Home Blog Page 1062

Jay Douglas Documentary Play It Loud! — How Toronto Got Soul Gets Special Advanced Sneak Preview Oct. 23 At Toronto’s The Royal Theatre

0

For much of the late 1960s and early 1970s, the Caribbean, Jamaican and reggae music scene in Toronto was almost unrivaled in North America in terms of quality and performers. Jay Douglas, lead singer of The Cougars and one of the biggest and brightest talents of that time, is the subject of a fantastic new TVO Original documentary entitled Play It Loud! — How Toronto Got Soul. The documentary, directed by Graeme Mathieson, produced by Andrew Munger (Once Were Brothers: Robbie Robertson and The Band), and Executive Produced by Clement Virgo (Brother, The Wire) will have a special advance preview screening Oct. 23 at 630 PM at Toronto’s The Royal Theatre (608 College Street) with limited tickets available to the public here.

Play It Loud! — How Toronto Got Soul traces Douglas’ life from a young boy in Jamaica to immigrating to Canada in his teenage years and residing in Toronto with a host of other Jamaica-born artists such as Jackie Mittoo, Leroy Sibbles and Wayne McGhie among others. With Toronto becoming a hotbed of Jamaican music, Douglas established himself as the lead singer of The Cougars, a fabulous group who performed a collage of genres (reggae/Caribbean/soul/ska/funk) wherever and whenever they could.

Whether it was the vibrant clubs on Toronto’s Yonge Street during that era or performing in smaller towns in Northern Ontario or Quebec, the group dazzled fans despite little to no airplay or label support aside from appearing on one album entitled Caribana ’67.

Douglas (born Clive Pinnock), described by legendary reggae producer Sly Dunbar as “the Lou Rawls of Jamaican music,” maintained a music career performing on cruise ships, banquets, and clubs long after The Cougars’ heyday. In 2006, after influential hip-hop artists discovered a drum break from McGhie’s song “Dirty Funk,” that time and place in Canadian musical history was resurrected thanks to Jamaica To Toronto: Soul Funk & Reggae 1967-1974, a now legendary compilation issued by Seattle label Light In The Attic which shone the spotlight on the blazing Jamaican music scene, Douglas (a three-time Juno Award nominee), and this magical era. Play It Loud — How Toronto Got Soul takes the journey with Douglas through the highs and lows, in a way akin to the 2012 critically acclaimed documentary Searching For Sugar Man about the rather obscure musician Rodriguez and one man’s search for the artist.

Featuring interviews with Dunbar, vocalist Jackie Richardson, Cadence Weapon (Rollie Pemberton), former MuchMusic host Michael Williams and many others, and the music of Bob Marley, Bo Diddley, James Brown, The Cougars, Wayne McGhie.

Play It Loud — How Toronto Got Soul will have a Toronto screening Feb. 6, 2025 at the Nia Centre for The Arts (524 Oakwood Avenue) and makes its broadcast and digital premiere later that month on TVO and British Columbia’s Knowledge Network. The film was funded by TVO, Canada Media Fund, Telefilm, Ontario Creates, Rogers Documentary Fund, Knowledge Network BC and the Hot Docs–Slaight Family Fund.

So for an intriguing, intimate look at an incredibly underrated and then underappreciated era in Canadian music, Play It Loud — How Toronto Got Soul will stir your soul to seek out these artists and this incredible sound while shedding light on one of Canada’s most revered musicians.

Billboard Chart-Toppers SULTANS OF STRING Announce “WALKING THROUGH THE FIRE” FILM PREMIERE

0

3x JUNO nominees and Billboard chart-toppers Sultans of String are excited to announce the Toronto Premiere of Walking Through The Fire-Visual Album, a musical film experience unlike any other. This special film brings the magic of collaboration to the screen, with award-winning First Nations, Métis, and Inuit artists from across Turtle Island/Canada.

Presented by the Redbird Therapy Centre, Cecil Community Centre, and Native Women’s Resource Centre of Toronto, the Premiere will feature opening remarks with Dr. Duke Redbird, and an Artist meet & greet VIP Reception with live music. The Film will be followed by a powerful Q&A panel with artists from the film including Dr. Duke Redbird, Shannon Thunderbird, Marc Merilaïnen, Alyssa Delbaere-Sawchuk, as well as filmmaker and Sultans of String producer Chris McKhool. 100% of the ticket price will be donated to the Native Women’s Resource Centre.

This production comes on the heels of their Cannes World Film Festival winning visual album/documentary, The Refuge Project.

WHEN:  Friday, November 1, 2024 – VIP Reception: 7:00-7:30pm  |  Film Screening and Artist Panel: 8:00-10:00pm

WHAT: ‘Walking Through the Fire’ Film Screening Premiere presented by: Redbird Therapy Centre, Cecil Community Centre, and Native Women’s Resource Centre of Toronto

Opening remarks with Dr. Duke Redbird, and Artist meet & greet VIP Reception with live music. Film will be followed by a powerful Q&A panel with artists from the film including Dr. Duke Redbird, Shannon Thunderbird, Marc Merilaïnen, Alyssa Delbaere-Sawchuk, as well as filmmaker and Sultans of String producer Chris McKhool. 100% of the ticket price will be donated to the Native Women’s Resource Centre of Toronto.

WHERE: Cecil Community Centre, 58 Cecil St, Toronto

Walking Through the Fire: Visual Album is a musical film experience unlike any other. From Métis fiddling to an East Coast Kitchen Party, rumba to rock, to the drumming of the Pacific Northwest, experience the beauty and diversity of music from Turtle Island with Elder and poet Dr. Duke Redbird, the Métis Fiddler Quartet, Ojibwe/Finnish Singer-Songwriter Marc Meriläinen (Nadjiwan), Coast Tsm’syen Singer Shannon Thunderbird, The North Sound from the Prairies, Blues singer Crystal Shawanda, Heavy-Wood guitarist Don Ross, Northern Cree pow wow group, Dene singer-songwriter Leela Gilday, Inuit Throat Singers and more!  Experience in full DOLBY ATMOS. 80 Minutes.

A central theme running through Walking Through The Fire is the need for the truth of Indigenous experience to be told before reconciliation can begin in earnest. Embedded in the title is the energy of rebirth: fire destroys, but it also nourishes the soil to create new growth, beauty, and resiliency. Walking Through The Fire ensures that we emerge on the other side together, stronger and more unified.

Sultans of String created this project in the spirit of the Truth and Reconciliation Commission’s 94 Calls to Action, and Final Report that asks for Indigenous and non-Indigenous people to work together as an opportunity to show a path forward. Says bandleader Chris McKhool (whose grandfather was a stowaway from Lebanon at the turn of the last century), “We know that as a society we can’t move ahead without acknowledging and reflecting on the past. Before reconciliation can occur, the full truth of the Indigenous experience in this country needs to be told, so we’ve been calling on Indigenous artists to share with us their stories, their experience, and their lives, so we settler Canadians can continue our learning about the history of genocide, residential schools, and of inter-generational impacts of colonization.”

Bandleader Chris McKhool (Makhoul in Lebanon) has an Egyptian-born mother who happened to play piano, teach classical theory, and feed her young son as much Middle Eastern cuisine as she did music lessons. From there, the powerful violinist developed a taste for multi-genre string sounds and found a like-minded crew of all-world enthusiasts. When McKhool first heard founding guitarist Kevin Laliberté’s rumba rhythm, their musical synergy created Sultans of String’s signature sound – the intimate and playful relationship between violin and guitar. From this rich foundation, the dynamic duo grew, featuring such amazing musical friends as in-the-pocket bass master Drew Birston, and the jaw-dropping beats of percussionist Chendy Leon.

Their live resume is similarly stellar. Equally at home in a concert hall, folk and jazz club or festival setting, the Sultans have gigged at JUNOfest, the legendary club Birdland in New York, Celtic Connections Festival (Glasgow) and London’s Trafalgar Square. They have sold out Koerner Hall three times (Toronto’s Carnegie Hall), and performed with the Annapolis, Toronto, Vancouver, Edmonton Symphony Orchestras. They have played live on CBC’s Canada Live, BBC Radio, BBC TV, Irish National Radio, and the syndicated World Café, Woodsongs, and SiriusXM in Washington. Sultans of String’s musicianship and versatility are also showcased in collaborations with such diverse luminaries as Paddy Moloney & The Chieftains, Sweet Honey in The Rock, Richard Bona (Paul Simon), Alex Cuba, Ruben Blades, Yasmin Levy, Benoit Bourque, Béla Fleck, Crystal Shawanda & Ken Whiteley.

Prog-Metal Band Derev Announces ‘Out of This Mind Eastern Canada Tour’ in Support of Harrowing New Single ‘Room 9’

0

Capturing mental illness in song is a dicey business. When somebody does it right, you feel like you’re getting to listen to the most poetic case study ever written. When they do it wrong, it’s like being accosted on the street by an actual mental patient who wants to sing you his very favorite tune. Which he just made up.

Suffice it to say that prog- metalers Derev get it right on their new single, “Room 9.” Very right indeed. Harrowing in all the best ways, the song chronicles the inner torment of an inmate in a mental institution who feels as if he’s trapped within his own mind as well—that his thoughts keep racing around and around on an “endless trail” that leads nowhere but back into the thick of an impenetrable maze.

“The intention behind writing this song was to illustrate the struggles of schizophrenic individuals dealing with symptoms of psychosis, hallucinations and disorganized thoughts and actions,” the band says. Just don’t mistake it for simple exploitation, though, because the point here is empathy, not a freak show:

“In our everyday lives, we come across people that society calls ‘crazy’ or ‘mental.’ We often overlook how they ended up there, what circumstances led them to that point, and what they suffered to become who they are. This song serves as a tribute, encouraging the listener to step into their shoes and get a glimpse of what they feel and experience.”

Mission accomplished, especially when you wed the song’s unsparing lyrical sentiments to its vaguely unsettling, Middle Eastern-inspired melodic and harmonic modalities and its almost mathematical, rat-a-tat rhythms that are hammered out in 7/4 time. (Suffice it to say that fans of Tool will feel right at home in this sanitarium.) Beneath the surface, there are subtleties that reward repeated listening and careful rumination: The title “Room 9,” for example, doesn’t just refer to the cell our harried protagonist occupies; it’s also a nod to Japanese culture, in which the word for “nine” (“ku”) sounds like the word for “pain” or “suffering.” There’s even an accompanying animated video that uses highly stylized imagery to dramatize the main character’s fantasies of escape and subsequent frustration at realizing he’s perpetually stuck at Square One.

The entire project is proof of concept for the collaboration that childhood friends Armando Bablanian (guitar) and Michel Karakach (drums) struck up in Kuwait a while back. Since then, a move to Toronto and the addition of bassist Stan Kamarovski and keyboardist/synth player Ran Zehavi have made Derev a full-fledged band. “Room 9” finds that core unit augmented by guest singer Adel Saflou, whose suitably tortured lead vocals will also be featured on the group’s forthcoming album, the thematically of-a-piece Troubled Mind.

With that document already complete and about to be unleashed on the world, Derev continues to move forward at a determined pace. Singer Mike Symons has been brought aboard to work the mic full-time, and he’ll be front and center when the band undertakes a blitz of concert appearances keyed to the new release. Dates announced so far are as follows:

Thursday, Oct. 17—The Supermarket, Toronto, ON
Friday, Oct. 18—The Smokin’ 116 Bistro, Belleville, ON
Saturday, Oct. 19—Overtime Sports Bar, Kingston, ON
Tuesday, Oct. 22—The Tumbleweed Fry House & Bar, Bathurst, NB
Wednesday, Oct. 23—Avon Valley Lanes, Windsor, ON
Friday, Oct. 25—La Cale–Pub Zero Dechet, Montreal, QC
Saturday, Oct. 26—Live on Elgin, Ottawa, ON
Sunday, Oct. 27—La Maison Tavern, Cornwall, ON

The name of this intensive, frenzied little jaunt? The “Out of This Mind Eastern Canada Tour,” of course. When these guys hit on a concept, they stick with it to the very end. But that’s the kind of obsessiveness any psychotherapist worth his salt would heartily approve of.

Watch The Short-Lived Comedy “Turn-On” Became TV’s Biggest Flop After Just One Episode

0

“Turn-On,” a surreal sketch comedy show that aired on ABC on February 5, 1969, became one of the most infamous flops in television history after its controversial content led to immediate cancellation. Featuring rapid-fire, off-color humor and no traditional set, the show was so poorly received that several affiliates refused to finish airing it, with some pulling it mid-broadcast. Despite high expectations from the creators of Laugh-In, “Turn-On” was deemed too risqué for its time, leaving its mark as one of TV’s most notorious failures.

The Beatles Perform “Yesterday” On The Ed Sullivan Show In 1965

0

On August 14, 1965, The Beatles took the stage for their final live taping on The Ed Sullivan Show, which aired on September 12, 1965. The broadcast drew an incredible 60-percent share of the nighttime audience, showcasing the band’s unmatched popularity. After following three acts, The Beatles delivered electrifying performances of “I Feel Fine,” “I’m Down,” and “Act Naturally.” They closed the show with unforgettable renditions of “Ticket to Ride,” “Yesterday,” and “Help!”—a lineup that has since become one of the most iconic moments in TV and music history.

Photo Gallery: One Ok Rock at Toronto’s Coca-Cola Coliseum

0

All photos by Mini’s Memories. You can contact her through Instagram or Facebook.

One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock
One Ok Rock

Best Bitcoin Casinos: Your Ultimate Guide for 2024

0

By Mitch Rice

If you’ve been keeping up with the world of online gambling, you’ve probably noticed that Bitcoin casinos are becoming more popular than ever. With more players looking for quicker transactions, better privacy, and lower fees, Bitcoin casinos offer a modern solution that’s hard to beat. Whether you’re new to Bitcoin casinos or just looking for the best options in 2024, this guide will walk you through everything you need to know in a fun and friendly way!

Why Are Bitcoin Casinos So Popular?

Bitcoin casinos bring a lot to the table, making them a go-to choice for many online gamblers. Here are some of the top reasons players are flocking to Bitcoin casinos:

1. Fast and Easy Transactions

One of the biggest perks of using Bitcoin is the speed. No more waiting around for days to get your winnings! With Bitcoin, deposits and withdrawals are almost instant, meaning you get to enjoy your winnings right away without the hassle.

2. Anonymity and Privacy

Privacy matters, especially in online gambling. Unlike traditional casinos that often require personal details and lengthy registration processes, Bitcoin casinos typically need just an email address. This makes it perfect for players who value their privacy and want to keep their personal information secure.

3. Lower Transaction Fees

Who likes paying extra fees? Bitcoin casinos often have little to no transaction fees. Traditional banks and payment methods usually charge fees for deposits and withdrawals, but with Bitcoin, you get to keep more of your money, which means more funds to play with!

4. Global Access

Bitcoin isn’t tied to any specific country or bank, which means it can be used worldwide. If online gambling is restricted in your region, Bitcoin can be a great way to access these casinos. It’s an excellent solution for players in areas with limited access to traditional online casinos.

Key Features to Look For in a Bitcoin Casino

If you’re planning to jump into the world of Bitcoin casinos, it’s important to know what to look for. Not all casinos are created equal, and knowing how to pick the right one can make your experience that much better.

1. Security and Licensing

First and foremost, make sure the casino you choose is safe and trustworthy. Check if the casino has proper licensing and uses top-notch security measures like SSL encryption to protect your data and Bitcoin funds.

2. Variety of Games

A great Bitcoin casino should offer a wide range of games, from slots to table games like poker, roulette, and blackjack. Some casinos even have live dealer games, giving you that real-life casino experience from the comfort of your home.

3. Provably Fair Games

What’s unique about Bitcoin casinos is that they often offer provably fair games. This means you can verify the fairness of the game outcomes using blockchain technology, so you know you’re getting a fair shot.

4. Bonuses and Promotions

Who doesn’t love a good bonus? Many Bitcoin casinos offer exciting welcome bonuses, free spins, and other promotions to attract new players. Just be sure to read the terms and conditions, as some bonuses may come with wagering requirements that you’ll want to understand before diving in.

5. Customer Support

Customer support can make or break your casino experience. Choose a casino with 24/7 customer support through live chat or email. It’s always nice to know that help is available when you need it.

The Best Bitcoin Casinos for 2024

Now that you know what to look for, here are some of the top Bitcoin casinos to check out in 2024:

1. BitStarz Casino

BitStarz is widely regarded as one of the best Bitcoin casinos out there. It offers a huge selection of games, including slots, table games, and live dealer games. Plus, its fast payouts and 24/7 customer support make it a fan favorite. BitStarz is also known for generous bonuses, which can give you a boost when you first sign up.

2. mBit Casino

mBit Casino is perfect for players who love bonuses and promotions. It offers great welcome packages and plenty of ongoing promotions. With a wide variety of games and quick payouts, it’s a fantastic option for Bitcoin casino enthusiasts.

3. 7Bit Casino

If you’re a fan of retro-style designs with a modern twist, 7Bit Casino is for you. It’s got a vast collection of slots, table games, and live dealer options. Plus, it’s known for rewarding loyal players with regular bonuses, making it an exciting place to play.

4. Cloudbet

Cloudbet is a well-known name in the Bitcoin casino world, especially if you’re into sports betting alongside casino games. It offers competitive odds for sports bets, a great variety of live dealer games, and a smooth user experience that keeps players coming back for more.

5. FortuneJack

FortuneJack is another top Bitcoin casino, offering a huge selection of games, including exclusive Bitcoin-only games. It’s known for its provably fair system, which gives players peace of mind knowing that the games are fair and transparent.

Final Thoughts

Bitcoin casinos have revolutionized the online gambling world. With fast transactions, top-tier privacy, and fewer fees, they offer a more streamlined and enjoyable gambling experience. Whether you’re a seasoned player or just starting out, Bitcoin casinos provide a modern, flexible way to play.

As you explore these casinos, remember to prioritize security and game variety. And don’t forget to take advantage of those welcome bonuses! With the right Bitcoin casino, you’ll have a great time while potentially boosting your winnings.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

My Next Read: “Kick Out the Jams: Jibes, Barbs, Tributes, and Rallying Cries from 35 Years of Music Writing” By Dave Marsh

0

Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire.

Every essay bears the distinct Dave Marsh attitude and voice. That passion is evident in a heart-wrenching piece on Cobain’s suicide and legacy; a humorous attack on “Bono’s bullshit;” an indignant look at James Brown and the FBI; deep, revelatory probes into the work of underappreciated artists like Patty Griffin and Alejandro Escovedo; and inspiring insight into what drives Marsh as a writer, namely “a raging passion to explain things in the hope that others would not be trapped and to keep the way clear so that others from the trashy outskirts of barbarous America still had a place to stand—if not in the culture at large, at least in rock and roll.”

If you want to explore the recent history of pop music—its politics as well as its performers—Kick Out the Jams is the perfect guidebook.

Nina Simone’s Timeless Performance of “Love Me Or Leave Me” on The Ed Sullivan Show in 1960

0

On September 11, 1960, Nina Simone graced The Ed Sullivan Show for her performance of Love Me Or Leave Me. Her powerful piano-driven rendition blended jazz with classical elements, showcasing her unmatched artistry and emotional depth.

5 Surprising Facts About The Rolling Stones’ ‘Exile on Main St.’

Released in 1972, Exile on Main St. is one of The Rolling Stones’ most iconic albums, revered for its raw sound and diverse musical influences. However, even some die-hard fans might not know these fascinating behind-the-scenes details about its creation:

1. Recorded in a Makeshift Studio

The majority of Exile on Main St. was recorded in the basement of guitarist Keith Richards’ rented villa, Nellcôte, in the South of France. Due to tax issues, the band had become exiles, and without access to a proper studio, they used a mobile recording truck. The basement’s tight, disorganized sessions, along with the constant partying and Richards’ heroin use, created the album’s gritty and unpolished sound.

2. Not Everyone Showed Up for Sessions

Despite being a band effort, Exile on Main St. had a revolving door of musicians during its recording sessions. Bassist Bill Wyman, for example, was so frustrated with the chaotic environment that he didn’t participate in many of the sessions. As a result, several tracks feature other musicians filling in on bass, including Mick Taylor and Richards himself.

3. The Infamous “Happy” Was an Impromptu Jam

One of the album’s most famous songs, “Happy,” sung by Keith Richards, was created spontaneously. Richards arrived early to a session, and with nothing planned, he picked up a guitar and started jamming. With only a baritone sax, guitar, and drummer Jimmy Miller, the track was recorded in an afternoon and remains one of Richards’ signature performances.

4. Influenced by Southern Gospel

The album’s gospel influence, particularly on tracks like “Tumbling Dice” and “Shine a Light,” was inspired by Mick Jagger’s visit to an evangelical church in Los Angeles, where he witnessed a live recording session for Aretha Franklin’s Amazing Grace album. This experience deeply impacted the sound and arrangement of the album’s gospel-inflected tracks.

5. An Album About Hedonism and Time

Lyrically, Exile on Main St. dives deep into themes of hedonism, excess, and the fleeting nature of time. Critics have described it as a reflection of the band’s decadent lifestyle during the 1970s, with songs that explore sex, drugs, and the rock-and-roll lifestyle, while also revealing a subtle preoccupation with aging and the passage of time as the band members approached 30.

Though Exile on Main St. initially received mixed reviews, it has since been hailed as one of The Rolling Stones’ greatest achievements and a cornerstone of rock history. Its unique blend of blues, rock, country, and gospel, combined with the chaotic recording process, has earned it a lasting legacy.