a perfect storm for collectors and fans alike. It’s not just about owning something; it’s about the experience—the rush of securing something that everyone wants but only a few can have.

The Future of Music Collectibles: Where Do We Go From Here?

So what’s next? As technology keeps advancing, the lines between physical and virtual collectibles will blur. Physical records will come with digital collectibles. These could unlock exclusive content or private events. It’s no longer just about owning the music. It’s about experiencing it in a deeper, more personal way.

We’re already seeing early signs of this shift. Musicians are already creating digital experiences tied to album purchases. The future is about integration, where the digital and physical worlds merge seamlessly. Fans won’t just be collecting albums; they’ll be collecting moments, experiences, and connections.

Get Ready to Collect Again—But This Time, It’s Digital

The evolution of music memorabilia is anything but boring. Technology continues to shape the way we consume and collect music. The future of fan engagement is bright, interactive, and full of surprises.

So, are you ready for the next big drop? Whether it’s an exclusive digital track or a mystery box filled with virtual goodies, it’s clear: the way we connect with music is changing. And, if you’re a fan of exclusivity and surprise, the future of music collectibles is waiting for you.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

5 Surprising Facts About The Rolling Stones’ “Let It Bleed”

Let It Bleed, the Rolling Stones’ eighth studio album, isn’t just a rock and roll classic; it’s a time capsule of 1969’s cultural turmoil and musical innovation. While you may know every riff and lyric by heart, here are five lesser-known facts about this legendary record that shows if you try sometime, you might get what you need.

1. “Gimme Shelter” Was Born from a Storm

The haunting opener “Gimme Shelter” feels like a harrowing journey through a storm, and for good reason. Keith Richards wrote the iconic riff while watching a sudden downpour in London, observing people frantically running for cover. That moment of chaos and desperation inspired what Mick Jagger later called “an apocalypse song,” perfectly capturing the violent era of Vietnam and civil unrest. Add Merry Clayton’s unforgettable, spine-chilling vocals—recorded in just a few takes while she was pregnant—and you’ve got a song that still resonates today.

2. The Cake on the Cover Was Made by a Future Celebrity Chef

The quirky and surreal album cover, featuring a cake stacked atop a record, pizza, and bicycle tire, was crafted by none other than Delia Smith, who would later become one of Britain’s most famous TV chefs. Her baked creation sits among the album’s eccentric imagery, symbolizing the band’s eclectic sound and the chaotic energy of the late ’60s.

3. “You Can’t Always Get What You Want” Featured a Reluctant Choir

The grand, gospel-like opening of “You Can’t Always Get What You Want” was brought to life by the London Bach Choir. While their harmonies are unforgettable, the choir later distanced themselves from the track due to the album’s “relentless drug ambiance.” Despite their misgivings, the juxtaposition of their pure voices with Mick Jagger’s raw lyrics created a masterpiece that became a cultural anthem for the bittersweet realities of life.

4. Brian Jones Played His Final Notes

Brian Jones, the band’s troubled founding member, only contributed to two tracks before being fired during the album’s recording. His autoharp on “You Got the Silver” and congas on “Midnight Rambler” would be his last performances with the Stones. A month after his dismissal, Jones tragically passed away, making Let It Bleed a bittersweet farewell to his immense, though fleeting, influence on the band.

5. Keith Richards Played a Guitar That Literally Fell Apart

Keith Richards’ guitar work on “Gimme Shelter” is nothing short of legendary, but did you know the guitar he used barely survived the recording session? Playing an Australian-made Maton SE777, Richards pushed the instrument to its limit, and as he hit the final note, the guitar’s neck fell off. Talk about leaving it all in the studio!

Dust off your copy of Let It Bleed and come on, you Midnight Ramblers, let the Stones take you on a journey all over again.

Shaboozey Named SoundExchange 2024 Breakout Artist

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SoundExchange announced today that Shaboozey has been honored as a SoundExchange Breakout Artist. The honor recognizes his undeniable success in 2024, from his now ubiquitous smash single “A Bar Song (Tipsy)” and latest album, Where I’ve Been, Isn’t Where I’m Going, to his standout appearances on Beyoncé’s star-studded country album, Cowboy Carter and more.

“Shaboozey has literally changed the game, marrying hip-hop and country music to create a unique sound that has rocketed him into the consciousness of the mainstream,” said Michael Huppe, President and CEO of SoundExchange. “He’s a prolific creator, unafraid of pairing big, exciting hooks with relatable storytelling and staging memorable live performances. We are proud to present Shaboozey with the SoundExchange Breakout Artist Award, and we can’t wait to see what he does next.”

“Thank you to SoundExchange for this honor and naming me 2024’s Breakout Artist,” Shaboozey said. “It’s been an incredibly fulfilling year with still, lots to come, and I deeply respect the work that you do to ensure artists get paid fairly for the use of their work.”

Where I’ve Been, Isn’t Where I’m Going is Shaboozey’s third full-length album, featuring the hit single “A Bar Song (Tipsy).” The track recently marked its 18th consecutive week at No. 1 on The Billboard Hot 100, which is the longest in history by a solo artist with no accompanying credited acts.

The first-ever Black artist to simultaneously top Billboard‘s Hot Country Songs chart and the Hot 100, Shaboozey will headline the Thanksgiving Halftime Show powered by Verizon on at the Detroit Lions’ annual holiday football game airing November 28 on CBS. His North American tour wraps December 16 in Philadelphia. A January 18 visit to Nashville’s Grand Ole Opry House will kick off his 2025, when he already has plans laid out for a March European tour. Full info on Shaboozey’s tour dates can be found at americandogwood.com.

6X GRAMMY nominated singer-songwriter Shaboozey is building his own world, carving a lane in the alternative country and hip-hop space. Born to parents of Nigerian descent and raised in the small town of Woodbridge, Virginia, the multi-faceted artist grew up on an eclectic mix of music encompassing classic hip-hop and R&B, to country and blues icons like Johnny CashKenny RogersGarth Brooks, and Lead Belly, to master lyricists, such as Bob Dylan and Leonard Cohen. A true crossover artist, he began his epic rise to stardom with two standout features on Beyoncé’s COWBOY CARTER—the only artist with multiple appearances on the album. His latest body of work, the critically acclaimed RIAA-gold certified masterpiece Where I’ve Been, Isn’t Where I’m Going, debuted in the top five of the Billboard 200 and was praised by Rolling Stone for “honoring country tradition and moving it forward.” NPR calls him “the future of country music,” and the Los Angeles Times crowned him as “the breakout country artist of the year.” The album’s breakthrough anthem, the 6X RIAA-Platinum certified, “A Bar Song (Tipsy)” holds the record for the longest-leading Hot 100 No. 1 ever by a solo artist while also topping Billboard’s Hot Country Songs, Country Airplay Chart, and Mediabase/Country Aircheck charts. The single has accumulated over a billion streams across DSPs and made history making Shaboozey the first Black male artist to simultaneously top Billboard’s Hot Country Songs and Hot 100. He has earned nominations for the upcoming 2025 GRAMMY® Awards in the general field (Best New Artist & Song of the Year), country (Best Country Song & Best Country Solo Performance), and rap (Best Melodic Rap Performance) categories. He won the New Artist of 2024 and New Artist Song of 2024 awards at the People’s Choice Country Awards, garnered Best New Artist and Song of the Summer nominations at the 2024 MTV Video Music Awards, and is nominated for New Artist of the Year and Single of the Year at the 2024 Country Music Association Awards. He was also named a TIME100 NEXT honoree and Billboard Country Power Player. Highlighting not only his musical vision but also his commitment to influencing modern culture, Shaboozey debuted his collaboration for YSL Beauty’s MYSLF Le Parfum for a groundbreaking campaign. Honoring his Virginia roots, Shaboozey continues the region’s long-standing tradition of prolific creativity by expanding the scope of contemporary hip-hop, introducing modern Americana to a global audience, and bringing a unique sense of artistry to the world. His debut headline tour “Where I’ve Been, Isn’t Where I’m Going” sold out in every market ahead of its launch, and he is currently performing in arenas in support of Jelly Roll’s “Beautifully Broken” tour.

Johnny Marr Partners with Epidemic Sound to Mentor the Next Generation of Artists

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Today, Epidemic Sound announced a partnership with legendary guitarist, songwriter, and producer Johnny Marr. Starting in Q1 2025, Marr will mentor three emerging Epidemic Sound artists, providing invaluable guidance on career development, artistic growth, and release strategies within the evolving music industry landscape.

Marr, renowned for his innovative guitar work in The Smiths, Modest Mouse, and The Cribs, as well as numerous collaborations and a glittering solo career, brings a wealth of experience across multiple facets of the music industry. His versatility as a guitarist, singer-songwriter, producer, and film composer — through collaborations with Hans Zimmer for movies such as Inception and the James Bond film No Time Die, including the title track created with Billie Eilish — makes him an ideal mentor for Epidemic Sound artists navigating the complex modern music ecosystem.

“I’ve always been interested in new talent and try to be of help if I can with emerging artists finding their unique voice,” said Johnny Marr, guitarist, songwriter, and producer. “Epidemic Sound is a new kind of music company with its innovative platform opening up ways for emerging musicians to make a living, while distributing their work at scale to today’s online audience of viewers, fans, and listeners. In today’s challenging music environment, it’s crucial for artists to develop a diverse skill set and I’m excited to work with some talented individuals to help them navigate the industry while staying true to their vision.”

This partnership comes at a critical time for the music industry, with many artists facing challenges such as a struggling grassroots live scene and low remuneration. Marr’s mentorship will focus on guiding these artists to diversify their approach, exploring opportunities in sync licensing, collaborations, social media, and commercial releases.

Johnny Marr’s extraordinary career and his ability to continually reinvent himself make him the perfect mentor for our artists. His insights will be invaluable in helping them develop the broad skill set needed to thrive in today’s music industry,” said John Cleary, Epidemic Sound’s Director of Global Music Recruitment. “We’re thrilled to have him on board and can’t wait to see the impact of this collaboration for our artists.”

Each mentee was selected for how their unique talent and goals aligned with Marr’s expertise, ensuring his mentorship would enhance their artistic growth and collaboration potential. The three Epidemic Sound artists selected for this program include:

  • Rebecca MardalMardal, a talented guitarist based in Sweden who began mastering her craft at just 11 years old, has built an impressive career with millions of streams from both her solo projects and collaborations.
  • Christoffer Moe DitlevsenDitlevsen is a Swedish composer and multi-instrumentalist known for his orchestral-cinematic works, which have been featured globally in commercials, TV shows, documentaries, and trailers. His passion for both black metal and rock guitar showcases his versatile range across moods.
  • Kylie Dailey: Kylie Dailey’s songs make space to take a deep breath. Her citrus-tinged melodies are an invitation to lightness, channeling some of the best human feelings: hair blown by ocean wind, passing the guitar with your best friends, sharing that hard thing with someone you love. Paired with arrangements by partner Kevin Dailey (Garden Friend), Kylie Dailey’s songs glow with personal experience filtered through musical influences ranging from American folk music to African folk melodies.

After launching its music licensing solution in 2009, Epidemic Sound has seen the reach of its music grow exponentially, with 2.5 billion daily views on platforms like YouTube and TikTok providing a powerful distribution engine for its artists. Simultaneously, it has consistently developed its remuneration model — which now includes a 50/50 streaming royalty split, fixed fees per track, and a portion of a SEK 30 million Soundtrack Bonus — while offering freedom for artists to work non-exclusively on multiple projects at the same time, and facilitating creative collaborations with industry legends such as Richie Hawtin and now Johnny Marr.

The collaboration kicks off with the launch of a playlist where Johnny Marr has picked his favorite Epidemic Sound tracks.

Widely regarded as the most influential guitarist of his generation, Johnny Marr’s impact on popular music cannot be overstated; from his time in The Smiths, The Pretenders, The The, Electronic, Modest Mouse, and The Cribs to his more recent solo releases and movie soundtrack work with Hans Zimmer, Johnny’s distinctive songwriting, production and guitar sound has been an integral part of the musical landscape for 40 years. In 2023, Marr released Marr’s Guitars, a beautifully curated photographic tribute to the instruments that have defined his distinctive sound and style. September 2024 brought the release of Boomslang, a powerful new work that continues his journey of sonic exploration, adding a fresh dimension to his storied career. His latest album, Spirit Power: The Best of Johnny Marr, captures the spirit and evolution of his career—a testament to his relentless creativity, genre-crossing musicality, and unwavering love of melody.

Stock Music Market to Grow by USD 650.4 Million (2024-2028), Driven by Rising Subscription Model Adoption

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The global stock music market size is estimated to grow by USD 650.4 million from 2024-2028, according to Technavio. The market is estimated to grow at a CAGR of 8.09% during the forecast period. Rising adoption of subscription model is driving market growth, with a trend towards expanding variety of stock music. However, lack of ownership of streamed music and issues associated with integration poses a challenge.Key market players include Addictive Tracks Ltd., Adobe Inc., Artlist Ltd., Audio Network Ltd., Bensound, Envato Pty Ltd., Epidemic Sound AB, Filmstro Ltd., Footage Firm Inc., HookSounds, Marmoset LLC, Music Vine Ltd., MusicRevolution LLC, NEO Sounds Ltd., Pixabay GmbH, Shutterstock Inc., Smartsound LLC, SoundCloud Global Ltd. And Co. KG, The License lab LLC, and Trad Ventures LLC.

The Stock Music Market is experiencing significant trends driven by millennials and technology. Social media and authenticity are key factors, with music libraries in high demand for content creators in TV, films, advertisements, video games, corporate production, and entertainment business. Brands like Coca-Cola and Budweiser use stock music for brand anthems and advertising material. Technology enables localization, reaching affluent consumers with original music and cultural change agents, from touring musicians to local musicians. Stock music producers offer licenses, attribution, and exploitable rights to market participants. Premiumbeat, Magazines, Newspapers, and streaming services are integral parts of this market. Editing tools and platforms cater to professionals in the gig economy, offering genres and styles for multimedia content, instore activations, and digital efforts. Globalization unifies approach and platform integration, with digital advertising, online marketing, podcasting, and broadcasting driving growth in the Prague-based industry. Media spending on radio, internet, TV, and stock content continues to rise, making it an exciting space for businesses and creators alike.

The stock music market experiences significant demand due to its extensive usage as background music across various platforms. RF (Royalty-Free) music tracks are commonly employed in TV programs, corporate videos, on-hold productions, and websites. YouTube, a leading video streaming service, is a major consumer of RF music for user-generated content. Corporate clients utilize RF music for producing promotional videos and presentations, enhancing their marketing efforts by adding suitable background scores.

In today’s business world, stock music market faces various challenges from millennials’ preferences, technology advancements, and social media trends. Authenticity is key as content creators in TV, films, advertisements, video games, corporate production, and entertainment businesses seek original music for their brand assets. Licenses, attribution, and exploitable rights are crucial for market participants like Premiumbeat, Coca-Cola, Budweiser, and others, who use music as branding material. Technology and social media have disrupted traditional music industries, with localization and user base expansion through streaming services and digital advertising. Cultural change agents like touring musicians and local musicians also impact the market. Platform integration, unified approach, and multimedia content creation are essential for businesses in the gig economy. Genres and styles continue to evolve, requiring editing tools and platforms for professionals. Globalization and media spending on radio, internet, TV, and streaming services further shape the stock music market.

The digital music market, driven by the popularity of streaming services, is a significant sector in stock music publishing. Mobile apps, offering both free and paid subscriptions, dominate this market. With vast music libraries, these applications enable on-demand listening. However, the lack of ownership over downloaded music and the necessity for internet connectivity limit their appeal. Consequently, many consumers opt for downloading music instead. To effectively reach audiences, stock music platforms must integrate with mobile apps and social media.

Royalty-free (RF) music refers to the permission to use copyrighted materials without paying recurring royalties or license fees. RF music allows for one-time payment, regardless of usage frequency, number of copies sold, or timeframe. Traditionally, RF music was popular for TV productions due to its ease of use and elimination of complex licensing processes. With the rise of digital distribution, RF music adoption benefiting both composers and buyers. Numerous websites offer a vast selection of RF music across various genres, making it a convenient choice for producers. RF music’s affordability fuels the growth of the global stock music market, as it offers legal access to a wide range of musical content without the need for copyright infringement.

The Stock Music Market is a dynamic and evolving industry that caters to the diverse audio needs of various sectors, from Millennials to corporations. Technology and social media have revolutionized the way we consume and create music, making music libraries an essential resource for content creators in the entertainment business. From TV and films to advertisements, video games, and corporate production, the demand for authentic and high-quality music is at an all-time high. The gig economy has given rise to a new generation of multimedia artists, providing them with an opportunity to monetize their creations through stock music platforms. Genres and styles vary widely, catering to the unique needs of different industries and audiences. The user base of streaming services and digital advertising continues to grow, making online marketing and podcasting increasingly important channels for reaching consumers. The Stock Music Market is a thriving business that is here to stay.

The Stock Music Market is a dynamic and evolving industry that caters to the growing demand for authentic and high-quality music in various sectors. With millennials leading the charge, technology and social media have revolutionized the way music is consumed and shared. Music libraries have become essential resources for content creators in TV, films, advertisements, video games, corporate production, and the entertainment business. Stock music producers offer licenses, attribution, and exploitable rights to market participants, enabling a diverse range of businesses to access original music for their brand assets. Affluent consumers, cultural change agents, touring musicians, and local musicians all contribute to this vibrant ecosystem. Brands like Coca-Cola and Budweiser have embraced music as a powerful branding tool, creating iconic brand anthems and sponsoring music festivals. The digital element has transformed the industry, with streaming services, podcasting, and online marketing leading the charge. Editing tools and platforms have made it easier for professionals to integrate music into their multimedia content, from magazines and newspapers to instore activations and digital efforts. The market continues to grow, fueled by media spending and the unified approach to platform integration.

HarbourView Equity Partners Acquires Music Catalog of Renowned Jazz Guitarist Great George Benson

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HarbourView Equity Partners, an industry-leading alternative asset management company focused on investment opportunities in the sports, media and entertainment space, announced today that the company has agreed to purchase the master royalty income of iconic Jazz guitarist and singer-songwriter George Benson.

Benson has the rare distinction of being in the pop consciousness while remaining in the pantheon of jazz greats. With 36 studio albums, and 8 live albums, the 10-time Grammy-winner has summited the pop, R&B, soul, and jazz charts.

His 1976, three-time Grammy-winning album, Breezin‘, boasting the pop-jazz vocal smash “This Masquerade,” topped the jazz, pop, and R&B charts and remains one of the best-selling jazz albums of all time – it has since been certified 3x platinum.

Benson’s 1980 smash, “Give Me The Night,” produced by Quincy Jones and written by Rod Temperton (Michael Jackson), rocketed to the top of the soul single charts.

In 2009, Benson was awarded the NEA Jazz Masters Fellowship— the highest honor that our nation bestows on jazz artists. In addition, Benson has rightly earned a Hollywood Walk of Fame Star, as well as honorary doctorate degrees from Morris Brown College, the Berklee School of Music, and Duquesne University.

In 2018, Benson collaborated with subversive art-pop band, Gorillaz, featuring Blur’s Damon Albarn and visual artist Jamie Hewlett, to co-write and perform on the track “Humility,” which has amassed over 100 million YouTube views and counting. In 2021, DJ Steve Aoki remixed Benson’s hit “Give Me the Night” with a rugged house beat introducing the irresistible R&B-pop gem to a whole new audience.

Benson remains a vital force in modern music. His current albums have earned prime features and rave reviews in the New York Times, the Wall Street JournalAmerican SongwriterForbes, and Newsweek. He recently co-wrote, performed the title track, and appeared in the video for funk pioneer Bootsy Collins Power Of The One. In 2020, he was inducted into the jazz bible DownBeat Magazine‘s “Hall of Fame.” The following year he was inducted by music legend Quincy Jones into New Jersey’s Hall of Fame—an honor from which he received a personal congratulatory note from President Obama.

His successful live concert history speaks to his vitality as a performing artist – Benson walks that delicate balance between being a consummate performer and an adventurous instrumentalist. He remains an annual must-see artist who regularly packs and often sells out such hallowed venues as The Hollywood Bowl, Royal Albert HallHampton Court Palace, and Sydney Opera House. Benson is also a marquee artist at many U.S. Jazz and international festivals, including Montreux Jazz Fest.

HarbourView Equity Partners founder and CEO Sherrese Clarke Soares said, “We maintain a commitment to be a canon for legendary culture movers such as George Benson. His artistry is distinct in its sound, with acoustics that forever stir emotions of a musical era that means so much to so many of us. We are proud to stand in partnership and welcome him to the HarbourView family.”

Fox Rothschild served as legal counsel to HarbourView in this transaction. George Benson was represented by Manatt, Phelps & Phillips. Terms of the transaction were not disclosed.

Chris Stapleton and Ashley Gorley Take Top Honors at ASCAP 2024 Country Music Celebration

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ASCAP, the American Society of Composers, Authors and Publishers, announces the winners of the 62nd ASCAP Country Music Awards, celebrating the songwriters and publishers of country music’s most-performed ASCAP songs of the past year.

Ashley Gorley wins his 11th ASCAP Country Music Songwriter of the Year honor, extending his record as the winningest ASCAP songwriter in the country format. Among ASCAP’s 11 most-performed country songs of the year penned by Gorley are “World on Fire” and “Bulletproof” (Nate Smith), “Save Me the Trouble” (Dan + Shay), “All I Need Is You” (Chris Janson), “Truck Bed” (Hardy), and “God Gave Me s Girl” (Russell Dickerson). Gorley was recently nominated for induction to the Songwriters Hall of Fame.

Chris Stapleton receives the ASCAP Country Music Songwriter/Artist of the Year honor and his “White Horse” (co-written by ASCAP member Dan Wilson) and “Think I’m in Love with You” are among ASCAP’s most-performed country songs of the year. Stapleton has two Grammy nominations and is up for five CMA Awards including Entertainer of the Year, Male Vocalist of the Year, and Album of the Year at Wednesday’s CMA Awards.

“Last Night” is the ASCAP Country Song of the Year. Co-written by JKash and Ashley Gorley, the song gives Gorley his fourth ASCAP Country Song of the Year win. Sony Music Publishing, Kobalt Songs Music Publishing, Domain Capital Group, Poppy’s Picks, Prescription Songs and Rap Kingpin Music celebrated with them. The Grammy-nominated single hit #1 on the Billboard Hot Country Songs chart, the Billboard Country Airplay chart and the Billboard Hot 100 where it spent 16 non-consecutive weeks in the top spot. The song is among Gorley’s astounding 80 #1 hits, a record accomplishment across all genres.

Sony Music Publishing was named ASCAP Country Music Publisher of the Year for the 11th time with 24 of this year’s most-performed songs. Among their impressive list of works are “A Bar Song (Tipsy),” Shaboozey’s mega-hit that was #1 concurrently on the Billboard Hot 100 and Billboard Hot Country Songs charts and is the longest-running #1 hit on the Billboard Hot 100 in 2024. The song is up for a CMA Single of the Year honor with Shaboozey nominated for five Grammys and in the CMA New Artist of the Year category. Additional Sony most-performed titles include “Can’t Break Up Now” (Old Dominion and Megan Moroney), “If You Go Down (I’m Goin’ Down Too)” (Kelsea Ballerini), “Texas Hold ‘Em” (Beyoncé), “Outskirts” (Sam Hunt), “Bulletproof” (Nate Smith), “Save Me the Trouble” (Dan + Shay), “I Can Feel It” (Kane Brown), “Light On in the Kitchen” (Ashley McBryde) and “Austin” (Dasha), among others. Sony Music Publishing Nashville CEO Rusty Gaston accepted the award.

ASCAP celebrated the winners at an exclusive gathering in Nashville where guests enjoyed a performance of “High and Lonesome,” a recent single by rising duo Everette. ASCAP CEO Elizabeth Matthews, ASCAP Chairman of the Board and President Paul Williams and ASCAP Vice President of Nashville Membership Mike Sistad handed out awards as writers of the most-performed songs enjoyed catching up with peers and friends at the invitation-only celebration.

Smirnoff Announces Appointment of Troye Sivan as Global ‘Chief Vibes Officer’

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Smirnoff, the world’s No.1 vodka brand, is today announcing the appointment of GRAMMY-nominated global star Troye Sivan as its new ‘Chief Vibes OFFicer’ (CVO), marking the start of an exciting new multi-year partnership.

One of the most celebrated artists in popular culture today, Sivan has just wrapped his hype-filled ‘Sweat’ tour alongside friend, artist and frequent collaborator Charli xcx, and is about to embark on the Australia and New Zealand leg of his global solo tour, following the release of his hit 2023 album, ‘Something to Give Each Other’.

Amidst this busy schedule, Troye will now step proudly into his CVO role as global ‘curator of immaculate vibes’ for Smirnoff – showcasing the Go OFF spirit to fans all around the world. As the next stage of the brand’s wider WE DO WE campaign, the movement is a call to arms to ditch to-do lists and dive into some fun – getting together, going out and going OFF – creating a more connected, open and exhilarating world.

The partnership launched across socials today after a series of teaser drops, with a tongue-in-cheek video showing Troye taking part in a press conference, announcing his new CVO position to interviewers and sharing his mission, for people to Go OFF.

The launch will be followed by Smirnoff’s sponsorship of Troye’s Australia and New Zealand tour where he will share the Go OFF vibes with fans at exclusive after parties in both Sydney and Melbourne. Over the coming months, Smirnoff will be sharing more examples of Troye living the Go OFF vibe – enjoying good times, good company and good cocktails – echoing the belief that when we bring unique personalities together, life becomes richer, more interesting, and more fun.

Troye Sivan, Chief Vibes OFFicer of Smirnoff, said: “For me, Smirnoff has always been omnipresent – whether it’s at house parties, backstage at shows, or nights out with friends. I see the brand all around the world, and whenever I do, it feels like something I want to be part of. “Go OFF” is all about getting people together and being ourselves, something I’ve really embraced in this part of my life and something I’m excited to continue to do with this partnership.”

Stephanie Jacoby, SVP Global Vodkas, said: “We are so excited to partner with Troye – as someone who radiates joy and shares our ‘WE DO WE’ spirit he is the ultimate vibe shifter for his fans all around the world. We knew from the moment we first spoke to Troye and his team that this was going to be something truly special – we share a passion for fun, for bringing people together and for not taking ourselves too seriously.

“I am delighted to welcome our new Chief Vibes OFFicer to the team, Troye is the perfect fit, and we can’t wait to collaborate over the coming months together – exciting things to come!”

In true Smirnoff style, a collective of global creatives was brought together to craft the latest Go OFF work and bring a pop-world spin to the vibrant Smirnoff brand world. The collective includes cultural and creative agency  Dazed Studio, production leads McCann, Director Hannah Lux Davis, Director of Photography Ben Carey and leading stylist to the stars, Marc Forne who most recently styled Troye for his solo global tour and the US ‘SWEAT’ Tour with Charli xcx.

The global partnership will show up across social, OOH, digital, in-store and through event activations in 20+ countries including the UK, BrazilAustralia and India over the coming months – watch this space for more updates from the Chief Vibes OFFicer of Smirnoff, Troye Sivan.

Troye Sivan is a GRAMMY nominated Australian singer, songwriter and actor who has firmly established himself as a global icon in the worlds of pop music, fashion and LGBTQIA+ representation.  Over twenty-six billion streams and 10 million adjusted albums sold worldwide are milestones only a few artists can claim. Doing it by age 29 is another thing entirely. Throw in a range of standout roles in Hollywood features, high fashion collabs, runway appearances, launching a global lifestyle brand and a combined social audience of over 39 million and the list really boils down to one person – Troye Sivan.

Raised in Perth, Australia, Sivan set the world on fire with a pair of EPs – 2014’s TRXYE and 2015’s Wild. With his debut album Blue Neighbourhood, sophomore album Bloom, the 2020 EP In A Dream, and most recently his third studio album, Something To Give Each Other, as well as a slew of singles and collaborations in between, Sivan has cemented himself in the music industry with over 10 years of experience under his belt. Hailed as “the perfect pop star” by TIME, Sivan’s 2023 hit single “Rush” earned global accolades and praise, including two GRAMMY nominations. After wrapping the European leg of his Something To Give Each Other Tour and the SWEAT Tour with friend and collaborator Charli xcx, Troye will next continue on with the Australia & New Zealand leg of his global solo tour. His career has been further celebrated as the recipient of six ARIA Awards, a Billboard Music Award, three MTV Europe Music awards and two GLAAD Media Award wins. “Revelation,” his collaboration with Jónsi for BOY ERASED, was nominated for a Golden Globe for Best Original Song – Motion Picture and shortlisted for an Oscar.

Sivan has been featured in global campaigns for Prada, Rabanne Beauty, Cartier, YSL Beauty, Calvin Klein, Valentino, Savage Fenty, GAP and Beyoncé’s Ivy Park, and appeared in The Weeknd & Sam Levinson’s “The Idol” for MAX, alongside Lily-Rose Depp, Blackpink’s Jennie and Abel himself. He also launched Tsu Lange Yor, an independent luxury lifestyle collection of fragrances and art-driven objects. Sivan spends his time between Los Angeles and Melbourne, Australia; and he continues to be represented by Good World Management, CAA and imPRint. www.troyesivan.com

Global Citizen Now Comes to Rio de Janeiro

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Today Global Citizen, the world’s leading international advocacy organization on a mission to end extreme poverty, launched its new global campaign, Power Our Planet: Take Action Now. Announced during the Global Citizen NOW: Rio de Janeiro action summit on the eve of the 2024 G20 Meetings in BrazilPower Our Planet is an urgent effort to galvanize millions of people around the world to call on world leaders and the private sector to protect the earth, starting with ending deforestation, accelerating a just energy transition, and supporting communities on the frontlines of climate change. The campaign will culminate in Global Citizen Festival: Amazonia, Global Citizen’s first large-scale event in Latin America, which will take place at the Estádio Olímpico do Pará in Belém, Brazil in November 2025 during COP30.

The announcement was made today at the Global Citizen NOW: Rio de Janeiro action summit, which was supported by Luiz Inácio Lula da SilvaPresident of Brazil, with speakers including H.E. Cyril Ramaphosa, President of the Republic of South AfricaUrsula von der Leyen, President of the European Commission; Justin Trudeau, Prime Minister of CanadaJonas Gahr Støre, Prime Minister of Norway; and more.

During the summit, two-time Latin GRAMMY nominated musician and philanthropist ALOK was announced as an official Global Citizen Advocate for the Power Our Planet campaign and beyond.

A decade on from the landmark Paris Agreement, the promises made by governments to defend our planet against climate change remain unfulfilled. The financing committed to protect nature and ecosystems remains insufficient, there are too few countries phasing out the use of fossil fuels, and climate targets set by governments lack the ambition needed to combat the climate emergency. With the window to keep global temperatures below 1.5°C rapidly closing, the stakes have never been higher. The climate crisis is intensifying, and while it affects all of us, it impacts the world’s most vulnerable communities the most.

Power Our Planet will demand urgent changes from world leaders to protect the Amazon rainforest, scale up renewables in Africa, move away from the use of fossil fuels, demand justice for communities hit hardest by the impacts of climate change, and more. The campaign will amplify these calls for action through advocacy initiatives, activations, and live events. Inflection points throughout the coming year will include Davos in Switzerland in January; Global Citizen NOW in New York City in April; the G7 summit in Alberta, Canada in June; Global Citizen NOW: Belém in July; Global Citizen Festival during the United Nations General Assembly in New York City in September; the G20 summit in Johannesburg, South Africa, in November; and will culminate with Global Citizen Festival: Amazonia aligned to COP30 in Belém, Brazil in November.

Global Citizen Festival: Amazonia, the first ever Global Citizen Festival in Latin America, will take place at the Estádio Olímpico do Pará, known as Mangueirão, in Belém, Brazil in November 2025, as world leaders gather for COP30. In keeping with previous Global Citizen Festivals, the event will feature some of the world’s biggest artists alongside Brazilian and Indigenous artists, all united to defend the planet. Global citizens will be able to earn free tickets to the event by taking action in support of the Power Our Planet campaign.

Further details about Global Citizen Festival: Amazonia, including performers, the Festival’s industry-leading sustainability efforts, show date, ticketing information, and more will be announced in the coming months. To learn more and be first to know about future announcements and ticketing details, register at globalcitizen.org/festival/amazonia.

The Power Our Planet campaign is endorsed by Luiz Inácio Lula da SilvaPresident of Brazil and Janja Lula da SilvaFirst Lady of Brazil, with organizing partner Re:wild, policy partners Open Society Foundations and Bezos Earth Fund, supported by Teneo the global CEO advisory firm, as well as a coalition of more than 120 civil society organizations. The campaign and associated events in Brazil are presented by Banco do Brasil.

Global Citizen Festival: Amazonia is presented by Banco do Brasil, with organizing partner Re:wild, and policy partners Open Society Foundations and Bezos Earth Fund.

“One year from now, Brazil will proudly host COP30 in the Amazon rainforest — a defining moment in our collective fight to protect our planet and ensure a sustainable future for all,” said Luiz Inácio Lula Da Silva, President of Brazil. “We are proud of Global Citizen’s Power Our Planet campaign, and to host Global Citizen Festival: Amazonia in Belém next November — the first ever impact concert in the rainforest — with the ambitious goal of raising $1 billion dollars and driving forward the climate justice agenda. Together, we will mark 10 years since the Paris Agreement with a landmark event that sets the world on a transformative path toward a more sustainable and just future.”

“The issues of climate change and extreme poverty are two sides of the same coin. The climate crisis could push 100 million more people into poverty in the next five years, and 10 years on from the Paris Agreement, we are not seeing the bold ambition needed from political leaders to stop rising temperatures leading to that decline,” said Hugh Evans, Co-Founder & CEO, Global Citizen. “The only solution is action now — the next 12 months will be vital for securing new funding and radical policy change, and we’ll campaign to ensure it happens.”

“We all know it’s the most vulnerable around the world who are least responsible for contributing to climate change who pay the heftiest price for it — in economics, or quality of life, even with their lives,” said Justin Trudeau, Prime Minister of Canada. “There is a huge responsibility everyone has to not just ensure we’re supporting emerging economies to adapt, but to make sure they can leapfrog — with technologies and greener solutions that are affordable to them — the mistakes that so much of the global north made in the industrial revolution. To do that, it’s going to take a will of citizens to say yes, it does matter that I fight deforestation, floods, famine and weather impacts, whether in Indonesia or Sub-Saharan Africa, or Asia.”

The year-long Power Our Planet campaign is calling for world leaders, the private sector and development banks to take urgent action on three focus areas:

The world’s tropical rainforests are the lungs of our planet, yet deforestation is pushing them to a point of no return. Over the next year, Power Our Planet will mobilize at least $1 billion from the public and private sectors to protect the Amazon and other tropical forests, directing funding to initiatives like the Amazon Fund, the Global Environment Facility, the Indigenous Fund, and ARPA Communities Programme to support land protection and reforestation efforts. This funding can protect the equivalent of 500,000 football fields of rainforest territory. Additionally, governments must make new legislative commitments to enforce an end to deforestation by the public and private sectors by 2030.

Achieving the world’s climate goals outlined in the Paris Agreement requires ending our dependence on fossil fuels, which are responsible for the majority of greenhouse gas emissions. At COP28, the world took a historic commitment to transition away from fossil fuels. This commitment must now be translated into concrete steps and timelines to halt fossil fuel licensing, production and consumption, end fossil fuel subsidies and demonstrate ambition by endorsing mechanisms that support a just energy transition, such as the Beyond Oil and Gas Alliance and the Fossil Fuel Non-Proliferation Treaty.

Right now, 600 million people across Africa lack access to electricity, severely impacting quality of life and economic opportunity. Africa has the world’s fastest-growing population, yet remains the continent with the highest proportion of people living in extreme poverty. A rapid and just transition to renewable energy is essential to keep global temperatures within the 1.5°C limit. Ahead of the G20 Summit, during Global Citizen NOW: Rio de Janeiro, Global Citizen, Ursula von der Leyen, President of the European Commission, and Cyril Ramaphosa, President of the Republic of South Africa, with policy support from the International Energy Agency, announced a year-long campaign, called Scaling up Renewables in AfricaThe campaign will include multiple milestones and will culminate in a pledging conference one year from now, and aims to secure commitments from governments, the private sector, and multilateral banks to contribute towards tripling renewable energy capacity by 2030 and addressing the unmet energy needs of 675 million people who still lack access to electricity.

Africa’s clean energy journey is picking up speed. We are proud to be part of it,” said Ursula von der Leyen, President of the European Commission. “Europe has been investing massively in renewable energy projects in Africa with Global Gateway. Now we are calling on the world to join us. I’m happy to co-host the campaign Scaling up Renewables in Africa with my friend, President Ramaphosa. Together, we will help bring clean, affordable power to Africa.”

Africa has enormous potential and the necessary resources to lead a revolution in renewable energy,” said Cyril Ramaphosa, President of the Republic of South Africa. “A mass roll-out of renewable energy across our continent would enable many countries to propel their economies along a clean energy development path. We welcome this initiative, which, if undertaken in a just and inclusive manner, could have a huge impact on the lives of Africa’s people.”

The countries that have contributed the least to the climate crisis are hit first and hardest by its impacts. It’s time for G20 and wealthy nations that have industrialized using fossil fuels, to become the world’s highest-emitting countries, to pay their fair share to help developing countries adapt, become more resilient, recover from loss and damage, and protect their populations. Global Citizen and its Power Our Planet campaign partners urge wealthy countries and development banks to increase investment in adaptation finance, especially in the form of grants and highly concessional finance, for countries affected by climate change. Additionally, governments, the private sector and development banks should support a 1 percent solidarity levy on high-emitting sectors, like aviation and shipping, to ensure polluters participate in the protection of communities on the front lines. A 1 percent tax on the profits of multinationals would yield more than $60 billion annually; for every $1 billion invested, 4 million people would be saved from climate-induced hunger.

Throughout the 12-month campaign and beyond, Power Our Planet will support impact projects throughout the Amazon rainforest, such as the creation and strengthening of protected areas and Indigenous lands, reducing deforestation and elevating the bioeconomy, which will be curated and monitored by Re:wild.

“Communities on the frontlines of the climate crisis, who have contributed the least to it, are facing its worst impacts. Re:wild stands with Global Citizen and the Power Our Planet campaign in urging wealthy nations to increase adaptation finance and support innovative solutions,” said Wes Sechrest, CEO and Co-founder of Re:wild. “Through impact projects in the Amazon, we aim to protect Indigenous lands, reduce deforestation, and build resilience where it’s needed most.”

Power Our Planet’s coalition of supporters also includes leading social movements, foundations and nonprofit organizations 1.5 Degrees of Peace, Africa Forward–Catalyst 2030, African Climate Reality Project, African Renaissance Trust, AGITASI, AID LIFE LEARN ENVIRONMENT, ALLIED Global Coordination, Amazon Concertation, Amazonia 21, Amigos da Terra – Amazônia Brasileira, ANMIGA, Aspire Artemis Foundation, Ban Ki-moon Centre for Global Citizen, Black Girl’s Dream Initiative, Black Professionals in International Affairs, Blended Finance Taskforce, Bread for the World, Buyambo, Center for Global Alchemy and Cross-Cultural Leadership, Center for Music Ecosystems, CIVICUS, Climate Action Platform – Africa, Climate and Health Foundation, Climate Cardinals, Common Good Marketplace, Connected Development, Coordenação das Organizações Indígenas da Amazônia Brasileira (COIAB), dev.tv, Don’t Gas Africa, EarthRights International, Education Cannot Wait – UN Global Fund for Education in Emergencies,  Engajamundo, Environmental Advocates NY, Equitable Earth, Equitable Energy, European Center for Not-for-Profit Law, Farmer on Fire, Focus 2030, Foreign Policy Community of Indonesia (FPCI), Fossil Fuel Non-Proliferation Treaty Initiative, Funatura, Fundação Amazônia Sustentável, Fundação SOS Mata Atlântica, Fundo Casa Socioambiental, Global Nation, Gavi, the Vaccine Alliance, Gender and Economy Research Center NPGE, Girl Up, Global Health Advocates, Global Leading Light Initiatives, Global Nation, Global Public Investment Network, Go Global Enterprises – Educate, Lead, Advocate, Global Witness, Greenpeace Africa, Hope For Her International, Hungry for Action, iDE (International Development Enterprises), IEC Global Impact Fund IEPÉ – Instituto de Pesquisa e Formação Indígena, Ignition Packaging, Indigenous Peoples Rights International, Instituto Juma, Instituto Juruá, Instituto Kabu, Instituto Libio de Proteção à Natureza, Instituto Makarapy, Instituto Peabiru, Instituto Raoni, Instituto Socioambiental (ISA), Instituto SOS Pantanal, Integrity Initiatives International, Jacob’s Ladder Africa, International Campaign to Abolish Nuclear Weapons (ICAN), International Labour Organization, Iswe Foundation, Japan NGO Center for International Cooperation (JANIC), Jara, Junior Achievement (JA) Africa, KIKAO CULTURES, LEAP Africa, Life of Pachamama, Loss & Damage Youth Coalition, Malaria No More UK, Marafiki United Green Youths Initiative, mothers2mothers, Movimento Nacional de População de Rua do Rio de Janeiro, Norwegian Human Rights Fund (NHRF), OHCHR, ONE, OurCause, Outright International, OWIT Brussels, Pacific Islands Students Fighting Climate Change, Pandemic Action Network, Partnership for Transparency, Peace Boat US, Rare, Phakamani Young Minds Academy, Plastic Punch, Power Shift Africa, Power to Girls, Project Vote SA, Projeto Saúde e Alegria, Rare, Rede Brasileira de Biodiversidade e Clima, Rewriting Earth, Rewriting Earth, Rotary International, SDG2 Advocacy Hub, Shamba Centre for Food and Climate, Sharing Strategies, Shule Foundation, Sustentabilidad Sin Fronteras (SSF), Stark NKD, Sungulo Comm NPC, Sustainability and Climate Podcast, Teen aid International Organization, The Access Challenge, The Asian Network, The Erline Bradshaw Foundation, The Global Education & Leadership Foundation (tGELF), The Global Fund to Fight AIDS, Tuberculosis and Malaria, The Global Sunrise Project, The Green Protector, The International Fund for Public Interest Media, The Village Youth Fund, TheCreators2030 UN SDGs, Arts, Youth, Sports & Global Citizen Initiative, UNESCO Center for Peace, UNFPA, United Nations Association of the National Capital Area, United Nations Joint Sustainable Development Goals Fund, United Young Farmers Forum, Universal Access Project at the United Nations Foundation, Urgent Action Sister Funds, WA Bat Network, Walkers Reserve, Women At Risk International Foundation, World Health Organization, Yamba Malawi, Young Activists Summit, and Youth Climate Collaborative.

The Global Citizen NOW: Rio de Janeiro action summit was supported by Luiz Inácio Lula da Silva, President of Brazil, with speakers including H.E. Cyril Ramaphosa, President of the Republic of South AfricaUrsula von der Leyen, President of the European Commission; Justin Trudeau, Prime Minister of Canada; Jonas Gahr Støre, Prime Minister of NorwayTarciana Medeiros, CEO, Banco de Brasil; Helder Barbalho, Governor of Pará State; ALOK, two-time Latin GRAMMY nominated musician and philanthropist; Doron Avni, Vice President, Government Affairs & Public Policy, Emerging Markets, Google; João Paulo Capobianco, Deputy Minister of Environment and Climate Change of Brazil; Júlia Forlani, Strategic Partnerships Specialist of Amazônia +21 Institute & FAIS; Sonia Guajajara, Minister of Indigenous Peoples of BrazilMitzi Jonelle-Tan, Climate Justice Activist and Steering Committee, Fossil Fuel Non-Proliferation Treaty Initiative; Jin Liqun, President, Asian Infrastructure Investment Bank; Rodrigo Medeiros, Senior Brazil Lead, Re:wild; Larissa Pinto Moraes, Executive Director, Engajamundo; Kumi Naidoo, President, Fossil Fuel Non-Proliferation Treaty Initiative; Maria Netto, Executive Director, Instituto Clima e Sociedade – iCS; Paul Newnham, CEO, SDG2 Advocacy Hub; Vanessa Oliveira, Reporter, Um Só Planeta; Eduardo Paes, Mayor of Rio de JaneiroSuelma Rosa, Vice President of Corporate Affairs for PepsiCo Latin America; Diego Scotti, Global Citizen Board Member, and EVP, General Manager – Consumer Group & Global Marketing and Communications, PayPal; Rene Silva, Businessman, Communicator and Activist, Jornal Voz Das Comunidades; Txai Suruí, Indigenous warrior of the Paiter Suruí People and General Coordinator of the Kanindé Association; Marciely Ayap Tupari, Coordinator Secretary, COIAB; Máximo Torero, Chief Economist, Food and Agriculture Organization of the United Nations (FAO); Ginga Tropical; Tori Tsui, Climate Justice Activist, Fossil Fuel Non-Proliferation Treaty Initiative; Laurence Tubiana, CEO, European Climate Foundation; Juliana Wallauer, Founder of “Mamilos” Podcast & Milos Consulting; Célia Xakriabá, Federal Deputy of Brazil, Indigenous Activist, and Co-Founder of ANMIGA (National Articulation of Indigenous Women Warriors of Ancestry); and Luiza Zveiter, Journalist.

Rediscover the Magic of Vinyl with the Qlearsoul ONE-Q: The Perfect Blend of Retro and Modern

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Vinyl is more than music; it’s a vibe, a lifestyle, and a journey into the soul of sound. And the Qlearsoul ONE-Q Vinyl Record Player (Black Edition) is here to elevate that experience for everyone—from nostalgic collectors to first-time listeners. This all-in-one HiFi turntable is a masterpiece, combining cutting-edge technology with timeless charm.

Whether you’re dusting off your favorite 33/45 RPM records or streaming the latest hits via Bluetooth 5.4, the ONE-Q offers unparalleled versatility. Its built-in speakers deliver crisp highs and deep bass, while the magnetic cartridge ensures every note rings true. Want to kick it up a notch? Connect external speakers or headphones for a truly immersive experience.

But it’s not just about performance—it’s about simplicity and style. The sleek aluminum front panel makes operation a breeze, while its retro-modern design turns this turntable into a centerpiece for any room. And with its lightweight tonearm, precision stylus, and adjustable counterweight, the ONE-Q delivers the high-fidelity sound you’d expect from systems twice the price.

The Qlearsoul ONE-Q is more than a turntable; it’s a bridge between the past and the present. It lets you explore the warm, rich sound of vinyl while embracing modern conveniences like Bluetooth streaming. The combination of aesthetics, performance, and affordability makes it a must-have for music lovers of all kinds.

Still wondering if it’s the right time to invest in a turntable? It is. The Qlearsoul ONE-Q isn’t just an audio device; it’s a gift for your ears and soul. It’s a reason to slow down, connect with the music, and create moments worth remembering.

So go ahead—put on that favorite record, lean back, and let the Qlearsoul ONE-Q remind you why music matters. Because when your sound system is this good, every day is worth celebrating.

et 20% OFF with code 20ERICONEQ (valid until 2024-12-10 at 11:59 PM PDT) on the Qlearsoul ONE-Q Vinyl Record Player! Use the code on Amazon or QlearSoul’s official website. Currently available in the US only, but it will be usable in CA, UK, and EU as soon as the links are live.

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Walnut (US) | Black (US)