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Jack White Announces ‘No Name’ Tour For 2025

Eric Alper
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Jack White Announces ‘No Name’ Tour For 2025

Jack White will celebrate his GRAMMY Award-nominated new album No Name with a global headline run. The No Name Tour begins December 1 with a previously announced festival performance at Hong Kong’s Clockenflap Music & Arts Festival and then visits intimate venues across Asia, Australia/New Zealand, and North America through May 2025. Presale tickets for all newly announced No Name Tour dates will be available to TMR Vault subscribers beginning tomorrow, November 15, at 10:00 am (local). In addition, fans can register for presale access at jackwhiteiii.com/tour-dates. All remaining tickets go on sale to the general public on Friday, November 22, at 10:00 am (local). For complete details and ticket information, please visit jackwhiteiii.com/tour-dates.

No Name is available now via Third Man Records. The acclaimed collection was recently honored with a 2025 GRAMMY Award nomination for “Best Rock Album” – White’s 34th solo career nomination and 46th overall along with 16 total GRAMMY® Award wins. Tomorrow, November 15, will see the release of “You Got Me Searching,” an exclusive new B-side to the No Name favorite, “That’s How I’m Feeling,” available at all DSPs and streaming services. A limited edition 7” vinyl single arrives via Third Man Records on Friday, November 22.

White’s sixth studio album, No Name officially arrived on Friday, August 2 following its clandestine white-label appearance at Third Man Records locations that saw customers slipped, guerilla-style, free unmarked vinyl copies in their shopping bags. True to his DIY roots, the record was recorded at White’s Third Man Studio throughout 2023 and 2024, pressed to vinyl at Third Man Pressing, and released by Third Man Records.

White has marked the arrival of No Name with surprise shows around the world, including sold-out pop-up dates set for tonight at Austin, TX’s Mohawk and tomorrow, November 15, at San Antonio, TX’s Paper Tiger. An official music video for “That’s How I’m Feeling” compiling footage from the road is streaming now on YouTube.

JACK WHITE – NO NAME TOUR 2024-2025

NOVEMBER
14 – Austin, TX – Mohawk*
15 – San Antonio, TX – Paper Tiger*
17 – Mexico City, MX – Corona Capital*

DECEMBER
1 – Hong Kong – Clockenflap Music & Arts Festival *
2 – Ho Chi Minh City, Vietnam – Capital Theatre *
5 – Brisbane, Australia – Fortitude Music Hall
6 – Ballarat, Australia – Civic Hall *
7 – Melbourne, Australia – Corner Hotel *
9 – Melbourne, Australia – Forum Melbourne
11 – Hobart, Australia – Odeon Theatre
13 – Sydney, Australia – Enmore Theatre
17 – Auckland, New Zealand – Auckland Town Hall

FEBRUARY 2025
6 – Toronto, ON – HISTORY
7 – Toronto, ON – Massey Hall
8 – Toronto, ON – Massey Hall
11 – Brooklyn, NY – Kings Theatre
12 – Brooklyn, NY – Brooklyn Paramount
17 – Boston, MA – Roadrunner
18 – Boston, MA – Roadrunner

MARCH 2025
10 – Hiroshima, Japan – Blue Live Hiroshima
12 – Osaka, Japan – Gorilla Hall
13 – Nagoya, Japan – Diamond Hall
15 – Tokyo, Japan – Toyosu PIT
17 – Tokyo, Japan – Toyosu PIT

APRIL 2025
3 – St. Louis, MO – The Factory
4 – Kansas City, MO – Uptown Theater
5 – Omaha, NE – Steelhouse Omaha
7 – Saint Paul, MN – Palace Theatre
8 – Saint Paul, MN – Palace Theatre
10 – Chicago, IL – The Salt Shed (Indoors)
11 – Chicago, IL – The Salt Shed (Indoors)
12 – Detroit, MI – Masonic Temple Theatre
13 – Detroit, MI – Masonic Temple Theatre
15 – Grand Rapids, MI – GLC Live at 20 Monroe
16 – Cleveland, OH – Agora Theatre
18 – Nashville, TN – The Pinnacle
19 – Nashville, TN – The Pinnacle

MAY 2025
4 – Austin, TX – ACL Live at the Moody Theater
5 – Austin, TX – ACL Live at the Moody Theater
6 – Dallas, TX – South Side Ballroom
8 – Denver, CO – Mission Ballroom
9 – Denver, CO – Mission Ballroom
10 – Salt Lake City, UT – Union Event Center
12 – Los Angeles, CA – Hollywood Palladium
13 – Los Angeles, CA – Hollywood Palladium
15 – Santa Barbara, CA – Santa Barbara Bowl
16 – Oakland, CA – Fox Theater
17 – San Francisco, CA – The Masonic
19 – Seattle, WA – Paramount Theatre
20 – Seattle, WA – Paramount Theatre
22 – Vancouver, BC – Commodore Ballroom
23 – Vancouver, BC – Commodore Ballroom
24 – Troutdale, OR – Edgefield Concerts on the Lawn
* PREVIOUSLY ANNOUNCED

K-pop Sensation SEVENTEEN Comes to Cinemas With Live Concert – One Night Only!

Eric Alper
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K-pop Sensation SEVENTEEN Comes to Cinemas With Live Concert – One Night Only!

The Kyocera Dome Osaka concert of K-pop icon SEVENTEEN’s world tour ‘SEVENTEEN [RIGHT HERE] WORLD TOUR IN JAPAN’ will be broadcast live in cinemas in the US and Canada on Saturday, December 14, 2024 at 7PM (local time)!

From the newest track to iconic hits and hidden gems, SEVENTEEN’s unique and diverse performances that audiences around the world have been waiting for will come to life in cinemas across various countries and regions, with large screens and high-quality sound!

Get ready to experience the powerful energy, infectious humor, vibrant charm, and unit stages full of personality as SEVENTEEN bring an unparalleled, cohesive performance on screen that only they can deliver.

Tickets for SEVENTEEN [RIGHT HERE] WORLD TOUR IN JAPAN: LIVE VIEWING will go on sale on November 21 at 10 PM PT/ November 22 at 1 AM ET at www.FathomEvents.com.

SEVENTEEN—comprised of S.COUPS, JEONGHAN, JOSHUA, JUN, HOSHI, WONWOO, WOOZI, THE 8, MINGYU, DK, SEUNGKWAN, VERNON and DINO—have rocketed to the forefront of the music scene fueled by a fiercely independent spirit and a nonpareil in-house creative ecosystem. The 13-piece act’s innovative structure hinges on the interplay of three units: hip-hop, vocal, and performance. Their 10th Mini Album FML and 11th Mini Album SEVENTEENTH HEAVEN both debuted at No. 2 on the Billboard 200 and proceeded to become the top 2 best-selling albums worldwide in K-pop history. Having placed the group on top of the Billboard Artist 100, FML was further recognized as the best-selling global album of 2023 by IFPI with over 6.4 million copies sold. The K-pop icon continued its momentum into 2024 with remarkable achievements. Their Best Album 17 IS RIGHT HERE, featuring SEVENTEEN’s celebrated discography, was released and they became UNESCO’s first-ever Goodwill Ambassador for Youth, recognized for their role in uplifting and inspiring young people worldwide. They made history at Glastonbury as the first K-pop act to perform at the festival and set another milestone as the first K-pop headliner at Lollapalooza Berlin. Most recently, SEVENTEEN won Best Group at the 2024 MTV Video Music Awards.

My Next Read: DEAD & COMPANY: RAINBOW FULL OF SOUND” by Jay Blakesberg

Eric Alper
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My Next Read: DEAD & COMPANY: RAINBOW FULL OF SOUND” by Jay Blakesberg

DEAD & COMPANY: RAINBOW FULL OF SOUND is a fine art, 352 page hardcover coffee table photography book by famed rock photographer—and lifelong Deadhead—Jay Blakesberg. This vibrant visual book offers a deep look at Dead & Company’s performances, intimate moments and fans from their epic touring years between 2015 and 2023.

The book chronicles the band’s transformative journey, showcasing hundreds of iconic images as seen through the lens of Jay Blakesberg. Blakesberg has been documenting the essence of the Grateful Dead and their musical legacy for the past 46 years. The photographs in this book bring fans closer to the energy, devotion and musical depth of Dead & Company’s legendary live shows. Curated by Ricki Blakesberg, the images document a band that continues to delight crowds on every tour.

The book beautifully captures the essence of the band, featuring founding Grateful Dead members Bob Weir (guitar and vocals), Mickey Hart (drums), and Bill Kreutzmann (drums) alongside Grammy Award-winning artist John Mayer. Also joining the lineup are Oteil Burbridge (bass), Jeff Chimenti (keyboards), and Jay Lane (drums) whose remarkable musicianship has solidified Dead & Company as one of the most beloved live bands of the past decade.

DEAD & COMPANY: RAINBOW FULL OF SOUND is more than a tribute to the music; it’s a visual celebration of the connection between the band and their loyal fanbase. Each page captures the spirit of the Dead’s legendary improvisational style, evoking the raw emotion, joy, and spontaneity that made each concert a one-of-a kind experience.

The book includes a heartfelt foreword by Mickey Hart, reflecting on the band’s journey and the resulting photographs by Blakesberg, while Jay Blakesberg’s afterword offers personal insights into his experience documenting these unforgettable moments.

From mesmerizing shots of Bob Weir and John Mayer locked in their deep and animated groove, to the rhythmic heartbeat provided by Hart and Kreutzmann, this book immortalizes the vibrant energy that made Dead & Company’s tours legendary. Fans will be transported back to the unforgettable nights, where music, community, and magic merged into something truly special as this band beyond description fired on all cylinders.

This coffee table book is a must-have for Deadheads, music lovers, and anyone who appreciates the artistry of live concert photography.

My Next Read: “Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses” by Peter Wolf

Eric Alper
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My Next Read: “Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses” by Peter Wolf

In the tradition of classic collections of observations and musings such as Christopher Isherwood’s I Am a Camera and Truman Capote’s The Dogs Bark, Waiting on the Moon is a treasure trove of vignettes from a legendary musical figure whose career spans more than six decades and is still going strong.

Peter Wolf grew up in the Bronx, a child of “fellow travelers” whose artistic inclinations influenced both his love of music and his initial desire to become a painter. Stories of his loving and sometimes eccentric parents complement scenes depicting a very young Bob Dylan as he arrived on the Greenwich Village folk scene. Reflections on Wolf’s studies in Boston—where he shared an apartment with David Lynch—are braided with accounts of first love, an untraditional literary education, and early musical influences such as Muddy Waters.

After Wolf joined the J. Geils Band as their front man and his musical fame grew, he rubbed shoulders with other notables who left significant impressions on him, including members of the Rolling Stones, Sly Stone, Tennessee Williams, Alfred Hitchcock, and Van Morrison. Wolf’s marriage to Faye Dunaway is presented in a clear yet balanced and nuanced light.

Told with gentle humor and often heart-rending poignancy, the word portraits in Waiting on the Moon provide a revealing glimpse of artists, writers, actors, and musicians as they work—the creative forces that drive them to achievement; the demons they battle; the patterns of their human relationships. They are meant to inspire not only empathy but also admiration. Like Isherwood, Wolf remains “a camera with its shutter open.”

Peter Wolf, born in the Bronx NY, became a rock ’n’ roll convert at the age of eleven after attending an Alan Freed revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, and others. Although at first, he aspired to a career as a painter and studied at the Boston Museum School of Fine Arts, he experienced a life-changing epiphany after jumping onstage with a band of fellow art students at a loft party forming one of Boston’s early rock bands, the Hallucinations.

Shortly thereafter, Wolf secured a job as an all-night DJ on the fledgling FM radio station WBCN, where he adopted the persona of the “Woofa Goofa” and spun obscure rock ’n’ roll and early rhythm and blues. His encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. In 1970 the band was signed by Jerry Wexler for Atlantic Records where they went on to release nine influential albums and earned a reputation as one of rock’s most exciting live acts. In 1979 they were signed by EMI America topping the charts world-wide with their hit songs “Freeze Frame,” “Love Stinks,” and “Centerfold.”

With the 1984 album Lights Out, Wolf began his career as a solo artist. In the ensuing years he collaborated with Aretha Franklin, Merle Haggard, John Lee Hooker, and Mick Jagger, among others. His album Sleepless was voted one of the top five hundred albums of all time by Rolling Stone. He currently tours with his band ‘The Midnight Travelers’ and will be releasing his ninth solo album in 2025. He lives and works from his home base in Boston, Massachusetts.

Unleash Creativity with the LEGO Retro Record Player

Eric Alper
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Unleash Creativity with the LEGO Retro Record Player

For kids aged 12 and up—or anyone young at heart—LEGO has hit the right note with the LEGO Retro Record Player (40699). This nostalgic build is not just a toy; it’s an invitation to explore creativity, celebrate a love for music, and create something truly unique. Packed with charming details, this set is a must-have for music lovers and retro enthusiasts alike.

The LEGO Retro Record Player is a fun and imaginative project designed to encourage creativity. Featuring 310 pieces, it’s perfect for boys and girls aged 12 and up, offering a satisfying build that’s equal parts playful and rewarding.

Music lovers will adore the authentic details this set has to offer. The buildable LP record spins, the needle moves into place, and the lid opens and closes. There’s even a movable antenna and printed tiles, including a realistic volume button tile, to bring the record player to life. Kids can role-play putting on a record and adjusting the sound, immersing themselves in the golden age of vinyl.

Once completed, this miniature record player transforms into a retro decor piece, ideal for a bedroom or music room. With its vintage design and attention to detail, it’s a statement piece that’s bound to catch attention wherever it’s displayed.

Looking for a gift that’s both creative and meaningful? This LEGO set is an ideal choice for budding DJs, musicians, and anyone who loves retro design. It’s not just for kids—adults with a passion for music and LEGO builds will appreciate its charm and craftsmanship.

When closed, the LEGO Retro Record Player measures over 1.5 inches (4 cm) high, 6 inches (16 cm) wide, and 4.5 inches (12 cm) deep, making it a compact yet eye-catching addition to any space.

Whether you’re a LEGO fan, a music lover, or someone who appreciates vintage aesthetics, the LEGO Retro Record Player (40699) is the perfect blend of creativity, nostalgia, and fun. Let your imagination spin and enjoy this delightful build today!

Genesis Detail THE LAMB LIES DOWN ON BROADWAY 50th Anniversary Super Deluxe Edition

Eric Alper
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Genesis Detail THE LAMB LIES DOWN ON BROADWAY 50th Anniversary Super Deluxe Edition

In Genesis’ incredible body of work, The Lamb Lies Down On Broadway is a landmark record. Originally released on November 22, 1974 (50 years ago this week), at the pinnacle of their early success, it came at a pivotal point in Genesis’ history. It is rated as one of the greatest albums of its era and one of the most influential progressive rock albums of all time.

The Lamb Lies Down On Broadway 50th Anniversary Super Deluxe Edition is the album’s definitive compendium, following the arc of the album’s creation and tour. With input from all of the band members involved in the record – Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett and Mike Rutherford – it comes in 5LP/Blu-Ray Audio, 4CD/Blu-Ray Audio and Digital (including Dolby ATMOS) formats, all providing a deep dive into the music and visual elements around this album and includes;

  • The original album mix, remastered at Abbey Road Studios by Miles Showell from the 1974 analog tapes.
  • A Blu-ray audio disc includes the remastered 96kHz/24-bit high-resolution audio and Dolby ATMOS mixes of the studio album done by Bob Mackenzie at Real World Studios under the supervision of Peter Gabriel and Tony Banks.
  • The Lamb Lies Down On Broadway Live At The Shrine Auditorium from January 24, 1975. It is remastered and includes two encore tracks, “Watcher of the Skies” and “The Musical Box.” This is the first time the full live show, including the encore tracks, has been released in its entirety.
  • Three never-before-released demos from the legendary Headley Grange Session included as part of a digital download card with the full audio from the set.
  • A 60-page coffee table style book with Alexis Petridis liner notes, who interviewed all five band members to tell the story of The Lamb… – from the writing sessions to live performances – which is believed to be the only time this has happened since its original release.
  • The book also features images from Armando Gallo, Richard Haines and other noted photographers. A 1975 tour program reproduction, replica ticket and poster

This 50th-anniversary Super Deluxe Edition is a true celebration of a remarkable album that embraces the groundbreaking music, giving the whole band’s insight alongside evocative imagery and unseen photos. Ultimately, it celebrates the huge magnitude of what this record is, which Alexis Petridis sums up perfectly in the opening paragraph of the liner notes…

“Perhaps it makes sense that an album as complex as The Lamb Lies Down On Broadway has an equally complex history. The saga of its making is a strange and lengthy one, involving rat-infested country houses, uncanny presentiments of the future—or at least the future of rock music—Hollywood directors, personality clashes and inflatable penises. It’s also occasionally controversial: Talking to the former members of Genesis about The Lamb…nearly half a century on, it’s hard not to be struck by the fact that they seldom agree about it. Some members of the band have said they think it’s the best album of their career. Others think of it as a brave but flawed experiment. Some people view it as the absolute apotheosis of early-’70s progressive rock: a double concept album filled with dense, intricate, ever-shifting music, featuring a plot so knotty and strange even some members of the band didn’t understand it (“Ask Peter—I’m just the drummer,” shrugged Phil Collins when a journalist quizzed him about it shortly after release) and subject to one of the most famously theatrical live presentations in rock history. Some people think it presages the arrival of punk rock. In fact, there’s every chance that The Lamb Lies Down On Broadway is all those things—flawed experiment, career highlight, prog masterpiece, weirdly prescient precursor of punk—at once, which might account for its longevity.”

Releasing March 28, 2025. PRE-ORDER HERE.

Genesis, ‘The Lamb Lies Down on Broadway 50th Anniversary Super Deluxe Edition’ Track Listing

The Lamb Lies Down on Broadway – Remastered 2024 (From the Original 1974 Tapes)
The Lamb Lies Down on Broadway
Fly on a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
Back in N.Y.C.
Hairless Heart
Counting Out Time
The Carpet Crawlers
The Chamber of 32 Doors
Lilywhite Lilith
The Waiting Room
Anyway
Here Comes the Supernatural Anaesthetist
The Lamia
Silent Sorrow in Empty Boats
The Colony of Slippermen (The Arrival · A Visit to the Doktor · Raven)
Ravine
The Light Dies Down on Broadway
Riding the Scree
In the Rapids
It

The Lamb Lies Down on Broadway – Live From the Shrine Auditorium, Los Angeles, CA (January 24, 1975)
The Lamb Lies Down on Broadway
Fly on a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
Back in N.Y.C.
Hairless Heart
Counting Out Time
The Carpet Crawlers
The Chamber of 32 Doors
Lilywhite Lilith
The Waiting Room
Anyway
Here Comes the Supernatural Anaesthetist
The Lamia
Silent Sorrow in Empty Boats
The Colony of Slippermen (The Arrival · A Visit to the Doktor · Raven)
Ravine
The Light Dies Down on Broadway
Riding the Scree
In the Rapids
It
Watcher of the Skies
The Musical Box

The Headley Grange Demos – Download Card
The Lamb Lies Down on Broadway/Fly on a Windshield (Take 1)
The Chamber of 32 Doors/The Lamia (Takes 1-2)
In the Cage [Strange Vocals] (Take 1)
Blu-ray Disc
The Lamb Lies Down on Broadway

Dolby ATMOS Mix
ATMOS Mix by Bob Mackenzie at Real World Studios
Studio Album Stereo Mix (24bit/96kHz Uncompressed Audio)
Remastered From the Original 1974 Tapes by Miles Showell at Abbey Road Studios With Assistance From Nick Davis

5 Surprising Facts About Bob Dylan’s ‘Blonde on Blonde’

Eric Alper
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5 Surprising Facts About Bob Dylan’s ‘Blonde on Blonde’

When it comes to iconic albums, Bob Dylan’s Blonde on Blonde is a milestone not just in his career but in the history of music. Released as a double album on June 20, 1966, it was a daring, genre-defining work that married rock and roll with poetic lyricism. While its reputation as one of the greatest albums of all time is well-earned, there are still mysteries and tidbits that even die-hard fans may not know. Here are five lesser-known facts that make Blonde on Blonde even more fascinating.

1. The Mysterious Album Release Date

For decades, fans and historians alike celebrated May 16, 1966, as the official release date of Blonde on Blonde. However, the true date—unearthed years later—was actually June 20, 1966. This discrepancy arose partly because of conflicting promotional materials and misreported timelines. The confusion is fitting for an album as layered and enigmatic as Dylan’s music itself!

2. An Unplanned Album Cover

The iconic blurred cover photo of Blonde on Blonde wasn’t a carefully curated artistic decision—it was a happy accident. Photographer Jerry Schatzberg captured Dylan outside in the cold, and the blur was simply the result of an unsteady camera and shivering hands. Dylan loved the imperfection, seeing it as a metaphor for the hazy, dreamlike quality of the album.

3. The Nashville Sessions Were a Gamble

Dylan’s frustration with his New York recording sessions was palpable. Only one song from the New York recordings made it onto the album: “One of Us Must Know (Sooner or Later).” Producer Bob Johnston suggested moving to Nashville—a bold choice that paid off. The expertise of Nashville’s session musicians infused the album with its distinctive sound, blending Dylan’s lyrical genius with the precision of country rock instrumentation.

4. A Historic Double Album Feat

While double albums are now common, Blonde on Blonde was a trailblazer. It’s widely regarded as rock’s first double album by a major artist. Dylan’s wealth of material made this format essential, showcasing a breadth of creativity that couldn’t be contained within a single LP.

5. The Evolution of “Sad Eyed Lady of the Lowlands”

Clocking in at over 11 minutes, “Sad Eyed Lady of the Lowlands” was not only groundbreaking in length but also in its improvisational creation. Dylan spent eight hours writing the song in the studio while the musicians played cards and waited for him. What emerged was a sprawling, hypnotic tribute to his wife, Sara Lownds, capturing the album’s romantic and surreal essence.

Blonde on Blonde remains a marvel, not just for its music but for the stories and mysteries surrounding its creation. From blurred album covers to misreported release dates, these lesser-known facts add new dimensions to our understanding of Dylan’s masterpiece. Whether you’re hearing it for the first or hundredth time, this is an album that keeps revealing itself—just like Dylan’s ever-evolving artistry. So, what’s your favorite track from Blonde on Blonde? Let us know in the comments!

Sam Fender Announces ‘People Watching’ North American Tour

Eric Alper
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Sam Fender Announces ‘People Watching’ North American Tour

If Sam Fender’s debut album, 2019’s Hypersonic Missiles, introduced a smart, streetwise young British songwriter with a penchant for euphoric, hard-hitting guitar anthems, it was 2021’s peerless Seventeen Going Under that sent the Newcastle artist stratospheric.

An acute observer who turns the mirror not only on the streets that he grew up walking, but to himself too, the record was a tough-talking but tender account of Fender’s childhood and finding his feet in the North-East of England. It’s also a classic coming-of-age story, marrying relatable family themes and broken friendships with colossal choruses.

The album’s subsequent success took Fender across the globe, playing to bigger rooms and wider stages. And having been invited to support the likes of Bruce Springsteen, Rolling Stones, and Neil Young, Sam has since become not only an effortless festival headliner in his own right, but a stadium one as well.

Seventeen Going Under reaped a clutch of awards, including BRITs, NMEs, an Ivor Novello, and a prestigious Mercury Prize nomination too.

In February 2025, Sam Fender releases his third album, People Watching. Now solidified as one of Britain’s most accomplished songwriters of his generation and the next, if Seventeen Going Under was Sam’s “coming of age” record, People Watching is his next step forward – colourful stories and observations of everyday characters living their everyday, but often extraordinary, lives.

SAM FENDER TOUR
02 Dec 24 Dublin 3Arena
04 Dec 24 Leeds First Direct Arena
06 Dec 24 Manchester Co-Op Live
07 Dec 24 Manchester Co-Op Live
10 Dec 24 London The O2
12 Dec 24 London The O2
13 Dec 24 Birmingham Utilita Arena
16 Dec 24 Glasgow Ovo Hydro
17 Dec 24 Glasgow OVO Hydro
20 Dec 24 Newcastle Utilita Arena
11 Feb 25 New York Webster Hall
04 Mar 25 Paris Olympia
05 Mar 25 Tilburg 013 Poppodium
08 Mar 25 Zurich Halle 622
10 Mar 25 Cologne Palladium
12 Mar 25 Munich Zenith
13 Mar 25 Bergamo ChorusLife Arena
16 Mar 25 Berlin Uber Eats Music Hall
18 Mar 25 Amsterdam Afas Live
19 Mar 25 Brussels Forest National
05 Apr 25 Vancouver Thunderbird Sports Centre
07 Apr 25 Seattle The Paramount Theatre
09 Apr 25 Portland Roseland Theater
11 Apr 25 Oakland Fox Theater
21 Apr 25 Tempe Marquee Theatre
23 Apr 25 Salt Lake City The Union Event Center
24 Apr 25 Denver The Fillmore
05 Jul 25 Festivalpark Rock Werchter

R.E.M. performing ‘Shiny Happy People’ during SNL rehearsals in 1991

Eric Alper
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R.E.M. performing ‘Shiny Happy People’ during SNL rehearsals in 1991

R.E.M.’s “Shiny Happy People” is the ultimate feel-good anthem that makes you want to dance, laugh, and hug your friends all at once, and the band even gave off the vibes during their rehearsals on Saturday Night Live. Featuring the infectious vocals of Kate Pierson from The B-52’s, this 1991 hit from the Out Of Time blockbuster album proved that even alternative rock can sparkle with pure joy.

Peach Pit and Briston Maroney Announce 2025 ‘Long Hair, Long Life’ Co-Headline Tour

Eric Alper
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Peach Pit and Briston Maroney Announce 2025 ‘Long Hair, Long Life’ Co-Headline Tour

Today, Peach Pit and Briston Maroney announced their 2025 Long Hair, Long Life co-headline tour across North America. Produced by Live Nation, the 25-date run kicks off on Tuesday, May 20 in Philadelphia, PA at The Met, with additional stops in New York, Chicago, Los Angeles, Austin, Charlotte and more before wrapping up on Thursday, June 28 in Toronto, ON at Budweiser Stage. Indie rock band Bnny will join both bands on all dates.

Tickets will be available starting with artist presales beginning Wednesday, November 20 at 10am local time. Additional presales will run throughout the week ahead of the general onsale beginning Thursday, November 21 at 12pm local at livenation.com.

Peach Pit’s most recent album Magpie was released last month via Columbia Records, and in the first week found itself amongst the top 10 selling vinyl albums. The LP is a masterclass in expansive arrangement and deeply felt songwriting—a winning formula that only continues the incredible trajectory the band’s been on since their star-making debut EP Sweet FA in 2016. The eleven songs captured on Magpie find the quartet—lead singer Neil Smith, guitarist Chris Vanderkooy, bassist Peter Wilton, and drummer Mikey Pascuzzi—diving deeper into classic sounds while honing a musical style that entirely feels like their own.  Known for their legendary live show, featuring plenty of stage diving and guitar solos, Magpie captures a glimpse of that same energy.

Of the tour, Smith quips “We couldn’t be more excited for this upcoming 2025 NA tour with our good friend Briston Maroney. It’s our biggest tour ever and we’re playing some really crazy venues, places like Red Rocks in Colorado that I honestly never really thought were in the cards for us. It freaks me out that we somehow managed to go from rehearsing in Chris’ bedroom ten years ago to venues like The Greek in LA and Pier 17 in New York. 2014 Peach Pit would be tripping out right now😵‍💫”

Ahead of the Long Hair, Long Life tour, Peach Pit will be touring Australia, New Zealand, Europe, and The UK.

Over the course of the last year and half, Briston Maroney solidified his place in both the indie & folk music scenes with the release of his sophomore album, Ultrapure. Briston calls the album, produced by Daniel Tashian, his “humble, unqualified, and earnest as hell attempt” at understanding the feelings that make up the human experience. Following Ultrapure’s release, Maroney embarked on an extensive world tour, captivating audiences at sold out headline shows across North America and Europe and appearing at notable festivals, including Lollapalooza, Osheaga, and All things Go. To close out the year, Maroney released three singles “I Told You So”, “Skydiver”, and “Monday” and launched the third annual Paradise Festival in Nashville, which played this past weekend. With plans for new music in 2025, there is nothing but excitement for the Long Hair, Long Life tour.

Peach Pit has become a standout in indie rock, known for their ability to craft songs that are both sonically rich and emotionally resonant. Since their 2016 debut Sweet FA, the Vancouver-based band—lead singer Neil Smith, guitarist Chris Vanderkooy, bassist Peter Wilton, and drummer Mikey Pascuzzi—have continuously evolved, expanding their sound while staying true to the heartfelt songwriting that first captured listeners’ attention. Their previous albums, You and Your Friends (2020) and From 2 to 3 (2022), saw the band honing their blend of introspective lyrics and dreamy, guitar-driven arrangements, incorporating elements of psychedelia and classic pop. With Magpie, Peach Pit takes this evolution further, infusing their signature indie-rock style with even more expansive, kaleidoscopic arrangements and raw emotional depth. The album reflects both personal growth and artistic exploration, drawing inspiration from a wide range of musical influences while embracing the duality of life’s choices, challenges, and moments of reflection. The energy on Peach Pit’s Magpie is also the closest the band has ever come to capturing the essence of their legendary live show. Selling out nearly every headline show they’ve ever played, the band has also graced the bills of festivals such as Lollapalooza, Shaky Knees Festival, Bonnaroo, Osheaga, and played numerous sold-out tours in the US, Canada, Australia and Europe.

After a childhood spent between Tennessee and Florida, 26-year-old singer, songwriter, and multi-instrumentalist Briston Maroney settled in Nashville — cutting his teeth playing house shows and winning over fans one living room at a time, which led Maroney to his first record deal with Atlantic Records.

In 2018, Maroney released Carnival, his debut EP, which spurned the RIAA Platinum-certified single “Freakin’ Out On The Interstate.” Additional EPs Indiana and Miracle followed, before Maroney unveiled his debut full-length album, Sunflower, in April of 2021 accompanied by a visual album directed by long-time collaborator Joey Brodnax. 2022 saw Maroney embark on his first sold out headline tour and the release of new singles include: “Paradise”, “Oregon”, and “Harvard”.

2023 marked Maroney’s release of his sophomore album Ultrapure. Produced by 2x GRAMMY-winner Daniel Tashian (Kacey Musgraves) and engineered by Konrad Snyder (Noah Kahan, Rainbow Kitten Surprise), the 13-track LP was crafted in Maroney’s adopted hometown of Nashville, TN and showcases the artist playing every instrument.

On the live front, Ultrapure led to sold-out headline tour dates featuring multiple nights in iconic clubs across the US, Canada, UK, and Europe, including Webster Hall in New York, the 9:30 Club in Washington DC, and Scala in London, UK.  Maroney has also secured opening slots for Vance Joy & Noah Kahan; festival appearances from Lollapalooza to Osheaga to All Things Go, and the announcement of his 3rd annual ‘Paradise Festival,’ a three-night celebration of his adopted hometown (now an annual event set to return to Nashville each fall).

Maroney’s catalog has amassed over 700 million global streams across all platforms and he has made his television debuts on CBS Saturday Morning and Jimmy Kimmel Live!

LONG HAIR, LONG LIFE 2025 TOUR DATES:
Tue May 20 – Philadelphia PA – The Met
Thu May 22 – New York NY – The Rooftop at Pier 17
Sun May 25 – Sterling Heights MI – Michigan Lottery Amphitheatre at Freedom Hill
Mon May 26 – Indianapolis IN – Everwise Amphitheater at White River State Park
Wed May 28 – Milwaukee WI – BMO Pavilion
Thu May 29 – Chicago IL – Huntington Bank Pavilion at Northerly Island
Fri May 30 – Minneapolis MN – The Armory
Wed Jun 01 – Morrison CO – Red Rocks Amphitheatre
Tue Jun 03 – Sandy UT – Sandy Amphitheater
Thu Jun 05 – Woodinville WA – Chateau Ste. Michelle
Fri Jun 06 – Burnaby BC – Deer Lake Park
Sat Jun 07 – Troutdale OR – McMenamins Edgefield
Tue Jun 10 – San Francisco CA – Bill Graham Civic Auditorium
Wed Jun 11 – Los Angeles CA – Greek Theatre
Fri Jun 13 – San Diego CA – Park at the Park – Petco Park
Sat Jun 14 – Phoenix AZ – Arizona Financial Theatre
Mon Jun 16 – Austin TX – Moody Amphitheater
Tue Jun 17 – Dallas TX – South Side Ballroom
Wed Jun 18 – Houston TX – 713 Music Hall
Fri Jun 20 – Atlanta GA – Cadence Bank Amphitheatre at Chastain Park
Sat Jun 21 – Charlotte NC – Skyla Credit Union Amphitheatre
Sun Jun 22 – Washington D.C. – The Anthem
Tue Jun 24 – Boston MA – MGM Music Hall at Fenway
Wed Jun 25 – Shelburne VT – The Green at Shelburne Museum
Thu Jun 26 – Toronto ON – Budweiser Stage

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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