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Steve Aoki, Dim Mak, and SoundCloud Launch #AOKIChallenge to Discover Emerging Music Producers

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Today, 2X GRAMMY-nominated artist Steve Aoki, in partnership with his renowned label Dim Mak Records and artist-first platform SoundCloud, is excited to announce the #AOKIChallenge. This initiative invites SoundCloud’s creator community to upload their original tracks using the hashtag #AOKIChallenge for a chance to have their music selected and released as an official single on Dim Mak Records. Submission link HERE.

The initiative provides emerging producers with a unique platform to showcase their talent and gain exposure through one of the most influential independent record labels in the world. Steve Aoki and his Dim Mak team will personally review all submissions and select one track that best aligns with the label’s cutting-edge sound. The winning track will be released as an official Dim Mak single and debut exclusively on SoundCloud.

Key Dates for the #AOKIChallenge:

  • October 3: #AOKIChallenge opens for submissions. 
  • October 29: Final submission deadline. Aspiring producers are encouraged to submit their original tracks before this date to be considered.

During the first week of December, Steve Aoki will participate in a special recording of SoundCloud’s Sound Advice program. This episode will recap the #AOKIChallenge, highlight Dim Mak’s commitment to discovering new talent, and promote the chosen artist’s work.

“SoundCloud has always been at the forefront of discovering and supporting emerging artists,” Steve Aoki shares. “Through the #AOKIChallenge, we’re excited to provide a platform for producers to share their music with the world, and I can’t wait to see what the SoundCloud community brings to the table.”

Founded in 2007, SoundCloud is an artist-first platform that empowers creators to build and grow their careers through cutting-edge tools, services, and resources. With over 400 million tracks from 40 million artists, SoundCloud continues to be a leading destination for music discovery and fan engagement.

Counting nearly 3 billion music streams to his name, Steve Aoki is a true visionary. Billboard described the 2x-GRAMMY-nominated music producer, artist, fashion designer, entrepreneur, NFT futurist, and Dim Mak Records founder as “one of the most in-demand entertainers in the world.” A Guinness World Record holder for the “Most Traveled Musician in a Single Calendar Year,” Aoki has performed at nearly every top festival around the world, including Coachella, Ultra Music Festival, Lollapalooza, Fuji Rock Festival, Tomorrowland, and Electric Daisy Carnival. Aoki also graced recent covers of Entrepreneur Magazine, Success Magazine, Electronic Musician, and Adweek as their “Visionary of the Year.”

As a globally successful cross-genre solo artist, Aoki has collaborated with an impressive list of varied artists, including BTS, Maluma, Snoop Dogg, Linkin Park, blink-182, One Direction’s Louis Tomlinson, Machine Gun Kelly, Lil Uzi Vert, 2 Chainz and Daddy Yankee, on top of having released three Platinum singles, six Gold singles, and over ten Top 10 radio records.

Aoki approaches each new endeavor with the same sense of dedication he’s put into his past achievements, including the Grammy-nominated Netflix documentary I’ll Sleep When I’m Dead (2016) and his memoir BLUE: The Color of Noise (2019). In 2012, he also founded THE AOKI FOUNDATION to support organizations in brain science and its research. His influential record label Dim Mak, which celebrated its 25th anniversary in 2021, is known for being a launching pad for the careers of prominent acts like Bloc Party, The Chainsmokers, Bloody Beetroots, The Kills, Zedd, and Diplo.

Kylie Minogue Announces North American Dates For Global 2025 Tension Tour

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Today, Kylie Minogue announces North American dates for her highly anticipated ‘Tension Tour’ for 2025, which will see the global icon perform in cities across the world and is set to be Kylie’s biggest tour since 2011. The North American leg will begin in Toronto, Canada on March 29 at Scotiabank Arena and go on to make stops in New York at Madison Square Garden, Austinat Moody Center, Miami at Kaseya Center, Los Angeles at Crypto.com Arena and more.

American Express is providing access to Amex Presale Tickets™ including VIP packages, available for Card Members to purchase before the general public beginning Tuesday, October 8 at 10am local through Thursday, October 10 at 10pm local (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access across the arts, theater, sports and music through Amex Experiences. Terms apply.

Artist presale begins Wednesday, October 9 at 10am and fans can sign up now for early access to the artist presale at www.kylie.com. Tickets go on sale to the general public Friday, October 11 at 10am local.

A limited number of VIP packages will also be available to the general public starting on Wednesday, October 9 at 10am local. These exclusive offers can include VIP priority check-in and entrance, dedicated ‘Fast Lane’ for VIP merchandising shopping, VIP merchandise tour packs with commemorative VIP tour lanyard and laminate, and special invite to the official VIP Hospitality Lounge.

After opening in Kylie’s home country, Australia, the world tour will head into Asia and reach the UK in May. More countries and dates to be announced over the coming weeks including Europe and South America.

Kylie said: “I am beyond excited to announce the TENSION TOUR 2025. I can’t wait to share beautiful and wild moments with fans all over the world, celebrating the Tension era and more! It’s been an exhilarating ride so far and now, get ready for your close up because I will be calling Lights, Camera, Action … and there will be a whole lot of Padaming!”

‘Tension Tour’ 2025 North American Dates:
March 29 – Scotiabank Arena – Toronto, ON
March 30 – Bell Centre – Montreal, QC
April 2 – Allstate Arena – Chicago, IL
April 4 – Madison Square Garden – New York, NY
April 8 – Capital One Arena – Washington, DC
April 9 – TD Garden – Boston, MA
April 11 – State Farm Arena – Atlanta, GA
April 13 – Kia Center – Orlando, FL
April 14 – Kaseya Center – Miami, FL
April 17 – Moody Center – Austin, TX
April 19 – Footprint Center – Phoenix, AZ
April 22 – Chase Center – San Francisco, CA
April 25 – Climate Pledge Arena – Seattle, WA
April 26 – Pacific Coliseum – Vancouver, BC
April 29 – Ball Arena – Denver, CO
May 2 – Crypto.com Arena – Los Angeles, CA

Tension II – a brand new collection of 13 songs – will be released on October 18 via BMG and is available to pre-order here. Lead single from the new collection “Lights Camera Action” is out now. The high energy, high octane sequel to the Number 1 album and global smash Tension, sees Kylie head further into the electronic space. Packed full of dance floor anthems, the record includes nine brand new Kylie studio tracks plus the latest dance hit “Edge of Saturday Night” with The Blessed Madonna as well as the collaborations with Orville PeckBebe Rexha and Tove Lo, and Sia. Kylie said: “The Tension era has been so special to me … I can’t possibly let it be over just yet! Welcome to ‘Tension II’.”

2024 has already seen Kylie take home the Global Icon Award at the BRITs, win the Best Pop Dance Recording Grammy for the smash hit, ‘Padam Padam’, attend the Met Gala, complete her inaugural Las Vegas Residency, perform at WeHo Pride and release a series of high profile collaborations. July saw Kylie perform an awe-inspiring and critically lauded headline show at London’s BST Hyde Park. Described by The Guardian as “a glorious celebration of pop perfection” (5*) and by Metro as “outrageously good” (5*), Rolling Stone’s 5* review said: “This pop queen’s London takeover proves her unchallengeable place atop the throne remains perfectly intact.” Kylie released her Number 1 album ‘Tension’ in September 2023 which has now surpassed 500,000 sales worldwide and nearing half a billion streams.

Tension II Tracklisting:
1. Lights Camera Action
2. Taboo
3. Someone For Me
4. Good As Gone
5. Kiss Bang Bang
6. Diamonds
7. Hello
8. Dance To The Music
9. Shoulda Left Ya
10. Edge Of Saturday Night (with The Blessed Madonna)
11. My Oh My (with Bebe Rexha & Tove Lo)
12. Midnight Ride (with Orville Peck & Diplo)
13. Dance Alone (with Sia)

Yo Gabba GabbaLand! Original Soundtrack Out On Vinyl & CD December 6th

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Today it has been announced that the Season 1 soundtrack for Yo Gabba GabbaLand!, the much-anticipated revival of the Emmy-nominated cultural phenomenon Yo Gabba Gabba!, will be coming to vinyl and CD on December 6th via BMG, following the recent premiere of the first season of the series on Apple TV+.

The digital soundtrack, which dropped August 9th, has already been covered by the likes of Rolling Stone, Billboard, Stereogum and more for featuring Anderson .Paak, Portugal. The Man, Thundercat, mxmtoon, Local Natives, Lucius, Kurt Vile, Betty Who, Twin Shadow, Ty Segall, The Linda Lindas, Big Daddy Kane, Claud, Cory Wong and Antwaun Stanley, Dayglow, Miyavi, Paul Williams, Prestyn Smith, Reggie Watts, ROMderful, The Drums, and The Interrupters. It’s a perfect reminder why Yo Gabba Gabba! is beloved by parents and children.

“We couldn’t be more excited to bring more Gabba to the world! Music has always been the heart and soul of Yo Gabba Gabba!, and Yo Gabba GabbaLand! is no different,” said Scott Schultz & Christian Jacobs, co-creators and Executive Producers of Yo Gabba GabbaLand!. “The amazing amount of support and interest from the music community we’ve had all these years later fills us with so much joy—it’s going to be so much fun to pass that energy on to kids, families, and existing Gabba fans. With amazing guest artists like Anderson .Paak,  Thundercat and The Linda Lindas, the talent lineup for Yo Gabba GabbaLand! is basically our dream list of collaborators. Hope you’re ready to dancey dance – because this soundtrack is one giant celebration of awesomeness!”

 

 

Track Listing For “Yo Gabba GabbaLand! Season 1 Soundtrack”

  1. “Yo Gabba GabbaLand! Theme” (w/ Kammy Kam)
  2. “We’re All Connected” (w/ Anderson .Paak)
  3. “Yo Gabba GabbaLand!” (Yo Gabba Gabba!)
  4. “Animals Are Sleeping” (w/ Ty Segall)
  5. “Let’s Get Creative” (w/ Twin Shadow)
  6. “Art Party” (w/ Portugal. The Man & Paul Williams)
  7. “We Are What We Think We Are” (w/ Dayglow)
  8. “I’m So Happy to Be Little” (w/ The Linda Lindas)
  9. “Air Is Everywhere” (w/ Local Natives)
  10. “I Am The Wind” (w/ Betty Who)
  11. “The Water Song” (w/ ROMderful)
  12. “Let’s Drink Water” (w/ Miyavi)
  13. “Come and Play” (w/ Claud)
  14. “Many Sounds, One Band” (w/ Cory Wong and Antwaun Stanley)
  15. “The Beat of the Day” (w/ Big Daddy Kane)
  16. “Outside” (w/ Prestyn Smith)
  17. “The Orange Cat’s Special Time Outdoors” (w/ Thundercat)
  18. “Silly in the Rain” (w/ Lucius)
  19. “King Silly March” (w/ Kurt Vile)
  20. “The Beat of the Day” (w/ Reggie Watts)
  21. “Grow With Me” (w/ Miyavi)
  22. “Ch-Ch-Change” (w/ The Drums)
  23. “I Wonder” (Yo Gabba Gabba!)
  24. “I Wonder Why” (w/ mxmtoon}
  25. “Wonderful Day in a Wonderful Place” (w/ The Interrupters)
  26. “Yo Gabba GabbaLand! Outro” (Yo Gabba Gabba!)

Bruce Springsteen And The E Street Band Add New European Tour Dates For 2025

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Bruce Springsteen and The E Street Band have expanded their 2025 European tour run, adding eight new shows to previously-rescheduled dates in Marseille, Prague and Milan. Beginning on May 17 in Manchester, each of the just-added performances will bring Springsteen and The E Street Band to cities they haven’t yet played in 2023-2024 — with new shows planned across England, France, Germany and Spain. On recent tours of Europe, the band has been deemed “a spectacle of unadulterated joy and human connectedness” (The Telegraph) and “the greatest show on earth” (Billboard) — while “reminding us … no one does it better” (The Times). Tickets will go on sale starting with Lille on Oct. 7. A full list of performances and on-sale times are below.

The announcement of new 2025 tour dates arrives shortly before the release of “Road Diary: Bruce Springsteen and The E Street Band,” a Thom Zimny-directed film coming to Hulu and Disney+ on Oct. 25. Offering the most in-depth look ever at the creation of Springsteen and The E Street Band’s legendary live performances, the official trailer for “Road Diary” was released last week and can be previewed at BruceSpringsteen.net. This month, the band will also travel to Canada for eight more shows beginning on Oct. 31 in Montreal and running through Nov. 22 in Vancouver — which will mark their 114th total show since returning to the road in 2023. They wrapped their most recent U.S. tour with a Sept. 15 homecoming in Asbury Park, NJ — headlining Sea.Hear.Now for “an already legendary live set” (Variety) called “one of the greatest post-reunion shows in Springsteen history” (Rolling Stone).

Credit: Rob DeMartin

Credit: Rob DeMartin

Credit: Rob DeMartin

Bruce Springsteen and The E Street Band 2025 European Tour Dates

May 17 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk

May 20 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk

May 24 – Lille, France – Stade Pierre Mauroy – On-sale: Oct. 7 at 10am CEST (4am ET) gdp.fr/en

May 31- Marseille, France – Orange Velodrome (rescheduled from May 25, 2024) gdp.fr/en

June 4 – Liverpool, England – Anfield Stadium – On-sale: Oct. 11 at 10am BST (5am ET) ticketmaster.co.uk

June 11 – Berlin, Germany – Olympiastadion – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 15 – Prague, Czech Republic – Airport Letnany (rescheduled from May 28, 2024) ticketmaster.cz

June 18 – Frankfurt, Germany – Deutsche Bank Park – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 21 – San Sebastian, Spain – Estadio Reale Arena (Anoeta) – On-sale: Oct. 8 at 10am CEST (4am ET)  doctormusic.com/ entradas.com/

June 27 – Gelsenkirchen, Germany – Veltins Arena – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 30 – Milan, Italy – San Siro Stadium (rescheduled from June 1, 2024) ticketmaster.it

July 3 – Milan, Italy – San Siro Stadium (rescheduled from June 3, 2024) ticketmaster.it

 

Upcoming 2024 Canadian Tour Dates

Oct. 31 – Montreal, Quebec – Centre Bell

Nov. 3 – Toronto, Ontario – Scotiabank Arena

Nov. 6 – Toronto, Ontario – Scotiabank Arena

Nov. 9 – Ottawa, Ontario – Canadian Tire Centre

Nov. 13 – Winnipeg, Manitoba – Canada Life Centre

Nov. 16 – Calgary, Alberta – Scotiabank Saddledome

Nov. 19 – Edmonton, Alberta – Rogers Place

Nov. 22 – Vancouver, British Columbia – Rogers Arena

Qobuz Launches Studio Student To Make High Quality Music Streaming More Accessible To Younger Generations

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Qobuz, the French pioneer of high-quality music streaming, launches Studio Student, a brand new offer aimed at students who are passionate about music and top-notch sound. Enrolled students ranging from 18 to 25 years old will be able to access Qobuz’ complete offerings at the discounted rate of $4.99 per month, allowing savings of more than 60% compared to the standard subscription.

Qobuz, the music streaming alternative for young music lovers and audiophiles

Studio Student opens the door to a rich and diverse catalog of over 100 million titles in uncompressed, straight from the studio sound quality (lossless) across all genres, from rock to hip-hop, electronic to indie, jazz, classical, funk, world, folk, and more. Subscribers benefit from unparalleled audio quality, ranging from FLAC 16-bit/44.1 kHz (CD quality) to 24-Bit/192 kHz (high-resolution), plus expert editorial content, diving deep into artists, genres, labels, and more.

Qobuz Magazine, built into the app, offers hand-picked music selections from a team of music experts, in-depth editorial content including music news, top weekly releases, human-curated playlists, album reviews, and artist interviews allowing for constant new music discovery, and total immersion into a universe for music enthusiasts.

Key components of the advantageous offer include:

  • One month free trial to discover the Qobuz difference
  • No commitment, freedom for students to change their mind
  • 60% in savings compared to standard subscription
  • High quality streaming of over 100 million tracks
  • Qobuz Magazine: exclusive content to deepen your musical knowledge and complement your listening experience
  • Easy, quick, and free import of playlists from other platforms using Soundiiz
  • Hand-picked, human-curated featured releases and playlists allowing for a more personal experience, reminiscent of going to a record store

 

Qobuz, committed to authentic listening, respectful of musical creation

In a streaming market dominated by international giants, Qobuz stands out for its commitment to sound quality and respect for artists and their work. The French platform has established itself as the reference point for audiophiles and music lovers in search of an authentic listening experience.

“We get tons of requests from students who are looking for a discounted offer, and we are finally able to offer one. Our best-in-class music streaming service appeals to dedicated music listeners of all ages, and the new Student Studio plan makes it even more accessible to a wider range of consumers,” says Dan Mackta, Managing Director of North America and Northern Europe.

How to take advantage of the Studio Student offer?

  1. Go to qobuz.com/store-router/music/streaming/offers/studentstarting on October 1st, 2024.
  2. Create your account and confirm your student status with our simple verification process.
  3. Enjoy your free 30-day trial immediately with over 100 million high-quality tracks available to stream immediately.

The subscription is exclusively available on the Qobuz website for a maximum duration of two years, starting from the date of registration.

5 Fun Facts About Stevie Wonder’s ‘Songs in the Key of Life’

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Stevie Wonder’s Songs in the Key of Life is a landmark in the history of music—a double album packed with timeless hits, social commentary, and personal reflection. Released in 1976, it remains one of the most critically acclaimed albums of all time. But beyond its undeniable brilliance, there are some fascinating, lesser-known facts about its creation and influence.

1. It Almost Didn’t Happen

Before Stevie Wonder began working on Songs in the Key of Life, he was contemplating a very different path. In 1975, Wonder considered leaving the music industry entirely and moving to Ghana to work with children with disabilities. Frustrated with the U.S. political climate, Wonder had even started planning a farewell concert. Thankfully for fans, he reconsidered, and instead of retiring, he signed what was at the time the biggest recording contract in history—$13 million upfront and full creative control for seven albums over seven years.

2. The Album’s Delayed Release Came with T-Shirts

While fans eagerly awaited Songs in the Key of Life, the release was delayed multiple times. The original release was set for late 1975, but Wonder kept extending the deadline to perfect the album, working through endless remixes. To keep the buzz alive, Motown launched a quirky marketing campaign, printing “We’re almost finished” T-shirts as a playful nod to the delays. The anticipation only fueled the album’s success when it finally dropped in September 1976.

3. Over 130 Musicians Contributed

Though Stevie Wonder played most of the instruments himself on Songs in the Key of Life, he still had a vast array of collaborators. A total of 130 people contributed to the album, including some of the most revered musicians of the time. Jazz legend Herbie Hancock played on the song “As,” and guitar virtuoso George Benson lent his talents to “Another Star.” But perhaps the most intriguing collaborator was Michael Sembello, who played guitar on several tracks and co-wrote “Saturn” with Wonder. Sembello would later find solo fame with his hit “Maniac” from Flashdance, but his early career was marked by his work on this historic album.

4. “Isn’t She Lovely” Was Never Released as a Single

Though “Isn’t She Lovely” became one of Stevie Wonder’s most beloved songs, it was never officially released as a single in the U.S. Wonder initially intended for the song to stay a personal celebration of his daughter Aisha’s birth, complete with baby sounds at the start. Despite not being a single, the track received massive radio airplay and has since become a classic. David Parton’s cover of the song even made it to the top 10 in the UK charts.

5. Paul Simon Thanked Stevie for Not Releasing an Album the Previous Year

At the 18th Grammy Awards in 1976, Paul Simon accepted the award for Album of the Year for Still Crazy After All These Years and made a lighthearted joke in his speech. Simon quipped, “I’d like to thank Stevie Wonder for not releasing an album this year.” The joke reflected Wonder’s dominance at the Grammys, as he had won the same award two years in a row for Innervisions and Fulfillingness’ First Finale. The very next year, Wonder returned to the Grammy stage, taking home the award for Songs in the Key of Life.

Shoemaker Levee Whips Up a Rockin’ Exit Strategy on “Planning Our Escape”

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There are moments when life tells us it’s time to get up and get out—even if the departure we’re being nudged into is simply a withdrawal from our own outmoded patterns of thought and behaviour.

That’s the personal exodus Toronto alt-rock band Shoemaker Levee is describing on their current single, “Planning Our Escape.” Like a collective Moses leading the way out of a wilderness of malaise, the group issues an impassioned call to leave the spiritual doldrums behind and head straight for something more edifying and enlightened. Something better.

Some days you’re chasing stones
Dazed, amazed, resigned to walk alone
I’m waking it up, I’m waking it up
I’m planning to escape
Out past the ransacked minds
Shaken awake

“You reach a point in your life where you’re forced to face yourself and the choices you’ve made,” the band says. “And you can either let them define you, or you can decide to put a concerted effort into shaping how you want to live the rest of your life.”

For further specifics, the group points to the lyric “I can’t sleep at night/ Because I read the words between the lines,” which they say is “a statement about realizing that a lot is going on under the surface of what we see and read daily.” In other words, you can’t get where you need to go without first lifting the veil that’s been covering your eyes.

None of which is to suggest that “Planning Our Escape” is a stuffy self-help exercise. Far from it, the song advances its motivational sentiments within a musical context that’s fully invigorating and captivating on its own terms. Vocalist/guitarist Kevin Rogers Cobus establishes a mood of introspection and reflection that’s soon blown into the stratosphere by the arrival of some simply massive guitar chords from him and lead axeman Dave Broadhead. As exhortations to free your mind to go, this one is irresistibly catchy and commercial—even with the incorporation of a bridge that relies on some unorthodox, almost jazz-like chord changes that initially threw some of the group’s own fans for a loop. But once they heard what those changes were resolving into, “Everything made sense,” the group relates happily. “And that was indeed what we were going for.”

Though it’s only now being released in a recorded version, “Planning Our Escape” was one of the first songs the band wrote when they returned seven years ago from an extended hiatus, and with a slightly retooled lineup. (In addition to Cobus and Broadhead, the unit is rounded out by bassist Matt Brown and drummer Dwayne Cardoso). First formed in 1998 in their native Newmarket, Shoemaker Levee had been forced to go on an extended leave in 2004 that ended up lasting nearly 12 years due to everything from work and family commitments to far more serious challenges like cancer and addiction.

One upside of that long absence was that they were able to stockpile an estimated five albums’ worth of material, which they’re only now in the process of sharing with the world. The musical data dump began with the well-received long-players Phase of the Days and Another Round, and it continues with their brand-new Between the Lines, a 10-song opus that furthers the group’s reputation for anthemic, introspective rock that has its roots in everything from classical to progressive to alternative to folk. The influences on display are legion and represent some of the band’s collective favourites, including The Tragically Hip, Led Zeppelin, Rage Against the Machine, Nine Inch Nails and Iron Maiden. You can absolutely hear the latter in the interwoven guitar lines that close out “Planning Our Escape,” which the group says symbolize “how our journeys are in part walked alone, in part together.”

The new album was previewed by first single “Hinterlands,” which caused quite a stir when it dropped back in June. The track broke 1,000 streams within a 7-day period and became Shoemaker Levee’s first single to reach over 6,000 streams on Spotify. It also landed in the top 10 on radio stations as far afield as the UK, Australia and Mexico. “Planning Our Escape” is already shaping up to be an even bigger hit, having registered more than 1,500 Spotify listens within its first week of release.
Excitement for the record is at a fever pitch as the band continues its nonstop gigging around the Toronto area and beyond. Engagements at the Schomberg Mug Run and on the Gull Lake Rotary Park barge (to open the Tall Pines Music & Arts Festival) have added to a rich live legacy that has in the past seen the group leave its indelible mark on prestigious venues like the El Mocambo, Supermarket, The Reverb, The Opera House, The Horseshoe Tavern, Lee’s Palace and the Rivoli.

In the process, they’ve racked up some pretty impressive honours. Shoemaker Levee have won the Steam Whistle Indie Music Series, achieved second place at the Ticket to Tall Pines Festival contest (in both 2023 and 2024) and headlined the 2023 Gussapolooza Music Festival. Community-minded to the end, they continue to support initiatives like the York Pridefest in Newmarket and the Annual Terry Fox Run in Toronto.

Like their records, their current live shows are allowing them to draw on their thick repertoire of originals both old and new—and, thanks to the versatility and collaborative spirit of the current lineup, something that’s a little bit of both.

“Some of our songs are revitalized versions of songs that were written over 20 years ago, and the lyrics still fit what’s happening today,” they declare with a mixture of wonder and plain old artistic relief.

Then again, who doesn’t need a good escape plan now and then? With all apologies to the Terminator, come with Shoemaker Levee if you want to really live.

Acclaimed Singer/Songwriter Francine Honey Announces Retirement From The Road, Clears The Decks For ‘Rockets In My Boots, Vol II’

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A feeling of transition emanates from every note of musical treasure in Francine Honey’s focus single, “Unfinished Business.” And that’s totally appropriate for an artist who’s in the midst of taking stock of her past while charting a bold change in her career trajectory, including announcing her retirement from the road and concentrating on the studio.

Inspired by a dream Honey once had of a timeless love in a canyon, the song explores the themes of destiny, choice and possibilities. But its implications are significantly more personal than that. Her musical vision conjures up memories of relationships that ended badly and finds her wondering if she would ever be find real love. Picturesque lyrical images of canyon dust filling the air and white smoke “rising up in prayer” contribute to an eerie Western gothic in which those ghost riders in the sky may be specters of a now-painful past—or guides into a promising unknown. The song sticks with you long after the final chord has been struck, leaving a sensation of wistful hopefulness that’s the perfect metaphor for where Honey now finds herself as an artist.

“Unfinished Business” is the final track on Rockets in My Boots, Vol II, a mix of new songs and re-recorded gems from Honey’s illustrious catalog. The album marks the second installment in a three-part career retrospective/musical biography she’s been working on since 2018 with Grammy-nominated producer Neilson Hubbard at Skinny Elephant Recording Studios in Nashville, Tennessee. The rewards have already been rich: With the project barely at the halfway mark, she’s won the 2023/2024 Songwriter of the Year Award by the Austin Songwriters Group International, seen the song “Stay” place as a top 10 finalist in the 2018 International Songwriting Competition and been nominated for Best International Female Artist of 2024 by Radio Wigwam in the UK.

Those are just a handful of the triumphs that have been racked up over the years by this internationally acclaimed singer/songwriter, multi-instrumentalist, independent recording artist and record and video producer, who has earned the deep respect of listeners and peers alike for her ability to seamlessly blend genres like Americana, alt-country, folk and blues. A songwriter since childhood, she’s a graduate of the Berklee College of Music’s Professional Singer-Songwriter Certificate Program and has honed her craft under the guidance of some of her idols in Nashville. Since 2008, she’s released a string of acclaimed singles and albums, from her self-produced debut An Ordinary Woman to 2019’s Take Me to the North Pole, which Rolling Stone hailed as one of the top 50 Christmas albums of the year. Three years later, her collection I Carry On drew rave reviews and secured top chart positions in Canada and London UK, while also earning accolades in various songwriting contests. Her ability to straddle not only genres but languages has netted her regular airplay on stations like SiriusXM CBC Franco Country with singles like “Chez mon oncle Lucien” and “Floçons de neiges sur mes cils.”

Making music her full-time gig was clearly a wise move for Honey, who had initially pursued a career in Mathematics and Computer Science that had her working as a Project Manager for the Canadian Federal Government. Along the way, she also had to shoulder the responsibility of raising a family as a single mother.

But even when you think you’ve streamlined your personal path, life sometimes forces you to narrow it even further. As of this year, Honey has elected to retire from touring and concentrate exclusively on her studio efforts. That decision sprang from a variety of factors, from the harsh financial realities of the road to a need to prioritize her mental health. Those are concerns all too familiar to today’s musicians—especially ones of the indie stripe—who may want to look to Honey as an example of how to survive in a drastically reconfiguring landscape.

The good news for all of them is that Honey has plenty of other exciting avenues to explore. (Saying farewell to the stage didn’t exactly extinguish the Beatles’ career, now did it?) She’s already fielding invitations to write and record for the film. And she maintains a very active fan community online, thanks to her widely viewed livestreams. Mostly, though, she’s finding herself energized by the opportunity to focus fully on creating music from the studio, a shift she anticipates will bring a new, even more introspective dimension to her work.

There’s plenty of wind in those sails already. In 2024, Honey was invited to join the prestigious, Austin-Texas-based Next Level Music Group, which has given her the chance to write alongside some of Nashville’s top hitmakers. Meanwhile, during her mammoth Rockets in My Boots retrospective project, she also found time to record a new, 10-song album—live off the floor—in Austin with co-producer Gabriel Rhodes (who co-wrote seven of the tracks). The album, A Place in Time, will be previewed in November by the release of a holiday-themed single, “Christmas, What Took You.”

“I just want to keep going, writing and producing remarkable songs,” Honey says. “I am a songwriter and storyteller. I know I’ll do this the rest of my life. This is my legacy, helping people through life one song at a time.”

Katie Ditschun Tugs at Heartstrings with Tender Single “In Your Arms”

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Whether it’s work-related or relationship-related, temporary or permanent, losing someone near to you affects you. And adult contemporary singer Katie Ditschun has exemplified that feeling of loneliness with the gorgeous, reflective “In Your Arms.” It’s a song she delivers with a tenderness and fragility that makes you take note of those you’re missing and need to touch or touch base with again.

“‘In Your Arms’ is a song for anyone who is having a hard time because they’re missing someone dear to them,” Ditschun, now based in Alexandria, Ontario, says. “They may be physically absent, or perhaps emotionally absent. They’re not where or who they were before. ‘In Your Arms’ captures that sense of deep longing to regain what has been lost.”

The song features a beautiful, sincere, and spine-tingling delivery by Ditschun accompanied by her piano styling. Meanwhile, guitarist Justin Duhaime provides subtle guitar work on “In Your Arms,” which is fleshed out by bassist Norman Glaude and drummer Valeriy Nehovora. It’s a single that brings to mind the work of legends like Carole King, Carly Simon, and Sarah McLachlan and delivers a powerful feeling in a lyrically economical fashion. It’s a perfect adult contemporary pop song about a timeless, universal topic.

Woke up this morning, sun on my face
Your voice echoing all over the place
My head on the pillow, you whisper in my ear
That’s kinda funny, cause you’re not here

And I’m wondering where you are
And I’m hoping you’re not far

“When I wrote ‘In Your Arms’ I was in a place of deep grief,” Ditschun says of the song she co-produced with Normand Glaude. “My world had changed. I felt alone and wanted relief from that grief. The metaphor of being held once more by the person who could make all these worries, and all that strife fade communicated this feeling perfectly. While this song is about missing someone, it carries a message of hope. The person in this song is both alone and lonely, but they have the comfort of their memories and hope that they won’t stay alone and lonely forever.”

Ditschun also says “In Your Arms” touches on the feeling of hoping to turn back time or wanting to “press a reset button and make it all go back to the way it used to be.” Judging by how clear and concise the message is in the song, it’s apparent that those feelings of longing will immediately come to the fore in the listener’s mind.

Ditschun, who has a video for “In Your Arms,” says she aspired to write the single “with the purpose of breaking your heart!” The single, recorded, mixed and mastered at Morning Anthem Studio in Cumberland, Ontario, is the lead single from her EP entitled There Will Be Flowers which will be released in parts.

A graduate of the Berklee College of Music who released her debut album Spare Skirt in 2018, Ditschun says “In Your Arms” contains a “nakedness” and “unmistakable vulnerability” she wanted in the song. “‘In Your Arms’ is not for the weak of heart,” she says. “And playing it live, I’ve seen it break people’s hearts, right in front of me.”

It’s a single that emotionally, vocally, and musically will leave you realizing that absence indeed makes the heart grow fonder.

Indigenous Blues Musician D.M. Lafortune Celebrates 25th Anniversary of ‘Beauty and Hard Times’ Album With Harrowing Single “Where Are All The Children?”

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Toronto Indigenous Blues artist D.M. Lafortune continues to revisit her stellar Beauty and Hard Times album with the latest single “Where Are All The Children?” It’s a song which is wide-ranging, universal and addresses the injustices, wars and conflicts from the Middle East to Central America and beyond. But it also speaks to the tragedy involving Canadian residential schools and the horrific abuse indigenous children suffered in such institutions.

Many miles from home, we are taught in your fine schools
Where the history books are a weapon, not a tool
In many voices, we try to understand what has come upon this land
Many good-intentioned Christians tell us children you must listen or they kill us
With their kindness in God’s name, they terrorize us

“Where Are All The Children?,” written by Lafortune and found on the forthcoming 25th anniversary remastered version of Beauty and Hard Times, is a narrative in the vein of early Bob Dylan, a winding story which speaks to moments in history where people endured trials and tribulations at the hands of those in power, be it governments or a country’s military or organized religion. Bombings, shootings and terrorism is not a world for any children to live in. Above all, the song reminds us that all of us at one point or another were children. So, it’s imperative to “stop raising children to kill.”

Led by Lafortune’s powerful delivery, the song has a lovely slow-gallop feeling to it thanks to drummer Rob Greenaway and percussionist Rick Lazar. Bassist Bryant Didier and keyboardist/accordionist Denis Keldie accent the song’s core perfectly. Guitarist Neil Chapman, who has known and collaborated with Lafortune for over 50 years, provides some gorgeous electric guitar solos as Lafortune speaks about the “madmen who will never tire.”

Lafortune, who has performed the song at various events and venues including Toronto’s Free Times Cafe, saw the album lauded by Indigenous outlet Windspeaker. The publication described the album in 2013 as “an overall musical masterpiece that will demand you listen to it over and over before you truly comprehend how good it really is.” The original issuing of the record also resulted in the Maple Blues Society awarding her a Harry Hibbs Award for Perseverance in Music and Songwriting.

Reared by a white family after being taken away from her Indigenous mother, Lafortune endured a troubling childhood, which makes material such as “Where Are All The Children?” so authentic and persuasive from its vivid beginning to its sobering, haunting conclusion. A 2015 video for the song released by Lafortune captures the lyrical vivid through residential schools, the Oka crisis, the 1954 coup in Guatemala, Wounded Knee and Hiroshima among others, “illustrating the global reach of humanity’s inhumanity.”

Although 25 years old, a politically and socially relevant song such as “Where Are All The Children?” is bound to find a new audience given the current geo-political situation. It’s a passionate track concerning universal injustice.